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The Transformations of Tragedy by Fionnuala O’Neill Tonning,Erik Tonning,Jolyon Mitchell Pdf
The Transformations of Tragedy explores different Christian influences, from the Early Modern to Modern periods, upon the development of post-classical Western tragedy.
Ovid is today best known for his grand epic, Metamorphoses, and elegiac works like the Ars Amatoria and Heroides. Yet he also wrote a Medea, now unfortunately lost. This play kindled in him a lifelong interest in the genre of tragedy, which informed his later poetry and enabled him to continue his career as a tragedian – if only on the page instead of the stage. This book surveys tragic characters, motifs and modalities in the Heroides and the Metamorphoses. In writing love letters, Ovid's heroines and heroes display their suffering in an epistolary theater. In telling transformation stories, Ovid offers an exploded view of the traditional theater, although his characters never stray too far from their dramatic origins. Both works constitute an intratextual network of tragic stories that anticipate the theatrical excesses of Seneca and reflect the all-encompassing spirit of Roman imperium.
Overcome by years of anxiety and depression on a fruitless journey to find himself, Casey Cease could not imagine his life getting any darker. On July 5th, 1995, at the age of 17, fueled by desperate anger and alcohol, Casey caused a horrific car accident that resulted in the death of his friend. Guilty and hopeless, Casey lay in a mental hospital on suicide watch, sure that his life was over. He would soon learn that God had a plan to rescue and redeem him through Jesus Christ. For over a decade, Casey has been traveling the country candidly sharing his testimony of God s power to save others to a life of hope and peace, even when it seems they will be lost forever. With a pastor s heart, he wrote Tragedy to Truth for the sole purpose of giving you the opportunity to marvel at the limitless love of God toward broken, sinful people. No matter how bad you think you are, you aren t beyond the reach of Christ. The first half of this book, Tragedy, is Casey s testimony, from his birth to the present. He shares details of his life that few others will in an effort to display God s grace in his life. The second half of this book, Truth, shares the hope that Casey has found in many areas of his life through this tragedy. Tragedy is a reality in this lifetime, but through God s grace it can lead to the truth. ENDORSEMENTS: Tragedy To Truth is a MUST read. It is a pure testimony of redemption and healing. Joel Engle Singer / Songwriter, Lead Pastor of The Exchange, Keller, TX Without a doubt the most convincing endorsement I can give to Casey s book comes from seeing the impact Casey s story has had on the students in our church, including my own daughter! Casey has been with us on several occasions, and is without a doubt, our students speaker of choice . Not only is Casey s story incredibly compelling, but also, as a preacher, father, and leader, he lives out the claims his transforming story makes! Victor Flores Pastor of Student Ministries, Bell Shoals Baptist Church, Brandon, FL By far, one of the most compelling redemption stories I have heard in 30 years of ministry. Casey Cease is the real deal, a young man who has been to hell and back with a testimony of God's grace, mercy and forgiveness that even the most cynical among us dare not ignore. Character, depth and genuine spirituality always come to mind when I think of this young pastor and the ministry God has given him over this past decade. How thankful and thrilled I am that his story will finally reach a larger audience. Bob Swan - Director of Student Ministries The Woodlands Methodist Church, The Woodlands, TX Casey is a brother-in-arms and dear friend. I've served in the same church with Casey for several years and had the joy of sending him out as the lead pastor of our first church plant. I love Casey and am very thankful for him. I am also thankful for this book. This is an honest story about the devastating power of sin and the much more remarkable power of grace. Casey's journey is tragic indeed, but truth prevails. There is brokenness here, but beauty too. Casey's story is well worth reading, and worth sharing too. Justin Hyde, Teaching Pastor, Redeemer Church, Brenham, TX Tragedy to Truth is a powerful story of lasting transformation. It does not simply recount the amazing story of Casey s life: it proclaims the remarkable love of his Christ. That is to say, this book is much more than an engaging narration or testimony. It is an invitation. J.R. Dodson, PhD - Assistant Professor of Biblical Studies, Ouachita Baptist University, Arkadelphia, AR
Shakespeare's Festive Tragedy by Naomi Conn Liebler Pdf
A unique look at the social and religious foundations of the tragic genre. Liebler asks whether it is possible to regard tragic heroes such as Lear and Coriolanus as `sacrificial victims of the prevailing social order'.
The Tragic and the Sublime in Medieval Literature by Piero Boitani Pdf
Professor Boitani's latest book explores the areas of the tragic and the sublime in medieval literature. Boitani studies tragic and sublime tensions in stories and scenes recounted by such major poets as Dante, Chaucer and Petrarch, as well as themes shared by writers and philosophers and traditional poetic images.
