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The Vietnamization of New Jersey by Christopher Durang Pdf
THE STORY: The scene is a middle-class home in Piscataway, New Jersey, where Ozzie Ann (the mother) and Harry (the father) await the return of their Vietnam veteran son, David, and his native bride, Liat. Also on hand are younger brother Et, a sex-
The Theatre of Christopher Durang by Miriam Chirico Pdf
The Theatre of Christopher Durang considers the works of one of the foremost comedic writers for the American stage. From Durang's early success with the controversial Sister Mary Ignatius Explains It All for You (1974) to his recent Tony Award-winning play, Vanya and Sonia and Masha and Spike (2012), he has been an original theatrical voice in American theatre. Edith Oliver, long-time theatre critic for The New Yorker, described Durang as “one of the funniest men in the world.” Durang challenges traditional dramatic idioms with his irreverent comedies that are as shocking as they are prescient and compassionate. This volume provides the first comprehensive examination of Durang's works and incorporates comedic theory to examine how laughter in performance subverts social conventions and hierarchies. Through a clear, detailed discussion of the plays, Miriam Chirico considers Durang's use of black comedy, satire, and parody to explode such topics as: western literature, religion, dysfunctional families, and American social malaise. Robert Combs and Jay Malarcher provide additional critical perspectives about Durang's works, detailing his use of alienation techniques and locating his place within the American parodic tradition. The book also includes a warm introduction by Durang's former student, Pulitzer Prize-winner, David Lindsay-Abaire. The Theatre of Christopher Durang, in demonstrating how Durang has shaped contemporary theatrical possibilities, offers a valuable guide for students of American drama and comedy.
Historical Dictionary of Contemporary American Theater by James Fisher Pdf
Historical Dictionary of Contemporary American Theater. Second Edition covers theatrical practice and practitioners as well as the dramatic literature of the United States of America from 1930 to the present. The 90 years covered by this volume features the triumph of Broadway as the center of American drama from 1930 to the early 1960s through a Golden Age exemplified by the plays of Eugene O’Neill, Elmer Rice, Thornton Wilder, Lillian Hellman, Tennessee Williams, Arthur Miller, William Inge, Lorraine Hansberry, and Edward Albee, among others. The impact of the previous modernist era contributed greatly to this period of prodigious creativity on American stages. This volume will continue through an exploration of the decline of Broadway as the center of U.S. theater in the 1960s and the evolution of regional theaters, as well as fringe and university theaters that spawned a second Golden Age at the millennium that produced another – and significantly more diverse – generation of significant dramatists including such figures as Sam Shepard, David Mamet, Maria Irené Fornes, Beth Henley, Terrence McNally, Tony Kushner, Paula Vogel, Lynn Nottage, Suzan-Lori Parks, Sarah Ruhl, and numerous others. The impact of the Great Depression and World War II profoundly influenced the development of the American stage, as did the conformist 1950s and the revolutionary 1960s on in to the complex times in which we currently live. Historical Dictionary of the Contemporary American Theater, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 1.000 cross-referenced entries on plays, playwrights, directors, designers, actors, critics, producers, theaters, and terminology. This book is an excellent resource for students, researchers, and anyone wanting to know more about American theater.
How have powerful Americans convinced their fellow citizens to support policies beneficial only to the wealthy? Why have so many given up on public education, safe food and safe streets, living wages – even on democracy itself? Kill it to Save it lays bare the hypocrisy of US political discourse by documenting the story of capitalism’s triumph over democracy. As the Progressive Left tries to understand how President Trump came to power, Corey Dolgon documents his historical, political and cultural road map. Dolgon argues that American citizens now accept policies that destroy the public sector and promote political stories that feel right “in the gut”, regardless of science or facts. Covering the post-Vietnam era to present day, Dolgon dismantles US common sense cultural discourse and explains why the endless crisis in US policy will continue until American citizens recognize what has been lost, and in whose interest.
