The Universal Art Of Samuel Van Hoogstraten 1627 1678

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The universal art of Samuel van Hoogstraten (1627-1678)

Thijs Weststeijn
The universal art of Samuel van Hoogstraten 1627 1678 Book PDF

Author : Thijs Weststeijn
Publisher : Amsterdam University Press
Page : 298 pages
File Size : 55,8 Mb
Release : 2014-03-04
Category : Art
ISBN : 9789048518593

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The universal art of Samuel van Hoogstraten (1627-1678) by Thijs Weststeijn Pdf

Samuel van Hoogstraten was meer dan een succesvol leerling van Rembrandt en een veelzijdig schilder. Door zijn experimenten met optische illusies zocht hij aansluiting bij de natuurwetenschap van zijn tijd. Bovendien schreef hij enkele van de eerste Nederlandse romans en toneelstukken, en een schildertraktaat. Hij reisde naar Rome, Wenen en Londen, en introduceerde de Europese hofcultuur in de Lage Landen. In dit boek onderzoeken verschillende specialisten Van Hoogstratens werk, dat op unieke wijze aantoont hoe in de Nederlandse Gouden Eeuw schilderkunst, literatuur en wetenschap verweven waren. Hierbij gaat bijzondere aandacht uit naar Van Hoogstratens kunsttheorie en zijn literaire teksten, de rol van schilderijen in zijn sociale netwerk, zijn contacten in Italië en Engeland en natuurlijk de kunst van zijn leermeester, Rembrandt. Door nog onbekende werken voor het voetlicht te brengen en nieuwe verbanden te leggen tussen woord en beeld, levert dit boek een belangrijke bijdrage aan ons begrip van Van Hoogstratens `universele kunst in het bredere kader van de vroegmoderne cultuurgeschiedenis.

Samuel van Hoogstraten's Introduction to the Academy of Painting; or, The Visible World

Samuel van Hoogstraten
Samuel van Hoogstraten s Introduction to the Academy of Painting or The Visible World Book PDF

Author : Samuel van Hoogstraten
Publisher : Getty Publications
Page : 426 pages
File Size : 47,6 Mb
Release : 2021-01-19
Category : Art
ISBN : 9781606066676

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Samuel van Hoogstraten's Introduction to the Academy of Painting; or, The Visible World by Samuel van Hoogstraten Pdf

A unique seventeenth-century account of painting as it was practiced, taught, and discussed during a period of extraordinary artistic and intellectual ferment in the Netherlands. The only comprehensive work on painting written by a Dutch artist in the later seventeenth century, Samuel van Hoogstraten’s Inleyding tot de hooge schoole der schilderkonst, anders de zichtbaere werelt (Introduction to the Academy of Painting; or, The Visible World, 1678) has long served as a source of valuable insights on a range of topics, from firsthand reports of training in Rembrandt’s studio to contemporary engagements with perspective, optics, experimental philosophy, the economics of art, and more. Van Hoogstraten’s magnum opus—here available in an English print edition for the first time—brings textual sources into dialogue with the author’s own experience garnered during a multifaceted career. Presenting novel twists on traditional topics, he makes a distinctive case for the status of painting as a universal discipline basic to all the liberal arts. Van Hoogstraten’s arguments for the authority of what painters know about nature and art speak to contemporary notions of expertise and to the unsettled relations between theory and practice, making this book a valuable document of the intertwined histories of art and knowledge in the seventeenth century.

