The White Blackbird A Life Of The Painter Margarett Sargent By Her Granddaughter
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The White Blackbird: A Life of the Painter Margarett Sargent by Her Granddaughter by Honor Moore Pdf
“A striking portrait of a woman artist’s struggle for life.” —Arthur Miller Margarett Sargent was an icon of avant-garde art in the 1920s. In an evocative weave of biography and memoir, her granddaughter unearths for the first time the life of a spirited and gifted woman committed at all costs to self-expression.
Honor Moore has refused to let her grandmother's mystery rest. In a mesmerizing weave of biography and reflection, she pieces together a fascinating and unexpected story, and returns to Margarett Sargent the voice she relinquished. In writing as vivid and exhilarating as Sargent's painting, Moore recovers a life whose agonies and triumphs echo the striving of creative women in our century.
The Embodied Imagination in Antebellum American Art and Culture by Catherine Holochwost Pdf
This book reveals a new history of the imagination told through its engagement with the body. Even as they denounced the imagination’s potential for inviting luxury, vice, and corruption, American audiences avidly consumed a transatlantic visual culture of touring paintings, dioramas, gift books, and theatrical performances that pictured a preindustrial—and largely imaginary—European past. By examining the visual, material, and rhetorical strategies artists like Washington Allston, Asher B. Durand, Thomas Cole, and others used to navigate this treacherous ground, Catherine Holochwost uncovers a hidden tension in antebellum aesthetics. The book will be of interest to scholars of art history, literary and cultural history, critical race studies, performance studies, and media studies.
Who's Who in Lesbian and Gay Writing by Gabriele Griffin Pdf
A lively and accessible guide to lesbian and gay literary culture. Featuring authors of works with lesbian or gay content as well as known lesbian and gay writers, it offers an invaluable guide to a rich and varied literary culture.
When her parents died and her marriage disintegrated within the span of a few months, art historian and performance artist Joanna Frueh entered a painful period of grief and mourning. This book is about how she healed herself and in the process explored the range of her potential as a woman.Swooning Beauty is an intimate memoir of discovery and healing. Frueh’s path to recovery lay through a profound examination of her intuitions, desires, fantasies, dreams, and emotions, her capacity for pleasure—visual, sensual, intellectual, gastronomic, and erotic—and her sense of her own heroic female identity. Hers is the passionate voice of a creative, intelligent woman scrutinizing the nature of love in all its forms and the ways of being that make us free, flexible, more fully real and more fully human. The result is an engaging view into the rich and colorful inner life of a woman at the threshold of middle age, of the blossoming of mind and spirit that comes after suffering and self-realization. Pleasure, she concludes, “is the absence of lack. Self-love is a necessary plenitude. Vigilance in love brings us freedom. Freedom is not an absolute whose attainment is humanly impossible. Yogis say that the self that is not ego is free. That self is the spacious heart, the spacious mind.” Frueh offers us wisdom and comfort for the journey into middle age, and the deep pleasure of encountering a generous, lively spirit and a remarkably spacious mind.
In 1955, Maxine Kumin submitted a poem to the Saturday Evening Post. “Lines on a Half-Painted House” made it into the magazine—but not before Kumin was asked to produce, via her husband’s employer, verification that the poem was her original work. Kumin, who went on to win the Pulitzer Prize for poetry, was part of a groundbreaking generation of women writers who came of age during the midcentury feminist movement. By challenging the status quo and ultimately finding success for themselves, they paved the way for future generations of writers. In A Story Larger than My Own, Janet Burroway brings together Kumin, Julia Alvarez, Jane Smiley, Erica Jong, and fifteen other accomplished women of this generation to reflect on their writing lives. The essays and poems featured in this collection illustrate that even writers who achieve critical and commercial success experience a familiar pattern of highs and lows over the course of their careers. Along with success comes the pressure to sustain it, as well as a constant search for subject matter, all too frequent crises of confidence, the challenges of a changing publishing scene, and the difficulty of combining writing with the ordinary stuff of life—family, marriage, jobs. The contributors, all now over the age of sixty, also confront the effects of aging, with its paradoxical duality of new limitations and newfound freedom. Taken together, these stories offer advice from experience to writers at all stages of their careers and serve as a collective memoir of a truly remarkable generation of women.
“[A] splendid collection . . . By turns wry, tender, pointed, and laugh-out-loud funny.” —Publishers Weekly “Untangles the many truths about hair, and the lives we lead underneath it.” —Pamela Druckerman, author of Bringing Up Bébé Ask a woman about her hair, and she just might tell you the story of her life. Ask a whole bunch of women about their hair, and you could get a history of the world. Surprising, insightful, frequently funny, and always forthright, the essays in Me, My Hair, and I are reflections and revelations about every aspect of women’s lives from family, race, religion, and motherhood to culture, health, politics, and sexuality. They take place in African American kitchens, at Hindu Bengali weddings, and inside Hasidic Jewish homes. The conversation is intimate and global at once. Layered into these reminiscences are tributes to influences throughout history: Jackie Kennedy, Lena Horne, Farrah Fawcett, the Grateful Dead, and Botticelli’s Venus. The long and the short of it is that our hair is our glory—and our nemesis, our history, our self-esteem, our joy, our mortality. Every woman knows that many things in life matter more than hair, but few bring as much pleasure as a really great hairdo.
