The Twisted Muse Musicians And Their Music In The Third Reich

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The Twisted Muse

Author : Michael H. Kater
Publisher : Oxford University Press
Page : 344 pages
File Size : 52,5 Mb
Release : 1999-04-22
Category : History
ISBN : 9780195351071

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The Twisted Muse by Michael H. Kater Pdf

Is music removed from politics? To what ends, beneficent or malevolent, can music and musicians be put? In short, when human rights are grossly abused and politics turned to fascist demagoguery, can art and artists be innocent? These questions and their implications are explored in Michael Kater's broad survey of musicians and the music they composed and performed during the Third Reich. Great and small--from Valentin Grimm, a struggling clarinetist, to Richard Strauss, renowned composer--are examined by Kater, sometimes in intimate detail, and the lives and decisions of Nazi Germany's professional musicians are laid out before the reader. Kater tackles the issue of whether the Nazi regime, because it held music in crassly utilitarian regard, acted on musicians in such a way as to consolidate or atomize the profession. Kater's examination of the value of music for the regime and the degree to which the regime attained a positive propaganda and palliative effect through the manner in which it manipulated its musicians, and by extension, German music, is of importance for understanding culture in totalitarian systems. This work, with its emphasis on the social and political nature of music and the political attitude of musicians during the Nazi regime, will be the first of its kind. It will be of interest to scholars and general readers eager to understand Nazi Germany, to music lovers, and to anyone interested in the interchange of music and politics, culture and ideology.

The Twisted Muse : Musicians and Their Music in the Third Reich

Author : Department of History York University Michael Kater Distinguished Research Professor
Publisher : Oxford University Press, USA
Page : 345 pages
File Size : 44,9 Mb
Release : 1996-12-19
Category : Music
ISBN : 9780199774517

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The Twisted Muse : Musicians and Their Music in the Third Reich by Department of History York University Michael Kater Distinguished Research Professor Pdf

Is music removed from politics? To what ends, beneficent or malevolent, can music and musicians be put? In short, when human rights are grossly abused and politics turned to fascist demagoguery, can art and artists be innocent? These questions and their implications are explored in Michael Kater's broad survey of musicians and the music they composed and performed during the Third Reich. Great and small--from Valentin Grimm, a struggling clarinetist, to Richard Strauss, renowned composer--are examined by Kater, sometimes in intimate detail, and the lives and decisions of Nazi Germany's professional musicians are laid out before the reader. Kater tackles the issue of whether the Nazi regime, because it held music in crassly utilitarian regard, acted on musicians in such a way as to consolidate or atomize the profession. Kater's examination of the value of music for the regime and the degree to which the regime attained a positive propaganda and palliative effect through the manner in which it manipulated its musicians, and by extension, German music, is of importance for understanding culture in totalitarian systems. This work, with its emphasis on the social and political nature of music and the political attitude of musicians during the Nazi regime, will be the first of its kind. It will be of interest to scholars and general readers eager to understand Nazi Germany, to music lovers, and to anyone interested in the interchange of music and politics, culture and ideology.

Composers of the Nazi Era

Author : Michael H. Kater,Distinguished Research Professor of History at the Centre for German and European Studies Michael H Kater
Publisher : Oxford University Press on Demand
Page : 414 pages
File Size : 48,8 Mb
Release : 2000
Category : Biography & Autobiography
ISBN : 9780195099249

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Composers of the Nazi Era by Michael H. Kater,Distinguished Research Professor of History at the Centre for German and European Studies Michael H Kater Pdf

How does creativity thrive in the face of fascism? How can a highly artistic individual function professionally in so threatening a climate? The final book in a critically acclaimed trilogy that includes Different Drummers (OUP 1992) and The Twisted Muse (OUP 1997), this is a detailed study of the often interrelated careers of eight outstanding German composers who lived and worked amid the dictatorship of the Third Reich: Werner Egk, Paul Hindemith, Kurt Weill, Karl Amadeus Hartmann, Carl Orff, Hans Pfitzner, Arnold Schoenberg, and Richard Strauss. Noted historian Michael H. Kater weighs issues of accommodation and resistance to ask whether these artists corrupted themselves in the service of a criminal regime -- and if so, whether this is evident in their music. He also considers the degrees to which the Nazis poetically, socially, economically, and aesthetically succeeded in their treatment of these individuals, whose lives and compositions represent diverse responses to totalitarianism.

