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How have our conceptions of truth been shaped by romantic literature? This question lies at the heart of this examination of the concept of truth both in romantic writing and in modern criticism. The romantic idea of truth has long been depicted as aesthetic, imaginative and ideal. Tim Milnes challenges this picture, demonstrating a pragmatic strain in the writing of Keats, Shelley and Coleridge in particular, that bears a close resemblance to the theories of modern pragmatist thinkers such as Donald Davidson and Jürgen Habermas. Romantic pragmatism, Milnes argues, was in turn influenced by recent developments within linguistic empiricism. This book will be of interest to readers of romantic literature, but also to philosophers, literary theorists, and intellectual historians.
It’s been months since Seth Byrne’s boyfriend ghosted him. Seth is still angry, but he’s worried too, because when Andrew Keller disappeared, he completely disappeared. Disconnected phone. Empty apartment. Abrupt departure from his job. Gone. Until tonight. Just as Seth is beginning to move on, Andrew shows up at his door with a story so wild it has to be fake… except he’s armed with a stack of evidence proving he’s telling the truth. And the truth is that everything Seth knew about Andrew is a lie. Detective Brandon Gaines was supposed to be Andrew Keller for the rest of his life. After being marked for death by the white supremacist cops he tried to bring down, he was put into witness protection. When a chain of events returns him to his old identity, Brandon doesn’t know who he is anymore. Now he’s caught between two identities that don’t fit, and nothing in his world makes sense… except the way he feels about the man he left behind. Is it even possible to rekindle their relationship when Seth knows nothing about Brandon? He understands why Brandon had to lie, but that doesn’t change the fact that the man in front of him is a stranger. Where do they even start? But as they struggle to bridge the gap between them, they may have much bigger problems.
Dialectic of Romanticism by Peter Murphy,David Roberts Pdf
Dialectic of Romanticism presents a radical new assessment of the aesthetic and philosophical history and future of modernity. An exploration of the internal critique of modernism treats romanticism (later historicism and post-modernism) as central to the development of European modernism alongside enlightenment, and, like the enlightenment, subject to its own dead-ends and fatalities. An external critique of modernism recovers concepts of civilization and civic aesthetics which are trans-historical -simultaneously modern and classically inspired - and provides a counter both to romantic historicism and enlightened models of progress. Finally, a retrospective critique of modernism analyses what happens to modernism's romantic-archaic and technological-futurist visions when they are translated from Europe to America. Dialectic of Romanticism argues that out of the European dialectic of romanticism and enlightenment a new dialectic of modernity is emerging in the New World-one which points beyond modernism and postmodernism.
Fatal Truth, SEALs of Shadow Force Romantic Suspense Series, Book 1 by Misty Evans Pdf
**First in a thrilling military romance series by USA TODAY bestselling author Misty Evans! She’s an investigative reporter hell-bent to uncover the truth... Feisty television host Savanna Bunkett exposes government cover-ups on her award-winning show, The Bunk Stops Here. When she digs into a rumor about a top-secret government project that's producing “super soldiers” for the president, she suddenly finds herself on an assassin’s hit list. He's the man who has to keep the truth hidden... Navy SEAL Lieutenant Trace Hunter is the only soldier to survive Project 24. After refusing a direct order from the president, he was branded a traitor, and his career imploded after the sexy reporter turned him into a national headline. He now works undercover for Shadow Force International, a secret group of former SEALs helping those who have nowhere else to turn, using his enhanced skills to fight for justice and protect the innocent. His first assignment? Protect Savanna from the one man who wants them both dead—the president. One wrong move and they’ll be silenced forever... Helping Savanna is the last thing Trace wants to do, but her unwavering determination to expose the president's dark truth matches his own. She's his one chance to set the record straight, and he’s her only chance at survival. When their mutual enemy closes in, can they put the past behind them and trust each other? Even if it means losing their hearts in the process? Or will secrets, lies, and forbidden passions cost them everything? About the series: Shadow Force International: A group of former SEALs, abandoned by the United States and labeled as rogue operatives, now work as a black ops team performing private intelligence, security, and paramilitary missions for those who have nowhere else to turn. Some of them find romance along the way and lose their hearts protecting those they love at all costs.
