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Lectures On The Ten Oxherding Pictures by Mumon Yamada Pdf
A favorite with early Zen practitioners in China and Japan, The Ten Oxherding Pictures uses the ox as a symbol for Buddha nature the original possession of all human beings and the taming of the ox as a symbol for the practice of realizing that nature. This volume contains lectures on the text given by Yamada Mumon Roshi (1900 1988) to his monks while master of Shofuku-ji Monastery. It is the first authentic explication of a Zen text by a traditional Japanese Zen master. A seeker of the way, Yamada Mumon spent many years sharing a life of practice with young monks at the monastery in addition to serving as president of Hanazono College and director of the Research Institute for Zen Studies. Later he assumed the post of chief abbot of the Myoshin-ji temples. Followers of Zen have long been waiting for this book. According to Mumon Roshi, the path of the seeker is not only for the committed specialist. Even the average reader, drawn along by Mumon Roshi s straightforward explanations, will move forward on the journey of the self (symbolized by the taming of the ox) and come to see humanity with new eyes.
Maps and guideposts are helpful when we undertake a journey. The ten Ox-Herding Pictures, the accompanying ancient poems, and a modern commentary by John Daido Loori, sketch the spiritual path encountered in Zen training, a path of exhaustive study of the self and the realization of the ultimate nature of reality. The Ox-Herding Pictures can be our companion on the Way of self-discovery, our compass and perspective when we need one. They are a bottomless source of mysterious wisdom to which we can return again and again for inspiration, and they translate easily into the gritty reality of spiritual practice that emerges from and grounds us in the inescapable relevance of our daily lives. The exquisite versions of the pictures found in the book are traditional Chinese nanga brush paintings by Gyokusei Jikihara Sensei, a modern Japanese master of calligraphy and a teacher in the Obaku School of Zen. The traditional verses accompanying them have been translated by John Daido Loori and Kazuaki Tanahashi, translator and editor of Enlightenment Unfolds: The Essential Teachings of Zen Master Dogen.
This book is based on "the Ten Ox-Herding Pictures of Zen", a classic of Zen literature from the 12th century. It counts among the fundamental and essential works of Zen Buddhism. The book portrays the spiritual path to realisation by means of a story, illustrated in picture and verse, of an ox-herder searching for his lost ox - his true self. Zen Master Zensho's invaluable annotations are an expression of his enlightened consciousness - exceptionally clear, readily understood and true-to-life. They are highly practical and a unique orientation aid on the path to self-realisation. These enlightening explanations give us a new opening to a clear understanding of the mystical meaning of the Ten Ox-herding Pictures of Zen.
The Ten Ox-Herding Images are an ingenious set of metaphors representing the process of awakening, the complete recognition of the original mind. These images by Rinzai Ch'an priest Kuoan Shiyuan of the 12th century, reproduced by Tensho Shubun (1414 - 1463), have been repainted throughout the centuries. But while varying versions exist, what they convey stands unchanged. Part of the Zen tradition, they show how to train the mind, a process shared by all schools of the Buddha Vehicle. This mind training, in the form of ten stages on the path to enlightenment, is a science of awakening rooted in the Dharma of the Buddha. These metaphors shed light on the mental processes leading to true peace. Kuoan's illustrations move beyond the attainment of Buddhahood, and explain how the last stage calls for the awakened one to walk back 'In Town With Helping Hands'. The path culminates in universal altruism.
The Ox-Herder and the Good Shepherd by Addison Hodges Hart Pdf
In the twelfth century, the Chinese Zen master Kakuan Shien produced the pictures, poems, and commentaries we know as the Ten Ox-Herding Pictures. They trace a universally recognizable path of contemplative spirituality, using the metaphor of a young ox-herder looking for his lost ox. According to Addison Hodges Hart, the Ten Ox-Herding Pictures and the teachings of Christ, the Good Shepherd who guides us to God, share a common vision. Both show us that authentic spiritual life must begin with an inner transformation of one's self, leading to an outward life that is natural and loving. In The Ox-Herder and the Good Shepherd Hart shares the story that these pictures tell, exploring how this ancient Buddhist parable can enrich and illumine the Christian way. Includes 10 color illustrations
Manual of Zen Buddhism by Daisetz Teitaro Suzuki Pdf
Manual of Zen Buddhism's main object is to inform the readers to various literary materials relating to the monastery life. It also tells us about those edicts which the Zen monks read before the Buddha in daily service in the different quarters of institution.
A Buddhist parable best known as The Ten Ox Herding Songs, likens a herdsman's search for a missing ox to an individual's journey toward enlightenment and features color artwork taken from its earliest known Japanese handscroll.
