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Author : Robert Doran
Publisher : Cambridge University Press
Page : 329 pages
File Size : 48,8 Mb
Release : 2015-07-16
Category : Art
ISBN : 9781107101531
The first in-depth treatment of the major theories of the sublime from Longinus to Kant.
Author : Robert Doran
Publisher : Cambridge University Press
Page : 329 pages
File Size : 44,7 Mb
Release : 2017-02-23
Category : Art
ISBN : 9781107499157
The first in-depth treatment of the major theories of the sublime from Longinus to Kant.
Author : Emily Brady
Publisher : Cambridge University Press
Page : 241 pages
File Size : 44,6 Mb
Release : 2013-08-12
Category : Philosophy
ISBN : 9781107276260
In The Sublime in Modern Philosophy: Aesthetics, Ethics, and Nature, Emily Brady takes a fresh look at the sublime and shows why it endures as a meaningful concept in contemporary philosophy. In a reassessment of historical approaches, the first part of the book identifies the scope and value of the sublime in eighteenth-century philosophy (with a focus on Kant), nineteenth-century philosophy and Romanticism, and early wilderness aesthetics. The second part examines the sublime's contemporary significance through its relationship to the arts; its position with respect to other aesthetic categories involving mixed or negative emotions, such as tragedy; and its place in environmental aesthetics and ethics. Far from being an outmoded concept, Brady argues that the sublime is a distinctive aesthetic category which reveals an important, if sometimes challenging, aesthetic-moral relationship with the natural world.
Author : Louis Wirth Marvick
Publisher : SUNY Press
Page : 254 pages
File Size : 50,7 Mb
Release : 1986-01-01
Category : Literary Criticism
ISBN : 0887062784
In this groundbreaking study, Louis W. Marvick develops a literary criterion for the quality known as "the sublime," considered as the expression of an attitude towards the ideal--an attitude composed of irony and enthusiasm in varying proportions. The author examines the various theories of the sublime and traces the development of the concept from a rhetorical device to an experience of spiritual insight derived from the genius of the artist. The book covers all of the major discussions of the concept, from Longinus, Johnson, Dennis, Burke, and Kant, up to Mallarme. Kant's structural model of the sublime moment is translated into terms suitable for literary analysis. This leads to a meticulous examination of Mallarme's use of the word sublime in his prose writings and the ways in which Mallarme's understanding of the term resembles and diverges from that of his predecessors. This comparative procedure affords an insight into the nature both of Mallarme's literary achievement and of the sublime experience in general.
Author : Timothy M. Costelloe
Publisher : Cambridge University Press
Page : 319 pages
File Size : 48,6 Mb
Release : 2012-07-30
Category : History
ISBN : 9780521143677
This volume offers readers a unique and comprehensive overview of different theoretical and interdisciplinary perspectives on 'the sublime'.
Author : Philip Shaw
Publisher : Routledge
Page : 179 pages
File Size : 51,6 Mb
Release : 2007-01-24
Category : Language Arts & Disciplines
ISBN : 9781134493197
Often labelled as ‘indescribable’, the sublime is a term that has been debated for centuries amongst writers, artists, philosophers and theorists. Usually related to ideas of the great, the awe-inspiring and the overpowering, the sublime has become a complex yet crucial concept in many disciplines. Offering historical overviews and explanations, Philip Shaw looks at: the legacy of the earliest, classical theories of the sublime through the romantic to the postmodern and avant-garde sublimity the major theorists of the sublime such as Kant, Burke, Lyotard, Derrida, Lacan and Zizek, offering critical introductions to each the significance of the concept through a range of literary readings including the Old and New testaments, Homer, Milton and writing from the romantic era how the concept of the sublime has affected other art forms such as painting and film, from abstract expressionism to David Lynch’s neo-noir. This remarkably clear study of what is, in essence, a term which evades definition, is essential reading for students of literature, critical and cultural theory.
Author : James I. Porter
Publisher : Cambridge University Press
Page : 713 pages
File Size : 48,5 Mb
Release : 2016-03-07
Category : History
ISBN : 9781107037472
Detailed new account of the historical emergence and conceptual reach of the sublime both before and after Longinus.
Author : Paul Crowther
Publisher : Clarendon Press
Page : 186 pages
File Size : 42,9 Mb
Release : 1989-07-27
Category : Philosophy
ISBN : 9780191520037
In recent years Kant's aesthetic theory has been the subject of a widespread revival of interest amongst English-speaking philosophers. This revival, however, has not so far encompassed Kant's aesthetic of the sublime. This neglect is unfortunate because, amongst Continental philosophers, the Kantian sublime is currently receiving widespread discussion in debates about the nature of postmodernism. Paul Crowther thus breaks new ground by providing what is probably the first monograph in any language to be devoted exclusively to Kant's theory of the sublime.
Author : Kant/Goldthwait
Publisher : Unknown
Page : 0 pages
File Size : 53,7 Mb
Release : 2004
Category : PHILOSOPHY
ISBN : 0520352807
When originally published in 1960, this was the first complete English translation since 1799 of Kant's early work on aesthetics. More literary than philosophical, Observations shows Kant as a man of feeling rather than the dry thinker he often seemed to readers of the three Critiques.