The Renaissance of Letters

Paula Findlen,Suzanne Sutherland
The Renaissance of Letters Book PDF

Author : Paula Findlen,Suzanne Sutherland
Publisher : Routledge
Page : 324 pages
File Size : 55,8 Mb
Release : 2019-10-21
Category : Art
ISBN : 9780429770951

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The Renaissance of Letters by Paula Findlen,Suzanne Sutherland Pdf

The Renaissance of Letters traces the multiplication of letter-writing practices between the fourteenth and seventeenth centuries in the Italian peninsula and beyond to explore the importance of letters as a crucial document for understanding the Italian Renaissance. This edited collection contains case studies, ranging from the late medieval re-emergence of letter-writing to the mid-seventeenth century, that offer a comprehensive analysis of the different dimensions of late medieval and Renaissance letters—literary, commercial, political, religious, cultural, social, and military—which transformed them into powerful early modern tools. The Renaissance was an era that put letters into the hands of many kinds of people, inspiring them to see reading, writing, receiving, and sending letters as an essential feature of their identity. The authors take a fresh look at the correspondence of some of the most important humanists of the Italian Renaissance, including Niccolò Machiavelli and Isabella d'Este, and consider the use of letters for others such as merchants and physicians. This book is essential reading for scholars and students of Early Modern History and Literature, Renaissance Studies, and Italian Studies. The engagement with essential primary sources renders this book an indispensable tool for those teaching seminars on Renaissance history and literature.

The Ashgate Research Companion to Dutch Art of the Seventeenth Century

Wayne Franits
The Ashgate Research Companion to Dutch Art of the Seventeenth Century Book PDF

Author : Wayne Franits
Publisher : Routledge
Page : 658 pages
File Size : 49,9 Mb
Release : 2017-07-05
Category : Art
ISBN : 9781351546218

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The Ashgate Research Companion to Dutch Art of the Seventeenth Century by Wayne Franits Pdf

Despite the tremendous number of studies produced annually in the field of Dutch art over the last 30 years or so, and the strong contemporary market for works by Dutch masters of the period as well as the public's ongoing fascination with some of its most beloved painters, until now there has been no comprehensive study assessing the state of research in the field. As the first study of its kind, this book is a useful resource for scholars and advanced students of seventeenth-century Dutch art, and also serves as a springboard for further research. Its 19 chapters, divided into three sections and written by a team of internationally renowned art historians, address a wide variety of topics, ranging from those that might be considered "traditional" to others that have only drawn scholarly attention comparatively recently.

The Visible World

Thijs Weststeijn
The Visible World Book PDF

Author : Thijs Weststeijn
Publisher : Amsterdam University Press
Page : 477 pages
File Size : 48,7 Mb
Release : 2008
Category : Art
ISBN : 9789089640277

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The Visible World by Thijs Weststeijn Pdf

How did painters and their public speak about art in Rembrandt's age? This book about the writings of the painter-poet Samuel van Hoogstraten, one of Rembrandt's pupils, examines a wide variety of themes from painting practice and theory from the Dutch Golden Age. It addresses the contested issue of 'Dutch realism' and its hidden symbolism, as well as Rembrandt's concern with representing emotions in order to involve the spectator. Diverse aspects of imitation and illusion come to the fore, such as the theory behind sketchy or 'rough' brushwork and the active role played by the viewer's imagination. Taking as its starting point discussions in Rembrandt's studio, this unique study provides an ambitious overview of Dutch artists' ideas on painting.

Thinking Bodies – Shaping Hands

Yannis Hadjinicolaou
Thinking Bodies Shaping Hands Book PDF

Author : Yannis Hadjinicolaou
Publisher : BRILL
Page : 377 pages
File Size : 40,8 Mb
Release : 2019-08-12
Category : Art
ISBN : 9789004407725

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Thinking Bodies – Shaping Hands by Yannis Hadjinicolaou Pdf

This book by Yannis Hadjinicolaou offers an account of the term Handeling in the Netherlandish art and theory of the late Rembrandists (like Arent de Gelder) and hence between 1650 and 1720.

