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Cosmos and Community in Early Medieval Art by Benjamin Anderson Pdf
In the rapidly changing world of the early Middle Ages, depictions of the cosmos represented a consistent point of reference across the three dominant states—the Frankish, Byzantine, and Islamic Empires. As these empires diverged from their Greco-Roman roots between 700 and 1000 A.D. and established distinctive medieval artistic traditions, cosmic imagery created a web of visual continuity, though local meanings of these images varied greatly. Benjamin Anderson uses thrones, tables, mantles, frescoes, and manuscripts to show how cosmological motifs informed relationships between individuals, especially the ruling elite, and communities, demonstrating how domestic and global politics informed the production and reception of these depictions. The first book to consider such imagery across the dramatically diverse cultures of Western Europe, Byzantium, and the Islamic Middle East, Cosmos and Community in Early Medieval Art illuminates the distinctions between the cosmological art of these three cultural spheres, and reasserts the centrality of astronomical imagery to the study of art history.
A Companion to Byzantine Illustrated Manuscripts by Anonim Pdf
This volume offers an overview of Byzantine manuscript illustration, a central branch of Byzantine art and culture. Just like written texts, illustrations bear witness to Byzantine material culture, imperial ideology and religious beliefs, as well as to the development and spread of Byzantine art. In this sense illustrated books reflect the society that produced and used them. Being portable, they could serve as diplomatic gifts or could be acquired by foreigners. In such cases they became “emissaries” of Byzantine art and culture in Western Europe and the Arabic world. The volume provides for the first time a comprehensive overview of the material, divided by text categories, including both secular and religious manuscripts, and analyses which texts were illustrated in Byzantium, and how. Contributors are Justine M. Andrews, Leslie Brubaker, Annemarie W. Carr, Elina Dobrynina, Maria Evangelatou, Maria Laura Tomea Gavazzoli, Markos Giannoulis, Cecily Hennessy, Ioli Kalavrezou, Maja Kominko, Sofia Kotzabassi, Stavros Lazaris, Kallirroe Linardou, Vasileios Marinis, Kathleen Maxwell, Georgi R. Parpulov, Nancy P. Ševčenko, Jean-Michel Spieser, Mika Takiguchi, Courtney Tomaselli, Marina Toumpouri, Nicolette S. Trahoulia, Vasiliki Tsamakda, and Elisabeth Yota.
Science in Byzantium has rarely been systematically explored. A first of its kind, this collection of essays highlights the disciplines, achievements, and contexts of Byzantine science across the eleven centuries of the Byzantine empire. After an introduction on science in Byzantium and the 21st century, and a study of Christianization and the teaching of science in Byzantium, it offers a comprehensive and up-to-date survey of the scientific disciplines cultivated in Byzantium, from the exact to the natural sciences, medicine, polemology, and the occult sciences. The volume showcases the diversity and vivacity of the varied scientific endeavours in the Byzantine world across its long history, and aims to bring the field into broader conversations within Byzantine studies, medieval studies, and history of science. Contributors are Fabio Acerbi, Anne-Laurence Caudano, Gonzalo Andreotti Cruz, Katerina Ierodiakonou, Herve Inglebert, Stavros Lazaris, Divna Manolova, Maria K. Papathanassiou, Inmaculada Pérez Martín, Thomas Salmon, Ioannis Telelis, Anne Tihon, Alain Touwaide, Arnaud Zucker.
The Cult of the Mother of God in Byzantium by Leslie Brubaker,Mary B. Cunningham Pdf
This volume, on the cult of the Theotokos (Virgin Mary) in Byzantium, focuses on textual and historical aspects of the subject, thus complementing previous work which has centred more on the cult of images of the Mother of God. The papers presented here, by an international team of scholars, consider the development and transformation of the cult from approximately the fourth through the twelfth centuries. The volume opens with discussion of the origins of the cult, and its Near Eastern manifestations, including the archaeological site of the Kathisma church in Palestine, which represents the earliest Marian shrine in the Holy Land, and Syriac poetic treatment of the Virgin. The principal focus, however, is on the 8th and 9th centuries in Byzantium, as a critical period when Christian attitudes toward the Virgin and her veneration were transformed. The book re-examines the relationship between icons, relics and the Virgin, asking whether increasing devotion to these holy objects or figures was related in any way. Some contributions consider the location of relics and later, icons, in Constantinople and other centres of Marian devotion; others explore gender issues, such as the significance of the Virgin's feminine qualities, and whether women and men identified with her equally as a holy figure. The aim of this volume is to build on recent work on the cult of the Virgin Mary in Byzantium and to explore areas that have not yet been studied. The rationale is critical and historical, using literary, artistic, and archaeological sources to evaluate her role in the development of the Byzantine understanding of the ways in which God interacts with creation by means of icons, relics, and the Theotokos.
Fully revised, updated and extended to include the momentous developments of 2020, this fourth edition of Peter Rietbergen's highly acclaimed Europe: A Cultural History is a major and original contribution to the study of Europe. The book examines the structures of culture in this part of Eurasia from the beginnings of human settlement on to the genesis of agricultural society, of greater polities, of urban systems, and the slow transitions that resulted in a (post-)industrial society and the individualistic mass culture of the present. Using both economic and socio-political analytical concepts, the volume outlines cultural continuity and change in Europe through the lenses of literature, the arts, science, technology and music, to show the continent’s ever-changing identities. In a highly readable style, it expertly contextualizes such diverse and wide-ranging topics as Celtic society, the Roman legal system, the oppositions between ‘elite’ and ‘popular’ culture in pre-industrial Europe, Michelangelo’s world-view, the interaction between the Enlightenment and Romanticism, the growth of a society of time and money, the appeal of fascism and other totalitarian ideologies, and the ways the songs of Sting express late twentieth-century thinking. Structured both chronologically and thematically, the text is distinctive in the attention consistently paid to the many ways Europe has been formed through its contacts with non-European cultures, especially those of Asia and the Americas. This edition concludes with an epilogue that discusses the ways Europe’s recent past – including the long-term efforts at further unification, and the various forms of opposition against it – has been both interpreted and misinterpreted; the importance of globalization; and the major challenges facing Europe in the present, amongst which are the consequences of the pandemic of 2020. With a wide selection of illustrations, maps, excerpts from primary sources and even lyrics from contemporary songs to support its arguments, the text remains the definitive cultural history of Europe for both the general reader and students of European history and culture.
