Download Full eBooks in PDF
The World War Ii Combat Film Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of The World War Ii Combat Film book. This book definitely worth reading, it is an incredibly well-written.
Author : Jeanine Basinger
Publisher : Wesleyan University Press
Page : 402 pages
File Size : 46,5 Mb
Release : 2003-05-15
Category : History
ISBN : 0819566233
Lively, comprehensive analysis of World War II movies.
Author : Stuart Bender
Publisher : Cambridge Scholars Publishing
Page : 340 pages
File Size : 46,9 Mb
Release : 2014-08-11
Category : Performing Arts
ISBN : 9781443865494
Film Style and the World War II Combat Genre is a detailed examination of the stylistic means by which filmmakers depict stories of combat. The work furthers contemporary discussions by analyzing a range of World War II combat films to a degree of detail which has previously escaped critical attention. This substantial examination of cinematography, sound, editing and acting in a range of movies including Saving Private Ryan, Windtalkers, Bataan, and Objective Burma! demonstrates the importance of close attention to the textual construction of these films specifically, as well as cinematic texts more generally. The work advances the original analytic descriptions of “controlled spontaneity” and “reported realism” as theoretical concepts which explain why viewers regard certain stylistic techniques as realistic. This notion of realism is then further understood through reference to a body of research in cognitive psychology to argue that the density of audio-visual information in contemporary combat films is a significant factor in creating a sense of realism.
Author : John Whiteclay Chambers II,David Culbert
Publisher : Oxford University Press
Page : 208 pages
File Size : 48,9 Mb
Release : 1996-10-10
Category : Performing Arts
ISBN : 9780199880119
The immediacy and perceived truth of the visual image, as well as film and television's ability to propel viewers back into the past, place the genre of the historical film in a special category. War films--including antiwar films--have established the prevailing public image of war in the twentieth century. For American audiences, the dominant image of trench warfare in World War I has been provided by feature films such as All Quiet on the Western Front and Paths of Glory. The image of combat in the Second World War has been shaped by films like Sands of Iwo Jima and The Longest Day. And despite claims for the alleged impact of widespread television coverage of the Vietnam War, it is actually films such as Apocalypse Now and Platoon which have provided the most powerful images of what is seen as the "reality" of that much disputed conflict. But to what degree does history written "with lightning," as Woodrow Wilson allegedly said, represent the reality of the past? To what extent is visual history an oversimplification, or even a distortion of the past? Exploring the relationship between moving images and the society and culture in which they were produced and received, World War II, Film, and History addresses the power these images have had in determining our perception and memories of war. Examining how the public memory of war in the twentieth century has often been created more by a manufactured past than a remembered one, a leading group of historians discusses films dating from the early 1930s through the early 1990s, created by filmmakers the world over, from the United States and Germany to Japan and the former Soviet Union. For example, Freda Freiberg explains how the inter-racial melodramatic Japanese feature film China Nights, in which a manly and protective Japanese naval officer falls in love with a beautiful young Chinese street waif and molds her into a cultured, submissive wife, proved enormously popular with wartime Japanese and helped justify the invasion of China in the minds of many Japanese viewers. Peter Paret assesses the historical accuracy of Kolberg as a depiction of an unsuccessful siege of that German city by a French Army in 1807, and explores how the film, released by Hitler's regime in January 1945, explicitly called for civilian sacrifice and last-ditch resistance. Stephen Ambrose contrasts what we know about the historical reality of the Allied D-Day landings in Normandy on June 6, 1944, with the 1962 release of The Longest Day, in which the major climactic moment in the film never happened at Normandy. Alice Kessler-Harris examines The Life and Times of Rosie the Riveter, a 1982 film documentary about women defense workers on the American home front in World War II, emphasizing the degree to which the documentary's engaging main characters and its message of the need for fair and equal treatment for women resonates with many contemporary viewers. And Clement Alexander Price contrasts Men of Bronze, William Miles's fine documentary about black American soldiers who fought in France in World War I, with Liberators, the controversial documentary by Miles and Nina Rosenblum which incorrectly claimed that African-American troops liberated Holocaust survivors at Dachau in World War II. In today's visually-oriented world, powerful images, even images of images, are circulated in an eternal cycle, gaining increased acceptance through repetition. History becomes an endless loop, in which repeated images validate and reconfirm each other. Based on archival materials, many of which have become only recently available, World War II, Film, and History offers an informative and a disturbing look at the complex relationship between national myths and filmic memory, as well as the dangers of visual images being transformed into "reality."