Is "space" a thing, a container, an abstraction, a metaphor, or a social construct? This much is certain: space is part and parcel of the theater, of what it is and how it works. In The Play of Space, noted classicist-director Rush Rehm offers a strikingly original approach to the spatial parameters of Greek tragedy as performed in the open-air theater of Dionysus. Emphasizing the interplay between natural place and fictional setting, between the world visible to the audience and that evoked by individual tragedies, Rehm argues for an ecology of the ancient theater, one that "nests" fifth-century theatrical space within other significant social, political, and religious spaces of Athens. Drawing on the work of James J. Gibson, Kurt Lewin, and Michel Foucault, Rehm crosses a range of disciplines--classics, theater studies, cognitive psychology, archaeology and architectural history, cultural studies, and performance theory--to analyze the phenomenology of space and its transformations in the plays of Aeschylus, Sophocles, and Euripides. His discussion of Athenian theatrical and spatial practice challenges the contemporary view that space represents a "text" to be read, or constitutes a site of structural dualities (e.g., outside-inside, public-private, nature-culture). Chapters on specific tragedies explore the spatial dynamics of homecoming ("space for returns"); the opposed constraints of exile ("eremetic space" devoid of normal community); the power of bodies in extremis to transform their theatrical environment ("space and the body"); the portrayal of characters on the margin ("space and the other"); and the tragic interactions of space and temporality ("space, time, and memory"). An appendix surveys pre-Socratic thought on space and motion, related ideas of Plato and Aristotle, and, as pertinent, later views on space developed by Newton, Leibniz, Descartes, Kant, and Einstein. Eloquently written and with Greek texts deftly translated, this book yields rich new insights into our oldest surviving drama.
A Cultural History of Tragedy in Antiquity by Emily Wilson Pdf
In this volume, tragedy in antiquity is examined synoptically, from its misty origins in archaic Greece, through its central position in the civic life of ancient Athens and its performances across the Greek-speaking world, to its new and very different instantiations in Republican and Imperial Roman contexts. Lively, original essays by eminent scholars trace the shifting dramatic forms, performance environments, and social meanings of tragedy as it was repeatedly reinvented. Tragedy was consistently seen as the most serious of all dramatic genres; these essays trace a sequence of different visions of what the most serious kind of dramatic story might be, and the most appropriate ways of telling those stories on stage. Each chapter takes a different theme as its focus: forms and media; sites of performance and circulation; communities of production and consumption; philosophy and social theory; religion, ritual, and myth; politics of city and nation; society and family, and gender and sexuality.
This classic work not only records developments in the form and style of Greek drama, it also analyses the reasons for these changes. It provides illuminating answers to questions that have confronted generations of students, such as: * why did Aeschylus introduce the second actor? * why did Sophocles develop character drawing? * why are some of Euripides' plots so bad and others so good? Greek Tragedy is neither a history nor a handbook, but a penetrating work of criticism which all students of literature will find suggestive and stimulating.
A Cultural History of Tragedy in the Age of Empire by Michael Gamer,Diego Saglia Pdf
This volume traces a path across the metamorphoses of tragedy and the tragic in Western cultures during the bourgeois age of nations, revolutions, and empires, roughly delimited by the French Revolution and the First World War. Its starting point is the recognition that tragedy did not die with Romanticism, as George Steiner famously argued over half a century ago, but rather mutated and dispersed, converging into a variety of unstable, productive forms both on the stage and off. In turn, the tragic as a concept and mode transformed itself under the pressure of multiple social, historical and political-ideological phenomena. This volume therefore deploys a narrative centred on hybridization extending across media, genres, demographics, faiths both religious and secular, and national boundaries. The essays also tell a story of how tragedy and the tragic offered multiple means of capturing the increasingly fragmented perception of reality and history that emerged in the 19th century. Each chapter takes a different theme as its focus: forms and media; sites of performance and circulation; communities of production and consumption; philosophy and social theory; religion, ritual and myth; politics of city and nation; society and family, and gender and sexuality.
The Locus of Tragedy by Arthur Cools,Thomas Crombez,Johan Taels,Rosa Slegers Pdf
Ask for the tragic and Europe will answer. Leaving behind the philosophers’ enthusiasm of the nineteenth century, ‘tragedy’ and ‘the tragic’ now seem little more than vague containers. However, it appears that we still discover a tragic essence in our personal lives. This book wants to open a contemporary philosophical perspective on the tragic.
A Fresh Look at the Holy Spirit. Recent decades have recognized pneumatology—the theology of the Holy Spirit—as a critical component in Christian thought, worthy of increased attention. While scholarly discussion about the Spirit is both creative and lively, it does sometimes occur in outlying areas of doctrine and practice rather than within its context of the doctrine of God. The Third Person of the Trinity represents the proceedings of the 2020 Los Angeles Theology Conference, which examined pneumatology as a core component of the doctrine of the Trinity, offering constructive proposals for understanding the doctrine of the Holy Spirit with theological and historical depth, ecumenical scope, and analytic clarity. The twelve diverse essays in this collection include discussions on: Understanding the Holy Spirit’s presence in creation. The mystery of the Trinity and the procession of the Spirit. An exploration of a Black American pneumatology of freedom. Exploring pneumatology alongside sorrow and suffering. Each of the essays collected in this volume engage with Scripture as well as with others in the field—theologians both past and present, from different confessions—in order to provide constructive resources for contemporary systematic theology and to forge a theology for the future.
