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The Tragic Death of Marina Habe by Tighe Taylor Pdf
The beautiful and enchanting Marina Habe was staying with her mother in West Hollywood during her Christmas break from the University of Hawaii. Driving home alone from a date with a family friend, she pulled into her mother's driveway from where she is kidnapped, loaded into a car, and taken away, as her mother helplessly watches from the window. Her mother contacted the police. They waited for a ransom call. The call never came. Three days later, Marina was found in the brush along Mulholland Drive, stabbed to death. This is not only the story of Marina's grisly murder. But it is also the story of the public's reaction to the murder. Over the years, scores of writers and bloggers have tried to sensationalize the crime. They have tried to tie the crime to Charles Manson and his Family. They have gone, in many cases, out of their way to insinuate that her social contacts somehow contributed to her demise. The time has come to dispel the myths.
Do Let's Have Another Drink! by Gareth Russell Pdf
For fans of The Crown and Ninety-Nine Glimpses of Princess Margaret, a deliciously entertaining collection of 101 fascinating and funny anecdotes about Queen Elizabeth, the Queen Mother—one for each year of her life. During her lifetime, the Queen Mother was as famous for her clever quips, pointed observations, and dry-as-a-martini delivery style as she was for being a beloved royal. Now, Do Let’s Have Another Drink recounts 101 (one for each year of her remarkable life) amusing and astonishing vignettes from across her long life, including her coming of age during World War I, the abdication of her brother-in-law and her unexpected ascendance to the throne, and her half century of widowhood as her daughter reigned over the United Kingdom. Featuring new revelations and colorful anecdotes about the woman Cecil Beaton, the high society photographer, once summarized as “a marshmallow made on a welding machine,” Do Let’s Have Another Drink is a delightful celebration of one of the most consistently popular members of the royal family.
In this compact, yet comprehensive exploration of Shakespeare's romances, Robert W. Uphaus suggests that the romances bring us to a realm of human and dramatic experience that is "beyond tragedy." The inexorable movement of tragedy toward death and a final close is absorbed in romance by a further movement in which death can lead to renewed life, characters can experience a second time of joy and peace, and the audience's conventional expectations about reality and literature are challenged and enlarged. In the late tragedies of King Lear and Antony and Cleopatra, Uphaus finds the tragic structure augmented by elements that will later contribute to the form of the romances. Turning then to the romances themselves, he sees these plays as forming a profession in which Pericles is a brilliant outline of the conventions of romance and Cymbeline is romance taken to its dramatic limits, in fact to the point of parody. Through his fresh and provocative readings of the plays we experience anew the delight of Shakespearean romance and glimpse the world of renewal at its heart.
Theology and Literature after Postmodernity by Zoë Lehmann Imfeld,Peter Hampson,Alison Milbank Pdf
This volume deploys theology in a reconstructive approach to contemporary literary criticism, to validate and exemplify theological readings of literary texts as a creative exercise. It engages in a dialogue with interdisciplinary approaches to literature in which theology is alert and responsive to the challenges following postmodernism and postmodern literary criticism. It demonstrates the scope and explanatory power of theological readings across various texts and literary genres. Theology and Literature after Postmodernity explores a reconstructive approach to reading and literary study in the university setting, with contributions from interdisciplinary scholars worldwide.
Marina Carr and Greek Tragedy examines the feminist transposition of Greek tragedy in the theatre of the contemporary Irish dramatist Marina Carr. Through a comparison of the plays based on classical drama with their ancient models, it investigates Carr’s transformation not only of the narrative but also of the form of Greek tragedy. As a religious and political institution of the 5th-century Athenian democracy, tragedy endorsed the sexist oppression of women. Indeed, the construction of female characters in Greek tragedy was entirely disconnected from the experience of womanhood lived by real women in order to embody the patriarchal values of Athenian democracy. Whether praised for their passivity or demonized for showing unnatural agency and subjectivity, women in Greek tragedy were conceived to (re)assert the supremacy of men. Carr’s theatre stands in stark opposition to such a purpose. Focusing on women’s struggle to achieve agency and subjectivity in a male-dominated world, her plays show the diversity of experiencing womanhood and sexist oppression in the Republic of Ireland, and the Western societies more generally. Yet, Carr’s enduring conversation with the classics in her theatre demonstrates the feminist willingness to alter the founding myths of Western civilisation to advocate for gender equality.