Author : Barbara Claire Freeman
Publisher : Univ of California Press
Page : 215 pages
File Size : 40,6 Mb
Release : 2023-04-28
Category : Fiction
ISBN : 9780520919099
The Feminine Sublime provides a new and startling insight into the modes and devices employed in the creation of women's fiction since the eighteenth century. Barbara Claire Freeman argues that traditional theorizations of the sublime depend upon unexamined assumptions about femininity and sexual difference, and that the sublime could not exist without misogynistic constructions of "the feminine." Taking this as her starting point, Freeman suggests that the "other sublime" that comes into view from this new perspective not only offers a crucial way to approach representations of excess in women's fiction, but allows us to envision other modes of writing the sublime. Freeman reconsiders Longinus, Burke, Kant, Weiskel, Hertz, and Derrida while also engaging a wide range of women's fiction, including novels by Chopin, Morrison, Rhys, Shelley, and Wharton. Addressing the coincident rise of the novel and concept of the sublime in eighteenth-century European culture, Freeman allies the articulation of sublime experience with questions of agency and passion in modern and contemporary women's fiction. Arguments that have seemed merely to explain the sublime also functioned to evaluate, domesticate, and ultimately exclude an otherness that is almost always gendered as feminine. Freeman explores the ways in which fiction by American and British women, mainly of the twentieth century, responds to and redefines what the tradition has called "the sublime."
Author : Immanuel Kant
Publisher : Good Press
Page : 318 pages
File Size : 40,7 Mb
Release : 2024-01-09
Category : Philosophy
ISBN : EAN:8596547805052
The Critique of Judgment, also translated as the Critique of the Power of Judgment and more commonly referred to as the third Critique, is a philosophical work by Immanuel Kant. Critique of Judgment completes the Critical project begun in the Critique of Pure Reason and the Critique of Practical Reason (the first and second Critiques, respectively). The book is divided into two main sections: the Critique of Aesthetic Judgment and the Critique of Teleological Judgment, and also includes a large overview of the entirety of Kant's Critical system, arranged in its final form. The end result of Kant's Critical Project is that there are certain fundamental antinomies in human Reason, most particularly that there is a complete inability to favor on the one hand the argument that all behavior and thought is determined by external causes, and on the other that there is an actual "spontaneous" causal principle at work in human behavior. Immanuel Kant (1724-1804) was a German philosopher, who, according to the Stanford Encyclopedia of Philosophy is "the central figure of modern philosophy." Kant argued that fundamental concepts of the human mind structure human experience, that reason is the source of morality, that aesthetics arises from a faculty of disinterested judgment, that space and time are forms of our understanding, and that the world as it is "in-itself" is unknowable. Kant took himself to have effected a Copernican revolution in philosophy, akin to Copernicus' reversal of the age-old belief that the sun revolved around the earth.
Author : Longinus,William Smith
Publisher : Unknown
Page : 236 pages
File Size : 43,8 Mb
Release : 1819
Category : Aesthetics
ISBN : UVA:X000372108
Author : Jean-François Courtine
Publisher : SUNY Press
Page : 268 pages
File Size : 49,9 Mb
Release : 1993-01-01
Category : Philosophy
ISBN : 0791413799
Today, the sublime has again become the focus of sustained reconsideration, but now for its epistemological and ontological--or presentational--aspects. As an unmasterable excess of beauty, the sublime marks the limits of representational thinking. These essays will be indispensable reading for anyone whose work is concerned with the sublime or, more generally, with the limits of representation, including philosophers, literary scholars and art historians.
Author : Thomas Weiskel
Publisher : JHU Press
Page : 273 pages
File Size : 44,9 Mb
Release : 2019-12-01
Category : Literary Criticism
ISBN : 9781421436159
Originally published in 1976. In The Romantic Sublime Thomas Weiskel investigates the concept of the sublime in the poetry of English Romantic writers. His work infuses elements of structuralism and psychological thought in his attempt to describe and demystify the sublime experience—or, in his words, to "desublimate the sublime." In doing so, he demonstrates that the sublime is largely mystified, and he contrasts those with faith in the awesomeness of sublimation and those who remain skeptical of the sublime's mystifying power. In working to demystify the sublime, Weiskel emphasizes the task of intelligence by assigning morality and intellect the value of mistrust in sublimation.
Author : Michael J. Shapiro
Publisher : Duke University Press Books
Page : 0 pages
File Size : 50,8 Mb
Release : 2018-03-15
Category : Philosophy
ISBN : 0822370336
In The Political Sublime Michael J. Shapiro formulates an original politics of aesthetics through an analysis of the experience of the sublime. Turning away from Kant's analysis of the sublime experience as a validation of the existence of a universal common sense, Shapiro draws on Deleuze, Lyotard, and Rancière to show how incomprehensible events and dilemmas provide openings for new political formations. He approaches the sublime through a range of artistic and cultural texts that address social crises and natural disasters, from the writing of James Baldwin and Ta-Nehisi Coates to the films of Ingmar Bergman and Spike Lee; these works suggest ways to channel the disruptive effects of the sublime into resistance to authority and innovative political initiative. Whether stemming from the threat of nuclear annihilation or the aftermath of an earthquake, the violence of racism and terrorism or the devastation of industrialism, sublime experience, Shapiro contends, allows for a rethinking of events in ways that reveal, redistribute, and create conditions of possibility for alternative communities of sense.