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The Apology of Socrates was written by Plato. In fact, it’s a defensive speech of Socrates that he said in a court noted down by Plato.The main subject of the speech is a problem of the evil. Socrates insists that neither death nor death sentence is evil. We shouldn’t be afraid of the death because we don’t know anything about it. Socrates proved that the death shouldn’t be taken as the evil with the following dilemma: the death is either a peace or a transit from this life to the next. Both can’t be called evil. Consequently, the death shouldn’t be treated as evil.
Apology is Plato's version of the speech given by Socrates as he defended himself in 399 BC against the charges of "corrupting the young, and by not believing in the gods in whom the city believes, but in other daimonia that are novel." Socrates begins by telling the jury that their minds were poisoned by his enemies when they were young and impressionable. He says his reputation for sophistry comes from his enemies, all of whom are envious of him, and malicious. He says they must remain nameless, except for Aristophanes, the comic poet. He later answers the charge that he has corrupted the young by arguing that deliberate corruption is an incoherent idea. Socrates says that all these false accusations began with his obedience to the oracle at Delphi. He tells how Chaerephon went to the Oracle at Delphi, to ask if anyone was wiser than Socrates. When Chaerephon reported to Socrates that the god told him there is none wiser, Socrates took this as a riddle. He himself knew that he had no wisdom "great or small" but that he also knew that it is against the nature of the gods to lie. Socrates then went on a "divine mission" to solve the paradox (that an ignorant man could also be the wisest of all men) and to clarify the meaning of the Oracles' words. He systematically interrogated the politicians, poets and craftsmen. Socrates determined that the politicians were imposters, and the poets did not understand even their own poetry, like prophets and seers who do not understand what they say. Craftsmen proved to be pretentious too, and Socrates says that he saw himself as a spokesman for the oracle (23e). He asked himself whether he would rather be an impostor like the people he spoke to, or be himself. Socrates tells the jury that he would rather be himself than anyone else.
Plato's Apology of Socrates by Paul Allen Miller,Charles Platter Pdf
The significance of Plato’s Apology of Socrates is impossible to overestimate. An account of the famous trial of Socrates in 399 b.c., it appeals to historians, philosophers, political scientists, classicists, and literary critics. It is also essential reading for students of ancient Greek. This new commentary on Plato’s canonical work is designed to accommodate the needs of students in intermediate-level Greek classes, where they typically encounter the Apology for the first time. Paul Allen Miller and Charles Platter, two highly respected classicists and veteran instructors, present the Apology in its traditional thirty-three-chapter structure. They amplify the text with running commentary and glosses of unfamiliar words at the bottom of each page; brief chapter introductions to relevant philosophical, historical, and rhetorical issues; and a separate series of thought-provoking essays, one on each chapter. The essays can serve as bases for class discussions or as starting points for paper topics or general reflection. By integrating background material into the text at regular intervals rather than front-loading it in a lengthy initial overview or burying it in back-of-the-book endnotes, the authors offer students a rich encounter with the text. Their commentary incorporates the latest research on both the trial of Socrates and Plato’s version of it, and it engages major philosophical issues from a contemporary perspective. This book is not only a much-needed aid for students of Greek. It is also the basis of a complete course on the Apology.
The Ironic Defense of Socrates by David M. Leibowitz Pdf
This book offers a controversial interpretation of Plato's Apology of Socrates. By paying unusually close attention to what Socrates indicates about the meaning and extent of his irony, David Leibowitz arrives at unconventional conclusions about Socrates' teaching on virtue, politics, and the gods; the significance of his famous turn from natural philosophy to political philosophy; and the purpose of his insolent 'defense speech'. Leibowitz shows that Socrates is not just a colorful and quirky figure from the distant past but an unrivaled guide to the good life - the thoughtful life - who is as relevant today as in ancient Athens. On the basis of his unconventional understanding of the dialogue as a whole, and of the Delphic oracle story in particular, Leibowitz shows that the Apology is the key to the Platonic corpus, indicating how many of the disparate themes and apparently contradictory conclusions of the other dialogues fit together.
