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The Unauthorized X-Men by Len Wein,Leah Wilson Pdf
These essays show just why these mutants have such astonishing endurance and staying power. Contributors trace the series' evolution, challenge its metaphors and draw from its truths about human nature and society. From real mutant subcultures in our world to the reality of racism and heterosexism that are not so different from that of the X-Men, The Unauthorized X-Men takes on the intersection between fiction and truth in a volume perfect the long-time comic readers, cartoon fans and movie goers alike.
This edited collection focuses on the X-Men film franchise, with essays that considers the movies as popular culture products. Chapters in this volume address various aspects featured in individual films or throughout the series. The essays discuss such topics as gender, race, class, sexuality, disability, and a sense of “otherness” that pervades the franchise. Although the book focuses specifically on the X-Men films, an analysis that considers the X-Men’s transformation from comics to movies will be included.
The X-Men comic book franchise is one of the most popular of all time and one of the most intriguing for critical analysis. With storylines that often contain overt social messages within its "mutant metaphor," X-Men is often credited with having more depth than the average superhero property. In this collection, each essay examines a specific era of the X-Men franchise in relationship to contemporary social concerns. The essays are arranged chronologically, from an analysis of popular science at the time of the first X-Men comic book in 1963 to an interpretation of a storyline in light of rhetoric of President Obama's first presidential campaign. Topics ranging from Communism to celebrity culture to school violence are addressed by scholars who provide new insights into one of America's most significant popular culture products.
X-Men and the Mutant Metaphor by Joseph J. Darowski Pdf
Among both fans and the academic community, there is a general assumption that the X-Men franchise is one of the most progressive and inclusive superhero comic books that has been published. However, this study challenges such assumptions, revealing that there is an unfortunate trend throughout the majority of the title’s history: Minority characters are most likely to be villains, female characters are most likely to be supporting cast members, and white males are most likely to be members of the X-Men.
Collects X-Men: Grand Design - X-Tinction #1-2 - plus the classic Uncanny X-Men (1981) #268, masterfully recolored by Ed. Presented in the same dynamic, oversized format of the best-selling Hip Hop Family Tree. The series that has critics and fans raving returns for its final installment! The fall and rise of the X-Men revisited! Relive the now-classic storylines of the 1980s - including the Mutant Massacre, the Fall of the Mutants, Inferno and the X-Tinction Agenda! And it's out with the old and in with the blue and gold as the X-Men enter the '90s! An explosive era of X-Men history is revisited, expanded and polished for a new generation - including the debuts of such 1990s mainstays as Jubilee, Gambit, Psylocke, Mister Sinister and more! The final chapter of this best-selling prestige series caps off the first three decades of X-Men lore in one neat package - all of it brought to life by the master of graphic fiction himself, Ed Piskor!
Change is coming.Since "X-Men" first wowed movie audiences, the film and its sequels have become among the most popular and successful comic book adaptations in Hollywood history. "Mutant Cinema: The X-Men Trilogy from Comics to Screen" is the definitive unauthorized study of the popular movie saga, tracing its origins, history, and impact from the very first issue of the comic book through the final moments of "X-Men: The Last Stand" and beyond.Within these pages, readers will learn about: '¢ the history of X-Men comic books; '¢ previous adaptations, including early cartoon appearances, the 1990s animated series, and early attempts to bring them to the big screen; '¢ the development process for each film, behind-the-scenes stories, and details on omitted scenes and storylines; '¢ scene-by-scene examinations of each film and their comic book origins; '¢ critical and fan reception of each film, plus box office performance; and '¢ what the future may hold for the franchise.
X-Men by Kristine Kathryn Rusch,Dean Wesley Smith Pdf
A novelization of the major motion picture! Outcasts from society, the X-MEN are genetic mutants, born with superhuman powers, who harness their special abilities for the greater good. But the human race they fight to protect rejects and fears—even hates—them. Not all mutants seek to protect mankind. One terrorist group—led by the supremely powerful Magneto—seeks to strike first. Battling against prejudice and agents of intolerance, the X-MEN must establish a peaceful coexistence between mutant and mankind or they will surely perish . . .