A dazzling biography for readers of The Great Gatsby and other Lost Generation authors Gifted artist Gerald Murphy and his elegant wife, Sara, were icons of the most enchanting period of our time; handsome, talented, and wealthy expatriate Americans, they were at the very center of the literary scene in Paris in the 1920s. In Everybody Was So Young Amanda Vaill brilliantly portrays both the times in which the Murphys lived and the fascinating friends who flocked around them. Whether summering with Picasso on the French Riviera or watching bullfights with Hemingway in Pamplona, Gerald and Sara inspired kindred creative spirits like Dorothy Parker, Cole Porter, and F. Scott Fitzgerald. Fitzgerald even modeled his main characters in Tender is the Night after the couple. Their story is both glittering and tragic, and in this sweeping and richly anecdotal portrait of a marriage and an era, Amanda Vaill "has brought them to life as never before" (Chicago Tribune).
Shortlisted for the Booker Prize The real-life Guinness heiress offers an inside look at the lives of eccentric aristocrats in this “masterful . . . macabre fairy-tale and blackly humorous family portrait” (Literary Hub). This macabre, mordantly funny, partly auto-biographical novel reveals the gothic craziness behind the scenes in the great houses of the aristocracy, as witnessed through the unsparing eyes of an orphaned teenage girl. Great Granny Webster herself is a fabulous monster, the chilliest of matriarchs, presiding with steely self-regard over a landscape of ruined lives. Great Granny Webster is Caroline Blackwood’s masterpiece. Heiress to the Guinness fortune, Blackwood was celebrated as a great beauty and dazzling raconteur long before she made her name as a strikingly original writer.
The never-before-told story of Brooklyn’s vibrant and forgotten queer history, from the mid-1850s up to the present day. ***An ALA GLBT Round Table Over the Rainbow 2019 Top Ten Selection*** ***NAMED ONE OF THE BEST LGBTQ BOOKS OF 2019 by Harper's Bazaar*** "A romantic, exquisite history of gay culture." —Kirkus Reviews, starred “[A] boisterous, motley new history...entertaining and insightful.” —The New York Times Book Review Hugh Ryan’s When Brooklyn Was Queer is a groundbreaking exploration of the LGBT history of Brooklyn, from the early days of Walt Whitman in the 1850s up through the queer women who worked at the Brooklyn Navy Yard during World War II, and beyond. No other book, movie, or exhibition has ever told this sweeping story. Not only has Brooklyn always lived in the shadow of queer Manhattan neighborhoods like Greenwich Village and Harlem, but there has also been a systematic erasure of its queer history—a great forgetting. Ryan is here to unearth that history for the first time. In intimate, evocative, moving prose he discusses in new light the fundamental questions of what history is, who tells it, and how we can only make sense of ourselves through its retelling; and shows how the formation of the Brooklyn we know today is inextricably linked to the stories of the incredible people who created its diverse neighborhoods and cultures. Through them, When Brooklyn Was Queer brings Brooklyn’s queer past to life, and claims its place as a modern classic.
From the author of the acclaimed Everybody Was So Young, the definitive and major biography of the great choreographer and Broadway legend Jerome Robbins To some, Jerome Robbins was a demanding perfectionist, a driven taskmaster, a theatrical visionary; to others, he was a loyal friend, a supportive mentor, a generous and entertaining companion and colleague. Born Jerome Rabinowitz in New York City in 1918, Jerome Robbins repudiated his Jewish roots along with his name only to reclaim them with his triumphant staging of Fiddler on the Roof. A self-proclaimed homosexual, he had romances or relationships with both men and women, some famous—like Montgomery Clift and Natalie Wood—some less so. A resolutely unpolitical man, he was forced to testify before Congress at the height of anti-Communist hysteria. A consummate entertainer, he could be paralyzed by shyness; nearly infallible professionally, he was conflicted, vulnerable, and torn by self-doubt. Guarded and adamantly private, he was an inveterate and painfully honest journal writer who confided his innermost thoughts and aspirations to a remarkable series of diaries and memoirs. With ballets like Dances at a Gathering, Afternoon of a Faun, and The Concert, he humanized neoclassical dance; with musicals like On the Town, Gypsy, and West Side Story, he changed the face of theater in America. In the pages of this definitive biography, Amanda Vaill takes full measure of the complicated, contradictory genius who was Jerome Robbins. She re-creates his childhood as the only son of Russian Jewish immigrants; his apprenticeship as a dancer and Broadway chorus gypsy; his explosion into prominence at the age of twenty-five with the ballet Fancy Free and its Broadway incarnation, On the Town; and his years of creative dominance in both theater and dance. She brings to life his colleagues and friends—from Leonard Bernstein and George Balanchine to Robert Wilson and Robert Graves—and his loves and lovers. And she tells the full story behind some of Robbins’s most difficult episodes, such as his testimony before the House Un-American Activities Committee and his firing from the film version of West Side Story. Drawing on thousands of pages of documents from Robbins’s personal and professional papers, to which she was granted unfettered access, as well as on other archives and hundreds of interviews, Somewhere is a riveting narrative of a life lived onstage, offstage, and backstage. It is also an accomplished work of criticism and social history that chronicles one man’s phenomenal career and places it squarely in the cultural ferment of a time when New York City was truly “a helluva town.”
