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The Unsinkable Bambi Lake by Bambi Lake,Alvin Orloff Pdf
Introduction by Exene Cervenka In the wake of hit movies TO WONG FOO, THANKS FOR EVERY THING, and PRISCILLA QUEEN OF THE DESERT comes a personal account of one individual's evolution from innocent, suburban Johnny Purcell into fabulous, sophisticated Bambi Lake. From a fantasy filled childhood to San Francisco's queer salad days in the 70's absolutely nothing is off-topic in this sexy, revealing drama.
When 14-year-old Leonard decides to quit being a Dweeb and instead joins the Burnouts, his “good boy” persona is abandoned as he embarks on a comically painful journey of self-discovery through an unconventional friendship with Rick, an older Jesus-freak barefoot hippie. Growing up in the 1970s has never before been portrayed with such delightful ludicrousness and heartrending tenderness.
What is an art of life for what feels like the end of a world? In Raving McKenzie Wark takes readers into the undisclosed locations of New York’s thriving underground queer and trans rave scene. Techno, first and always a Black music, invites fresh sonic and temporal possibilities for this era of diminishing futures. Raving to techno is an art and a technique at which queer and trans bodies might be particularly adept but which is for anyone who lets the beat seduce them. Extending the rave’s sensations, situations, fog, lasers, drugs, and pounding sound systems onto the page, Wark invokes a trans practice of raving as a timely aesthetic for dancing in the ruins of this collapsing capital.
In this surprising new look at how clothing, style, and commerce came together to change American culture, Jennifer Le Zotte examines how secondhand goods sold at thrift stores, flea markets, and garage sales came to be both profitable and culturally influential. Initially, selling used goods in the United States was seen as a questionable enterprise focused largely on the poor. But as the twentieth century progressed, multimillion-dollar businesses like Goodwill Industries developed, catering not only to the needy but increasingly to well-off customers looking to make a statement. Le Zotte traces the origins and meanings of "secondhand style" and explores how buying pre-owned goods went from a signifier of poverty to a declaration of rebellion. Considering buyers and sellers from across the political and economic spectrum, Le Zotte shows how conservative and progressive social activists--from religious and business leaders to anti-Vietnam protesters and drag queens--shrewdly used the exchange of secondhand goods for economic and political ends. At the same time, artists and performers, from Marcel Duchamp and Fanny Brice to Janis Joplin and Kurt Cobain, all helped make secondhand style a visual marker for youth in revolt.
From Gay to Z: A Queer Compendium by Justin Elizabeth Sayre Pdf
This illustrated compendium celebrates LGBTQIA+ history and culture, written by and according to culture icon Justin Elizabeth Sayre! Based on Sayre's five-part show in New York City, From Gay to Z is a humorous collection of the rich legacy of gay culture, told through the letters of the alphabet. From ABBA to addiction, hair and makeup to HIV, Fannie Flagg to fierce, Sayre offers their own perspective on the things that have influenced gay culture today, including iconic figures, historical moments, ongoing issues in the LGBTQIA+ community, and everything in between. As gay culture is always evolving and different for everyone, this book does not serve as a definitive guide—instead, Sayre encourages readers to use this knowledge to reflect on the things that have informed their personal identities. Engagingly written and beautifully designed, From Gay to Z is a distinctive and dynamic look at gay culture for LGBTQIA+ readers everywhere. STRONG VOICE AND ENGAGING CONTENT: Sayre's writing is lively, engaging, and rich. The entries have their own style and contain humorous anecdotes, facts, commentary, and more—all told through Sayre's animated yet authoritative voice. BELOVED, WELL-KNOWN AUTHOR: Sayre is active and well-known in the LGBTQIA+ community and beyond. They've been recognized as one of "LA's 16 Most Talented LGBT Comics" by Frontiers Magazine, and their debut comedy album, The Gay Agenda, was named one of 2016's "Best Things in Comedy" by The Comedy Bureau. They host their own podcast, Sparkle & Circulate, where they interview performers, writers, and other creative minds of the LGBTQIA+ community. As an activist, Justin's charity benefit show, "Night of a Thousand Judys," raises money for the Ali Forney Center for Homeless LGBTQIA+ youth and is now in its 7th year. Perfect for: • LGBTQIA+ people of all ages • Fans of Trixie and Katya's Guide to Modern Womanhood • Those looking for a birthday or holiday gift for their LGBTQIA+ friends and family
Who Does That Bitch Think She Is? by Craig Seligman Pdf
A vivid new history of drag told through the life of the pioneering queen Doris Fish In the 1970s, queer people were openly despised, and drag queens scared the public. Yet this was the era when Doris Fish (born Philip Mills in 1952) painted and padded his way to stardom. He was a leader of the generation that prepared the world not just for drag queens on TV but for a society that is more tolerant and accepting of LGBTQ+ people. How did we get from there to here? In Who Does That Bitch Think She Is? Craig Seligman looks at Doris’ life to provide some answers. After moving to San Francisco in the mid-’70s, Doris became the driving force behind years of sidesplitting drag shows that were loved as much as you can love throwaway trash—which is what everybody thought they were. No one, Doris included, perceived them as political theater, when in fact they were accomplishing satire’s deepest dream: not just to rail against society, but to change it. From the rise of drag shows to the obsession with camp to the conservative backlash and the onset of AIDS, Seligman adds needed color and insight to this era in LGBTQ+ history, revealing the origins and evolution of drag.
