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A little Parisian orphan girl goes to live with a very special family Where do you find the sweetest girls in all of Paris? Nobody knows, because they keep their special little family hidden in plain sight! But when fate offers five-year-old orphan girl Anaïs an unlikely chance to join them, she takes the leap. Starting the adventure of her life and forever changing that of many others. Of course she has A LOT to learn if she wants to fit in with her new family. But Anaïs is determined, and with a lot of love and help from her newfound family, she learns to do things she never thought possible.
Anaïs Nin: A Myth of Her Own traces Nin’s literary craft by following the intimacy of self-exploration and poetic expression attained in the details of the quotidian, transfigured into fiction. By digging into the mythic tropes that permeate both her literary diaries and fiction, this book demonstrates that Nin constructed a mythic method of her own, revealing the extensive possibilities of an opulent feminine psyche. Clara Oropeza demonstrates that the literary diary, for Nin, is a genre that with its traces of trickster archetype, among others, reveals a mercurial, yet particular understanding of an embodied and at times mystical experience of a writer. The cogent analysis of Nin’s fiction alongside the posthumously published unexpurgated diaries, within the backdrop of emerging psychological theories, further illuminates Nin’s contributions as an experimental and important modernist writer whose daring and poetic voice has not been fully appreciated. By extending research on diary writing and anchoring Nin’s literary style within modernist traditions, this book contributes to the redefinition of what literary modernism was comprised, who participated and how it was defined. Anaïs Nin: A Myth of Her Own is unique in its interdisciplinary expansion of literature, literary theory, mythological studies and depth psychology. By considering the ecocritical aspects of Nin’s writing, this book forges a new paradigm for not only Nin’s work, but for critical discussions of self-life writing as a valid epistemological and aesthetic form. This impressive work will be of great interest to academics and students of Jungian and post-Jungian studies, literary studies, cultural studies, mythological studies and women’s studies.
The Early Diary of Anaïs Nin, 1920–1923 by Anaïs Nin Pdf
The diarist’s account of her life in the early 1920s explores “the conflict she felt between artistic longings and her pre-ordained female fate” (The Detroit News). Continuing the journey of self-education and self-discovery she began in Linotte, Anaïs Nin discloses a part of her life that had previously remained private. She discusses the period in which she met Hugo Guiler, the young man who later became her husband, and made the wrenching transition from the shelter of her family to the world of artists and models. She also reveals the struggle she faced between her expected role as a woman and her determination to be a writer—a negotiation that still poses difficulties for many of us almost a century after Nin wrote this diary. “Through sheer nerve, confidence, and will, Nin made of the everyday something magical. This was a gift, indeed, and it’s a fascinating process to witness.” —The Christian Science Monitor With a preface by Joaquin Nin-Culmell
The Early Diary of Anaïs Nin, 1923–1927 by Anaïs Nin Pdf
A revealing look at the life of this “extraordinary and unconventional writer” during the mid-1920s (The New York Times Book Review). In this volume of her earlier series of personal diaries, Anaïs Nin tells how she exorcised the obsession that threatened her marriage—and nearly drove her to suicide. “Through sheer nerve, confidence, and will, Nin made of the everyday something magical. This was a gift, indeed, and it’s a fascinating process to witness.” —The Christian Science Monitor With an editor’s note by Rupert Pole and a preface by Joaquin Nin-Culmell
Anaïs Nin made her reputation through publication of her edited diaries and the carefully constructed persona they presented. It was not until decades later, when the diaries were published in their unexpurgated form, that the world began to learn the full details of Nin’s fascinating life and the emotional and literary high-wire acts she committed both in documenting it and in defying the mores of 1950s America. Trapeze begins where the previous volume, Mirages, left off: when Nin met Rupert Pole, the young man who became not only her lover but later her husband in a bigamous marriage. It marks the start of what Nin came to call her “trapeze life,” swinging between her longtime husband, Hugh Guiler, in New York and her lover, Pole, in California, a perilous lifestyle she continued until her death in 1977. Today what Nin did seems impossible, and what she sought perhaps was impossible: to find harmony and completeness within a split existence. It is a story of daring and genius, love and pain, largely unknown until now.
The Diary of Anaïs Nin: 1955-1966 by Anaïs Nin Pdf
Nin continues her debate on the use of drugs versus the artist's imagination, portrays many famous people in the arts, and recounts her visits to Sweden, the Brussels World's Fair, Paris, and Venice. "ÝNin ̈ looks at life, love, and art with a blend of gentility and acuity that is rare in contemporary writing" (John Barkham Reviews). Edited and with a Preface by Gunther Stuhlmann; Index.