Different Drummers

Author : Michael H. Kater
Publisher : Oxford University Press
Page : 320 pages
File Size : 40,6 Mb
Release : 2003-03-13
Category : History
ISBN : 9780195347388

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Different Drummers by Michael H. Kater Pdf

When the African-American dancer Josephine Baker visited Berlin in 1925, she found it dazzling. "The city had a jewel-like sparkle," she said, "the vast caf'es reminded me of ocean liners powered by the rhythms of their orchestras. There was music everywhere." Eager to look ahead after the crushing defeat of World War I, Weimar Germany embraced the modernism that swept through Europe and was crazy over jazz. But with the rise of National Socialism came censorship and proscription: an art form born on foreign soil and presided over by Negroes and Jews could have no place in the culture of a "master race." In Different Drummers, Michael Kater--a distinguished historian and himself a jazz musician--explores the underground history of jazz in Hitler's Germany. He offers a frightening and fascinating look at life and popular culture during the Third Reich, showing that for the Nazis, jazz was an especially threatening form of expression. Not only were its creators at the very bottom of the Nazi racial hierarchy, but the very essence of jazz--spontaneity, improvisation, and, above all, individuality--represented a direct challenge to the repetitive, simple, uniform pulse of German march music and indeed everyday life. The fact that many of the most talented European jazz artists were Jewish only made the music more objectionable. In tracing the growth of what would become a bold and eloquent form of social protest, Kater mines a trove of previously untapped archival records and assembles interviews with surviving witnesses as he brings to life a little-known aspect of wartime Germany. He introduces us to groups such as the Weintraub Syncopators, Germany's best indigenous jazz band; the Harlem Club of Frankfurt, whose male members wore their hair long in defiance of Nazi conventions; and the Hamburg Swings--the most daring radicals of all--who openly challenged the Gestapo with a series of mass dance rallies. More than once these demonstrations turned violent, with the Swings and the Hitler Youth fighting it out in the streets. In the end we come to realize that jazz not only survived persecution, but became a powerful symbol of political disobedience--and even resistance--in wartime Germany. And as we witness the vacillations of the Nazi regime (while they worked toward its ultimate extinction, they used jazz for their own propaganda purposes), we see that the myth of Nazi social control was, to a large degree, just that--Hitler's dictatorship never became as pure and effective a form of totalitarianism as we are sometimes led to believe. With its vivid portraits of all the key figures, Different Drummers provides a unique glimpse of a counter-culture virtually unexamined until now. It is a provocative account that reminds us that, even in the face of the most unspeakable oppression, the human spirit endures.

Settling Scores

Author : David Monod
Publisher : Univ of North Carolina Press
Page : 344 pages
File Size : 53,6 Mb
Release : 2006-03-08
Category : History
ISBN : 9780807876442

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Settling Scores by David Monod Pdf

Classical music was central to German national identity in the early twentieth century. The preeminence of composers such as Bach and Beethoven and artists such as conductor Wilhelm Furtwangler and pianist Walter Gieseking was cited by the Nazis as justification for German expansionism and as evidence of Aryan superiority. In the minds of many Americans, further German aggression could be prevented only if the population's faith in its moral and cultural superiority was shattered. In Settling Scores, David Monod examines the attempted "denazification" of the German music world by the Music Control Branch of the Information Control Division of Military Government. The occupying American forces barred from the stage and concert hall all former Nazi Party members and even anyone deemed to display an "authoritarian personality." They also imported European and American music. These actions, however, divided American officials and outraged German audiences and performers. Nonetheless, the long-term effects were greater than has been previously recognized, as German government officials regained local control and voluntarily limited their involvement in artistic life while promoting "new" (anti-Nazi) music.

