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Author : Anton Raphael Mengs
Publisher : Unknown
Page : 324 pages
File Size : 40,6 Mb
Release : 1796
Category : Painting
ISBN : STANFORD:36105031168136
Author : Anton Raphael Mengs
Publisher : Unknown
Page : 0 pages
File Size : 54,9 Mb
Release : 1796
Category : Electronic
ISBN : OCLC:311258507
Author : Anton Raphael Mengs
Publisher : Unknown
Page : 646 pages
File Size : 48,6 Mb
Release : 1796
Category : Painting
ISBN : NYPL:33433082214440
Author : Anton Raphael Mengs
Publisher : Gale Ecco, Print Editions
Page : 308 pages
File Size : 51,9 Mb
Release : 2018-04-18
Category : Electronic
ISBN : 1379512069
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library T124072 The titlepages are engraved. Vol.2 is in two parts, the second part, entitled: 'Memoirs of the life and works of Anthony Allegri, called Correggio.', with separate titlepage, pagination and register. London: 1796. Printed for R. Faulder, & G. G. and J. Robinson, [1796]. 2v.; 8°
Author : Anton Raphael Mengs
Publisher : Gale Ecco, Print Editions
Page : 324 pages
File Size : 44,7 Mb
Release : 2018-04-18
Category : Electronic
ISBN : 1379512077
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library T124072 The titlepages are engraved. Vol.2 is in two parts, the second part, entitled: 'Memoirs of the life and works of Anthony Allegri, called Correggio.', with separate titlepage, pagination and register. London: 1796. Printed for R. Faulder, & G. G. and J. Robinson, [1796]. 2v.; 8°
Author : Antonio Rafael Mengs
Publisher : Unknown
Page : 324 pages
File Size : 51,9 Mb
Release : 1796
Category : Electronic
ISBN : BNC:1001981290
Author : Antonio Rafael Mengs
Publisher : Legare Street Press
Page : 0 pages
File Size : 55,8 Mb
Release : 2023-07-18
Category : Art
ISBN : 1020403845
This rare volume features the work of one of the most celebrated painters of the 18th century, Antonio Rafael Mengs, who was appointed court painter to Charles III of Spain in 1761. Featuring reproductions of many of Mengs' most important works, as well as essays on his life and career, this volume is an essential reference work for scholars of European art, particularly Spanish art of the 18th century. With its exquisite reproductions and scholarly commentary, this volume is a testament to the enduring legacy of one of Europe's greatest painters. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author : Anton Raphael Mengs
Publisher : Unknown
Page : 146 pages
File Size : 41,7 Mb
Release : 1782
Category : Electronic
ISBN : OXFORD:N11675324
Author : Arthur J. DiFuria,Ian Verstegen
Publisher : Walter de Gruyter GmbH & Co KG
Page : 435 pages
File Size : 52,9 Mb
Release : 2021-11-08
Category : Art
ISBN : 9781501513459
The essays in Space, Image, and Reform in Early Modern Art build on Marcia Hall’s seminal contributions in several categories crucial for Renaissance studies, especially the spatiality of the church interior, the altarpiece’s facture and affectivity, the notion of artistic style, and the controversy over images in the era of Counter Reform. Accruing the advantage of critical engagement with a single paradigm, this volume better assesses its applicability and range. The book works cumulatively to provide blocks of theoretical and empirical research on issues spanning the function and role of images in their contexts over two centuries. Relating Hall’s investigations of Renaissance art to new fields, Space, Image, and Reform expands the ideas at the center of her work further back in time, further afield, and deeper into familiar topics, thus achieving a cohesion not usually seen in edited volumes honoring a single scholar.
Author : Anton Raphael MENGS
Publisher : Unknown
Page : 324 pages
File Size : 51,9 Mb
Release : 1796
Category : Electronic
ISBN : BL:A0024939560
Author : Anonim
Publisher : Unknown
Page : 330 pages
File Size : 46,5 Mb
Release : 2020-01-24
Category : History
ISBN : 0371382688
Author : Thomas Tolley
Publisher : Routledge
Page : 531 pages
File Size : 55,5 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351555258
From c.1750 to c.1810 the paths of music history and the history of painting converged with lasting consequences. The publication of Newton's Opticks at the start of the eighteenth century gave a 'scientific' basis to the analogy between sight and sound, allowing music and the visual arts to be defined more closely in relation to one another. This was also a period which witnessed the emergence of a larger and increasingly receptive audience for both music and the visual arts - an audience which potentially included all social strata. The development of this growing public and the commercial potential that it signified meant that for the first time it became possible for a contemporary artist to enjoy an international reputation. Nowhere is this better illustrated than in the career of Joseph Haydn. Although this phenomenon defies conventional modes of study, the book shows how musical pictorialism became a major creative force in popular culture. Haydn, the most popular living cultural personality of the period, proved to be the key figure in advancing the new relationship. The connections between the composer and his audiences and leading contemporary artists (including Tiepolo, Mengs, Kauffman, Goya, David, Messerschmidt, Loutherbourg, Canova, Copley, Fuseli, Reynolds, Gillray and West) are examined here for the first time. By the early nineteenth century, populism was beginning to be regarded with scepticism and disdain. Mozart was the modern Raphael, Beethoven the modern Michelangelo. Haydn, however, had no clear parallel in the accepted canon of Renaissance art. Yet his recognition that ordinary people had a desire to experience simultaneous aural and visual stimulation was not altogether lost, finding future exponents in Wagner and later still in the cinematic arts.
Author : National Art Library (Great Britain),Great Britain. Department of Science and Art
Publisher : Unknown
Page : 1142 pages
File Size : 54,7 Mb
Release : 1870
Category : Art
ISBN : UOM:39015034635212
Author : Christian Michel
Publisher : Getty Publications
Page : 436 pages
File Size : 42,8 Mb
Release : 2018-02-06
Category : Art
ISBN : 9781606065358
The Académie Royale de Peinture et de Sculpture (French Academy of Painting and Sculpture)—perhaps the single most influential art institution in history—governed the arts in France for more than 150 years, from its founding in 1648 until its abolition in 1793. Christian Michel's sweeping study presents an authoritative, in-depth analysis of the Académie’s history and legacy. The Académie Royale assembled nearly all of the important French artists working at the time, maintained a virtual monopoly on teaching and exhibitions, enjoyed a priority in obtaining royal commissions, and deeply influenced the artistic landscape in France. Yet the institution remains little understood today: all commentary on it, during its existence and since its abolition, is based on prejudices, both favorable and critical, that have shaped the way the institution has been appraised. This book takes a different approach. Rather than judging the Académie Royale, Michel unravels existing critical discourse to consider the nuances and complexities of the academy’s history, reexamining its goals, the shifting power dynamics both within the institution and in the larger political landscape, and its relationship with other French academies and guilds.
Author : National Art Library (Great Britain)
Publisher : Unknown
Page : 1140 pages
File Size : 50,7 Mb
Release : 1870
Category : Art
ISBN : UCSC:32106020263262