Karel van Mander and his Foundation of the Noble, Free Art of Painting

Walter S. Melion
Karel van Mander and his Foundation of the Noble Free Art of Painting Book PDF

Author : Walter S. Melion
Publisher : BRILL
Page : 589 pages
File Size : 55,5 Mb
Release : 2022-10-04
Category : History
ISBN : 9789004523074

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Karel van Mander and his Foundation of the Noble, Free Art of Painting by Walter S. Melion Pdf

Winner of the 2023 Roland H. Bainton Prize for Art History Written by the poet-painter Karel van Mander, who finished it in June 1603, the Grondt der edel, vry schilderconst (Foundation of the Noble, Free Art of Painting) was the first systematic treatise on schilderconst (the art of painting / picturing) to be published in Dutch (Haarlem: Paschier van Wes[t]busch, 1604). This English-language edition of the Grondt, accompanied by an introductory monograph and a full critical apparatus, provides unprecedented access to Van Mander’s crucially important art treatise. The book sheds light on key terms and critical categories such as schilder, manier, uyt zijn selven doen, welstandt, leven and gheest, and wel schilderen, and both exemplifies and explicates the author’s distinctive views on the complementary forms and functions of history and landscape.

Ficino and Fantasy

Marieke J.E. van den Doel
Ficino and Fantasy Book PDF

Author : Marieke J.E. van den Doel
Publisher : BRILL
Page : 390 pages
File Size : 48,9 Mb
Release : 2021-12-13
Category : Art
ISBN : 9789004459687

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Ficino and Fantasy by Marieke J.E. van den Doel Pdf

Did the Florentine philosopher Marsilio Ficino (1433-99) influence the art of his time? This book starts with an exploration of Ficino’s views on the imagination and discusses whether, how and why these ideas may have been received in Italian Renaissance works of art.

Eye of the Beholder: Johannes Vermeer, Antoni van Leeuwenhoek, and the Reinvention of Seeing

Laura J. Snyder
Eye of the Beholder Johannes Vermeer Antoni van Leeuwenhoek and the Reinvention of Seeing Book PDF

Author : Laura J. Snyder
Publisher : W. W. Norton & Company
Page : 480 pages
File Size : 46,7 Mb
Release : 2015-03-16
Category : Science
ISBN : 9780393246520

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Eye of the Beholder: Johannes Vermeer, Antoni van Leeuwenhoek, and the Reinvention of Seeing by Laura J. Snyder Pdf

The remarkable story of how an artist and a scientist in seventeenth-century Holland transformed the way we see the world. On a summer day in 1674, in the small Dutch city of Delft, Antoni van Leeuwenhoek—a cloth salesman, local bureaucrat, and self-taught natural philosopher—gazed through a tiny lens set into a brass holder and discovered a never-before imagined world of microscopic life. At the same time, in a nearby attic, the painter Johannes Vermeer was using another optical device, a camera obscura, to experiment with light and create the most luminous pictures ever beheld. “See for yourself!” was the clarion call of the 1600s. Scientists peered at nature through microscopes and telescopes, making the discoveries in astronomy, physics, chemistry, and anatomy that ignited the Scientific Revolution. Artists investigated nature with lenses, mirrors, and camera obscuras, creating extraordinarily detailed paintings of flowers and insects, and scenes filled with realistic effects of light, shadow, and color. By extending the reach of sight the new optical instruments prompted the realization that there is more than meets the eye. But they also raised questions about how we see and what it means to see. In answering these questions, scientists and artists in Delft changed how we perceive the world. In Eye of the Beholder, Laura J. Snyder transports us to the streets, inns, and guildhalls of seventeenth-century Holland, where artists and scientists gathered, and to their studios and laboratories, where they mixed paints and prepared canvases, ground and polished lenses, examined and dissected insects and other animals, and invented the modern notion of seeing. With charm and narrative flair Snyder brings Vermeer and Van Leeuwenhoek—and the men and women around them—vividly to life. The story of these two geniuses and the transformation they engendered shows us why we see the world—and our place within it—as we do today. Eye of the Beholder was named "A Best Art Book of the Year" by Christie's and "A Best Read of the Year" by New Scientist in 2015.