From USA Today Bestselling Author Laura Scott Walking the line between danger and love! Stalked by a bomber! When Devon Thompson’s car explodes at the click of her key fob, she doesn’t want to believe she was targeted on purpose. But when the next bomb is found in her apartment, she can’t ignore the fact that someone wants her dead. Trusting Captain Rhyland Finnegan with the truth isn’t easy, but soon she realizes Rhy is an honorable man who will go above and beyond to keep her safe. As the oldest of nine kids, Rhy has spent the ten years since his parents’ death keeping the Finnegan family together. His personal life has been on hold, until now. Keeping Devon alive is a priority, yet he can’t ignore the attraction between them. When the bomber succeeds in wiring Devon to a suicide bomb, there isn’t a second to lose. Rhy risks his life for hers, but if they manage to survive, Rhy knows his next job will be to convince Devon to join the Finnegan family . . . forever. Read the entire series: Explosive Truth Seeking Justice Protection Detail Midnight Abduction Risky Rescue Scorched Secrets Critical Response Strategic Threat Christmas Crisis
The Plain and Noble Garb of Truth by Eileen K. Cheng Pdf
American historians of the early national period, argues Eileen Ka-May Cheng, grappled with objectivity, professionalism, and other “modern” issues to a greater degree than their successors in later generations acknowledge. Her extensive readings of antebellum historians show that by the 1820s, a small but influential group of practitioners had begun to develop many of the doctrines and concerns that undergird contemporary historical practice. The Plain and Noble Garb of Truth challenges the entrenched notion that America’s first generations of historians were romantics or propagandists for a struggling young nation. Cheng engages with the works of well-known early national historians like George Bancroft, William Prescott, and David Ramsay; such lesser-known figures as Jared Sparks and Lorenzo Sabine; and leading political and intellectual elites of the day, including Francis Bowen and Charles Francis Adams. She shows that their work, which focused on the American Revolution, was often nuanced and surprisingly sympathetic in its treatment of American Indians and loyalists. She also demonstrates how the rise of the novel contributed to the emergence of history as an autonomous discipline, arguing that paradoxically “early national historians at once described truth in opposition to the novel and were influenced by the novel in their understanding of truth.” Modern historians should recognize that the discipline of history is itself a product of history, says Cheng. By taking seriously a group of too-often-dismissed historians, she challenges contemporary historians to examine some ahistorical aspects of the way they understand their own discipline.
Author : Elizabeth Millán Publisher : State University of New York Press Page : 270 pages File Size : 55,8 Mb Release : 2012-02-01 Category : Philosophy ISBN : 9780791480090
Truth and Method is a landmark work of 20th century thought which established Hans Georg-Gadamer as one of the most important philosophical voices of the 20th Century. In this book, Gadamer established the field of 'philosophical hermeneutics': exploring the nature of knowledge, the book rejected traditional quasi-scientific approaches to establishing cultural meaning that were prevalent after the war. In arguing the 'truth' and 'method' acted in opposition to each other, Gadamer examined the ways in which historical and cultural circumstance fundamentally influenced human understanding. It was an approach that would become hugely influential in the humanities and social sciences and remains so to this day in the work of Jurgen Habermas and many others.
Author : Sarah M. Zimmerman Publisher : State University of New York Press Page : 260 pages File Size : 40,5 Mb Release : 1999-05-06 Category : Biography & Autobiography ISBN : 9781438424859
Romanticism, Lyricism, and History by Sarah M. Zimmerman Pdf
Arguing against a persistent view of Romantic lyricism as an inherently introspective mode, this book examines how Charlotte Smith, William Wordsworth, and John Clare recognized and employed the mode's immense capacity for engaging reading audiences in reflections both personal and social. Zimmerman focuses new attention on the Romantic lyric's audiences—not the silent, passive auditor of canonical paradigms, but historical readers and critics who can tell us more than we have asked about the mode's rhetorical possibilities. She situates poems within the specific circumstances of their production and consumption, including the aftermath in England of the French Revolution, rural poverty, the processes of parliamentary enclosure, the biographical contours of poets' careers, and the myriad exchanges among poets, patrons, publishers, critics, and readers in the literary marketplace.
