The Unicorn Expedition Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of The Unicorn Expedition book. This book definitely worth reading, it is an incredibly well-written.
Professor Shonku cannot dismiss without proof the possibility that unicorns do exist somewhere on earth. In fact, Charles Willard, a fellow scientist, claimed to have actually seen them in Tibet, but, unfortunately, died shortly afterwards. So, when Shonku learns that another expedition is starting off for Tibet, he jumps at the opportunity to trace Willard's route and find the unicorns. Tibet is just one of the exotic places Professor Shonku's exploits take him in this volume of stories. In the Sahara he comes face to face with a massive pyramid-like structure no one knew of earlier; he travels underwater in a submarine with two Japanese scientists to investigate the sudden appearance of deadly red fish that have taken to eating humans; in the caves of Bolivia he meets a primitive man who has been painting his dwelling with animal figures and strange mathematical formulae; and on a peculiar island which has appeared out of nowhere in the Pacific Ocean horrific plants suck out all his learning from his brain
Vavra runs his spectacular photographic eye over East Africa in his continued search to understand the hold the mysterious unicorn has on man's imagination. He is the author of the international bestseller Unicorns I Have Known and the renowned photographer of Equus. Color.
The Natural History of Unicorns by Chris Lavers Pdf
“Lavers keeps his intellectual detective story passionate and suspenseful.” — Washington Post Book World From Biblical stories about virgins to adventures with Harry Potter, unicorns have enchanted people for millennia. In the endlessly fascinating The Natural History of Unicorns, author Chris Lavers ingeniously traces the legend of this mysterious creature to the real people, places, and animals that have influenced its story.
Satyajit Ray: The Inner Eye by Andrew Robinson Pdf
Akira Kurosawa said of the great director: 'Not to have seen the cinema of Ray means existing in the world without seeing the sun or the moon.' Martin Scorsese remarked on Ray's birth centenary in 2021: 'The films of Satyajit Ray are truly treasures of cinema, and everyone with an interest in film needs to see them.' Satyajit Ray: The Inner Eye is the definitive biography, based on extensive interviews with Ray himself, his actors and collaborators, and a deep knowledge of Bengali culture. Andrew Robinson provides an in-depth critical account of each film in an astonishingly versatile career, from Ray's directorial debut Pather Panchali (1955) to his final feature Agantuk (1991). The third (centenary) edition includes new material: an epilogue, 'A century of Ray', about the nature of his genius; a wide-ranging conversation with Ray drawn from the author's interviews; and an updated comprehensive bibliography of Ray's writings.
Author : C. C. A. Gosch Publisher : Cambridge University Press Page : 341 pages File Size : 42,6 Mb Release : 2010-09-30 Category : History ISBN : 9781108012935
Danish Arctic Expeditions, 1605 to 1620: Volume 2, The Expedition of Captain Jens Munk to Hudson's Bay in Search of a North-West Passage in 1619-20 by C. C. A. Gosch Pdf
Jens Munk's account of the Danish 1619-1620 expedition to Hudson's Bay in search of a North-West Passage to Asia.
The Lost Expedition (Poptropica Book 2) by Mitch Krpata Pdf
Based on a concept by New York Times bestselling Diary of a Wimpy Kid author Jeff Kinney comes Poptropica, a brand-new graphic-novel series by Mitch Krpata and Kory Merritt that takes readers on an adventure beyond the incredibly popular online role-playing world. In book two, The Lost Expedition, Oliver, Mya, and Jorge continue their search for home, with a few hilarious stops along the way. As the friends set sail for new sights, they find the evil Octavian is still hot on their trail, and he’s determined to get his hands on their magical map. To make matters worse, a mysterious organization is keen on expelling the three friends from Poptropica. As the pals travel, they find that each island is filled with its own unique brand of peril, and the mystery surrounding the map and Poptropica itself begins to unfold. Will our trio be able to once again outfox Octavian and discover the identity of this secret society? Presented in vivid full-color comic book illustrations, The Lost Expedition is perfect for kids who love a sense of adventure while learning about history in a fun way. Book one in the series, The Mystery of the Map, received incredible praise. KirkusReviews said, “Bright, animated colors and zippy cartoonlike action make for an easily accessible first offering that provides just enough exposition to hook young readers and keep them seeking out subsequent adventures. A peppily paced adventure yarn sure to delight fans of the franchise, both old and new.” And Booklist raved, “Based on the online role-playing game developed by the ever-popular Jeff Kinney, this new adventure comic series gets off to a flying start . . . The lively art mirrors that on the website, featuring bold, colorful panels and characters with giant heads and expressive eyes. Fans of the online game will delight in reading a story about one of Poptropica’s many islands, and newcomers will have no trouble falling into this adventure.”
Geographical Imaginations by Indranil Acharya,Ujjwal Kumar Panda Pdf
Matters of space, spatiality, geography, topography and place have mostly remained neglected in modern scholarship and teaching because in most modern and postmodern literary criticism history and temporality have been dominating discourses. But in recent criticism the "when" and "what" of literature yield place to "where" as Michel Foucault declared the present time as "the epoch of space". Literature reflects a spirit of place and a sense of place because place is known and given meaning when it is felt and closely experienced by human beings living in it. This humanistic geographical emphasis on human experience of place opens up the possibility of an interdisciplinary study of literature of geography. Literature creates and recreates geography in its own way and there are many ways of looking at literary representation of space and place. The book is meant to offer a good introduction to those divergent ways in which space, place, topography and geography evince themselves in literature.
