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Author : Mary C. Henderson
Publisher : New York : H.N. Abrams
Page : 336 pages
File Size : 40,9 Mb
Release : 1986
Category : Performing Arts
ISBN : UOM:39015011809673
Though expensive, this account gives an excellent history and a stunning collection of photographs.
Author : Hugh F. Rankin
Publisher : Chapel Hill : University of North Carolina Press
Page : 270 pages
File Size : 49,5 Mb
Release : 1965
Category : History
ISBN : STANFORD:36105005586123
The impact of the theater on colonial culture is approached in this study from the viewpoint of the historian rather than the dramatist. From the faded prints of playbills, newspaper advertisements, and court records, the men, women, and children who brought theater to America come to life with their great and petty problems. Originally published in 1965. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Author : John P. Harrington
Publisher : Syracuse University Press
Page : 256 pages
File Size : 47,9 Mb
Release : 2009-02-28
Category : Performing Arts
ISBN : 0815631693
For over 150 years, Irish playwrights, beginning with Dion Boucicault, have been celebrated by American audiences. However, Irish theater as represented on the American stage is a selective version of the national drama, and the underlying causes for Irish dramatic success in America illuminate the cultural state of both countries at specific historical moments. Irish Theater in America is the first book devoted entirely to the long history of this transatlantic exchange. Born out of the conference of the Irish Theatrical Diaspora project, this collection gathers together leading American and Irish scholars, in addition to established theater critics. Contributors explore the history of Irish theater in America from Harrigan and Hart, through some of the greatest and most disappointing Irish tours of America, to the most contemporary productions of senior Irish playwrights such as Brian Friel and younger writers such as Martin McDonagh and Conor McPherson. Covering the complexity of the relationship between Irish theater and the United States, this volume goes beyond the expected analysis of plays to include examinations of company dynamics, analysis of audience reception, and reviews of production history of individual works. Contents include: Mick Moloney, “Harrigan, Hart, and Braham: Irish-America and the Birth of the American Musical” Nicholas Grene, “Faith Healer in New York and Dublin” Lucy McDiarmid, “The Abbey, Its ‘Helpers,’ and the Field of Cultural Production in 1913” Christina Hunt Mahony, “’The Irish Play’: Beyond the Generic”
Author : CHARLES P. DALY LL.D.
Publisher : BEYOND BOOKS HUB
Page : 92 pages
File Size : 46,8 Mb
Release : 2022-04-12
Category : Fiction
ISBN : 8210379456XXX
Experience the earliest roots of American drama in First Theater in America by Charles P. Daly LL.D. This authoritative work meticulously documents the genesis and growth of theater in America, revealing its cultural significance and evolution over time. From its origins in colonial times to its blossoming into a vibrant institution, Daly's in-depth analysis offers readers a comprehensive history of American theater. Embark on a theatrical journey with First Theater in America. Order your copy today and witness the birth of a nation's drama.
Author : Leslie Catherine Sanders
Publisher : LSU Press
Page : 272 pages
File Size : 48,7 Mb
Release : 1989-08-01
Category : Drama
ISBN : 0807115827
In The Development of Black Theater in America, Leslie Sanders examines the work of the American black theater’s five most productive playwrights: Willis Richardson, Randolph Edmonds, Langston Hughes, LeRoi Jones, and Ed Bullins. Sanders sees the history of black theater as the process of creating a “black stage reality” while at the same time transforming conventions borrowed from white European culture into forms appropriate to black artists and audiences. The author argues that only when these things were accomplished could the aim of black playwrights, often articulated as “the realistic portrayal of the Negro,” be fully realized. This study also examines the changing nature of the dialogue black playwrights have held with the dominant tradition and how that dialogue has shaped their imaginations. Sanders’ discussion of Richardson, Edmonds, Hughes, Jones, and Bullins provides a context for approaching the work of other black playwrights, such as James Baldwin, Lorraine Hansberry, and Owen Dodson. And her argument provides a concrete way of understanding how the context of a dominant culture influences the artistic imagination of writers not of that culture, who must come to terms with its influences and transform it into a vehicle of their own.
