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Edited, with introduction and notes, by C. Hugh Holman Contents: exerpts from The story of a nove. --Look homeward angel. --Of time and the river. --From death to morning. --The web and the rock. --You can't go home again. --The hills beyond. --Death.
DigiCat Publishing presents to you this special edition of "The Web and the Rock" by Thomas Wolfe. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
A portrait of an American novelist examining the forces of his life that were intertwined with his writing and the academic and literary worlds of which he was a part.
Tom Wolfe's The Purple Decades brings together the author's own selections from his list of critically acclaimed publications, including the complete text of Mau-Mauing and the Flak Catchers, his account of the wild games the poverty program encouraged minority groups to play.
You Can't Go Home Again is a novel by Thomas Wolfe published posthumously in 1940. The novel tells the story of George Webber, a fledgling author, who writes a book that makes frequent references to his home town of Libya Hill. The book is a national success but the residents of the town, unhappy with what they view as Webber's distorted depiction of them, send the author menacing letters and death threats. (Wikipedia).
The Complete Short Stories Of Thomas Wolfe by Thomas Wolfe Pdf
These fifty-eight stories make up the most thorough collection of Thomas Wolfe's short fiction to date, spanning the breadth of the author's career, from the uninhibited young writer who penned "The Train and the City" to his mature, sobering account of a terrible lynching in "The Child by Tiger". Thirty-five of these stories have never before been collected. Lightning Print On Demand Title
From "America's nerviest journalist" (Newsweek)--a breath-taking epic, a magnificent adventure story, and an investigation into the true heroism and courage of the first Americans to conquer space. "Tom Wolfe at his very best" (The New York Times Book Review) Millions of words have poured forth about man's trip to the moon, but until now few people have had a sense of the most engrossing side of the adventure; namely, what went on in the minds of the astronauts themselves - in space, on the moon, and even during certain odysseys on earth. It is this, the inner life of the astronauts, that Tom Wolfe describes with his almost uncanny empathetic powers, that made The Right Stuff a classic.
Only yesterday boys and girls spoke of embracing and kissing (necking) as getting to first base. Second base was deep kissing, plus groping and fondling this and that. Third base was oral sex. Home plate was going all the way. That was yesterday. Here in the Year 2000 we can forget about necking. Today's girls and boys have never heard of anything that dainty. Today first base is deep kissing, now known as tonsil hockey, plus groping and fondling this and that. Second base is oral sex. Third base is going all the way. Home plate is being introduced by name. And how rarely our hooked-up boys and girls are introduced by name!-as Tom Wolfe has discovered from a survey of girls' File-o-Fax diaries, to cite but one of Hooking Up's displays of his famed reporting prowess. Wolfe ranges from coast to coast chronicling everything from the sexual manners and mores of teenagers... to fundamental changes in the way human beings now regard themselves thanks to the hot new field of genetics and neuroscience. . . to the inner workings of television's magazine-show sting operations. Printed here in its entirety is "Ambush at Fort Bragg," a novella about sting TV in which Wolfe prefigured with eerie accuracy three cases of scandal and betrayal that would soon explode in the press. A second piece of fiction, "U. R. Here," the story of a New York artist who triumphs precisely because of his total lack of talent, gives us a case history preparing us for Wolfe's forecast ("My Three Stooges," "The Invisible Artist") of radical changes about to sweep the arts in America. As an espresso after so much full-bodied twenty-first-century fare, we get a trip to Memory Mall. Reprinted here for the first time are Wolfe's two articles about The New Yorker magazine and its editor, William Shawn, which ignited one of the great firestorms of twentieth-century journalism. Wolfe's afterword about it all is in itself a delicious draught of an intoxicating era, the Twistin' Sixties. In sum, here is Tom Wolfe at the height of his powers as reporter, novelist, sociologist, memoirist, and-to paraphrase what Balzac called himself-the very secretary of American society in the 21st century.
Maudlin challenges much of the existing biographical material on the writer and offers a fresh view on the final years of his life. Through the utilization of primary and secondary sources including letters, interviews, recordings, and newspaper clippings, Mauldin offers a candid account of the life of Thomas Wolfe from the time of his visit to North Carolina in 1937 until his untimely death in 1938. Mauldin chronicles details of Wolfe's shocking change in publishers and his complex relationships with his editors, family, friends, and his mistress. This examination goes beyond Wolfe's life and extends into the period after his death, revealing details about the reaction of family and friends to the passing of this literary legend, as well as the cavalierpublishing practices of his posthumous editors. Mauldin's narrative is unique from other biographical accounts of Thomas Wolfe in that it focuses solely on the final years in the life of the author.
