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Author : Anonim
Publisher : Unknown
Page : 860 pages
File Size : 45,6 Mb
Release : 1850
Category : Electronic
ISBN : IBNR:CR102001347
Author : Francis Bacon
Publisher : Unknown
Page : 892 pages
File Size : 43,9 Mb
Release : 1850
Category : Electronic
ISBN : IBNR:CR102001345
Author : Francis Bacon
Publisher : Unknown
Page : 128 pages
File Size : 53,6 Mb
Release : 2000
Category : Electronic
ISBN : LCCN:00134655
Author : Bacon
Publisher : Unknown
Page : 858 pages
File Size : 51,7 Mb
Release : 1879
Category : Electronic
ISBN : UBBS:UBBS-00096378
Author : Francis Bacon
Publisher : Unknown
Page : 128 pages
File Size : 40,9 Mb
Release : 1850
Category : Electronic
ISBN : OCLC:1075617320
Author : Francis Bacon Of Verulam
Publisher : Unknown
Page : 128 pages
File Size : 47,7 Mb
Release : 1838
Category : Electronic
ISBN : OCLC:1068775268
Author : Francis Bacon,William Ball,John Childs and Son
Publisher : Unknown
Page : 128 pages
File Size : 51,9 Mb
Release : 1838
Category : Intellect
ISBN : OCLC:191238001
Author : Bacon
Publisher : Unknown
Page : 860 pages
File Size : 51,5 Mb
Release : 1871
Category : Electronic
ISBN : ZHBL:ZHBL-00005174
Author : Francis Bacon
Publisher : Unknown
Page : 128 pages
File Size : 45,6 Mb
Release : 1854
Category : Electronic
ISBN : OCLC:176830158
Author : Francis Bacon
Publisher : Unknown
Page : 860 pages
File Size : 45,9 Mb
Release : 1854
Category : Ethics
ISBN : MSU:31293017485784
Author : Francis Bacon
Publisher : Unknown
Page : 864 pages
File Size : 40,5 Mb
Release : 1879
Category : Electronic
ISBN : CHI:26370652
Author : Longman (Firm),Longman, Brown, Green, and Longmans
Publisher : Unknown
Page : 180 pages
File Size : 47,6 Mb
Release : 1843
Category : Booksellers' catalogs
ISBN : NLS:B900063283
Author : Francis Bacon
Publisher : Unknown
Page : 560 pages
File Size : 49,8 Mb
Release : 1852
Category : Electronic
ISBN : BL:A0017081921
Author : Angela Vanhaelen
Publisher : Penn State Press
Page : 237 pages
File Size : 41,7 Mb
Release : 2022-08-05
Category : Art
ISBN : 9780271091914
This book opens a window onto a fascinating and understudied aspect of the visual, material, intellectual, and cultural history of seventeenth-century Amsterdam: the role played by its inns and taverns, specifically the doolhoven. Doolhoven were a type of labyrinth unique to early modern Amsterdam. Offering guest lodgings, these licensed public houses also housed remarkable displays of artwork in their gardens and galleries. The main attractions were inventive displays of moving mechanical figures (automata) and a famed set of waxwork portraits of the rulers of Protestant Europe. Publicized as the most innovative artworks on display in Amsterdam, the doolhoven exhibits presented the mercantile city as a global center of artistic and technological advancement. This evocative tour through the doolhoven pub gardens—where drinking, entertainment, and the acquisition of knowledge mingled in encounters with lively displays of animated artifacts—shows that the exhibits had a forceful and transformative impact on visitors, one that moved them toward Protestant reform. Deeply researched and decidedly original, The Moving Statues of Seventeenth-Century Amsterdam uncovers a wealth of information about these nearly forgotten public pleasure parks, situating them within popular culture, religious controversies, global trade relations, and intellectual debates of the seventeenth century. It will appeal in particular to scholars in art history and early modern studies.
Author : Sarah Betzer
Publisher : Penn State Press
Page : 485 pages
File Size : 45,7 Mb
Release : 2022-08-08
Category : Art
ISBN : 9780271091778
Framed by tensions between figural sculpture experienced in the round and its translation into two-dimensional representations, Animating the Antique explores enthralling episodes in a history of artistic and aesthetic encounters. Moving across varied locations—among them Rome, Florence, Naples, London, Dresden, and Paris—Sarah Betzer explores a history that has yet to be written: that of the Janus-faced nature of interactions with the antique by which sculptures and beholders alike were caught between the promise of animation and the threat of mortification. Examining the traces of affective and transformative sculptural encounters, the book takes off from the decades marked by the archaeological, art-historical, and art-philosophical developments of the mid-eighteenth century and culminantes in fin de siècle anthropological, psychological, and empathic frameworks. It turns on two fundamental and interconnected arguments: that an eighteenth-century ontology of ancient sculpture continued to inform encounters with the antique well into the nineteenth century, and that by attending to the enduring power of this model, we can newly appreciate the distinctively modern terms of antique sculpture’s allure. As Betzer shows, these eighteenth-century developments had far-reaching ramifications for the making and beholding of modern art, the articulations of art theory, the writing of art history, and a significantly queer Nachleben of the antique. Bold and wide-ranging, Animating the Antique sheds light upon the work of myriad artists, in addition to that of writers ranging from Goethe and Winckelmann to Hegel, Walter Pater, and Vernon Lee. It will be especially welcomed by scholars and students working in eighteenth- and nineteenth-century art history, art writing, and art historiography.