Author : Jake Johnson
Publisher : University of Illinois Press
Page : 224 pages
File Size : 42,6 Mb
Release : 2019-06-30
Category : Music
ISBN : 9780252051364
The Church of Jesus Christ of Latter-day Saints adopted the vocal and theatrical traditions of American musical theater as important theological tenets. As Church membership grew, leaders saw how the genre could help define the faith and wove musical theater into many aspects of Mormon life. Jake Johnson merges the study of belonging in America with scholarship on voice and popular music to explore the surprising yet profound link between two quintessentially American institutions. Throughout the twentieth and twenty-first centuries, Mormons gravitated toward musicals as a common platform for transmitting political and theological ideas. Johnson sees Mormons using musical theater as a medium for theology of voice--a religious practice that suggests how vicariously voicing another person can bring one closer to godliness. This sounding, Johnson suggests, created new opportunities for living. Voice and the musical theater tradition provided a site for Mormons to negotiate their way into middle-class respectability. At the same time, musical theater became a unique expressive tool of Mormon culture.
Author : Nancy Yunhwa Rao
Publisher : University of Illinois Press
Page : 416 pages
File Size : 54,8 Mb
Release : 2017-01-11
Category : Performing Arts
ISBN : 9780252099007
The Chinatown opera house provided Chinese immigrants with an essential source of entertainment during the pre “World War II era. But its stories of loyalty, obligation, passion, and duty also attracted diverse patrons into Chinese American communities Drawing on a wealth of new Chinese- and English-language research, Nancy Yunhwa Rao tells the story of iconic theater companies and the networks and migrations that made Chinese opera a part of North American cultures. Rao unmasks a backstage world of performers, performance, and repertoire and sets readers in the spellbound audiences beyond the footlights. But she also braids a captivating and complex history from elements outside the opera house walls: the impact of government immigration policy; how a theater influenced a Chinatown's sense of cultural self; the dissemination of Chinese opera music via recording and print materials; and the role of Chinese American business in sustaining theatrical institutions. The result is a work that strips the veneer of exoticism from Chinese opera, placing it firmly within the bounds of American music and a profoundly American experience.
Author : J. Ellen Gainor
Publisher : University of Michigan Press
Page : 260 pages
File Size : 51,8 Mb
Release : 1999
Category : History
ISBN : 0472087924
DIVHow theatrical representations of the U.S. have shaped national identity /div
Author : Odai Johnson
Publisher : University of Iowa Press
Page : 296 pages
File Size : 51,5 Mb
Release : 2017-05-15
Category : Performing Arts
ISBN : 9781609384944
2017 Theatre Library Association Freedley Award Finalist In this remarkable feat of historical research, Odai Johnson pieces together the surviving fragments of the story of the first professional theatre troupe based in the British North American colonies. In doing so, he tells the story of how colonial elites came to decide they would no longer style themselves British gentlemen, but instead American citizens. London in a Box chronicles the enterprise of David Douglass, founder and manager of the American Theatre, from the 1750s to the climactic 1770s. How he built this network of patrons and theatres and how it all went up in flames as the revolution began is the subject of this witty history. A treat for anyone interested in the world of the American Revolution and an important study for historians of the period.
Author : Rosemarie K. Bank
Publisher : Cambridge University Press
Page : 316 pages
File Size : 49,5 Mb
Release : 1997-01-28
Category : Drama
ISBN : 0521563879
A study of pre-Civil War American theatre.
