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Violin Mastery: Talks with Master Violinists and Teachers by Frederick H. Martens Pdf
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
A Modern Guide to Violin Mastery by Elizabeth Levine Pdf
This book is a straightforward, comprehensive guide to mastering the violin quickly and efficiently. This method of learning and practicing correctly is tailored specifically for children and adults in this busy modern age who want to be good at the violin but do not have time to fit in hours of daily practice. You will learn how to achieve the best results in the least amount of time and get the most from your instrument. Each section is carefully constructed and individually tailored to the needs of beginner, intermediate and advanced players. It comes complete with simple diagrams, and varied musical examples. You will learn how to attain a relaxed, professional posture in both hands and how to execute passages with ease and precision through a set of simple exercises. The book also comes complete with useful sight-reading strategies, which are addressed at the end of each section and can be applied at any level. Apart from perfecting your posture, overall technique and sight-reading, this book addresses simple, yet highly effective methods of practicing. These efficient and valuable practice techniques frequently used by professional players will help to achieve the best results in the least amount of time. If you are learning the violin and feel that your progress has halted and you have reached a stale point in your journey, this book is for you. This book holds the key pieces of wisdom that will augment your understanding of the violin and transform your playing.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The full eBook version of Violin Technique in Practice in fixed-layout format, with downloadable audio. Violin Technique in Practice is an innovative approach to violin technique by Mary Cohen, developed from her unique 'weightless balance' methodology. Concise exercises are structured into sets that cover all aspects of technique alongside the author's expert advice guiding you through like a personal trainer. This book will develop a relaxed, secure technique and increase confidence in every part of the instrument - without the need to spend hours practising. It has been written with the needs of advanced students, teachers and professional players in mind, although the early sets are also ideal for use with students at late-intermediate level.
Twenty-four famous violinists reveal the secrets to their success, discussing the aesthetic and technical aspects of playing and personal conceptions of violin mastery. Includes tips on efficient practice, improving bow technique, and refining intonation.
Principles of Violin Playing and Teaching by Ivan Galamian Pdf
Renowned violin instructor Ivan Galamian shares his innovative methods in this comprehensive text. This fundamental guide succinctly conveys his "ingenious and logical" approach to violin mastery and is an essential tool for teachers and students of all skill levels.
Excerpt from Violin Mastery: Talks With Master Violinists and Teachers; Comprising Interviews With Ysaye, Kreisler, Elman, Auer, Thibaud, Heifetz, Hartmann, Maud Powell and Others The appreciation accorded Miss Harriette Brower's admirable books on piano mastery has prompted the present volume of intimate Talks with Master V iolim'sts and Teachers, in which a number of famous artists and in structors discuss esthetic and technical phases of the art of violin playing in detail, their con cept of What Violin Mastery means, and how it may be acquired. Only limitation of space has prevented the inclusion of numerous other deserving artists and teachers, yet practically all of the greatest masters of the Violin now in this country are represented. That the les sons of their artistry and experience will be of direct benefit and value to every violin stu dent and every lover of violin music may be accepted as a foregone conclusion. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Comprising Interviews with Ysaye, Kreisler, Elman, Auer, Thibaud, Heifetz, Hartmann, Maud Powell and Others. Notice: This Book is published by Historical Books Limited (www.publicdomain.org.uk) as a Public Domain Book, if you have any inquiries, requests or need any help you can just send an email to [email protected] This book is found as a public domain and free book based on various online catalogs, if you think there are any problems regard copyright issues please contact us immediately via [email protected]
Jan H���_mal�_ (1844-1915) was an influential Czech violinist and teacher, associated with Moscow Conservatory for 46 years. These are his progressive scale studies in 10 sections.
Violin Mastery Talks with Master Violinists and Teachers By Frederick H Martens Student Study Edition Sample: Eugene Ysaye - The Tools Of Violin Mastery Who is there among contemporary masters of the violin whose name stands for more at the present time than that of the great Belgian artist, his "extraordinary temperamental power as an interpreter" enhanced by a hundred and one special gifts of tone and technic, gifts often alluded to by his admiring colleagues? For Ysaye is the greatest exponent of that wonderful Belgian school of violin playing which is rooted in his teachers Vieuxtemps and Wieniawski, and which as Ysaye himself says, "during a period covering seventy years reigned supreme at the Conservatoire in Paris in the persons of Massart, Remi, Marsick, and others of its great interpreters." What most impresses one who meets Ysaye and talks with him for the first time is the mental breadth and vision of the man; his kindness and amiability; his utter lack of small vanity. When the writer first called on him in New York with a note of introduction from his friend and admirer Adolfo Betti, and later at Scarsdale where, in company with his friend Thibaud, he was dividing his time between music and tennis, Ysaye made him entirely at home, and willingly talked of his art and its ideals. In reply to some questions anent his own study years, he said: "Strange to say, my father was my very first teacher-it is not often the case. I studied with him until I went to the Liege Conservatory in 1867, where I won a second prize, sharing it with Ovide Musin, for playing Viotti's 22d Concerto. Then I had lessons from Wieniawski in Brussels and studied two years with Vieuxtemps in Paris. Vieuxtemps was a paralytic when I came to him; yet a wonderful teacher, though he could no longer play. And I was already a concertizing artist when I met him. He was a very great man, the grandeur of whose tradition lives in the whole 'romantic school' of violin playing. Look at his seven concertos-of course they are written with an eye to effect, from the virtuoso's standpoint, yet how firmly and solidly they are built up! How interesting is their working-out: and the orchestral score is far more than a mere accompaniment. As regards virtuose effect only Paganini's music compares with his, and Paganini, of course, did not play it as it is now played. In wealth of technical development, in true musical expressiveness Vieuxtemps is a master. A proof is the fact that his works have endured forty to fifty years, a long life for compositions.