The Linji lu (Record of Linji) has been an essential text of Chinese and Japanese Zen Buddhism for nearly a thousand years. A compilation of sermons, statements, and acts attributed to the great Chinese Zen master Linji Yixuan (d. 866), it serves as both an authoritative statement of Zen’s basic standpoint and a central source of material for Zen koan practice. Scholars study the text for its importance in understanding both Zen thought and East Asian Mahayana doctrine, while Zen practitioners cherish it for its unusual simplicity, directness, and ability to inspire. One of the earliest attempts to translate this important work into English was by Sasaki Shigetsu (1882–1945), a pioneer Zen master in the U.S. and the founder of the First Zen Institute of America. At the time of his death, he entrusted the project to his wife, Ruth Fuller Sasaki, who in 1949 moved to Japan and there founded a branch of the First Zen Institute at Daitoku-ji. Mrs. Sasaki, determined to produce a definitive translation, assembled a team of talented young scholars, both Japanese and Western, who in the following years retranslated the text in accordance with modern research on Tang-dynasty colloquial Chinese. As they worked on the translation, they compiled hundreds of detailed notes explaining every technical term, vernacular expression, and literary reference. One of the team, Yanagida Seizan (later Japan’s preeminent Zen historian), produced a lengthy introduction that outlined the emergence of Chinese Zen, presented a biography of Linji, and traced the textual development of the Linji lu. The sudden death of Mrs. Sasaki in 1967 brought the nearly completed project to a halt. An abbreviated version of the book was published in 1975, but neither this nor any other English translations that subsequently appeared contain the type of detailed historical, linguistic, and doctrinal annotation that was central to Mrs. Sasaki’s plan. The materials assembled by Mrs. Sasaki and her team are finally available in the present edition of the Record of Linji. Chinese readings have been changed to Pinyin and the translation itself has been revised in line with subsequent research by Iriya Yoshitaka and Yanagida Seizan, the scholars who advised Mrs. Sasaki. The notes, nearly six hundred in all, are almost entirely based on primary sources and thus retain their value despite the nearly forty years since their preparation. They provide a rich context for Linji’s teachings, supplying a wealth of information on Tang colloquial expressions, Buddhist thought, and Zen history, much of which is unavailable anywhere else in English. This revised edition of the Record of Linji is certain to be of great value to Buddhist scholars, Zen practitioners, and readers interested in Asian Buddhism.
div In this slim, enlightening volume, internationally recognized Buddhist teacher Martine Batchelor presents the basic tenets and teachings of the Buddha through a selection of essential texts from the Pali canon, the earliest Buddhist scriptures. Viewed by scholars as the actual substance of the historical teachings (and possibly even the words) of the Buddha, these texts are essential to an understanding of the Buddhist faith, and Batchelor illuminates them with her lucid analysis and interpretations. Both accessible to nonpractitioners and helpful to scholars, The Spirit of the Buddha touches upon key themes, including dharma, compassion, meditation, and peace, among others, creating a panoramic view of one of the world’s most widely practiced faiths that is deeply rooted in its most vital texts./DIV
Robert Kennedy is one of three Jesuits in the world who answer to both the titles "Father" and "Roshi," or venerable Zen teacher. In 1991, after ten years of practicing Zen meditation, he was installed as a Zen teacher at the recommendation of his teacher, Glassman Roshi, and of Glassman Roshi's teacher, Maezumi Roshi. Today, he directs a dozen groups of people from many religious persuasions--even atheists and agnostics--who sit weekly in Zen meditation throughout the greater New York metropolitan area. This book is specifically addressed to the Christian practitioners of Zen meditation or those who are curious about it. It is structured around ten well-known ox-herding pictures that have been a consistent source of inspiration to Zen students for centuries. Each picture represents a specific Zen insight to life, and these insights, says Kennedy, are not only fully compatible with Christianity but can help Christians achieve the spiritual goals enshrined in a Christian classic. For example, "The Cloud of Unknowing:" to be silent and attentive, to be wholly present to life, to be able to separate one's true self from one's false self, the self-seeking part of the personality that so often brings on pain.
In thirteenth-century China, a Daoist monk named Gao Daokuan (1195-1277) composed a series of illustrated poems and accompanying verse commentary known as the Daoist Horse Taming Pictures. In this annotated translation and study, Louis Komjathy argues that this virtually unknown text offers unique insights into the transformative effects of Daoist contemplative practice. Taming the Wild Horse examines Gao's illustrated poems in terms of monasticism and contemplative practice, as well as the multivalent meaning of the "horse" in traditional Chinese culture and the consequences for both human and nonhuman animals. The Horse Taming Pictures consist of twelve poems, ten of which are equine-centered. They develop the metaphor of a "wild" or "untamed" horse to represent ordinary consciousness, which must be reined in and harnessed through sustained self-cultivation, especially meditation. The compositions describe stages on the Daoist contemplative path. Komjathy provides opportunities for reflection on contemplative practice in general and Daoist meditation in particular, which may lead to a transpersonal way of perceiving and being.