Author : John Whiteclay Chambers II,David Culbert
Publisher : Oxford University Press
Page : 204 pages
File Size : 48,6 Mb
Release : 1996-10-10
Category : Performing Arts
ISBN : 9780199728732
The immediacy and perceived truth of the visual image, as well as film and television's ability to propel viewers back into the past, place the genre of the historical film in a special category. War films--including antiwar films--have established the prevailing public image of war in the twentieth century. For American audiences, the dominant image of trench warfare in World War I has been provided by feature films such as All Quiet on the Western Front and Paths of Glory. The image of combat in the Second World War has been shaped by films like Sands of Iwo Jima and The Longest Day. And despite claims for the alleged impact of widespread television coverage of the Vietnam War, it is actually films such as Apocalypse Now and Platoon which have provided the most powerful images of what is seen as the "reality" of that much disputed conflict. But to what degree does history written "with lightning," as Woodrow Wilson allegedly said, represent the reality of the past? To what extent is visual history an oversimplification, or even a distortion of the past? Exploring the relationship between moving images and the society and culture in which they were produced and received, World War II, Film, and History addresses the power these images have had in determining our perception and memories of war. Examining how the public memory of war in the twentieth century has often been created more by a manufactured past than a remembered one, a leading group of historians discusses films dating from the early 1930s through the early 1990s, created by filmmakers the world over, from the United States and Germany to Japan and the former Soviet Union. For example, Freda Freiberg explains how the inter-racial melodramatic Japanese feature film China Nights, in which a manly and protective Japanese naval officer falls in love with a beautiful young Chinese street waif and molds her into a cultured, submissive wife, proved enormously popular with wartime Japanese and helped justify the invasion of China in the minds of many Japanese viewers. Peter Paret assesses the historical accuracy of Kolberg as a depiction of an unsuccessful siege of that German city by a French Army in 1807, and explores how the film, released by Hitler's regime in January 1945, explicitly called for civilian sacrifice and last-ditch resistance. Stephen Ambrose contrasts what we know about the historical reality of the Allied D-Day landings in Normandy on June 6, 1944, with the 1962 release of The Longest Day, in which the major climactic moment in the film never happened at Normandy. Alice Kessler-Harris examines The Life and Times of Rosie the Riveter, a 1982 film documentary about women defense workers on the American home front in World War II, emphasizing the degree to which the documentary's engaging main characters and its message of the need for fair and equal treatment for women resonates with many contemporary viewers. And Clement Alexander Price contrasts Men of Bronze, William Miles's fine documentary about black American soldiers who fought in France in World War I, with Liberators, the controversial documentary by Miles and Nina Rosenblum which incorrectly claimed that African-American troops liberated Holocaust survivors at Dachau in World War II. In today's visually-oriented world, powerful images, even images of images, are circulated in an eternal cycle, gaining increased acceptance through repetition. History becomes an endless loop, in which repeated images validate and reconfirm each other. Based on archival materials, many of which have become only recently available, World War II, Film, and History offers an informative and a disturbing look at the complex relationship between national myths and filmic memory, as well as the dangers of visual images being transformed into "reality."