The National Security Agency is the world’s most powerful, most far-reaching espionage. Now with a new afterword describing the security lapses that preceded the attacks of September 11, 2001, Body of Secrets takes us to the inner sanctum of America’s spy world. In the follow-up to his bestselling Puzzle Palace, James Banford reveals the NSA’s hidden role in the most volatile world events of the past, and its desperate scramble to meet the frightening challenges of today and tomorrow. Here is a scrupulously documented account—much of which is based on unprecedented access to previously undisclosed documents—of the agency’s tireless hunt for intelligence on enemies and allies alike. Body of secrets is a riveting analysis of this most clandestine of agencies, a major work of history and investigative journalism. A New York Times Notable Book
Faith, Food, and Family in a Yupik Whaling Community by Carol Zane Jolles,Elinor Mikaghaq Oozeva Pdf
For more than fifteen hundred years Yupik and proto-Yupik Eskimo peoples have lived at the site of the Alaskan village of Gambell on St. Lawrence Island. Their history is a record of family and kin, and of the interrelationship between those who live in Gambell and the spiritual world on which they depend; it is a history dominated by an abiding desire for community survival. Relying on oral history blended with ethnography and ethnohistory, Carol Zane Jolles views the contemporary Yupik people in terms of the enduring beliefs and values that have contributed to the community�s survival and adaptability. She draws on extensive interviews with villagers, archival records, and scholarly studies, as well as on her own ten years of fieldwork in Gambell to demonstrate the central importance of three aspects of Yupik life: religious beliefs, devotion to a subsistence life way, and family and clan ties. Jolles documents the life and livelihood of this modern community of marine mammal hunters and explores the ways in which religion is woven into the lives of community members, paying particular attention to the roles of women. Her account conveys a powerful sense of the lasting bonds between those who live in Gambell and their spiritual world, both past and present.
Synopsis of Stone Babies A young doctor in New York City, Dr. Jay Sones has just finished training as an obstetrician and infertility specialist. For over a decade he has been working at Manhattan Medical Center, located on Manhattan's Upper East Side, first as a medical student, then as an obstetrics resident, then as an Infertility Fellow, treating women with fertility problems and doing ground-breaking research with his mentor, the world-renowned Dr. Leon Witt. After years of sleepless nights in which Jay has delivered innumerable babies and treated almost every type of difficult pregnancy, he has become an expert obstetrician-gynecologist. In several years of Infertility Fellowship, working with the temperamental and brilliant Dr. Witt, Jay has survived a different kind of apprenticeship, becoming a medical scientist who can participate in the amazing advances of infertility research. After years of sacrifices--financial and emotional--Jay is ready for the rewards of "real life." He prepares to open up a private practice in Manhattan in partnership with his friend and colleague from the hospital, Dr. Alli Daniel. For a while it looks like life will be perfect--an Upper East Side practice, the opportunity to continue doing research with Dr. Witt. And, most of all, some time for a personal life, for love and romance, with his sometimes-girlfriend, Janine Stern. Janine, who is elegant and intriguing and quite successful (she runs a large consulting firm), has her eye on Jay's future, though he is content to remain in the present--dinners at elegant restaurants, nights at her East End Avenue penthouse, leisurely Sunday brunches together after running the Reservoir