Reborn of Crisis by Annika Hagley,Michael Harrison Pdf
This book examines the dominant popular culture convention of the superhero, situated within the most significant global event of the last 20 years. Exploring the explosion of the superhero genre post-9/11, it sheds fresh light on the manner in which American society has processed and continues to process the trauma from the terrorist attacks. Beginning with the development of Batman in comics, television, and film, the authors offer studies of popular films including Iron Man, Captain America, The X-Men, Black Panther, and Wonder Woman, revealing the ways in which these texts meditate upon the events and aftermath of 9/11 and challenge the dominant hyper-patriotic narrative that emerged in response to the attacks. A study of the superhero genre’s capacity to unpack complex global interplays that question America’s foreign policy actions and the white, militarized masculinity that has characterized major discourses following 9/11, this volume explores the engagement of superhero films with issues of authority, patriotism, war, morals, race, gender, surveillance, the military industrial complex, and American political and social identities. As such, it will appeal to scholars and students of cultural and media studies, film studies, sociology, politics, and American studies.
Author : Randy Duncan,Matthew J. Smith Publisher : Bloomsbury Publishing USA Page : 1022 pages File Size : 54,8 Mb Release : 2013-01-29 Category : Social Science ISBN : 9798216100577
Icons of the American Comic Book [2 volumes] by Randy Duncan,Matthew J. Smith Pdf
This book explores how the heroes and villains of popular comic books—and the creators of these icons of our culture—reflect the American experience out of which they sprang, and how they have achieved relevance by adapting to, and perhaps influencing, the evolving American character. Multiple generations have thrilled to the exploits of the heroes and villains of American comic books. These imaginary characters permeate our culture—even Americans who have never read a comic book grasp what the most well-known examples represent. But these comic book characters, and their creators, do more than simply thrill: they make us consider who we are and who we aspire to be. Icons of the American Comic Book: From Captain America to Wonder Woman contains 100 entries that provide historical background, explore the impact of the comic-book character on American culture, and summarize what is iconic about the subject of the entry. Each entry also lists essential works, suggests further readings, and contains at least one sidebar that provides entertaining and often quirky insight not covered in the main entry. This two-volume work examines fascinating subjects, such as how the superhero concept embodied the essence of American culture in the 1930s; and the ways in which comic book icons have evolved to reflect changing circumstances, values, and attitudes regarding cultural diversity. The book's coverage extends beyond just characters, as it also includes entries devoted to creators, publishers, titles, and even comic book related phenomena that have had enduring significance.
The Psychology of Superheroes by Robin S. Rosenberg,Jennifer Canzoneri Pdf
This latest installment in the Psychology of Popular Culture series turns its focus to superheroes. Superheroes have survived and fascinated for more than 70 years in no small part due to their psychological depth. In The Psychology of Superheroes, almost two dozen psychologists get into the heads of today's most popular and intriguing superheroes. Why do superheroes choose to be superheroes? Where does Spider-Man's altruism come from, and what does it mean? Why is there so much prejudice against the X-Men, and how could they have responded to it, other than the way they did? Why are super-villains so aggressive? The Psychology of Superheroes answers these questions, exploring the inner workings our heroes usually only share with their therapists.
The Palgrave Handbook of Holocaust Literature and Culture by Victoria Aarons,Phyllis Lassner Pdf
The Palgrave Handbook of Holocaust Literature and Culture reflects current approaches to Holocaust literature that open up future thinking on Holocaust representation. The chapters consider diverse generational perspectives—survivor writing, second and third generation—and genres—memoirs, poetry, novels, graphic narratives, films, video-testimonies, and other forms of literary and cultural expression. In turn, these perspectives create interactions among generations, genres, temporalities, and cultural contexts. The volume also participates in the ongoing project of responding to and talking through moments of rupture and incompletion that represent an opportunity to contribute to the making of meaning through the continuation of narratives of the past. As such, the chapters in this volume pose options for reading Holocaust texts, offering openings for further discussion and exploration. The inquiring body of interpretive scholarship responding to the Shoah becomes itself a story, a narrative that materially extends our inquiry into that history.