Author : Rick Beyer,Elizabeth Sayles
Publisher : Chronicle Books
Page : 275 pages
File Size : 53,9 Mb
Release : 2023-10-10
Category : History
ISBN : 9781797225302
“A riveting tale told through personal accounts and sketches along the way—ultimately, a story of success against great odds. I enjoyed it enormously.” —Tom Brokaw The first book to tell the full story of how a traveling road show of artists wielding imagination, paint, and bravado saved thousands of American lives—now updated with new material. In the summer of 1944, a handpicked group of young GIs—artists, designers, architects, and sound engineers, including such future luminaries as Bill Blass, Ellsworth Kelly, Arthur Singer, Victor Dowd, Art Kane, and Jack Masey—landed in France to conduct a secret mission. From Normandy to the Rhine, the 1,100 men of the 23rd Headquarters Special Troops, known as the Ghost Army, conjured up phony convoys, phantom divisions, and make-believe headquarters to fool the enemy about the strength and location of American units. Every move they made was top secret, and their story was hushed up for decades after the war's end. Hundreds of color and black-and-white photographs, along with maps, official memos, and letters, accompany Rick Beyer and Elizabeth Sayles’s meticulous research and interviews with many of the soldiers, weaving a compelling narrative of how an unlikely team carried out amazing battlefield deceptions that saved thousands of American lives and helped open the way for the final drive to Germany. The stunning art created between missions also offers a glimpse of life behind the lines during World War II. This updated edition includes: A new afterword by co-author Rick Beyer Never-before-seen additional images The successful campaign to have the unit awarded a Congressional Gold Medal History and WWII enthusiasts will find The Ghost Army of World War II an essential addition to their library.
Author : Clayton R. Koppes,Gregory D. Black
Publisher : Univ of California Press
Page : 404 pages
File Size : 48,6 Mb
Release : 1990-08-16
Category : History
ISBN : 0520071611
The little-explored story of how politics, propaganda, and profits were combined to create the drama, imagery and fantasy that was American film during World War II. 32 black-and-white photographs.
Author : Virginia Lyman Lucas
Publisher : Page Publishing Inc
Page : 163 pages
File Size : 51,9 Mb
Release : 2019-12-10
Category : History
ISBN : 9781646280292
As rich in history as World War II at the Movies, which commemorates in chronological order World War II major battles and pivotal events and captures the spirit of frontline heroes and strategist leaders, World War II at the Movies, Volume II, is as different in content and format. These compelling major motion picture films, blockbuster thrillers, and fascinating supplemental data elucidate and elaborate on top secret commando missions, challenges that wounded veterans faced adapting to civilian life with life-changing disabilities, and innovation, development, and advances in war weaponry technology, which led to the Allied victory over tyranny. You will find out: • whose naval career was depicted and portrayed by Cliff Robertson at the time he was a sitting president of the United States • who was the youngest World War II veteran (who enlisted in the Navy at the age of twelve) • who was the oldest World War II veteran (who died in December of 2018 at the age of 112) • which "lady" came to England's financial aid when they couldn't fund the spitfire's entry in the Schneider race (the winner of which would be awarded funds to further advance airplane design) • who invented Germany's enigma code machine
Author : David Luhrssen
Publisher : Bloomsbury Publishing USA
Page : 219 pages
File Size : 43,9 Mb
Release : 2020-11-09
Category : History
ISBN : 9798216168782
World War II on Film examines the war through the lens of 12 films. The movies selected include productions made during World War II and in each succeeding decade, providing a sense of how different generations perceive the war. World War II on Film provides a succinct yet well-grounded appraisal of that war as seen through 12 representative films. The book separates fact from fiction, showing where the movies were accurate and where they departed from reality, and places them in the larger context of historical and social events. Each movie chosen represents a particular aspect of the conflict, including the air war over Europe, the condition of prisoners of war, Nazi atrocities, and the British evacuation at Dunkirk. Unlike most histories of Hollywood during World War II or the genre of war movies, World War II on Film examines in depth the relation between the depictions of events, beliefs, attitudes, and ways of life as seen on film with reality as documented by historians or recorded by journalists or eye-witnesses to the war. The volume will appeal to high school and college readers, as well as general interest readers and film buffs.