The Tragedy of the Commodity by Stefano B. Longo,Rebecca Clausen,Brett Clark Pdf
Winner of the 2017 Paul Sweezy Marxist Sociology Book Award from the American Sociological Association Although humans have long depended on oceans and aquatic ecosystems for sustenance and trade, only recently has human influence on these resources dramatically increased, transforming and undermining oceanic environments throughout the world. Marine ecosystems are in a crisis that is global in scope, rapid in pace, and colossal in scale. In The Tragedy of the Commodity, sociologists Stefano B. Longo, Rebecca Clausen, and Brett Clark explore the role human influence plays in this crisis, highlighting the social and economic forces that are at the heart of this looming ecological problem. In a critique of the classic theory “the tragedy of the commons” by ecologist Garrett Hardin, the authors move beyond simplistic explanations—such as unrestrained self-interest or population growth—to argue that it is the commodification of aquatic resources that leads to the depletion of fisheries and the development of environmentally suspect means of aquaculture. To illustrate this argument, the book features two fascinating case studies—the thousand-year history of the bluefin tuna fishery in the Mediterranean and the massive Pacific salmon fishery. Longo, Clausen, and Clark describe how new fishing technologies, transformations in ships and storage capacities, and the expansion of seafood markets combined to alter radically and permanently these crucial ecosystems. In doing so, the authors underscore how the particular organization of social production contributes to ecological degradation and an increase in the pressures placed upon the ocean. The authors highlight the historical, political, economic, and cultural forces that shape how we interact with the larger biophysical world. A path-breaking analysis of overfishing, The Tragedy of the Commodity yields insight into issues such as deforestation, biodiversity loss, pollution, and climate change.
The Literary Agenda is a series of short polemical monographs about the importance of literature and of reading in the wider world and about the state of literary education inside schools and universities. The category of 'the literary' has always been contentious. What is clear, however, is how increasingly it is dismissed or is unrecognised as a way of thinking or an arena for thought. It is sceptically challenged from within, for example, by the sometimes rival claims of cultural history, contextualized explanation, or media studies. It is shaken from without by even greater pressures: by economic exigency and the severe social attitudes that can follow from it; by technological change that may leave the traditional forms of serious human communication looking merely antiquated. For just these reasons this is the right time for renewal, to start reinvigorated work into the meaning and value of literary reading. This short but thought-provoking volume asks the question 'What is it that tragedy makes us know?'. The focus is on tragedy as a mode of representing the experience of radical suffering, pain, or loss, a mode of narrative through which we come to know certain things about ourselves and our world—about its fragility and ours. Through a mixture of historical discussion and close reading of a number of dramatic texts—from Sophocles to Sarah Kane—the book addresses a wide range of debates: how tragedy is defined, whether there is such a thing as 'absolute tragedy', various modern attempts to rework the classical heritage and the relation of comedy to tragedy. There is also a fresh discussion of whether religious—particularly Christian—discourse is inimical to the tragic, and of the necessary tension between tragic narrative and certain kinds of political as well as religious rhetoric. Rowan Williams argues that tragic drama both articulates failure and frailty and, in affirming the possibility of narrating the story of traumatic loss, refuses to settle for passivity, resignation, or despair. In this sense, it still shows the trace of its ritual and religious roots. And in challenging two-dimensional models of society, power, humanity and human knowing, it remains an intrinsic part of any fully humanist culture.
Democratic Political Tragedy in the Postcolony by Greg A. Graham Pdf
A ground-breaking work in Africana political thought that links the plight of progressive political endeavors in Africa with those in the Diaspora and beyond, Democratic Tragedy in the Postcolony engages with two of the defining political sagas of the postcolonial era. The book presents Michael Manley of Jamaica and Nelson Mandela of South Africa as tragic political leaders at the helm of popular democratic projects that run aground in the face of the constraints that a subordinate position in the global economy presents for such endeavors. Jamaica’s experiment with democratic socialism as an alternative path to development at the height of the cold war is considered alongside post-Apartheid South Africa’s search for a development model consistent with the demand for civic empowerment and equitable distribution of social goods in the aftermath of Apartheid. Democratic Political Tragedy in the Postcolony theorizes the defining tragic impasse and the telling vacillations by which the postcolonies in question are brought to the neoliberal catastrophes that currently prevail.