Author : P. J. A. N. Rietbergen Publisher : Psychology Press Page : 514 pages File Size : 55,6 Mb Release : 1998 Category : Europe ISBN : 9780415172301
This major contribution to the idea of Europe sweeps the continent from its Celtic and German origins through the influence of the Greeks and Romans to the fruitful--and sometimes bloody--contacts with other cultures. Peter Rietbergen portrays Europe's history as a series of four grand phases of continuity and change set in the context of political, social and economic developments. These phases are new forms of: surviving; believing; looking at man and the world; and consumption and communication. Rietbergen's descriptions are supported by a selection of illuminating excerpts such as: Chaucer's description of London in 1378; Michelangelo on Italian art; and popular music lyrics of Iron Maiden and Sting.
Editor of Res and Associate of Middle American Ethnology Francesco Pellizzi,Francesco Pellizzi
Author : Editor of Res and Associate of Middle American Ethnology Francesco Pellizzi,Francesco Pellizzi Publisher : Peabody Museum Press Page : 385 pages File Size : 49,5 Mb Release : 2012-01-09 Category : Art ISBN : 9780873658621
Res by Editor of Res and Associate of Middle American Ethnology Francesco Pellizzi,Francesco Pellizzi Pdf
RES 59/60 includes “The making of architectural types” by Joseph Rykwert; “Traces of the sun and Inka kinetics” by Tom Cummins and Bruce Mannheim; “Inka water management and display fountains” by Carolyn Dean; “Guaman Poma’s pictures of huacas” by Lisa Trever; “Peruvian nature up close” by Daniela Bleichmar; and other papers.
A History of Astronomy from Thales to Kepler by J. L. E. Dreyer Pdf
Masterpiece of historical insight and scientific accuracy and the definitive work on Greek astronomy and the Copernican Revolution. Includes surveys of European and Islamic cosmologies of the Middle Ages and the Renaissance.
History of the Planetary Systems by J. L. E. Dreyer Pdf
Originally published in 1906, this book presents a study of 'the history of man's conception of the Universe from the earliest historical ages to the completion of the Copernican system by Kepler in the seventeenth century'. Detailed notes and illustrative figures are incorporated throughout. This book will be of value to anyone with an interest in planetary systems and the history of astronomy.
Maximus the Confessor as a European Philosopher by Sotiris Mitralexis,Georgios Steiris,Marcin Podbielski,Sebastian Lalla Pdf
The study of Maximus the Confessor’s thought has flourished in recent years: international conferences, publications and articles, new critical editions and translations mark a torrent of interest in the work and influence of perhaps the most sublime of the Byzantine Church Fathers. It has been repeatedly stated that the Confessor’s thought is of eminently philosophical interest. However, no dedicated collective scholarly engagement with Maximus the Confessor as a philosopher has taken place—and this volume attempts to start such a discussion. Apart from Maximus’ relevance and importance for philosophy in general, a second question arises: should towering figures of Byzantine philosophy like Maximus the Confessor be included in an overview of the European history of philosophy, or rather excluded from it—as is the case today with most histories of European philosophy? Maximus’ philosophy challenges our understanding of what European philosophy is. In this volume, we begin to address these issues and examine numerous aspects of Maximus’ philosophy—thereby also stressing the interdisciplinary character of Maximian studies. Contributors include: Fr. Maximos Constas, Justin Shaun Coyle, Vladimir Cvetković, Natalie Depraz, Demetrios Harper, Michael Harrington, Georgi Kapriev, Karolina Kochańczyk-Bonińska, Nicholas Loudovikos, Andrew Louth, John Panteleimon Manoussakis, Michail Mantzanas, Smilen Markov, Sotiris Mitralexis, Marcin Podbielski, Dionysios Skliris, Georgios Steiris, Stoyan Tanev, Torstein Theodor Tollefsen, Jordan Daniel Wood
The theoretical physicist shares his latest thoughts on the nature of space and time in this anthology of selections from Princeton University Press. Along with eminent colleagues, Hawking extends theoretical frontiers by speculating on the big questions of modern cosmology.
Byzantine Media Subjects invites readers into a world replete with images—icons, frescoes, and mosaics filling places of worship, politics, and community. Glenn Peers asks readers to think themselves into a world where representation reigned and humans followed, and indeed were formed. Interrogating the fundamental role of representation in the making of the Byzantine human, Peers argues that Byzantine culture was (already) posthuman. The Byzantine experience reveals the extent to which media like icons, manuscripts, music, animals, and mirrors fundamentally determine humans. In the Byzantine world, representation as such was deeply persuasive, even coercive; it had the power to affect human relationships, produce conflict, and form self-perception. Media studies has made its subject the modern world, but this book argues for media having made historical subjects. Here, it is shown that media long ago also made Byzantine humans, defining them, molding them, mediating their relationship to time, to nature, to God, and to themselves.