The Places of Early Modern Criticism

Gavin Alexander,Emma Gilby,Alexander Marr
The Places of Early Modern Criticism Book PDF

Author : Gavin Alexander,Emma Gilby,Alexander Marr
Publisher : Oxford University Press
Page : 240 pages
File Size : 42,5 Mb
Release : 2021-04-29
Category : Literary Criticism
ISBN : 9780192571748

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The Places of Early Modern Criticism by Gavin Alexander,Emma Gilby,Alexander Marr Pdf

What is criticism? And where is it to be found? Thinking about literature and the visual arts is found in many places - in treatises, apologies, and paragoni; in prefaces, letters, and essays; in commentaries, editions, reading notes, and commonplace books; in images, sculptures, and built spaces; within or on the thresholds of works of poetry and visual art. It is situated between different disciplines and methods. Critical ideas and methods come into England from other countries, and take root in particular locations - the court, the Inns of Court, the theatre, the great house, the printer's shop, the university. The practice of criticism is transplanted to the Americas and attempts to articulate the place of poetry in a new world. And commonplaces of classical poetics and rhetoric serve both to connect and to measure the space between different critical discourses. Tracing the history of the development of early modern thinking about literature and the visual arts requires consideration of various kinds of place - material, textual, geographical - and the practices particular to those places; it also requires that those different places be brought into dialogue with each other. This book brings together scholars working in departments of English, modern languages, and art history to look at the many different places of early modern criticism. It argues polemically for the necessity of looking afresh at the scope of criticism, and at what happens on its margins; and for interrogating our own critical practices and disciplinary methods by investigating their history.

Fiction Without Humanity

Lynn Festa
Fiction Without Humanity Book PDF

Author : Lynn Festa
Publisher : University of Pennsylvania Press
Page : 364 pages
File Size : 52,7 Mb
Release : 2019-06-28
Category : Literary Criticism
ISBN : 9780812251319

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Fiction Without Humanity by Lynn Festa Pdf

Although the Enlightenment is often associated with the emergence of human rights and humanitarian sensibility, "humanity" is an elusive category in the literary, philosophical, scientific, and political writings of the period. Fiction Without Humanity offers a literary history of late seventeenth- and early eighteenth-century efforts to define the human. Focusing on the shifting terms in which human difference from animals, things, and machines was expressed, Lynn Festa argues that writers and artists treated humanity as an indefinite class, which needed to be called into being through literature and the arts. Drawing on an array of literary, scientific, artistic, and philosophical devices— the riddle, the fable, the microscope, the novel, and trompe l'oeil and still-life painting— Fiction Without Humanity focuses on experiments with the perspectives of nonhuman creatures and inanimate things. Rather than deriving species membership from sympathetic identification or likeness to a fixed template, early Enlightenment writers and artists grounded humanity in the enactment of capacities (reason, speech, educability) that distinguish humans from other creatures, generating a performative model of humanity capacious enough to accommodate broader claims to human rights. In addressing genres typically excluded from canonical literary histories, Fiction Without Humanity offers an alternative account of the rise of the novel, showing how these early experiments with nonhuman perspectives helped generate novelistic techniques for the representation of consciousness. By placing the novel in a genealogy that embraces paintings, riddles, scientific plates, and fables, Festa shows realism to issue less from mimetic exactitude than from the tailoring of the represented world to a distinctively human point of view.