Drawing the Past, Volume 1 by Dorian L. Alexander,Michael Goodrum,Philip Smith Pdf
Contributions by Lawrence Abrams, Dorian L. Alexander, Max Bledstein, Peter Cullen Bryan, Stephen Connor, Matthew J. Costello, Martin Flanagan, Michael Fuchs, Michael Goodrum, Bridget Keown, Kaleb Knoblach, Christina M. Knopf, Martin Lund, Jordan Newton, Stefan Rabitsch, Maryanne Rhett, and Philip Smith History has always been a matter of arranging evidence into a narrative, but the public debate over the meanings we attach to a given history can seem particularly acute in our current age. Like all artistic mediums, comics possess the power to mold history into shapes that serve its prospective audience and creator both. It makes sense, then, that history, no stranger to the creation of hagiographies, particularly in the service of nationalism and other political ideologies, is so easily summoned to the panelled page. Comics, like statues, museums, and other vehicles for historical narrative, make both monsters and heroes of men while fueling combative beliefs in personal versions of United States history. Drawing the Past, Volume 1: Comics and the Historical Imagination in the United States, the first book in a two-volume series, provides a map of current approaches to comics and their engagement with historical representation. The first section of the book on history and form explores the existence, shape, and influence of comics as a medium. The second section concerns the question of trauma, understood both as individual traumas that can shape the relationship between the narrator and object, and historical traumas that invite a reassessment of existing social, economic, and cultural assumptions. The final section on mythic histories delves into ways in which comics add to the mythology of the US. Together, both volumes bring together a range of different approaches to diverse material and feature remarkable scholars from all over the world.
Doctor Doom has taken over the Earth whilst the X-Men were in another dimension. Their return finds them having to take on an armour-clad madman with the whole world against them and one of their deadliest enemies on Doom's side.
Leading writers discuss, debate, and celebrate the legend of Superman in this anthology, contending that his legend is a truly American myth. Superman was an immigrant with little more than the clothes on his back and raised by simple farmers, absorbing their humble values. He always chose to do the right thing, fighting for truth, justice, and the American way, and represents America at its best. The in-depth analyses of the comics, films and cartoons are at turns funny, philosophical, insightful, and personal, exploring every aspect of the Superman legend.
Author : Jeffrey J. Kripal Publisher : University of Chicago Press Page : 392 pages File Size : 50,8 Mb Release : 2011-09-30 Category : History ISBN : 9780226453859
In many ways, twentieth-century America was the land of superheroes and science fiction. From Superman and Batman to the Fantastic Four and the X-Men, these pop-culture juggernauts, with their "powers and abilities far beyond those of mortal men," thrilled readers and audiences—and simultaneously embodied a host of our dreams and fears about modern life and the onrushing future. But that's just scratching the surface, says Jeffrey Kripal. In Mutants and Mystics, Kripal offers a brilliantly insightful account of how comic book heroes have helped their creators and fans alike explore and express a wealth of paranormal experiences ignored by mainstream science. Delving deeply into the work of major figures in the field—from Jack Kirby’s cosmic superhero sagas and Philip K. Dick’s futuristic head-trips to Alan Moore’s sex magic and Whitley Strieber’s communion with visitors—Kripal shows how creators turned to science fiction to convey the reality of the inexplicable and the paranormal they experienced in their lives. Expanded consciousness found its language in the metaphors of sci-fi—incredible powers, unprecedented mutations, time-loops and vast intergalactic intelligences—and the deeper influences of mythology and religion that these in turn drew from; the wildly creative work that followed caught the imaginations of millions. Moving deftly from Cold War science and Fredric Wertham's anticomics crusade to gnostic revelation and alien abduction, Kripal spins out a hidden history of American culture, rich with mythical themes and shot through with an awareness that there are other realities far beyond our everyday understanding. A bravura performance, beautifully illustrated in full color throughout and brimming over with incredible personal stories, Mutants and Mystics is that rarest of things: a book that is guaranteed to broaden—and maybe even blow—your mind.