George Webber has written a successful novel about his family and hometown. When he returns to that town, he is shaken by the force of outrage and hatred that greets him. Family and lifelong friends feel naked and exposed by what they have seen in his books, and their fury drives him from his home. Outcast, George Webber begins a search for his own identity. It takes him to New York and a hectic social whirl; to Paris with an uninhibited group of expatriates; to Berlin, lying cold and sinister under Hitler's shadow.
The maestro storyteller and reporter provocatively argues that what we think we know about speech and human evolution is wrong. Tom Wolfe, whose legend began in journalism, takes us on an eye-opening journey that is sure to arouse widespread debate. The Kingdom of Speech is a captivating, paradigm-shifting argument that speech -- not evolution -- is responsible for humanity's complex societies and achievements. From Alfred Russel Wallace, the Englishman who beat Darwin to the theory of natural selection but later renounced it, and through the controversial work of modern-day anthropologist Daniel Everett, who defies the current wisdom that language is hard-wired in humans, Wolfe examines the solemn, long-faced, laugh-out-loud zig-zags of Darwinism, old and Neo, and finds it irrelevant here in the Kingdom of Speech.
Vintage Tom Wolfe, The Bonfire of the Vanities, the #1 bestseller that will forever define late-twentieth-century New York style. "No one has portrayed New York Society this accurately and devastatingly since Edith Wharton" (The National Review) “A page-turner . . . Brilliant high comedy.” (The New Republic) Sherman McCoy, the central figure of Tom Wolfe's first novel, is a young investment banker with a fourteen-room apartment in Manhattan. When he is involved in a freak accident in the Bronx, prosecutors, politicians, the press, the police, the clergy, and assorted hustlers high and low close in on him, licking their chops and giving us a gargantuan helping of the human comedy, of New York in the 1980s, a city boiling over with racial and ethnic hostilities and burning with the itch to Grab It Now. Wolfe's novel is a big, panoramic story of the metropolis that reinforces the author's reputation as the foremost chronicler of the way we live in America. Adapted to film in 1990 by director Brian De Palma, the movie stars Tom Hanks, Bruce Willis, Melanie Griffith, and Morgan Freeman.
This is a story that no one else could tell. It tells how Thomas Wolfe and Robert Raynolds happened to meet, how they became friends, and how their friendship grew, survived a crisis, and continued until the death of Thomas Wolfe. "We met in the city," says Raynolds, "but Tom and I were both mountain-born and small-town bred; we were more at home with cows and rattlesnakes than with subways and city slickers, and we were very much at home with one another." The story is told with understanding, with humor, and with compassion. Robert Raynolds began writing it in 1942—four years after the death of his friend and companion novelist—and finished it twenty-three years later, in 1965. It is a responsible and considered memoir in honor of human friendship, and it brings the vivid character of Thomas Wolfe directly into the presence of the reader. The story is full of daily portraits of Thomas Wolfe. What did he look like in his room, pacing the floor, or writing? How did he appear on the streets of Brooklyn or Manhattan, day or night? Or walking in the morning in a pine forest, or running his hand gently over a block of marble in an abandoned quarry, or tramping fields of snow after midnight? What was it like to eat with him at night in New York, or at noon in a Vermont farmhouse, or at breakfast in a home made lively by the laughter and play of children? He was shy. "Why don't you find me a nice little wife?" he would ask Mrs. Raynolds. He was emotional, often speaking in the style of his writing: "And the whistle-wail of the great train. . ." He was profound, brooding after his break with his first publishers: could a man who had left a friend as he had left Maxwell Perkins ever be a "righteous man" again? This is a story of the plain and real Thomas Wolfe, of his human goodness, his bone-deep weariness in labor, his sudden joy in being understood and loved by a fellow man. And this is the story of how Robert Raynolds honored the grace of being a friend of Thomas Wolfe.
A big, panoramic story of the new America, as told by our master chronicler of the way we live now. As a police launch speeds across Miami's Biscayne Bay -- with officer Nestor Camacho on board -- Tom Wolfe is off and running. Into the feverous landscape of the city, he introduces the Cuban mayor, the black police chief, a wanna-go-muckraking young journalist and his Yale-marinated editor; an Anglo sex-addiction psychiatrist and his Latina nurse by day, loin lock by night-until lately, the love of Nestor's life; a refined, and oh-so-light-skinned young woman from Haiti and her Creole-spouting, black-gang-banger-stylin' little brother; a billionaire porn addict, crack dealers in the 'hoods, "de-skilled" conceptual artists at the Miami Art Basel Fair, "spectators" at the annual Biscayne Bay regatta looking only for that night's orgy, yenta-heavy ex-New Yorkers at an "Active Adult" condo, and a nest of shady Russians. Based on the same sort of detailed, on-scene, high-energy reporting that powered Tom Wolfe's previous bestselling novels, Back to Blood is another brilliant, spot-on, scrupulous, and often hilarious reckoning with our times.