Author : Felicia Hardison Londré,Daniel J. Watermeier
Publisher : Burns & Oates
Page : 552 pages
File Size : 53,7 Mb
Release : 1998
Category : Performing Arts
ISBN : UOM:39015045679837
Reveals the multicultural dimension of the history of North American theater, covering Mexican, Native US, Caribbean, and Canadian theater as well as US theater history. Coverage encompasses major theatrical developments, events, and influential figures, with sections on pre- Columbian performance, New Spain, the American colonies, New France, national stages, and the periods 1825-1870, 1870-1900, 1900-1945, and 1945 to the present. Includes some 300 bandw photos and illustrations. For students and general readers. Annotation copyrighted by Book News, Inc., Portland, OR
Author : Don B. Wilmeth,Christopher Bigsby
Publisher : Cambridge University Press
Page : 554 pages
File Size : 46,6 Mb
Release : 1998-02-28
Category : Drama
ISBN : 0521472040
The Cambridge History of American Theatre is an authoritative and wide-ranging history of American theatre in all its dimensions, from theatre building to play writing, directors, performers, and designers. Engaging the theatre as a performance art, a cultural institution, and a fact of American social and political life, the History recognizes changing styles of presentation and performance and addresses the economic context that conditions the drama presented. The History approaches its subject with a full awareness of relevant developments in literary criticism, cultural analysis, and performance theory. At the same time, it is designed to be an accessible, challenging narrative. Volume One deals with the colonial inceptions of American theatre through the post-Civil War period: the European antecedents, the New World influences of the French and Spanish colonists, and the development of uniquely American traditions in tandem with the emergence of national identity.
Author : Wendy Smith
Publisher : Vintage
Page : 530 pages
File Size : 41,6 Mb
Release : 2013-08-06
Category : Performing Arts
ISBN : 9780345805997
Real Life Drama is the classic history of the remarkable group that revitalized American theater in the 1930s by engaging urgent social and moral issues that still resonate today. Born in the turbulent decade of the Depression, the Group Theatre revolutionized American arts. Wendy Smith's dramatic narrative brings the influential troupe and its founders to life once again, capturing their joys and pains, their triumphs and defeats. Filled with fresh insights into the towering personalities of Harold Clurman, Lee Strasberg, Cheryl Crawford, Elia Kazan, Clifford Odets, Stella and Luther Adler, Karl Malden, and Lee J. Cobb, among many others, Real Life Drama chronicles a passionate community of idealists as they opened a new frontier in theater.
Author : Gerald Martin Bordman
Publisher : Oxford University Press, USA
Page : 840 pages
File Size : 51,5 Mb
Release : 1992
Category : Music
ISBN : UOM:39015029198119
Gerald Bordman's American Musical Theatre has become a landmark book since its publication in 1978. It chronicles American musicals, show by show and season by season, and offers a running commentary and assessment as well as providing the basic facts about each production. This updated edition includes the new shows that have opened on Broadway since the original publication. Also included are over a hundred musicals that were turn-of-the-century, cheap-priced touring shows which never played Broadway, but were the training ground for many theatre greats.
Author : Amy E. Hughes
Publisher : University of Michigan Press
Page : 261 pages
File Size : 55,5 Mb
Release : 2012-12-17
Category : Performing Arts
ISBN : 9780472118625
In the nineteenth century, long before film and television brought us explosions, car chases, and narrow escapes, it was America's theaters that thrilled audiences, with “sensation scenes” of speeding trains, burning buildings, and endangered bodies, often in melodramas extolling the virtues of temperance, abolition, and women's suffrage. Amy E. Hughes scrutinizes these peculiar intersections of spectacle and reform, revealing the crucial role that spectacle has played in American activism and how it has remained central to the dramaturgy of reform. Hughes traces the cultural history of three famous sensation scenes—the drunkard with the delirium tremens, the fugitive slave escaping over a river, and the victim tied to the railroad tracks—assessing how these scenes conveyed, allayed, and denied concerns about the rights and responsibilities of citizenship. These images also appeared in printed propaganda, suggesting that the coup de théâtre was an essential part of American reform culture. Additionally, Hughes argues that today’s producers and advertisers continue to exploit the affective dynamism of spectacle, reaching an even broader audience through film, television, and the Internet. To be attuned to the dynamics of spectacle, Hughes argues, is to understand how we see. Her book will interest not only theater historians, but also scholars and students of political, literary, and visual culture who are curious about how U.S. citizens saw themselves and their world during a pivotal period in American history.