Mozart and the Nazis

Author : Erik Levi
Publisher : Yale University Press
Page : 426 pages
File Size : 48,6 Mb
Release : 2010-01-01
Category : Music
ISBN : 9780300123067

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Mozart and the Nazis by Erik Levi Pdf

T̀his book fills an important gap in our understanding of the ways in which composers - Mozart in particular - are co-opted for social, cultural and political ends. And it teaches us that reception is as significant a part of cultural history as understanding music in its own time and place.'--Cliff Eisen, Professor of Music History, King's College London.

Rubble Music

Author : Abby Anderton
Publisher : Indiana University Press
Page : 207 pages
File Size : 43,9 Mb
Release : 2019-07-23
Category : Music
ISBN : 9780253042446

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Rubble Music by Abby Anderton Pdf

As the seat of Hitler's government, Berlin was the most frequently targeted city in Germany for Allied bombing campaigns during World War II. Air raids shelled celebrated monuments, left homes uninhabitable, and reduced much of the city to nothing but rubble. After the war's end, this apocalyptic landscape captured the imagination of artists, filmmakers, and writers, who used the ruins to engage with themes of alienation, disillusionment, and moral ambiguity. In Rubble Music, Abby Anderton explores the classical music culture of postwar Berlin, analyzing archival documents, period sources, and musical scores to identify the sound of civilian suffering after urban catastrophe. Anderton reveals how rubble functioned as a literal, figurative, psychological, and sonic element by examining the resonances of trauma heard in the German musical repertoire after 1945. With detailed explorations of reconstituted orchestral ensembles, opera companies, and radio stations, as well as analyses of performances and compositions that were beyond the reach of the Allied occupiers, Anderton demonstrates how German musicians worked through, cleared away, or built over the debris and devastation of the war.

Symphonic Aspirations

Author : Karen Painter
Publisher : Harvard University Press
Page : 374 pages
File Size : 48,6 Mb
Release : 2008-01-15
Category : Music
ISBN : 0674033590

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Symphonic Aspirations by Karen Painter Pdf

Can music be political? Germans have long claimed the symphony as a pillar of their modern national culture. By 1900, the critical discourse on music, particularly symphonies, rose to such prominence as to command front-page news. With the embrace of the Great War, the humiliation of defeat, and the ensuing economic turmoil, music evolved from the most abstract to the most political of the arts. Even Goebbels saw the symphony as a tool of propaganda. More than composers or musicians, critics were responsible for this politicization of music, aspiring to change how music was heard and understood. Once hailed as a source of individual heroism, the symphony came to serve a communal vision. Karen Painter examines the politicization of musical listening in Germany and Austria, showing how nationalism, anti-Semitism, liberalism, and socialism profoundly affected the experience of serious music. Her analysis draws on a vast collection of writings on the symphony, particularly those of Mahler and Bruckner, to offer compelling evidence that music can and did serve ideological ends. She traces changes in critical discourse that reflected but also contributed to the historical conditions of the fin de siecle, World War I, and the Nazi regime.

Social Outsiders in Nazi Germany

Author : Robert Gellately,Nathan Stoltzfus
Publisher : Princeton University Press
Page : 128 pages
File Size : 46,7 Mb
Release : 2018-06-05
Category : History
ISBN : 9780691188355

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Social Outsiders in Nazi Germany by Robert Gellately,Nathan Stoltzfus Pdf

