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The Whitney Women and the Museum They Made by Flora Miller Biddle Pdf
“Crucial in understanding the evolution of the American art scene.”—Library Journal Until Gertrude Vanderbilt Whitney opened her studio—which evolved into the Whitney Museum almost two decades later—on Eighth Avenue in Manhattan in 1914, there were few art museums in the United States, let alone galleries for contemporary artists to exhibit their work. When the mansions of the wealthy cried out for art, they sought it from Europe, then the art capital of the world. It was in her tiny sculptor’s studio in Greenwich Village that Whitney began holding exhibitions of contemporary American artists. This remarkable effort by a scion of America’s wealthiest family helped to change the way art was cultivated in America. The Whitney Women and the Museum They Made is a tale of high ideals, extraordinary altruism, and great dedication that stood steadfast against inflated egos, big businesses, intrigue, and greed. Flora Biddle’s sensitive and insightful memoir is a success story of three generations of forceful, indomitable women.
A champion of artists, the first director of the Whitney Museum of American Art, and a pivotal influence on the way American art has been perceived and received, Juliana Force was a creative and flamboyant personality who dominated the New York art world for decades. Yet her life, an American success story of the most classic type, has never been chronicled. In this authoritative biography, Avis Berman focuses long-overdue attention on a dynamic woman who claimed as her raison d'être the very development of American art.
Author : Susan E. Cahan Publisher : Duke University Press Page : 360 pages File Size : 55,5 Mb Release : 2016-01-15 Category : Art ISBN : 9780822374893
In Mounting Frustration Susan E. Cahan uncovers the moment when the civil rights movement reached New York City's elite art galleries. Focusing on three controversial exhibitions that integrated African American culture and art, Cahan shows how the art world's racial politics is far more complicated than overcoming past exclusions.
Author : Whitney Museum of American Art Publisher : Yale University Press Page : 433 pages File Size : 54,7 Mb Release : 2015-01-01 Category : Art ISBN : 9780300211832
Whitney Museum of American Art by Whitney Museum of American Art Pdf
An exciting guide to, and celebration of, the Whitney Museum and its outstanding collection of American art This all-new handbook, a fresh look at the Whitney Museum of American Art's collection, highlights the museum's extraordinary holdings and its fascinating history. Featuring iconic pieces by artists such as Calder, Hopper, Johns, O'Keeffe, and Warhol--as well as numerous works by under-recognized individuals--this is not only a guide to the Whitney's collection, but also a remarkable primer on modern and contemporary American art. Beautifully illustrated with abundant new photography, the book pairs scholarly entries on 350 artists with images of some of their most significant works. The museum's history and the evolution of its collection, including the Whitney's important distinction as one of the few American museums founded by an artist, and the notion of "American" in relation to the collection, are covered in two short essays. Published to coincide with the Whitney's highly anticipated move to a new facility in downtown New York in the spring of 2015, this book celebrates the museum's storied past and vibrant present as it looks ahead to its future.
A to Z of American Women in the Visual Arts by Carol Kort,Liz Sonneborn Pdf
Presents biographical profiles of American women of achievement in the field of visual arts, including birth and death dates, major accomplishments, and historical influence.
Women Artists and the Surrealist Movement by Whitney Chadwick Pdf
A revised edition of Whitney Chadwick’s seminal work on the women artists who shaped the Surrealist art movement. This pioneering book stands as the most comprehensive treatment of the lives, ideas, and art works of the remarkable group of women who were an essential part of the Surrealist movement. Leonora Carrington, Frida Kahlo, and Dorothea Tanning, among many others, embodied their age as they struggled toward artistic maturity and their own “liberation of the spirit” in the context of the Surrealist revolution. Their stories and achievements are presented here against the background of the turbulent decades of the 1920s, ’30s, and ’40s and the war that forced Surrealism into exile in New York and Mexico. Whitney Chadwick, author of the highly acclaimed Women, Art, and Society, interviewed and corresponded with most of the artists themselves in the course of her research. Women Artists and the Surrealist Movement, now revised with a new foreword by art historian Dawn Ades, contains a wealth of extracts from unpublished writings and numerous illustrations never before reproduced. Since this book was first published, it has acquired the undeniable status of a classic among artists, art historians, critics, and cultural historians. It has inspired and necessitated a revision of the story of the Surrealist movement.