in Central Park, not to mention occasional romantic weekend in her Connecticut country house. * Just as Jay's new life begins, though, disaster strikes. One weekend afternoon, while working in the research lab at Manhattan Medical Center, Jay's partner, Dr. Alli Daniel, is assaulted and nearly killed. Then Jay's application for Admitting Privileges at Manhattan Medical Center (which will allow him to deliver babies and treat patients there) is denied. And out of nowhere, he is caught up in a vicious malpractice suit. To make ends meet, Dr. Sones takes jobs in New Yorks dreaded outer boroughs. There is The Lamb, a beleaguered hospital in the South Bronx, and Brooklyn Womans Care, or BWC, a storefront clinic in the slums of Brooklyn. At The Lamb, he delivers baby after baby, enduring brownouts and shootouts, and squalid operating rooms and thirteen-year-old mothers having their second or third babies. And in Brooklyn, Jay sees a different side of urban medicine, working in the front lines in what can only euphemistically be described as a "clinic" but is really the private preserve for Eddie Polito, better known for his prior professions of refuse removal and stolen car redistribution. Nonetheless, The Lamb and BWC pay the bills. And when your fancy Park Avenue practice is bleeding money, and when your lawyer is running a $250 per hour meter with no end of billable hours in sight, cash is king. And so Jay Sones's dreams of a glamorous medical existence rapidly fade into oblivion. There is more, though: As he runs from one patient to the next, and from the squalor of urban poverty to the glamorous world of his wealthy girlfriend, Jay's suspicions grow that the three disastrous events are related--that there is a connection between Alli's attack and the malpractice suit and the way in which his privileges were denied at Manhattan Medical Center. Then things get nasty. Jay becomes persona non grata at Manhattan Medical Center, banished from even setting foot in the Infertility Center. Dr. Witt turns from chilly politeness to open hostility. And then Jay himself is sucker-punched, unexpectedly caught up in the inc
Weird Scenes Inside The Canyon by David McGowan Pdf
The very strange but nevertheless true story of the dark underbelly of a 1960s hippie utopia. Laurel Canyon in the 1960s and early 1970s was a magical place where a dizzying array of musical artists congregated to create much of the music that provided the soundtrack to those turbulent times. Members of bands like the Byrds, the Doors, Buffalo Springfield, the Monkees, the Beach Boys, the Turtles, the Eagles, the Flying Burrito Brothers, Frank Zappa and the Mothers of Invention, Steppenwolf, CSN, Three Dog Night and Love, along with such singer/songwriters as Joni Mitchell, Judy Collins, James Taylor and Carole King, lived together and jammed together in the bucolic community nestled in the Hollywood Hills. But there was a dark side to that scene as well. Many didn’t make it out alive, and many of those deaths remain shrouded in mystery to this day. Far more integrated into the scene than most would like to admit was a guy by the name of Charles Manson, along with his murderous entourage. Also floating about the periphery were various political operatives, up-and-coming politicians and intelligence personnel – the same sort of people who gave birth to many of the rock stars populating the canyon. And all the canyon’s colorful characters – rock stars, hippies, murderers and politicos – happily coexisted alongside a covert military installation.
Its said that there's a light on Broadway for every fame seekers broken heart; in Hollywood, there's a palm tree. An aspiring somebody soon discovers Tinsel Town is rarely what it seems. Taken under the wing of a playboy movie star, he also discovers that temptation and greed can negate the strongest of values, and silencing by murder can keep any secret safe.