When Hitler assumed power in 1933, he and other Nazis had firm ideas on what they called a racially pure "community of the people." They quickly took steps against those whom they wanted to isolate, deport, or destroy. In these essays informed by the latest research, leading scholars offer rich histories of the people branded as "social outsiders" in Nazi Germany: Communists, Jews, "Gypsies," foreign workers, prostitutes, criminals, homosexuals, and the homeless, unemployed, and chronically ill. Although many works have concentrated exclusively on the relationship between Jews and the Third Reich, this collection also includes often-overlooked victims of Nazism while reintegrating the Holocaust into its wider social context. The Nazis knew what attitudes and values they shared with many other Germans, and most of their targets were individuals and groups long regarded as outsiders, nuisances, or "problem cases." The identification, the treatment, and even the pace of their persecution of political opponents and social outsiders illustrated that the Nazis attuned their law-and-order policies to German society, history, and traditions. Hitler's personal convictions, Nazi ideology, and what he deemed to be the wishes and hopes of many people, came together in deciding where it would be politically most advantageous to begin. The first essay explores the political strategies used by the Third Reich to gain support for its ideologies and programs, and each following essay concentrates on one group of outsiders. Together the contributions debate the motivations behind the purges. For example, was the persecution of Jews the direct result of intense, widespread anti-Semitism, or was it part of a more encompassing and arbitrary persecution of "unwanted populations" that intensified with the war? The collection overall offers a nuanced portrayal of German citizens, showing that many supported the Third Reich while some tried to resist, and that the war radicalized social thinking on nearly everyone's part. In addition to the editors, the contributors are Frank Bajohr, Omer Bartov, Doris L. Bergen, Richard J. Evans, Henry Friedlander, Geoffrey J. Giles, Marion A. Kaplan, Sybil H. Milton, Alan E. Steinweis, Annette F. Timm, and Nikolaus Wachsmann.

Most German of the Arts

Author : Pamela Maxine Potter
Publisher : Unknown
Page : 364 pages
File Size : 52,8 Mb
Release : 1998
Category : History
ISBN : 0300072287

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Most German of the Arts by Pamela Maxine Potter Pdf

This study examines the social, economic and intellectual factors that caused German musical scholars to support the ideological aims of the Nazis, and argues that many of the ideas that served the regime survived the Nazi period to influence the conception of music history down to the present.

Music in the Third Reich

Author : Erik Levi
Publisher : Springer
Page : 316 pages
File Size : 41,7 Mb
Release : 1996-04-15
Category : History
ISBN : 9781349245826

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Music in the Third Reich by Erik Levi Pdf

In this authoritative study, one of the first to appear in English, Erik Levi explores the ambiguous relationship between music and politics during one of the darkest periods of recent cultural history. Utilising material drawn from contemporary documents, journals and newspapers, he traces the evolution of reactionary musical attitudes which were exploited by the Nazis in the final years of the Weimar Republic, chronicles the mechanisms that were established after 1933 to regiment musical life throughout Germany and the occupied territories, and examines the degree to which the climate of xenophobia, racism and anti-modernism affected the dissemination of music either in the opera house and concert hall, or on the radio and in the media.

Artists Under Hitler

Author : Jonathan Petropoulos
Publisher : Yale University Press
Page : 424 pages
File Size : 54,6 Mb
Release : 2014-01-01
Category : Biography & Autobiography
ISBN : 9780300197471

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Artists Under Hitler by Jonathan Petropoulos Pdf

'Artists Under Hitler' closely examines cases of artists who failed in their attempts to find accommodation in the Nazi regime as well as others whose desire for official acceptance was realised. They illuminate the complex cultural history of this period and provide haunting portraits of people facing excruciating choices and grave moral questions.

The Rest Is Noise

Author : Alex Ross
Publisher : Farrar, Straus and Giroux
Page : 640 pages
File Size : 41,5 Mb
Release : 2007-10-16
Category : Music
ISBN : 9781429932882

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The Rest Is Noise by Alex Ross Pdf

Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.

The Arts in Nazi Germany

Author : Jonathan Huener,Francis R. Nicosia
Publisher : Berghahn Books
Page : 235 pages
File Size : 52,9 Mb
Release : 2007-09
Category : History
ISBN : 9781845453596

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The Arts in Nazi Germany by Jonathan Huener,Francis R. Nicosia Pdf

"Culture and the arts played a central role in the ideology and propaganda of National Socialism from the early years of the movement until the last months of the Third Reich in 1945 ... This volume's essays explore these and other aspects of the arts and cultural life under National Socialism ..."--Cover.

A Jewish Orchestra in Nazi Germany

Author : Lily E. Hirsch
Publisher : University of Michigan Press
Page : 269 pages
File Size : 44,6 Mb
Release : 2011-12-27
Category : History
ISBN : 9780472034970

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A Jewish Orchestra in Nazi Germany by Lily E. Hirsch Pdf

Examines the complicated history of a Jewish cultural organization supported by Nazi Germany