American Women Artists in Wartime, 1776Ð2010 by Paula E. Calvin,Deborah A. Deacon Pdf
For generations, men have left their homes and families to defend their country while their wives, mothers and daughters remained safely at home, outwardly unaffected. A closer examination reveals that women have always been directly impacted by war. In the last few years, they have actively participated on the front lines. This book tells the story of the women who documented the impact of war on their lives through their art. It includes works by professional artists and photographers, combat artists, ordinary women who documented their military experiences, and women who worked in a variety of types of needlework. Taken together, these images explore the female consciousness in wartime.
New York's Remarkable Women by Antonia Petrash Pdf
How did New York become the amazing state that it is today, you may wonder? New York's Remarkable Women: Daughters, Wives, Sisters, and Mothers Who Shaped History recognizes the women who shaped the Empire State. The lives of female teachers, writers, entrepreneurs, and artists from across the state are illuminated through short biographies. Discover fourteen extraordinary women from New York's past, including suffragist Amelia Bloomer, abolitionist Harriet Tubman, attorney and US Representative Bella Abzug, and WASP pilot Betty Gillies.
How the image collection, organized and made available for public consumption, came to define a key feature of contemporary visual culture. The origins of today’s kaleidoscopic digital visual culture are many. In this book, Diana Kamin traces the sharing of photographs to an image economy developed throughout the twentieth century by major institutions. Picture-Work examines how three of these institutions—the New York Public Library, the Museum of Modern Art, and the stock agency H. Armstrong Roberts Inc.—defined the public’s understanding of what the photographic image is, while building vast collections with universalizing ambitions. Highlighting underexplored figures, such as the first rights and reproduction manager at MoMA Pearl Moeller and visionary NYPL librarian Romana Javitz, and underexplored professional practices, Diana Kamin demonstrates how bureaucratic work communicates ideas about images to the public. Kamin artfully shows how the public interfaces with these image collections through systems of classification and protocols of search and retrieval. These interactions, in turn, shape contemporary image culture, including concepts of authorship, art, property, and value, as well as logics of indexing, tagging, and hyperlinking. Together, these interactions have forged a concept of the image as alienable content, which has intensified with the advent of digital techniques for managing image collections. To survey the complicated process of digitization in the nineties and early aughts, Kamin also includes interviews with photographers, digital asset management system designers, librarians, and artists on their working practices.
Modern in the Making by Austin Porter,Sandra Zalman Pdf
Today the Museum of Modern Art is widely recognized for establishing the canon of modern art; yet in its early years, the museum considered modern art part of a still unfolding experiment in contemporary visual production. By bracketing MoMA's early history from its later reputation, this book explores the ways the Museum acted as a laboratory to set an ambitious agenda for the exhibition of a multidisciplinary idea of modern art. Between its founding in 1929 and its 20th anniversary in 1949, MoMA created the first museum departments of architecture and design, film, and photography in the country, marshaled modern art as a political tool, and brought consumer culture into a versatile yet institutional context. Encompassing 14 essays that investigate the diversity of modern art, this volume demonstrates how MoMA's programming shaped a version of modern art that was not elitist but fundamentally intertwined with all levels of cultural production.
Author : Robert J. Gangewere Publisher : University of Pittsburgh Press Page : 428 pages File Size : 40,5 Mb Release : 2011-09-30 Category : Art ISBN : 9780822979692
Andrew Carnegie is remembered as one of the world’s great philanthropists. As a boy, he witnessed the benevolence of a businessman who lent his personal book collection to laborer’s apprentices. That early experience inspired Carnegie to create the “Free to the People” Carnegie Library in 1895 in Pittsburgh, Pennsylvania. In 1896, he founded the Carnegie Institute, which included a music hall, art museum, and science museum. Carnegie deeply believed that education and culture could lift up the common man and should not be the sole province of the wealthy. Today, his Pittsburgh cultural institution encompasses a library, music hall, natural history museum, art museum, science center, the Andy Warhol Museum, and the Carnegie International art exhibition. In Palace of Culture, Robert J. Gangewere presents the first history of a cultural conglomeration that has served millions of people since its inception and inspired the likes of August Wilson, Andy Warhol, and David McCullough. In this fascinating account, Gangewere details the political turmoil, budgetary constraints, and cultural tides that have influenced the caretakers and the collections along the way. He profiles the many benefactors, trustees, directors, and administrators who have stewarded the collections through the years. Gangewere provides individual histories of the library, music hall, museums, and science center, and describes the importance of each as an educational and research facility. Moreover, Palace of Culture documents the importance of cultural institutions to the citizens of large metropolitan areas. The Carnegie Library and Institute have inspired the creation of similar organizations in the United States and serve as models for museum systems throughout the world.