"After the blast, Kurt Cobain's body slumped. Next to his corpse lay a piece of paper with his last words. At the time the bullet seared his head, Cobain was a rock star, his grizzled face graced the covers of slick music industry magazines, his songs received mainstream radio play, his band Nirvana performed in huge arenas. But he had been thinking an awful lot about what he called the "punk rock world" that saved his life during his teen years and that he had subsequently abandoned for stardom. He first encountered this world in the summer of 1983, at a free show the Melvins held in a Thriftway parking lot. After hearing the guttural sounds and watching kids dance by slamming against one another, he ran home and wrote in his journal: "This was what I was looking for," underlined twice. As he dove into this world, he recognized its blistering music played in odd venues, but also a wider array of creativity, like self-made zines, poetry, fiction, movies, artwork on flyers and record jackets, and even politics. This too: how all of these things opened up spaces for ideas and arguments. Now in his suicide note he reflected on his "punk rock 101 courses," where he learned "ethics involved with independence and the embracement of your community."2 There are people who can recount where they were when Cobain's suicide became news. I was in Ithaca, NY, finishing up my dissertation... but my mind immediately hurled backwards to growing up in Washington, D.C.'s "metropolitan area" (euphemism for suburban sprawl). I started to remember the first time I entered this "punk rock world." Around a year or two before Cobain went to the Thriftway parking lot, I opened the doors of the Chancery, a small club in Washington, D.C., and witnessed a tiny little stage, maybe a foot and a half off the ground. Suddenly, a small kid about my age (fifteen), his hair bleached into a shade of white that glowed in the lights, jumped up. I remember it being brighter than expected (unlike my earlier, wee-boy experiences in darkened, cavernous arenas where bands like Kiss or Cheap Trick would play to me and thousands of stoned audience members). This kid with the blond hair might have said something, I don't remember, what I recall is that his band broke into the fastest, most vicious sounding music I had ever heard. Suddenly bodies started flying through the air, young men (mostly) propelling themselves off the ground into the space between one another, flailing their arms, skin smacking skin. Control was lost, for when a body moved in one direction, another body collided into its path. When someone fell over, another would pick him up. The bodies got pushed onto the stage, making it hard to differentiate performer from audience member. At one moment it appeared the singer had been tackled by a clump of kids, and he seemed to smile. Sometimes, I could even make out what the fifteen-year old was shouting, especially, "I'm going to make their society bleed!" Overwhelmed, I rushed outside to clear my head"--
Trans seems to be everywhere in American culture. Yet there is little understanding of how this came about. Are people aware that there were earlier periods of gender flexibility and contestability in American history? How well known is it that a previous period of trans visibility in the 1960s and early 1970s faced a vehement backlash right at the time that trans, in the form of what was then termed transvestism and transsexuality, seemed to be so ascendant? Was there transness before transsexuality was named in the 1950s and transgender emerged in the 1990s? Barry Reay explores this history: from a time before trans in the nineteenth century to the transsexual moment of the 1960s and 1970s, the transgender turn of the 1990s, and the so-called tipping point of current culture. It is a rich and varied history, where same-sex desires and identities, cross-dressing, and transsexual and transgender identities jostled for recognition. It is a history that is not at all flattering to US psychiatric and surgical practices. Arguing for the complexity of a trans past and present, Trans America will be a groundbreaking work for the trans community, as well as anyone interested in the history of medicine, sexuality, psychology and psychiatry.