Romanticism was always culturally diverse. Though English-language anthologies have previously tended to see Romanticism as predominantly British, the term itself actually originated in Germany, where it became the banner of a Europe-wide movement involving the profound intellectual and aesthetic changes which we now associate with modernity. This anthology is the first to place British Romanticism within a comprehensive and multi-lingual European context, showing how ideas and writers interconnected across national and linguistic boundaries. By reprinting everything in the original languages, together with an English translation of all non-English material in parallel on the opposite page, it offers a new intellectual map of Romanticism. Material is thematically arranged as follows: - Art & Aesthetics - The Self - History - Language - Hermeneutics & Theology - Nature - The Exotic - Science While focusing on European texts, the inclusion of essays on their North American and Japanese reception means that Romanticism can be seen as a global phenomenon, influencing a surprising number of the ways in which the modern world sees itself.
Colin Falck's book has had a widespread influence since it first appeared in 1989. Hailed as a work that alters the way we think about literary theory and its institutionalisation in America and Britain, it is a philosophically informed account of the 'paradigm-shift' required to replaced structuralism and post-structuralism as modes of perceiving literature and related culture. Falck now supplements this second paperback edition with an appendix and other new material.
‘Both knowledge and truth are beautiful things, but the Good is other and more beautiful than they.’ — Plato, Republic, 508e. This book traces the multiple meanings of art back to their historical roots, and equips the reader to choose between them. Art with a capital A turns out to be an invention of German Romantic philosophers, who endowed their creation with the attributes of genius, originality, rule breaking, and self-expression, directed by the spirit of the age. Recovering the problems that these attributes were devised to solve dispels many of the obscurities and contradictions that accompany them. What artists have always sought is excellence, and they become artists in so far as they achieve it. Quality was the supreme value in Renaissance Italy, and in early Greece it offered mortals glimpses of the divine. Today art historians avoid references to beauty or Quality, since neither is objective or definable, the boundaries beyond which scholars dare not roam. In reality subject and object are united and dissolved in the Quality event, which forms the bow wave of culture, leaving patterns of value and meaning in its wake.
This remarkable study of the constructive and ultimately canon-forming relationship between satiric and Romantic modes of writing from 1760 to 1832 provides us with a new understanding of the historical development of Romanticism as a literary movement. Romantic poetry is conventionally seen as inward-turning, sentimental, sublime, and transcendent, whereas satire, with its public, profane, and topical rhetoric, is commonly cast in the role of generic other as the un-Romantic mode. This book argues instead that the two modes mutually defined each other and were subtly interwoven during the Romantic period. By rearranging reputations, changing aesthetic assumptions, and re-distributing cultural capital, the interaction of satiric and Romantic modes helped make possible the Victorian and modern construction of 'English Romanticism'.
From ancient Rome to the current Internet age, this sweeping history of ideas explores how different epochs wrestled with the issue of truth and lies.From the ancient Greeks and Romans to the modern era, how have people determined what is true? How have those with power and influence sought to control the narrative? Are we living in a post-truth era, or is that notion simply the latest attempt to control the narrative? The relationship between truth and power is the key theme.Moving through major historical periods, the author focuses on notable people and events, from well-known leaders like Julius Caesar and Adolf Hitler to lesser-known individuals like Procopius and Savonarola. He notes distinct parallels in history to current events. Julius Caesar's publication of his Gallic Wars and Civil Wars was an early exercise in political spin not unlike what we see today. During the English Civil War and the Enlightenment, pamphleteering coupled with the new power of the printing press challenged the status quo, as online and social media does in our time. And "fake news" was already being used by German chancellor Otto von Bismarck in nineteenth-century Europe and by the "yellow journalism" of American newspaper magnates William Randolph Hearst and Joseph Pulitzer near the turn of the twentieth century.The author concludes optimistically, noting that we are debating and discussing truth more fiercely today than in any previous era. The determination to arrive at the truth, despite the manipulations of the powerful, bodes well for the future of democracy.