This unique book celebrates a long-term, interracial relationship and details the everyday struggles of a surviving partner trying to carry on in a radically changed world. A Season of Grief chronicles the author's emotional descent after the violent death of his partner of 21 years. Bill Valentine's journal of fear, anger, denial, and loneliness captures the glimmers of hope, moments of serendipity, and mysterious coincidences that emerged from his full-time devotion to grief following the death of Joe Lopes. Lopes died along with 264 others when American Airlines Flight 587 crashed in November 2001 in route to the Dominican Republic. It was the second deadliest accident in U.S. aviation history. He is a word always on my lips as I try to work him into a conversation. He is a memory that I strive to keep alive. So yes, in this sense, he is not gone. But in reality, he is. He is gone as my lover. He is gone as my life partner. He is gone as my soul mate, the only person to whom I periodically bared my soul. He is gone as my best friend, the only person to whom I ever attached that label. So pardon me while I still hang on to the notion that he is not here with me. Pardon me while I cling stubbornly to the insistence that he is gone. Valentine's candid and thoughtful account of his heartbreaking efforts to make sense of his partner's death—and survive in a world without him—is by turns, funny, frightening, sobering, and surprising. In the nine months following the tragedy of Flight 587, Valentine finds every waking moment of his life affected by his partner's absence—from mundane household chores to major life decisions. A Season of Grief is a story told in darkness and light, of hurt and healing, love and loneliness, but mostly, of a man who learns to live with his partner's absence through the persistent, surprising evidence of his presence. Our job on earth is to live with uncertainty, ambiguity, and hope. We are given a limited tool set but one, in my opinion, that's sufficient for the job. Sufficient to allow us to be engaged in life-to love, grieve, work, play, celebrate, and despair. We have a remarkable ability to rebound and grow. We have been granted the capacity for wonder and laughter—especially at ourselves. These last two gifts were bestowed generously on Joe and he, in turn, taught me how vital they are. Making a strong case for gay marriage, A Season of Grief chronicles Valentine's struggles to be recognized as a surviving spouse, including a historic lawsuit with Lambda Legal Defense and Education fund against the New York State Workers Compensation Board. Valentine and Lopes took every conceivable step to formalize their relationship, including New York City Domestic Partnership, but the Workers Compensation Board and a New York State appeals court refused to recognize Valentine as a legal surviving spouse. Grief doesn't come with a set of instructions. But A Season of Grief can help guide you through the lonely journey that follows the death of a loved one. Valentine's memoir is a testament to the healing power of reality and the enduring nature of love.
War, modernism, and the academic spirit -- Women in peril -- Mirroring masculinity -- Opposing visions -- Opening the floodgates -- To see or not to see -- Being there -- Behind the mask -- Monsters in our midst.
Artists' Estates by Magda Salvesen,Diane Cousineau Pdf
Artists' Estates offers a fascinating journey into the complex and competitive art world through the distinctive lens of those who deal with the paintings, prints, and sculpture that artists leave behind after their deaths. Bringing together interviews conducted by Magda Salvesen, the widow of the second-generation Abstract Expressionist painter Jon Schueler, this unique book provides a window into the goals and desires, the conflicts and frustrations, and the emotional and financial strains that confront widows, companions, sons, and daughters as the heirs to artists' estates. The judiciously arranged and edited interviews also address the benefits and liabilities of foundations and trusts through the insights of lawyers, gallery dealers, and foundation directors. Readers will explore well-known estates, including those of Roy Lichtenstein, Mark Rothko, Adolph Gottlieb, Milton Avery, Romare Bearden, and David Smith, as well as the equally intriguing legacies of lesser-known artists whose work came to the fore in the forties and fifties. Together, the passionate testimonies of families and lovers, the measured voices of art professionals, and the more than eighty photographs offer an indispensable entre into the private and public worlds of art.