The Final Adventures of Professor Shonku by Satyajit Ray Pdf
Just at the stroke of the half hour, the floor under our feet shook, and in that very instant, the sphere exploded into a thousand bits and scattered on the floor. Then, from the ruins was heard an eerie, disembodied voice declaiming, 'I know what comes after death!' In this last volume of Professor Shonku's escapades, the brilliant and benevolent scientist travels around the world once more to face near death situations. Each nerve wracking experience is faithfully recorded in his diary. We learn of Shonku being outwitted by his own invention, the Tellus computer; his helplessness when his arch-rival in Rome deliberately misplaces his wonder drug, Miracurall; and the thrilling discovery of a three-and-a-half-thousand-year-old sparkling diamond necklace and a papyrus in an ancient tomb in Cairo. Join the incredible Shonku on his many exhilarating adventures accompanied by his two long-time friends, his feline companion Newton, and his faithful retainer, Prahlad. Presented in a brilliant translation by Indrani Majumdar and the late author, this volume brings alive the wildly imaginative world of the weird and wonderful Professor Shonku.
Winner of the PEN/Diamonstein-Spielvogel Award for the Art of the Essay. Ian Buruma is fascinated, he writes, “by what makes the human species behave atrociously.” In Theater of Cruelty the acclaimed author of The Wages of Guilt and Year Zero: A History of 1945 once again turns to World War II to explore that question—to the Nazi occupation of Paris, the Allied bombing of German cities, the international controversies over Anne Frank’s diaries, Japan’s militarist intellectuals and its kamikaze pilots. One way that people respond to power and cruelty, Buruma argues, is through art, and the art that most interests him reveals the dark impulses beneath the veneer of civilized behavior. This is what draws him to German and Japanese artists such as Max Beckmann, George Grosz, Ernst Ludwig Kirchner, Mishima Yukio, and Yokoo Tadanori, as well as to filmmakers such as Werner Herzog, Rainer Werner Fassbinder, Kurosawa Kiyoshi, and Hans-Jürgen Syberberg. All were affected by fascism and its terrible consequences; all “looked into the abyss and made art of what they saw.” Whether he is writing in this wide-ranging collection about war, artists, or film—or about David Bowie’s music, R. Crumb’s drawings, the Palestinians of the West Bank, or Asian theme parks—Ian Buruma brings sympathetic historical insight and shrewd aesthetic judgment to understanding the diverse ways that people deal with violence and cruelty in life and in art. Theater of Cruelty includes eight pages of color and black & white images.
Satyajit Ray: An Intimate Master is an invaluable sourcework for studies in the work of Satyajit Ray and offers fascinating reading at the same time. Specially commissioned articles by experts and some of Ray's closest associates, relations and friends provide insights into the entire range of the creativity of Satyajit Ray, one of the world's greatest filmmakers—as artist and designer, writer, and filmmaker—and the environment that nurtured him. The contributions unravel features never before touched—upon all those subterranean elements that went into the making of his films and his artistic character. They should serve to open up new approaches to and possibilities for fresh readings of Ray's works in fiction, design and filmmaking alike. The 400-odd illustrations—several of them appearing in print for the first time—bring together a wide range of film stills, working stills, book illustrations, early drawings and sketches, layouts for advertisement insertions, film posters, brochures, portraits, caricatures, jacket designs, giving viewers a rare chance of studying the entirety of Ray's visual imagination and artistic craftsmanship. The memoiral, and analytical and critical pieces are supplemented by a comprehensive and thoroughly authenticated documentation, covering Ray's biography, a chronology of his films, filmography, synopses and cast/credits, awards and honours, his contributions to works by others, discography, bibliography, citations received on several occasions, the text of his earliest literary work, reproductions of his earliest artistic works, and portfolios on the making of Pather Panchali, his masterwork, and his involvement with Sandesh, the popular children's periodical launched by his grandfather that Ray revived in 1961, from a passionate concern for the enlightenment of children, a project that grew to be a passion of his in his last years. A selection of reviews of Ray’s films, national and international, arranged chronologically and filmwise offer a record of the world’s perception of and response to his films over four decades, in historical perspective. The volume as a whole, the product of several years’ research, has drawn on the rich collection of relevant documentary and archival material and memorabilia lying with the Ray family; and with the thoroughness that has gone into its documentation, it will be, for several years to come, the most authoritative and exhaustive and reliable work on Satyajit Ray.
This study draws from postcolonial theory, science fiction criticism, utopian studies, genre theory, Western and Indian philosophy and history to propose that Indian science fiction functions at the intersection of Indian and Western cultures. The author deploys a diachronic and comparative approach in examining the multilingual science fiction traditions of India to trace the overarching generic evolutions, which he complements with an analysis of specific patterns of hybridity in the genre’s formal and thematic elements – time, space, characters and the epistemologies that build the worlds in Indian science fiction. The work explores the larger patterns and connections visible despite the linguistic and cultural diversities of Indian science fiction traditions.