The authorized biography of Pulitzer Prize-winning playwright Wendy Wasserstein. In Wendy and the Lost Boys bestselling author Julie Salamon explores the life of playwright Wendy Wasserstein's most expertly crafted character: herself. The first woman playwright to win a Tony Award, Wendy Wasserstein was a Broadway titan. But with her high- pitched giggle and unkempt curls, she projected an image of warmth and familiarity. Everyone knew Wendy Wasserstein. Or thought they did. Born on October 18, 1950, in Brooklyn, New York, to Polish Jewish immigrant parents, Wendy was the youngest of Lola and Morris Wasserstein's five children. Lola had big dreams for her children. They didn't disappoint: Sandra, Wendy's glamorous sister, became a high- ranking corporate executive at a time when Fortune 500 companies were an impenetrable boys club. Their brother Bruce became a billionaire superstar of the investment banking world. Yet behind the family's remarkable success was a fiercely guarded world of private tragedies. Wendy perfected the family art of secrecy while cultivating a densely populated inner circle. Her friends included theater elite such as playwright Christopher Durang, Lincoln Center Artistic Director André Bishop, former New York Times theater critic Frank Rich, and countless others. And still almost no one knew that Wendy was pregnant when, at age forty-eight, she was rushed to Mount Sinai Hospital to deliver Lucy Jane three months premature. The paternity of her daughter remains a mystery. At the time of Wendy's tragically early death less than six years later, very few were aware that she was gravely ill. The cherished confidante to so many, Wendy privately endured her greatest heartbreaks alone. In Wendy and the Lost Boys, Salamon assembles the fractured pieces, revealing Wendy in full. Though she lived an uncommon life, she spoke to a generation of women during an era of vast change. Revisiting Wendy's works-The Heidi Chronicles and others-we see Wendy in the free space of the theater, where her many selves all found voice. Here Wendy spoke in the most intimate of terms about everything that matters most: family and love, dreams and devastation. And that is the Wendy of Neverland, the Wendy who will never grow old.
"... a thoughtful and important treatment of the international tensions of the period as they were embodied in theatre practice. It is the only book of its kind on the subject, and a valuable source of production information." -- Theatre Journal "... an excellent discussion of the aesthetics of theater." -- Choice The escalation of the war in Vietnam in the mid-1960s unleashed worldwide protest. Playwrights grappled with the complexities of post-imperialist politics and with the problems of creating effective political theatre in the television age. The ephemeral theatre these writers created, today little-known and rarely studied, provides an important window on a complex moment in culture and history.
Albee in the theatre -- Casting practices and director's preparation -- The American dream -- The zoo story -- Fam and Yam and The sandbox -- Box and quotations from Chairman Mao Tse-Tung -- Who's afraid of Virginia Woolf? -- Marriage play -- Three tall women -- Albee's double authoring -- Albee and his collaborators on staging Albee : from The zoo story to The goat, or, Who is Sylvia?
Author : Larry Ketron Publisher : Dramatists Play Service Inc Page : 68 pages File Size : 40,9 Mb Release : 1980 Category : American drama ISBN : 0822201976
THE STORY: Many years before the action of the play begins, Kit and Linda had shared a life together as they struggled for recognition as writers. Now, seven years later, Linda, who has become a successful novelist, is on a book promotion tour, and
THE STORY: As Michael Smith describes ... Ribman has plunged into history and written a play about eleventh-century England and its pacifist King Ethelred. Ethelred has negotiated a treaty with Sweyn of Denmark whereby England pays tribute in silver
THE STORY: As John Chapman describes, The basis of the comedy is simple. The scene is a modest cottage in a New England seaside resort, where Miss Dennis is living alone, and lonesome. She maneuvers an acquaintance with Daniels, another loner, in
Author : Jean Claude Van Itallie Publisher : Dramatists Play Service Inc Page : 52 pages File Size : 48,7 Mb Release : 1976-10 Category : Fiction ISBN : 0822203766
THE STORY: The action begins, once upon a time, in the village of People Who Fish in the Lake, where everyone longs nostalgically for the Golden Time, when happiness and harmony reigned supreme. In quest of what has been lost, the haughty king send
Author : Robert Patrick Publisher : Dramatists Play Service Inc Page : 68 pages File Size : 54,8 Mb Release : 1979 Category : American drama ISBN : 0822207958
THE STORY: Having achieved recognition and some success as a playwright, after a long period of struggle and apprenticeship, Scott has undergone a breakdown and memory loss. Released from a hospital in Los Angeles, he is taken in by Greg and Laura,
Author : Louis La Russo,Louis LaRusso Publisher : Dramatists Play Service Inc Page : 60 pages File Size : 55,9 Mb Release : 1979 Category : American drama ISBN : 0822207699
Momma's Little Angels by Louis La Russo,Louis LaRusso Pdf
THE STORY: The Mastice brothers, Tony and Larry, have come home to join their sister, Patsie, for the funeral of their mother. After the service they are joined by their mother's sister, Aunt Tillie, and by their long-time family physician, Dr. Car
THE STORIES: BUGS. As Harry Gilroy of the New York Times describes the author's handling: He starts with the living room of a plain little house, brightened with careful housekeeping and with the presence, in blushing pink curlers and dress