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Author : Robert Sanford Brustein
Publisher : Unknown
Page : 0 pages
File Size : 52,8 Mb
Release : 1970
Category : Theater
ISBN : LCCN:gb70016171
Author : Karen Malpede
Publisher : Egret Acting Editions
Page : 0 pages
File Size : 40,5 Mb
Release : 2022-08-24
Category : Electronic
ISBN : 1942281242
In a great leap of fellow-feeling, the separate griefs of three diverse characters converge - together with that of a blue roan horse.
Author : Scholastic
Publisher : Cartwheel Books
Page : 0 pages
File Size : 52,8 Mb
Release : 2017-08-29
Category : Swine
ISBN : 1338151622
Finger Puppet Theater presents the classic story of The Three Little Pigs in this brand-new, novelty format with carry-along handle and four felt finger puppets! The story of The Three Little Pigs comes to life in this brand-new novelty format! With a carry-along handle, four adorable felt puppets, and a die-cut stage in the back cover, this board book is chock-full of innovative and imaginative play value. Kids will love acting out the story inside the book, or making up their own version of this classic fairy tale! "Little pig, little pig, let me in!" cried the hungry wolf. The pig replied, "Not by the hair on my chinny-chin-chin!"
Author : Anton Chekhov
Publisher : Crossroad Press
Page : 128 pages
File Size : 55,7 Mb
Release : 2017-12-11
Category : Performing Arts
ISBN : 8210379456XXX
The play focuses on the lives of three sisters, Olga, Masha, and Irina, young women of the Russian gentry who try to fill their days in order to construct a life that feels meaningful while surrounded by an array of military men, servants, husbands, suitors, and lovers, all of whom constitute a distractions from the passage of time and from the sisters' desire to return to their beloved Moscow.
Author : Gerald Bordman
Publisher : Oxford University Press
Page : 936 pages
File Size : 53,6 Mb
Release : 2001-03-01
Category : Music
ISBN : 9780199771172
Gerald Bordman's American Musical Theatre has become a landmark book since its original publication in 1978. In this third edition, he offers authoritative summaries on the general artistic trends and developments for each season on musical comedy, operetta, revues, and the one-man and one-woman shows from the first musical to the 1999/2000 season. With detailed show, song, and people indexes, Bordman provides a running commentary and assessment as well as providing the basic facts about each production.
Author : Ratu Selvi Agnesia,Glecy Cruz ATIENZA,AU Sow Yee,BAEK Dae-hyun,Richard BARBER,Assane Alberto CASSIMO,CHUNG Chiao,Dindon W.S.,Muhammad FEBRIANSYAH,HAN Jia-ling,HONG Seung-yi,Hsiao-Chuan HSIA,KUO Liang-ting,LEE Show Shin,LIU Hsin-hung,Adaw Palaf LANGASAN,WANG Chu-yu,WANG Mo-lin,Robin WEICHERT,WU Sih-Fong,ZHAO Chuana
Publisher : 國立陽明交通大學出版社
Page : 290 pages
File Size : 48,6 Mb
Release : 2024-06-16
Category : Drama
ISBN : 9789865470708
Where Are the People? How Could the People’s Bodies Voice Themselves in the Form of Theatrical Aesthetics? At That Time, the Audience Really Stood Up. In this evening, theater practitioners initiated the conversation with physical action. They engage with contemporary issues through their unique performance styles. From a discursive context, they enter the scene of resistance and undertake the labor of performance. Their performance is not just the preface to a series of dialogues, but also a witness to thirty years of People’s Theater. “People’s theater” belongs to the people. It is the theater created by the people and speaks for the people as it has appeared in history in diverse forms. People theater in Inter-Asian Societies began to grow in a cross-region, which included Jakarta, Manila, Bangkok, Kuala Lumpur, Hong Kong, Tokyo, Busan, Maputo, Beijing, Shanghai, Hualien, Taichung, and Taipei. Through the writings and images written down by theatrical artists from these spaces, we can figure out the body aesthetics that carry historical conflicts and the experience to find the form and channel of expression, and continue for work of thinking and creation. “People Theater” is nothing but a rehearsal for a revolution. This book has reviewed and reflected on the half-century development of people’s theater in inter-Asian societies, demonstrates how the theatrical practitioners and artists in different communities strived to open various spaces, dealt with the censorship from the authoritarian regime to the neoliberal societies, and experimented with diverse aesthetics and local objects to address political issues. ▍Preface “It is a collection with the premise that can motivate our critical thinking with bodily energy. It reflects how we realize the statement—‘Viewing as participating; audience as actors.’It is also a book where some keywords constantly appear, like resistance, politics, the oppressed, and conversation. With its humming buzz and murmur against the present situation, it is a collection of words refusing to remain silent.”— Lin Hsin I（Associate Professor at the Institute of Applied Art, National Yang Ming Chiao Tung University） ▍People’s Theater Practitioners Asian People’s Theatre Festival Society (Hong Kong)／Assignment Theatre (Taiwan)／Centre for Applied Theatre, Taiwan (Taipei)／Grass Stage (Shanghai)／Langasan Theatre (Hualien)／Makhampom Theatre Group (Ching Dao/Bangkok)／Oz Theatre Company (Taipei)／Philippine Educational Theater Association, PETA (Manila)／Shigang Mama Theater (Taichung Shigang)／Teater Kubur (Jakarta)／Teatro em Casa (Mozambique)／Theater Playground SHIIM (Busan)／Trans-Asia Sisters Theater (Taiwan)／WANG Mo-lin (Taiwan)／Wiji Thukul (Solo)／Yasen no Tsuki (Tokyo) ▍Characteristics of this book 1.Beyond the geographical limitations of Taiwan and East Asia, combined the context of Inter-Asian societies and Third-World society, appreciate the theater work methods that are intertwined with folk culture and community traditions, and promote the practice of public theater. 2. This book focuses on depicting network relationships in specific historical periods, and explores how the cooperation and interaction of troupes in these heterogeneous regions occurred. And how do these interactions affect the characteristics and forms of popular theater organizations in the transition of different policies? 3. What this book looks back on is not only the continuation and development of troupes but also the sudden change or gap between new people theaters and old people theaters.