This “amazingly precocious” diary of girlhood in the early twentieth century is filled with a “special charm” (The Christian Science Monitor). Born in Paris, Anaïs Nin started her celebrated diary at age eleven, when she was immigrating to New York with her mother and two young brothers. The diary became her confidant, her beloved friend, in which she recorded her most intimate thoughts and kept watch on the state of her character. Offering an amusing view of Nin’s early life, from age eleven to seventeen, it is also a self-portrait of an innocent girl who is transformed, through her own insights, into an enlightened young woman. “An enchanting portrait of a girl’s constant search for herself . . . will delight her admirers as well as new readers.” —Library Journal “One of the most extraordinary documents in the annals of literature.” —Providence Sunday Journal “[The Early Diary is] not merely an overture to the great performance. It deserves our attention on its own as a revelation of the rites of passage of a young girl in the early part of the [twentieth] century and as an expression of the collision of cultures between Europe and America.” —Los Angeles Times Preface by Joaquin Nin-Culmell
Waste of Timelessness, and Other Early Stories by Anaïs Nin Pdf
These stories precede all of Nin's published work to date. In them are many sources of the more mature work that collectors and growing writers can appreciate. Written when Anaïs Nin was in her twenties and living in Louveciennes, France, these stories contain many elements that will delight her readers: details remembered from childhood, of life in Paris, the cafés, theatres; characters including dancers, artists, writers, women who devote themselves to their work and visions as well as romance, strangers met in the night; themes such as the scruples of lovers, the search for brilliant, imaginative living; the writer's experimentation with exotic words like "sybaritic" and "violaceous". In the craft of these stories readers are treated to a deft sense of humor, ironic wit, much conversation as well as ecstatic prose, and surprise endings. Throughout all, the Nin personality shines, a wonderful mixture of feeling and rationality, of vulnerability and strength.
The House of Incest, Anais Nin's famous prose poem, was first published in Paris in 1936 and immediately drew attention from the era's prominent writers, including Henry Miller and Lawrence Durrell. While written in English, it is considered a landmark work in the French surrealist tradition and one of the most unique books in 20th century literature.
The Life and Times of Stanley Spank by Lyndon Haynes Pdf
A coming-of-age story a bout a young man called Stanley Spank who lives the life of a champion layabout with his best mate Jerry Dooley, supplemented by his hard-working parents, Greg a nd Brenda Spank. Stanley's life is one of endless days of nothing except for drinking, smoking, a nd fantasising a bout a life that seemed out of reach. Things change when Jerry lands a job a broad, leaving Stanley to rethink his own life choices, a nd out of a random a ct of desperation, a lucky break is bestowed upon Stanley that transforms his life. the self-styled lazy layabout is thrown into a world of glamour a nd fast women with lots of cash, a nd he is taken on a journey into the fast lane where, a long the way, he meets a beautiful girl called Ami. Stanley's life is turned a round, a nd the lure of earning good money a long with female a ttention a nd a lifestyle he could only dream becomes a complex moral dilemma. a fun tale of twists a nd larger-than-life characters, which a re interwoven into Stanley's journey of growth a nd experiences, the Life a nd Times of Stanley Spank will endear, delight, shock, a nd question the morality of his decisions a s this small-town boy becomes the centre of a lot of people's lives without realising it.
When she started working with the aged more than forty years ago, Ann Burack-Weiss began storing the knowledge and skills she thought would help when she got old herself. It was not until she hit her mid-seventies that she realized she had packed sneakers to climb Mount Everest, not anticipating the crevices and chasms that constitute the rocky terrain of old age. The professional gerontological and social work literature offered little help, so she turned to the late-life works of beloved women authors who had bravely climbed the mountain and sent back news from the summit. Maya Angelou, Colette, Simone de Beauvoir, Joan Didion, Marguerite Duras, M. F. K. Fisher, Doris Lessing, Mary Oliver, Adrienne Rich, May Sarton, and Florida Scott-Maxwell were among the many guides she turned to for inspiration. In The Lioness in Winter, Burack-Weiss blends an analysis of key writings from these and other famed women authors with her own wisdom to create an essential companion for older women and those who care for them. She fearlessly examines issues such as living with loss, finding comfort and joy in unexpected places, and facing disability and death. This book is filled with powerful passages from women who turned their experiences of aging into art, and Burack-Weiss ties their words to her own struggles and epiphanies, framing their collective observations with key insights from social work practice.