Mural Painting in Britain 1630-1730

Lydia Hamlett
Mural Painting in Britain 1630 1730 Book PDF

Author : Lydia Hamlett
Publisher : Routledge
Page : 293 pages
File Size : 55,7 Mb
Release : 2020-03-20
Category : Art
ISBN : 9781315466156

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Mural Painting in Britain 1630-1730 by Lydia Hamlett Pdf

This book illuminates the original meanings of seventeenth- and early-eighteenth-century mural paintings in Britain. At the time, these were called ‘histories’. Throughout the eighteenth century, though, the term became directly associated with easel painting and, as ‘history painting’ achieved the status of a sublime genre, any link with painted architectural interiors was lost. Whilst both genres contained historical figures and narratives, it was the ways of viewing them that differed. Lydia Hamlett emphasises the way that mural paintings were experienced by spectators within their architectural settings. New iconographical interpretations and theories of effect and affect are considered an important part of their wider historical, cultural and social contexts. This book is intended to be read primarily by specialists, graduate and undergraduate students with an interest in new approaches to British art of the seventeenth and eighteenth centuries.

Interiors in the Era of Covid-19

Penny Sparke,Ersi Ioannidou,Pat Kirkham,Stephen Knott,Jana Scholze
Interiors in the Era of Covid 19 Book PDF

Author : Penny Sparke,Ersi Ioannidou,Pat Kirkham,Stephen Knott,Jana Scholze
Publisher : Bloomsbury Publishing
Page : 313 pages
File Size : 55,9 Mb
Release : 2023-01-26
Category : Architecture
ISBN : 9781350294240

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Interiors in the Era of Covid-19 by Penny Sparke,Ersi Ioannidou,Pat Kirkham,Stephen Knott,Jana Scholze Pdf

The Covid-19 lockdowns caused people worldwide to be confined to their homes for longer and on a greater scale than ever before. This forced many unprecedented changes to the way we treat domestic space – as relationships shifted between the public and the private worlds, and homes were rapidly adapted to accommodate the additional roles of schools, offices, gyms, restaurants, making-spaces and more. Above all, our understanding of the home as a site to support and enhance the well-being of its inhabitants changed in a variety of novel ways. Interiors in the Era of Covid is a collection of essays which explore the complex ways in which our inside spaces (contemporary and historical) have responded to Covid-19 and other human crises. With case studies ranging from US and Europe to Japan, China, Colombia, and Bangladesh, this is a truly global work which examines wide-ranging subjects from home-working and home technologies, to the impact of lockdown on people's identities, gender roles in the home, and the realities of domestic living with Covid in refugee camps. Exploring the roles played by designers (both amateur and professional) in accommodating changing requirements and anticipating future ones – whether Covid or beyond – this book is a must-read for students and researchers in interior design, architecture, architectural and design history, and anyone interested in the home and the relationships between health and design.

Bildakt at the Warburg Institute

Sabine Marienberg,Jürgen Trabant
Bildakt at the Warburg Institute Book PDF

Author : Sabine Marienberg,Jürgen Trabant
Publisher : Walter de Gruyter GmbH & Co KG
Page : 272 pages
File Size : 45,8 Mb
Release : 2014-10-29
Category : Art
ISBN : 9783110364804

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Bildakt at the Warburg Institute by Sabine Marienberg,Jürgen Trabant Pdf

This volume presents the work of the “Collegium for the Advanced Study of the Picture Act and Embodiment” at the London Warburg Institute. It gathers studies on various topics: on the history and anthropology of the “picture act” (Bildakt); on theoretical and methodological aspects of picture act theory; on the role of image perception in the philosophy of the extended mind; on phenomena related to haptic experience of the image in the Middle Ages and early modern period; on somatic communication processes; on semiotic aspects of iconological thinking; and on the living dynamics of internal and external movement in imagery and language.

