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The Three Ravens and Other Ballads by Suzanne Guldimann Pdf
A collection of 34 English and Scottish ballads arranged for harp. The ballads date from the fifteenth through the nineteenth centuries, and range from the well known to the rare and unusual. They can be played on a lap harp with a range of just two and a half octaves, or on larger harps. They can also be played on flute, violin, guitar, or any melody instrument. The book includes lyrics, historical notes, and illustrations. The pieces are in the key of C, or in sharp keys. All of the pieces include fingerings and chord symbols.
The English and Scottish Popular Ballads by Francis James Child Pdf
The rich field of English balladry was virgin territory before Francis James Child entered it. The few published ballad editions that existed were unreliable, filled with unacknowledged editorial changes and distortions of the original manuscripts. Professor Child compiled all the extant ballads with all known variants, and made them available for the first time — together with his invaluable commentary that prefaces each work — in a single source that maintained absolute fidelity to the original texts. Published between 1882 and 1898, the original ten-part study became the definitive collection of popular ballads in the English language, never to be superceded. To this day, scholars and devotees speak of "The Child Ballads" with the awe and respect generated by few other literary works. Volume 1: Parts I and II of the original set, ballads 1-53 including "Edward," "Lord Randal," "Tam Lin," "Lady Isabel and the Elf-Knight," "Earl Brand," "Thomas Rymer," more. Biographical sketch of Child by Prof. Kittredge, Child's portrait, additions and corrections.
The Traditional Tunes of the Child Ballads, Volume 1 by Bertrand Harris Bronson Pdf
This is the musical counterpart to the famous Francis James Child collection of English and Scottish ballads from the 13th to the 19th centuries. Professor Child's canon established the texts; Professor Bronson’s work provides both tunes and texts. Originally published in 1959. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
The Singing Tradition of Child's Popular Ballads. (Abridgement) by Bertrand Harris Bronson Pdf
Francis James Child's English and Scottish Popular Ballads, published in ten parts from 1882 to 1898, contained the texts and variants of 305 extant themes written down between the thirteenth and nineteenth centuries. Unsurpassed in its presentation of texts, this exhaustive collection devoted little attention to the ballad music, a want that was filled by Bertrand Harris Bronson in his four volume Traditional Tunes of the Child Ballads. The present book is an abridged, one-volume edition of that work, setting forth music and text for proven examples of oral tradition, with a new comprehensive introduction. Its convenient format makes readily available to students and scholars the materials for a study of the Child ballads as they have been preserved in the British-American singing tradition. Originally published in 1977. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Songs of the West by F. W. Bussell,S. Baring-Gould,H. Fleetwood Sheppard Pdf
This is a collection of folk songs from the West of England, specifically Devon and Cornwall. The songs were collected from the mouths of the people by various authors, including F. W. Bussell, S. Baring-Gould, and H. Fleetwood Sheppard, and edited by Cecil J. Sharp. The book includes a wide range of songs on various themes, including love, work, and local legends and traditions of the West of England. Some of the songs are well-known, such as "John Barleycorn" and "Widdicombe Fair," while others are more obscure.
Acclaimed poet and critic Maureen N. McLane offers an experimental work of criticism ranging across Romantic and contemporary poetry. In My Poetics, Maureen N. McLane writes as a poet, critic, theorist, and scholar—but above all as an impassioned reader. Written in an innovative, conversable style, McLane’s essays illuminate her own poetics and suggest more generally all that poetics can encompass. Ranging widely from romantic-era odes and hymns to anonymous ballads to haikus and haibuns to modernist and contemporary poetries in English, My Poetics explores poems as speculative instruments and as ways of registering our very sense of being alive. McLane pursues a number of open questions: How do poems generate modes for thinking? How does rhyme help us measure out thought? What is the relation of poetry to its surroundings, and how do specific poems activate that relation? If, as Wallace Stevens wrote, “poetry is the scholar’s art,” My Poetics flies under a slightly different banner: study and criticism are also the poet’s art. Punctuated with McLane’s poems and drawing variously on Hannah Arendt, Percy Bysshe Shelley, Roland Barthes, Bruno Latour, and other writers and poets, My Poetics is a formally as well as intellectually adventurous work. Its artful arrangement of readings and divagations shows us a way to be with poems and poetics.
