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The Toronto Quarterly- Issue One by Darryl Salach Pdf
The first issue of The Toronto Quarterly has poetry from John Dorsey, Desi Di Nardo, A.D. Winans, R.D. Armstrong, Melanie Pierluigi, Penn Kemp, Jim Johnstone, Sandy Pool, Rosalyn Yake, Geraldine Green and many more. Also, we have music reviews with Noush Skaugen and Lit Soul.
DOOM: Love Poems for Supervillains is an edgy and erotic investigation of comic book bad boys. These poems employ a language that is highly technical and dense, but it becomes witty, intimate and even tender in its specificity. These poems address the results of abuses of power and taken together present a case study in the pathology of villainy. Praise for Thumbscrews: "Natalie Zina Walschots [is] a writer who engages with the aesthetics of sadomasochism in order to generate elegant, sensual poetry that writhes inside the shackles of its own linguistic constraint... [she] treats each poem as a miniature, theatrical tableau--a 'passion play, ' in which she forces language to submit to her will, beating its grammar into a stupor of ecstatic nonsense."--Christian Bok, The Poetry Foundation
Floating Life, Moez Surani's second collection of poetry, takes the reader on a dizzying tour of the world, stopping in Cairo, Muju, Madrid and Cape Breton. Interwoven through these evocative glimpses of places and the people that live in them are poems exploring relationships, reflecting on identity and considering the passing of time.
Canadian Television Today by Bart Beaty,Rebecca Sullivan Pdf
Whats on TV? In Canadian Television Today, authors Bart Beaty and Rebecca Sullivan explore the current challenges and issues facing the English-language television industry in Canada.
Zadie thinks she's tough and indestructible, like the superheroes she draws in her graphic novels. She'll fight any girl who dares to take her on, and she always wins -- until, one day, she loses. Beat up and riled up, she quickly gets her revenge and hospitalizes the next girl she challenges. Scared that this time she may have gone too far, Zadie tries to keep out of trouble. But when some girls launch a cyberbullying campaign against her meant to spur her into violence, Zadie decides that enough is enough, and the lines between superhero and supervillain become blurred. A story written by a fresh young voice about violent teen girls and society's general ineptitude in understanding and helping them.
I've lived the way a field is sometimes / a shelter for mice / or sometimes a source of game / for a hawk Inspired by the literary landscape of the late poet John Thompson, Kevin Irie's The Tantramar Re-Vision presents a portrait of nature where the benign and the bedevilled coexist, collude, or collide. The Tantramar Re-Vision charts routes of discovery as it follows trails, waterways, flights, and fears, be it through the woods, the wilds, the page, or the mind where "it's hard to admit / you are not to your taste." It questions an existence in which the inhuman thrives, ignorant of divinity, while the human psyche continues to search for answers as "life takes directions / away from" it. The Tantramar Marsh setting of John Thompson's Stilt Jack resonates with Irie's landscapes of birds, fish, plants, and wildlife, all still within reach yet part of a world where "wind carries sounds / it cannot hear." Insightful and meditative, The Tantramar Re-Vision is poetry of the inner self and the outside observer, a poetic testament to the ways literature creates its own landmarks and nature survives without knowing a word.
P.K. Page is best known as one of Canada's finest poets, but over the course of her career she has also written a number of essays – meditations – on her life and work, on the nature of art and the imagination, and on Canadian works of literature, painting, and film that have had special significance for her. As lovers of her poetry would hope and expect, these essays are beautiful, intelligent, moving, and delightfully quirky. The Filled Pen brings together the most important of these essays, including two previously unpublished: A Writer's Life and Fairy Tales, Folk Tales: The Language of the Imagination.. Zailig Pollock, Page scholar and professor of English at Trent University, has edited and annotated this collection for admirers of Page's work, general readers, and academics alike. The essays, which cover a period of approximately forty years, reflect Page's enduring concerns as a verbal and visual artist with the power of art and the imagination to transcend the barriers that limit our perceptions of the world and our sympathies with our fellow human beings. Page is more interested in posing questions than imposing answers; and fascinated as she is by a wide range of ideas, from ancient mysticism to modern neurophysiology, it is images, endlessly evocative and suggestive, that matter to her most. Her comments on A.M. Klein from "A Sense of Angels", one of the most moving and perceptive tributes by one poet to another, apply very much to the P.K. Page we see in The Filled Pen: "For all his interest in the immediate world ... for all his acceptance of ideological and psychological theory, he seemed to reach beyond both to a larger reality."
Solitude and Speechlessness by Andrew Mattison Pdf
Recent literary criticism, along with academic culture at large, has stressed collaboration as essential to textual creation and sociability as a literary and academic virtue. Solitude and Speechlessness proposes an alternative understanding of writing with a complementary mode of reading: literary engagement, it suggests, is the meeting of strangers, each in a state of isolation. The Renaissance authors discussed in this study did not necessarily work alone or without collaborators, but they were uncertain who would read their writings and whether those readers would understand them. These concerns are represented in their work through tropes, images, and characterizations of isolation. The figure of the isolated, misunderstood, or misjudged poet is a preoccupation that relies on imagining the lives of wandering and complaining youths, eloquent melancholics, exemplary hermits, homeless orphans, and retiring stoics; such figures acknowledge the isolation in literary experience. As a response to this isolation of literary connection, Solitude and Speechlessness proposes an interpretive mode it defines as strange reading: a reading that merges comprehension with indeterminacy and the imaginative work of interpretation with the recognition of historical difference.
In The Slow Professor, Maggie Berg and Barbara K. Seeber discuss how adopting the principles of the Slow movement in academic life can counter the erosion of humanistic education.
My Father, Fortune-Tellers and Me by Eufemia Fantetti Pdf
A resilient and witty story of fate, free will and superstition by an award-winning author. As the daughter of Southern Italian immigrants joined by an arranged marriage, Fantetti grew up witnessing and weathering the devastating consequences of her mother's schizophrenia. Moving to the other side of the country to escape the constant turmoil, Fantetti casts a canny eye on her painful childhood through writing and performing stand-up comedy. When her dad develops depression, a host of long-buried ancestral beliefs spring forward--like the three witches of the Macbeth-- Mal'occhio, Maledictions and Stregheria -- Fantetti blends old customs with new traditions in an ancient and modern pot to heal a fractured self; studying the sky for planetary alignment; consulting her trusty tarot deck for guidance and visiting her dad's psychic healer for a prescription for prescience. Throughout her journey the enduring father-daughter bond shines through the wisecracks, with great love, determination, and grace.
“It makes no sense. You would be strangers / if not for this.” In Strangers, Rob Taylor makes new the epiphany poem: the short lyric ending with a moment of recognition or arrival. In his hands, the form becomes not simply a revelation in words but, in Wallace Stevens' phrase, “a revelation in words by means of the words.” The epiphany here is not only the poet’s. It’s ours. A book about the songlines of memory and language and the ways in which they connect us to other human beings, to read Strangers is to become part of the lineages (literary, artistic, familial) that it braids together—to become, as Richard Outram puts it, an “unspoken / Stranger no longer.”
Whether it is the roads that weave through his native Hamilton, or the crowded streets of Cairo where tourists, it seems, are forbidden to walk, Pannell captures the hum and energy that animates these urban spaces in his latest collection. With an eye for the unexpected and genuine understanding of the common man, Pannell crosses and recrosses the city with his deft lines. In the end, The Nervous City walks the reader down streets they thought they knew but now see in a completely different light.