Gutter Boys is a twisted tale of steamy gay sex and unrequited love in Lower Manhattan in the early 80s. Filled with scenes of humorous debauchery and explicitly depicted anonymous sex, this wanton outing portrays a carnal world of orgiastic delights that may never exist again. Jeremy, a shy 19 year old falls madly in love with Colin, a disturbed, yet brilliant, older hustler. Though he rejects Jeremy as a lover, Colin takes him on as his protege, and introduces him to the hilariously depraved world of new wave nightclubs and gay bars in the days before AIDS.
Black Performance on the Outskirts of the Left by Malik Gaines Pdf
Nina Simone's quadruple consciousness -- Efua Sutherland, Ama Ata Aidoo, the state, and the stage -- The radical ambivalence of Günther Kaufmann -- The Cockettes, Sylvester, and performance as life -- Afterword : a history of impossible progress
Biting the Error by Gail Scott,Robert Glück,Camille Roy Pdf
What is the best way to tell a story? In this anthology, the first-ever collection of essays by innovative, cutting-edge writers on the theme of narration, forty of the continent's top experimental writers describe their engagement with language, storytelling and the world. The anthology includes renowned writers like Kathy Acker, Dennis Cooper, Nicole Brossard, Daphne Marlatt, Lydia Davis and Kevin Killian, writers who have spent years pondering the meaning of storytelling and how storytelling functions in our culture, as well as presenting a new generation of brilliant thinkers and writers, like Christian Bök, Corey Frost, Derek McCormack and Lisa Robertson. Contemporizing the friendly anecdotal style of Montaigne and written by daring writers of different ages, of different origins, from many different regions of the continent, from Mexico to Montreal, these essays run the gamut of mirth, prose poetry, tall tales and playful explorations of reader/writer dynamics. They discuss aesthetics founded on new explorations in the field of narrative, the mystery that is the body, questions of how representation may be torqued to deal with gender and sexuality, the experience of marginalized people, the negotiation between different orders of time, the 'performance' of outlaw subject matter. Brave, energetic and fresh, Biting the Error tells a whole new story about narrative. Biting the Error is edited by Mary Burger, Robert Glück, Camille Roy and Gail Scott, the co-founders of the Narrativity Website Magazine, based at the Poetry Center, San Francisco State University.
Dance in US Popular Culture by Jennifer Atkins Pdf
This innovative textbook applies basic dance history and theory to contemporary popular culture examples in order to examine our own ways of moving in—and through—culture. By drawing on material relevant to students, Dance in US Popular Culture successfully introduces students to critical thinking around the most personal of terrain: our bodies and our identities. The book asks readers to think about: what embodied knowledge we carry with us and how we can understand history and society through that lens what stereotypes and accompanying expectations are embedded in performance, related to gender and/or race, for instance how such expectations are reinforced, negotiated, challenged, embraced, or rescripted by performers and audiences how readers articulate their own sense of complex identity within the constantly shifting landscape of popular culture, how this shapes an active sense of their everyday lives, and how this can act as a springboard towards dismantling systems of oppression Through readings, questions, movement analyses, and assignment prompts that take students from computer to nightclub and beyond, Dance in US Popular Culture readers develop their own cultural sense of dance and the moving body’s sociopolitical importance while also determining how dance is fundamentally applicable to their own identity. This is the ideal textbook for high school and undergraduate students of dance and dance studies in BA and BfA courses, as well as those studying popular culture from interdisciplinary perspectives including cultural studies, media studies, communication studies, theater and performance studies. Chapter 11 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution CC-BY 4.0 license.
Black Performance on the Outskirts of the Left by Malik Gaines Pdf
Nina Simone's quadruple consciousness -- Efua Sutherland, Ama Ata Aidoo, the state, and the stage -- The radical ambivalence of Günther Kaufmann -- The Cockettes, Sylvester, and performance as life -- Afterword : a history of impossible progress
This book examines transgendered people in their everyday lives and how they are erased in a variety of institutional and cultural settings. Additionally, difficulties in employment, health care, and identity papers are examined.