The Apology of Socrates was written by Plato. In fact, it’s a defensive speech of Socrates that he said in a court noted down by Plato. The main subject of the speech is a problem of the evil. Socrates insists that neither death nor death sentence is evil. We shouldn’t be afraid of the death because we don’t know anything about it. Socrates proved that the death shouldn’t be taken as the evil with the following dilemma: the death is either a peace or a transit from this life to the next. Both can’t be called evil. Consequently, the death shouldn’t be treated as evil.
Socrates, one of the first of the great philosophers, left no written works. What survives of his thought are second-hand descriptions of his teachings and conversations—including, most famously, the accounts of his trial and execution composed by his friend, student, and philosophical successor, Plato. In Euthyphro, Socrates examines the concept of piety and displays his propensity for questioning Athenian authorities. Such audacity is not without consequence, and in the Apology we find Socrates defending himself in court against charges of impiety and corruption of the youth. Crito depicts Socrates choosing to accept the resulting death sentence rather than escape Athens and avoid execution. All three dialogues are included here, as is the final scene of Phaedo, in which the sentence is carried out.
"Reeve's book is an excellent companion to Plato's Apology and a valuable discussion of many of the main issues that arise in the early dialogues. Reeve is an extremely careful reader of texts, and his familiarity with the legal and cultural background of Socrates' trial allows him to correct many common misunderstandings of that event. In addition, he integrates his reading of the apology with a sophisticated discussion of Socrates' philosophy. The writing is clear and succinct, and the research is informed by a thorough acquaintance with the secondary literature. Reeve's book will be accessible to any serious undergraduate, but it is also a work that will have to be taken into account by every scholar doing advanced research on Socrates." --Richard Kraut, Northwestern University
Plato and Xenophon: Apologies compares two key dialogues on the death of Socrates. Socrates was accused of impiety and corrupting the youth of ancient Athens and was tried, convicted, imprisoned, and executed. Both Plato and Xenophon make clear that the charges were not brought forward in the spirit of true piety, and that Socrates was a man of real virtue and beneficence. To this day, his trial and execution remain a mark upon the democracy that put him to death. These dialogues underscore the limitations of democratic relativism and emphasize the nature of philosophy or the free mind. Plato’s Apology of Socrates is both poetry and an act of reformation, justifying the life of philosophy, challenging the authority of the pagan gods and heroes, and introducing Socrates as a heroic and even divine figure. In contrast, Xenophon’s Socrates is not dialectical and otherworldly, but makes a different appeal for philosophy. From Xenophon emerges the heroic tradition of Plutarch with its reflections on the virtues and vices of great historical men. Focus Philosophical Library translations are close to and are non-interpretative of the original text, with the notes and a glossary intending to provide the reader with some sense of the terms and the concepts as they were understood by Plato and Xenophon’s immediate audience.
There have been many recent studies on the Apology. This book differs from them in that it attempts a synthesis of philosophical and literary approaches. A great deal of attention is paid to the philosophical and religious views that are present—often implicitly—in the text; they are much closer to the philosophy of Plato's main works than is usually assumed. But the Apology is also analysed as a rhetorical text: its close relationship with fourth-century rhetorical theory and practice is highlighted. The analyses of the various parts of the speech are followed by a detailed line-by-line commentary. The work was started by E. de Strycker, S.J.; after his death, it was revised and completed by S.R. Slings.
Apologizing for Socrates examines some of Plato's and Xenophon's Socratic writings, specifically those that address well-known controversiese concerning the life and death of Socrates. Gabriel Danzig argues that the effort to defend Socrates from a variety of contemporary charges helps explain some of the central philosophical arguments and literary features that appear in these works. Concentrating on the two Apologies, Crito, Euthyphro, Xenophon's Symposium and Memorabilia, Lysis, and Oeconommicus, Danzig argues that the apologetic efforts were essential for rebuilding the community of Socratic friends and companions, which was devastated by the trial and death of Socrates. The Socratic writings are not merely literary or philosophical endeavors, but also political acts of great competence.