Author : Tan Ye
Publisher : Rowman & Littlefield
Page : 561 pages
File Size : 48,5 Mb
Release : 2020-03-04
Category : Performing Arts
ISBN : 9781538120644
There is a sense of timelessness in the Chinese theater: ever since its maturation, its format has not changed in any significant way. Chinese Theater matured into its final format in the 13th century and flourished during the Yuan, Ming, and Qing Dynasties. It is a unique, exclusive, and self-sufficient system, whose evolution has received little influence from the West and whose influence on Western theaters has been minimal and often misinterpreted. It is essentially a performer's theater; the actors attract the audience with splendid performances perfected through many years of rigorous training. This second edition of Historical Dictionary of Chinese Theater contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 1,500 cross-referenced entries on performers, directors, producers, designers, actors, theaters, dynasties, and emperors. This book is an excellent resource for students, researchers, and anyone wanting to know more about Chinese theater.
Author : Brian Hannan
Publisher : McFarland
Page : 492 pages
File Size : 52,8 Mb
Release : 2016-06-05
Category : Performing Arts
ISBN : 9781476623894
In the Silent Era, film reissues were a battle between rival studios—every Mary Pickford new release in 1914 was met with a Pickford re-release. For 50 years after the Silent Era, reissues were a battle between the studios, who considered old movies “found money,” and cinema owners, who often saw audiences reject former box office hits. In the mid–1960s, the return of The Bridge on the River Kwai (1957)—the second biggest reissue of all time—altered industry perceptions, and James Bond double features pushed the revival market to new heights. In the digital age, reissues have continued to confound the critics. This is the untold hundred-year story of how old movies saved new Hollywood. Covering the booms and busts of a recycling business that became its own industry, the author describes how the likes of Charlie Chaplin, Humphrey Bogart and Alfred Hitchcock won over new generations of audiences, and explores the lasting appeal of films like Napoléon (1927), Gone with the Wind (1939), The Rocky Horror Show (1975) and Blade Runner (1982).
Author : Audrey Cefaly
Publisher : Samuel French, Incorporated
Page : 88 pages
File Size : 40,6 Mb
Release : 2017-12-21
Category : Drama
ISBN : 0573706204
Follows Alabama school teacher Lizzy Nash and her new neighbor, Jack Key, over the year following the tragic death of Lizzy's husband. Explores the ideas of inertia and self-enlightenment, and the bridge between the two.
Author : David Bevington
Publisher : University of Chicago Press
Page : 256 pages
File Size : 45,5 Mb
Release : 2009-05
Category : Drama
ISBN : 9780226044798
This study examines how Shakespeare's plays have been transformed for the stage by the demands of theatrical spaces and staging conventions.
Author : Anonim
Publisher : Shell Education
Page : 97 pages
File Size : 47,5 Mb
Release : 2024-06-16
Category : Electronic
ISBN : 9781425890292
Author : Michelle MacArthur
Publisher : Unknown
Page : 288 pages
File Size : 52,6 Mb
Release : 2021-10-26
Category : Drama
ISBN : 0369102967
This collection of three Canadian plays--zahgidiwin/love by Frances Koncan, The Millennial Malcontent by Erin Shields, and Smoke by Elena Eli Belyea--speaks to millennials' complex and varied experiences and the challenges and stereotypes they often face.
Author : Anonim
Publisher : Unknown
Page : 922 pages
File Size : 49,9 Mb
Release : 1891
Category : Encyclopedias and dictionaries
ISBN : UFL:35051117755167
Author : Yana Meerzon
Publisher : New Essays in Canadian Theatre
Page : 400 pages
File Size : 54,6 Mb
Release : 2019-06-18
Category : Drama
ISBN : 0369100018
Theatre and (Im)migration shines a bright light on the impact that immigrant artists have made and continue to make on the development of Canadian theatre, from themes, characters, and world issues to financial structures and artistic techniques. The collection of essays demonstrates how the increased presence of immigrant theatre artists actively contributing to English- and French-Canadian theatre prompt their audiences to rethink fundamental concepts of nationalism and multiculturalism. Contributors include Moira Day, Alan Filewood, Aida Jordão, Ric Knowles, Natasha Martina Koechl, Rebecca Margolis, Lisa Ndejuru, Nicole Nolette, Eleanor Ty, and many more.
Author : Professor Robert Henke,Dr Eric Nicholson
Publisher : Ashgate Publishing, Ltd.
Page : 321 pages
File Size : 40,5 Mb
Release : 2014-08-28
Category : Performing Arts
ISBN : 9781409468295
The essays in this volume investigate English, Italian, Spanish, German, and Czech early modern theatre, placing Shakespeare and his English contemporaries in the theatrical contexts of early modern Europe. Contributors examine the movement of theatrical units, genres, performance practices and dramatic texts across geo-linguistic borders. Mobility is examined from both material and symbolic angles, revealing a tension between transnational movement and resistance to border-crossing. .