Author : Robert T. Eberwein
Publisher : Rutgers University Press
Page : 252 pages
File Size : 40,9 Mb
Release : 2005
Category : Performing Arts
ISBN : 0813534976
War has had a powerful impact on the film industry, while at the same time motion pictures can influence wartime behaviour & shape our perception of the historical record. This book collects essays that use a variety of critical approaches to explore this film genre.
Author : Roger Manvell
Publisher : Unknown
Page : 400 pages
File Size : 42,5 Mb
Release : 1974
Category : Performing Arts
ISBN : UCSD:31822023800279
Author : Virginia Lyman Lucas
Publisher : Page Publishing Inc
Page : 122 pages
File Size : 55,6 Mb
Release : 2018-11-12
Category : History
ISBN : 9781643503189
This tribute to all men and women who serve their country and in particular those who sacrificed bringing about victory over tyranny in WWII, World War II at the Movies contains forty-eight movie commentaries depicting WWII major events, both in Europe and the South Pacific. In addition to reading about WWII major events in chronological order, you'll find out: What major movie star who made more than thirty-five Hollywood Westerns was the most decorated soldier of World War II in To Hell and Back What famous film star from the '30s and '40s who stars in Command Decision was himself a fighter pilot who flew five combat missions, including one to Germany, as an observer gunner in B-17 Flying Fortresses and left the Army Air Forces with rank of major What former US senator was a member of the 442nd Regimental Combat Team, made up of Japanese Americans who fought for their country even while battling prejudice as told in Go for Broke! What ethnic group developed an uncrackable military code based on their language and took part in every assault the US Marines conducted in the Pacific from 1942 to 1945, including Guadalcanal, Tarawa, Peleliu, and Iwo Jima
Author : Tanine Allison
Publisher : Rutgers University Press
Page : 261 pages
File Size : 55,5 Mb
Release : 2018-06-25
Category : Performing Arts
ISBN : 9780813597522
The American popular imagination has long portrayed World War II as the “good war,” fought by the “greatest generation” for the sake of freedom and democracy. Yet, combat films and other war media complicate this conventional view by indulging in explosive displays of spectacular violence. Combat sequences, Tanine Allison argues, construct a counter-narrative of World War II by reminding viewers of the war’s harsh brutality. Destructive Sublime traces a new aesthetic history of the World War II combat genre by looking back at it through the lens of contemporary video games like Call of Duty. Allison locates some of video games’ glorification of violence, disruptive audiovisual style, and bodily sensation in even the most canonical and seemingly conservative films of the genre. In a series of case studies spanning more than seventy years—from wartime documentaries like The Battle of San Pietro to fictional reenactments like The Longest Day and Saving Private Ryan to combat video games like Medal of Honor—this book reveals how the genre’s aesthetic forms reflect (and influence) how American culture conceives of war, nation, and representation itself.
Author : Clayton R. Koppes,Gregory D. Black
Publisher : Univ of California Press
Page : 402 pages
File Size : 45,6 Mb
Release : 1990-08-16
Category : History
ISBN : 9780520071612
The little-explored story of how politics, propaganda, and profits were combined to create the drama, imagery and fantasy that was American film during World War II. 32 black-and-white photographs.
Author : Don Whitehead
Publisher : Fordham Univ Press
Page : 259 pages
File Size : 41,8 Mb
Release : 2006
Category : Biography & Autobiography
ISBN : 9780823226757
"John Romeiser has woven both the North African diary and Whitehead's memoir of the subsequent landings in Sicily into a story of eight months during some of the most brutal combat of the war. Here, Whitehead captures the fierce fighting in the African desert and Sicilian mountains, as well as rare insights into the daily grind of reporting from a war zone, where tedium alternated with terror."--BOOK JACKET.
Author : Thomas Patrick Doherty
Publisher : Columbia University Press
Page : 396 pages
File Size : 46,6 Mb
Release : 1999
Category : History
ISBN : 0231116357
Topics include: the influence of Leni Riefenstahl; negro soldiers; depicting Vietnam in films. Films examined include: Sergeant York, Air force, Saving Private Ryan, The thin red line.