Mark Doty brings the vitality and imagination that illuminate his own work to his selections for the twenty-fifth volume in the Best American Poetry series. He has chosen poems of high moral earnestness and poems in a comic register; poems that tell stories and poems that test the boundaries of innovative composition. This landmark edition includes David Lehman’s keen look at American poetry in his foreword, Mark Doty’s gorgeous introduction, and notes from the poets revealing the germination of their work. Over the last twenty-five years, The Best American Poetry has become an annual rite of the poetry world, and this year’s anthology is a welcome and essential addition to the series. SHERMAN ALEXIE * KAREN LEONA ANDERSON * RAE ARMANTROUT * JULIANNA BAGGOTT * DAVID BAKER * RICK BAROTt REGINALD DWAYNE BETTS * FRANK BIDART * BRUCE BOND * STEPHANIE BROWN * ANNE CARSON * JENNIFER CHANG * JOSEPH CHAPMAN * HEATHER CHRISTLE * HENRI COLE * BILLY COLLINS * PETER COOLEY * EDUARDO C. CORRAL * ERICA DAWSON * STEPHEN DUNN * ELAINE EQUI * ROBERT GIBB * KATHLEEN GRABER * AMY GLYNN GREACEN * JAMES ALLEN HALL * TERRANCE HAYES * STEVEN HEIGHTON * BRENDA HILLMAN * JANE HIRSHFIELD * RICHARD HOWARD * MARIE HOWE * AMORAK HUEY * JENNY JOHNSON * LAWRENCE JOSEPH * FADY JOUDAH * JOY KATZ * JAMES KIMBRELL * NOELLE KOCOT * MAXINE KUMIN * SARAH LINDSAY * AMIT MAJMUDAR * DAVID MASON * KERRIN McCADDEN * HONOR MOORE * MICHAEL MORSE * CAROL MUSKE-DUKES * ANGELO NIKOLOPOULOS * MARY OLIVER * STEVE ORLEN * ALICIA OSTRIKER * ERIC PANKEY * LUCIA PERILLO * ROBERT PINSKY * DEAN RADER * SPENCER REECE * PAISLEY REKDAL * MARY RUEFLE * DON RUSS * KAY RYAN * MARY JO SALTER * LYNNE SHARON SCHWARTZ * FREDERICK SEIDEL * BRENDA SHAUGHNESSY * PETER JAY SHIPPY * TRACY K. SMITH * BRUCE SNIDER * MARK STRAND * LARISSA SZPORLUK * DANIEL TOBIN * NATASHA TRETHEWEY * SUSAN WHEELER * FRANZ WRIGHT * DAVID YEZZI * DEAN YOUNG * KEVIN YOUNG
Author : Philip Gerard Publisher : University of Chicago Press Page : 235 pages File Size : 51,7 Mb Release : 2017-02-21 Category : Language Arts & Disciplines ISBN : 9780226179803
Everyone who writes a novel, a poem, or a memoir almost certainly conducts research along the waywhether to develop a story idea, or to capture the voice, the speech patterns, or the exact words of a character, or to ensure authenticity or accuracy of detail in describing a person, a place, an object, a setting. This kind of experiential research is an art form of its own, and this book is the first to treat it as such. Addressing writers of fiction, poetry, and nonfiction, Philip Gerard covers all the different kinds of archives that might inform creative work, including historical documents, site visits, interviews, and memory. He offers practical tips for drawing on these different types of sources, including such mundane matters as planning and budgeting for travel costs, arranging access in advance, and troubleshooting when plans go awry. And he illustrates how the insights gleaned from research can be incorporated into stories, poems, and nonfiction using examples from a wide range of writers."
The Bishop's Daughter: A Memoir by Honor Moore Pdf
“An eloquent argument for speaking even the most difficult truths.” —New York Times Book Review Paul Moore’s vocation as an Episcopal priest took him— with his wife, Jenny, and their family of nine children—from robber-baron wealth to work among the urban poor, leadership in the civil rights and peace movements, and two decades as the bishop of New York. The Bishop’s Daughter is his daughter’s story of that complex, visionary man: a chronicle of her turbulent relationship with a father who struggled privately with his sexuality while she openly explored hers and a searching account of the consequences of sexual secrets.