A Corpus of Rembrandt Paintings V

Ernst van de Wetering
A Corpus of Rembrandt Paintings V Book PDF

Author : Ernst van de Wetering
Publisher : Springer Science & Business Media
Page : 674 pages
File Size : 52,8 Mb
Release : 2013-12-12
Category : Art
ISBN : 9781402057861

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A Corpus of Rembrandt Paintings V by Ernst van de Wetering Pdf

This volume is the fifth volume of A Corpus of Rembrandt Paintings, a project devoted to all Rembrandt’s paintings. This is the work of ‘The Rembrandt Research Project’, consisting of a group of scholars led since 1993 by Professor Ernst van de Wetering. The project began in 1968 with the aim of separating Rembrandt’s own paintings from the vast number of Rembrandtesque paintings made by his many apprentices and followers. Having opted for a chronological approach to the cataloguing of Rembrandt’s paintings (from 1625 till 1642) in the first three volumes, it was decided in 1993 to adopt a thematic approach for further volumes. This was largely to facilitate the recognition of different hands. The new approach yielded much more information not only about Rembrandt’s working methods but also about the function and meaning of his works. This expanded field of view meant that etchings and drawings with similar themes also needed to be included. In 2005 Volume IV appeared, devoted to Rembrandt’s self-portraits, in painting, etching and drawing. Volume V consists of a catalogue and analysis of the so-called small-scale history and genre paintings. That theme was chosen because this type of complex work shows a variety of full-length protagonists acting in different narrative settings. For this reason, in the 17th century, painting, etching or drawing biblical and mythological scenes was looked upon as an artist’s greatest challenge. The choice of this theme proved to be highly fruitful in several ways. Small-scale history pieces reveal Rembrandt’s artistic ambitions most clearly. They also offer the authors a much more accurate view of the daily routine in Rembrandt’s studio; his apprentices mostly copied this type of work or used it as a starting point for their own. As a result it was easier to distinguish the works by the master himself from those of his pupils. All aspects of the skills necessary to create a pictorial illusion play a part in the creation of small-figured history paintings. These aspects were referred to as ‘the basis of the noble art of painting’ in Rembrandt’s days. Two seventeenth century painter/theoreticians discussed these principles systematically in two books which up till now have only sporadically been consulted in the context of 17th century studio practice. Karel van Mander wrote his Grond der edel vry schilder-const [Basis of the Art of Painting] in 1604 and Samuel van Hoogstraten produced his Inleyding tot de hooge schoole der schilderkonst [Academy of Painting] in 1678. Van Hoogstraten was a pupil of Rembrandt between 1642 and ’48. Comparing the two books and considering them in relation to Rembrandt’s oeuvre, gradually reveals his original views on painting and how these had developed during his career. Thus, the authors of this new Volume of A Corpus have gained an unexpected and profound insight into Rembrandt’s ideas and approach to his art. The ‘basic aspects’ of painting included the following topics: function and methods of drawing; human proportions; various positions, poses and gestures of figures; ways of arranging a scene’s protagonists in a composition; facial expressions of a variety of emotions; light, shadows and reflected light; landscape and animals; draperies and articles of clothing; methods of painting, and various characteristics and uses of colours. The way these ‘basic aspects’ were selected and dealt with presumed that the more practical side to the art of painting would be learned by the apprentice in the daily routine of his master’s studio. With the development of art history in the nineteenth century the ‘basic aspects’ of the art of painting listed above acquired the vague label of ‘style’. However, the seventeenth century categorization of the ‘basic aspects’ provides a much more acute means of probing the views and criteria for judging a painting by Rembrandt and his contemporaries than the concept of ‘style’. Volume V in the series A Corpus of Rembrandt Paintings breaks new ground from the point of view of art history, not only in its approach to Rembrandt as an artist, but more particularly to his thinking about painting. Moreover, a detailed comparison of Rembrandt’s works and those by his apprentices who based their works on his, led to a profound and detailed understanding of Rembrandt’s views on pictorial quality. In art historical literature quality usually does not feature prominently since it is regarded as being too subjective. This comparative approach, together with the analysis of seventeenth century categories of thought about painting, have given the research on Rembrandt a new impetus, at the same time allowing us to see more clearly through seventeenth century eyes. That is why the new volume of the ‘Corpus’ is an important publication – not only for art historians but also for all who want to fully enjoy the numerous works of art that date back to the Dutch Golden Age, now scattered in museums around the world.