Shakespeare, the Goddess, and Modernity by John O'Meara Pdf
"O'Meara's work is the perfect supplement to [Ted] Hughes's "Shakespeare and the Goddess of Complete Being", shedding further illumination into those areas where Hughes's penetrating lens finally appears to dim. [This work] shines utterly clear light on the path of understanding we may re-win with regard to myth, forcing the reader to face the incredible starkness of the prospect we face—and the lack of options—ever closing in—and also giving the reader the necessary clues to follow, particularly Barfield, Shakespeare and Rudolf Steiner." —Richard Ramsbotham, author of Who Wrote Bacon? William Shakespeare, Francis Bacon and James I "Very interesting stuff. Particularly where you parallel the break through the tragic dead end to the transcendental-redemptive solution--that I follow from "Macbeth" through "Lear" to the last plays--with the Steinerian view of the same progress." —Ted Hughes on Othello's Sacrifice, Letter to John O'Meara, 21 November, 1996, in the Ted Hughes Archives, Emory University, Atlanta, Georgia This volume brings together virtually all of the published shorter critical work of John O'Meara, gathered from over 30 years of production. What emerges is an extensive, uniquely challenging interpretation of the evolution of, for the most part, English literary history, from Shakespeare's time to our own. "excellent Shakespearean explorations...The idea of Lutheran depravity without Lutheran grace or Lutheran-Calvinist justification is very strong and original..." —Anthony Gash, author of The Substance of Shadows: Shakespeare's Dialogue with Plato "O'Meara sets out to demonstrate... the essential fact that "full encounter with human depravity" was[/is] a necessary step in the attaining of true [otherworldly] Imagination." —Eric Philips-Oxford, on The New School of the Imagination from the Sektion fur Schone Wissenschaften, the Goetheanum, Newsletter, Issue No. 3, Winter/Spring 2008-2009.
The instant New York Times bestseller and publishing phenomenon: Marina Keegan’s posthumous collection of award-winning essays and stories “sparkles with talent, humanity, and youth” (O, The Oprah Magazine). Marina Keegan’s star was on the rise when she graduated magna cum laude from Yale in May 2012. She had a play that was to be produced at the New York Fringe Festival and a job waiting for her at The New Yorker. Tragically, five days after graduation, Marina died in a car crash. Marina left behind a rich, deeply expansive trove of writing that, like her title essay, captures the hope, uncertainty, and possibility of her generation. Her short story “Cold Pastoral” was published on NewYorker.com. Her essay “Even Artichokes Have Doubts” was excerpted in the Financial Times, and her book was the focus of a Nicholas Kristof column in The New York Times. Millions of her contemporaries have responded to her work on social media. As Marina wrote: “We can still do anything. We can change our minds. We can start over…We’re so young. We can’t, we MUST not lose this sense of possibility because in the end, it’s all we have.” The Opposite of Loneliness is an unforgettable collection of Marina’s essays and stories that articulates the universal struggle all of us face as we figure out what we aspire to be and how we can harness our talents to impact the world. “How do you mourn the loss of a fiery talent that was barely a tendril before it was snuffed out? Answer: Read this book. A clear-eyed observer of human nature, Keegan could take a clever idea...and make it something beautiful” (People).
Modes of the Tragic in Spanish Cinema by Luis M. González Pdf
This book focuses on expressions of the tragic in Spanish cinema. Its main premise is that elements from the classical and modern tragic tradition persist and permeate many of the cultural works created in Spain, especially the films on which the book centers this study. The inscrutability and indolence of the gods, the mutability of fortune, the recurrent narratives of fall and redemption, the unavoidable clash between ethical forces, the tension between free will and fate, the violent resolution of both internal and external conflicts, and the overwhelming feelings of guilt that haunt the tragic heroine/hero are consistent aspects that traverse Spanish cinema as a response to universal queries about human suffering and death.
“Timely and provocatively incorrect."—Oprah.com (Mysteries Every Thinking Woman Should Read) The two-time Pulitzer Prize and three-time National Book Award-nominated author of Le Divorce returns with a mesmerizing novel of double standards and double agents Now, Diane Johnson brilliantly exposes the manners and morals of the cultural collision between Islam and the West. Lulu Sawyer arrives in Marrakech, Morocco, hoping to rekindle her romance with a worldly Englishman, Ian Drumm. It's the perfect cover for her assignment for the CIA: tracing the flow of money from well-heeled donors to radical Islamic groups. While spending her days poolside among Europeans in villas staffed by maids in abayas, and her nights at lively dinner parties, Lulu observes the fragile and tense coexistence of two cultures. But beneath the surface of this polite expatriate community lies a sinister world laced not only with double standards, but double agents. Johnson weaves a dazzling tale in the great tradition of works about naïve Americans abroad, with a fascinating new assortment of characters as well as witty and timely observations on the political and sexual complexities between Islamic and Western culture.