Author : Susan Stewart Publisher : University of Chicago Press Page : 472 pages File Size : 47,9 Mb Release : 2002-01-20 Category : Literary Criticism ISBN : 0226774139
Poetry and the Fate of the Senses by Susan Stewart Pdf
What is the role of the senses in the creation and reception of poetry? How does poetry carry on the long tradition of making experience and suffering understood by others? With Poetry and the Fate of the Senses, Susan Stewart traces the path of the aesthetic in search of an explanation for the role of poetry in culture. Herself an acclaimed poet, Stewart not only brings the intelligence of a critic to the question of poetry, but the insight of a practitioner as well. Her new study includes close discussions of poems by Stevens, Hopkins, Keats, Hardy, Bishop, and Traherne, of the sense of vertigo in Baroque and Romantic works, and of the rich tradition of nocturnes in visual, musical, and verbal art. Ultimately, she argues that poetry can counter the denigration of the senses in contemporary life and can expand our imagination of the range of human expression. Poetry and the Fate of the Senses won the 2004 Truman Capote Award for Literary Criticism in Memory of Newton Arvin, administered for the Truman Capote Estate by the University of Iowa Writers' Workshop. It also won the Phi Beta Kappa Society's 2002 Christian Gauss Award for Literary Criticism.
Author : John Jacob Niles Publisher : University Press of Kentucky Page : 400 pages File Size : 50,7 Mb Release : 2014-10-17 Category : Music ISBN : 9780813157849
The Ballad Book of John Jacob Niles by John Jacob Niles Pdf
A legend in the folk music community, John Jacob Niles enjoyed a lengthy career as a balladeer, folk collector, and songwriter. Ever close to his Kentucky roots, he spent much of his adulthood searching for the most well-loved songs of the southern Appalachia. The Ballad Book of John Jacob Niles brings together a wealth of songs with the stories that inspired them, arranged by a gifted performer. This new edition includes all of the melodies, text, commentary, and illustrations of the 1961 original and features a new introduction by Ron Pen, director of the John Jacob Niles Center for American Music at the University of Kentucky.
Victorian Songhunters is a pioneering history of the rediscovery of vernacular song—street songs that have entered oral tradition and have been passed from generation to generation—in England during the late Georgian and Victorian eras. In the nineteenth century there were four main types of vernacular song: ballads, folk lyrics, occupational songs, and national songs. The discovery, collecting, editing, and publishing of all four varieties are examined in the book, and over seventy-five selected examples are given for illustrative purposes. Key concepts, such as traditional balladry, broadside balladry, folksong, and national song, are analyzed, as well as the complicated relationship between print and oral tradition and the different methodological approaches to ballad and song editing. Organized chronologically, Victorian Songhunters sketches the history of English song collecting from its beginnings in the mid-seventeenth century; focuses on the work of important individual collectors and editors, such as William Chappell, Francis J. Child, and John Broadwood; examines the growth of regional collecting in various counties throughout England; and demonstrates the considerable efforts of two important Victorian institutions, the Percy Society and its successor, the Ballad Society. The appendixes contain discussions on interpreting songs, an assessment of relevant secondary sources, and a bibliography and alphabetical song list. Author E. David Gregory provides a solid foundation for the scholarly study of balladry and folksong, and makes a significant contribution to our understanding of Victorian intellectual and cultural life.
First published in 2002. It is easy to see that we are living in a time of rapid and radical social change. New Accents is intended as a positive response to the initiative offered by such a situation. Each volume in the series will seek to encourage rather than resist the process of change, to stretch rather than reinforce the boundaries that currently define literature and its academic study. This study presents insights into poetry as discourse ooking at language, conventual literary theory, and then a detailed look at the iambic pentameter, ballads in English Poetry, looking at Shakespeare's Sonnet 73. Also included is commentary on transparency looking at Pope's The Rape of the Lock, and Romanticism in the Preface to the Lyrical Ballads and Wordworth's Tintern Abbey. Before ending on the future of poetry there is also a section on the Modernism of T.S. Eliot and Ezra Pound.
"Winner of the North Carolina Society of Historians Award Jane Hicks Gentry lived her entire life in the remote, mountainous northwest corner of North Carolina and was descended from old Appalachian families in which singing and storytelling were part of everyday life. Gentry took this tradition to heart, and her legacy includes ballads, songs, stories, and riddles. Smith provides a full biography of this vibrant woman and the tradition into which she was born, presenting seventy of Gentry's songs and fifteen of the "Jack" tales she learned from her grandfather. When Englishman Cecil Sharp traveled through the South gathering material for his famous English Folk Songs from the Southern Appalachians, his most generous informant was Jane Hicks Gentry. But despite her importance in Sharp's collection, Gentry has remained only a name on his pages. Now Betty Smith, herself a folksinger, brings to life this remarkable artist and her songs and tales.
