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In this book, film critic Steve Hutchison presents 113 of the worst horror movies ever made. Each article contains a rating, a synopsis, and a review. The films are ranked according to the sum of eight ratings. How many have you seen?
The Scariest Horror Movies 2 by Steve Hutchison Pdf
In this book, film critic Steve Hutchison presents 204 of the scariest horror movies ever made. Each article contains a rating, a synopsis, and a review. The films are ranked according to the sum of eight ratings. How many have you seen?
The Worst Horror Movies (2019) by Steve Hutchison Pdf
In this book, Steve Hutchison presents 76 of the worst horror movies ever made. Each article contains a rating, a synopsis, and a review. The films are ranked according to the sum of eight ratings. How many have you seen?
The Best Written Horror Movies 2 by Steve Hutchison Pdf
In this book, film critic Steve Hutchison presents 80 of the best-written horror movies ever made. Each article contains a rating, a synopsis, and a review. The films are ranked according to the sum of eight ratings. How many have you seen?
In this book, film critic Steve Hutchison presents 250 of the best horror movies ever made. Each article contains a rating, a synopsis, and a review. The films are ranked according to the sum of eight ratings. How many have you seen?
The Most Creative Horror Movies 2 by Steve Hutchison Pdf
In this book, film critic Steve Hutchison presents 250 of the most creative horror movies ever made. Each article contains a rating, a synopsis, and a review. The films are ranked according to the sum of eight ratings. How many have you seen?
In this book, Steve Hutchison presents 76 of the worst horror movies ever made. Each article contains a rating, a synopsis, and a review. The films are ranked according to the sum of eight ratings. How many have you seen?
Playhouse of the Damned is an anthology of short horror plays, hosted by Gus the Ghoul. As Gus says, Welcome to the Playhouse of the Damned. This is the playhouse. Guess what part you play. Heres a hint. In just a few minutes, youll find yourself agreeing with hundreds of theatergoers who have attended our playhouse and said, I'll be damned if I'm going to sit through any more of this!
Horror Films of 2000-2009 by John Kenneth Muir Pdf
Horror films have always reflected their audiences' fears and anxieties. In the United States, the 2000s were a decade full of change in response to the 9/11 terrorist attacks, the contested presidential election of 2000, and the wars in Iraq and Afghanistan. These social and political changes, as well as the influences of Japanese horror and New French extremism, had a profound effect on American horror filmmaking during the 2000s. This filmography covers more than 300 horror films released in America from 2000 through 2009, including such popular forms as found footage, torture porn, and remakes. Each entry covers a single film and includes credits, a synopsis, and a lengthy critical commentary. The appendices include common horror conventions, a performer hall of fame, and memorable ad lines.
The Pleasure and Pain of Cult Horror Films by Bartłomiej Paszylk Pdf
The horror genre harbors a number of films too bold or bizarre to succeed with mainstream audiences, but offering unique, startling and often groundbreaking qualities that have won them an enduring following. Beginning with Victor Sjostrom's The Phantom Carriage in 1921, this book tracks the evolution and influence of underground cult horror over the ensuing decades, closing with William Winckler's Frankenstein vs. the Creature from Blood Cove in 2005. It discusses the features that define a cult film, trends and recurring symbols, and changing iconography within the genre through insightful analysis of 88 movies. Included are works by popular directors who got their start with cult horror films, including Oliver Stone, David Cronenberg and Peter Jackson.
Carmilla is a gothic novella by Joseph Sheridan Le Fanu, first published in 1872. It is often considered a seminal work in the vampire literature genre, predating Bram Stoker's Dracula by 25 years. The story revolves around a young woman named Laura and her encounter with a female vampire named Carmilla. The novella is narrated from Laura's perspective, who recounts her strange and eerie experiences with Carmilla. The two young women form a close bond, but Laura begins to experience disturbing dreams and declining health. It is eventually revealed that Carmilla is a vampire, and she is destroyed by a group of vampire hunters. Carmilla is notable for its exploration of lesbian themes, which were considered taboo at the time of its publication. The relationship between Laura and Carmilla is portrayed as intimate and sensual, although it is also fraught with danger and fear. The novella can be interpreted as a commentary on the societal attitudes towards same-sex desire in the Victorian era. The novella is also significant for its contribution to the vampire literature genre. Carmilla is depicted as a seductive and predatory figure, a trope that would become common in later vampire fiction. The novella also introduces the idea of a vampire hunter, a character type that would become a staple of the genre. Carmilla has been adapted into various forms of media, including film, television, and stage productions. It has also inspired a number of derivative works, including the web series Carmilla (2014-2016) and the novel The Gilda Stories (1991) by Jewelle Gomez. In terms of critical reception, Carmilla has been praised for its atmospheric writing and its exploration of taboo themes. However, it has also been criticized for its slow pacing and its lack of character development. Overall, Carmilla is a significant work in the gothic and vampire literature genres, and it continues to be studied and analyzed by scholars and fans alike.
Science Fiction, Fantasy and Horror Film Sequels, Series and Remakes by Kim R. Holston,Tom Winchester Pdf
Science fiction, fantasy and horror movies have spawned more sequels and remakes than any other film genre. Following Volume I, which covered 400 films made 1931-1995, Volume II analyzes 334 releases from 1996 through 2016. The traditional cinematic monsters are represented--Dracula, Frankenstein, the Wolf Man, a new Mummy. A new wave of popular series inspired by comics and video games, as well as The Lord of the Rings trilogy, could never have been credibly produced without the advances in special effects technology. Audiences follow the exploits of superheroes like Captain America, Iron Man, Spider-Man and Thor, and such heroines as the vampire Selene, zombie killer Alice, dystopian rebels Katniss Everdeen and Imperator Furiosa, and Soviet spy turned American agent Black Widow. The continuing depredations of Jason Voorhees, Freddy Krueger and Michael Myers are described. Pre-1996 movies that have since been remade are included. Entries features cast and credits, detailed synopsis, critics' reviews, and original analysis.
The Scariest Horror Movies (2019) by Steve Hutchison Pdf
In this book, Steve Hutchison presents 192 of the scariest horror movies ever made. Each article contains a rating, a synopsis, and a review. The films are ranked according to the sum of eight ratings. How many have you seen?
The Sequel Superior By: Edward K. Eckhart-Zinn Edward K. Eckhart-Zinn believes strongly that the age of internet criticism has led to a new path of viewing film and television, or by the encompassing terminology, “screen work”. A healthy array of screen work subjects are covered in The Sequel Superior, from the serialization of film through franchises like Star Wars or the MCU, to the overlooked impact your personal life has on any constructed artworks, exploring just how massive and engaged that link is. This book is equally for creators and critics alike, bringing new light to conceptually finding “objective factors” in “subjective artistry”. Screen works of all kinds are heavily dissected on this figurative operating table, such as Rick and Morty, Breaking Bad, The Simpsons, and the Star Wars sequel trilogy. The modern screen work climate is anatomically deconstructed to render an almost scientific schematic, breaking down elements such as tropes, hype, plot threads, plot holes, the fairly new presence of the internet, fandom, fan fiction, fanfare, the benefits of an animated medium, rosy retrospection, nostalgia, and all of their respective effects to generate the take o the current-day media environment. Instead of retreading the continued deconstruction of such antique masterpieces like Casablanca or The Shining, we instead immerse ourselves in the less respected yet extremely popular “popcorn movie” and attempt to understand why the highest grossing films for the last ten years have all been sequel installments. This book posits that there truly are right ways and wrong ways of making this artwork, and the consumer, critic, and creator can all benefit greatly from its perspectives.