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Author : Kenneth L. Ames
Publisher : Univ. Press of Mississippi
Page : 132 pages
File Size : 47,9 Mb
Release : 1996
Category : Literary Criticism
ISBN : 0878059474
A collection of evocative icons and stage designs used by a fraternal order of freemasonry
Author : Anonim
Publisher : Unknown
Page : 128 pages
File Size : 40,8 Mb
Release : 1993
Category : Freemasonry and the arts
ISBN : OCLC:476592474
Author : Anonim
Publisher : Unknown
Page : 128 pages
File Size : 42,7 Mb
Release : 1996
Category : Electronic
ISBN : OCLC:759010310
Author : Arjun Ghosh
Publisher : Jana Natya Manch
Page : 162 pages
File Size : 41,7 Mb
Release : 2007
Category : Community development
ISBN : 8210379456XXX
Author : Luigi Riccoboni
Publisher : Unknown
Page : 380 pages
File Size : 53,5 Mb
Release : 1741
Category : Theater
ISBN : UOM:49015000856097
Author : Luigi Riccoboni
Publisher : Unknown
Page : 384 pages
File Size : 43,9 Mb
Release : 1741
Category : Electronic
ISBN : OXFORD:590838346
Author : Anonim
Publisher : Unknown
Page : 256 pages
File Size : 47,5 Mb
Release : 1998
Category : Theater architecture
ISBN : STANFORD:36105113588953
Author : Abhishek Majumdar
Publisher : Bloomsbury Publishing
Page : 225 pages
File Size : 45,9 Mb
Release : 2023-03-09
Category : Performing Arts
ISBN : 9781350195264
Is there a fundamental connection between New York's Elevator Repair Service's 9-hour production of The Great Gatsby and a Kathakali performance? How can we come to appreciate the slowness of Kabuki theatre as much as the pace of the Whatsapp theatre of post-Arab Spring Turkey? Can we go beyond our own culture's contemporary definition of a 'good play' and think about the theatre in a deep and pluralistic manner? Drawing on his extensive experience working with theatre artists, students and thinkers across the globe - up to and including an hour-long audience with the Dalai Lama - playwright Abhishek Majumdar considers why we make theatre and how we see it in different parts of the world. His own work has taken him from theatre in Japan to dance companies in the Phillippines, writers in Lebanon and Palestine, theatre groups in Burkina Faso, war-torn areas like Kashmir and North Eastern India, and to China and Tibet, Argentina and Mexico. Via a far-reaching and provocative collection of essays that is informed by this wealth of experience, Majumdar explores: - how different cultures conceive theatre and how the norm of one place is the experiment of another; - the ways in which theatre across the world mirrors its socio political and philosophical climate; - how, for thousands of years, theatre has been a tool to both disrupt and to heal; - and how, even within the many differences, there are universals from which we can all learn and how theatre does cross borders Of interest to theatre makers everywhere - be they writers, actors, directors or designers - this book offers an oversight, as well as interrogation, into the place of theatre in the world today.
Author : Arnab Banerji
Publisher : Routledge
Page : 251 pages
File Size : 40,9 Mb
Release : 2020-05-17
Category : Art
ISBN : 9781000068993
This book is the first of its kind offering a materialistic semiotic analysis of a non-Western theatre culture: Bengali group theatre. Arnab Banerji fills two lacunas in contemporary theatre scholarship. First, the materialist semiotic approach to studying a non-Western theatre event allows Banerji to critically examine the material conditions in which theatre is created and seen outside the Euro-American context. And second, by shifting the critical lens onto a contemporary urban theatre phenomenon from India, the book attempts to even out the scholastic imbalance in Indian theatre scholarship which has largely focused on folk and classical traditions. The book shows a refreshing new perspective toward a theatre culture that frequently escapes the critical lens in spite of being one of the largest urban theatre cultures in the world. Theatre events are a sum total of the conditions in which they are built and the conditions in which they are viewed. Studying the event separate from its materialistic beginnings and semiotic effects allow only a partial insight into the performance phenomenon. The materialist semiotic critical framework of this book locates the Bengali group theatre within its performative context and offers a heretofore unexplored insight into this vibrant theatre culture.
Author : clement scott
Publisher : Unknown
Page : 430 pages
File Size : 51,7 Mb
Release : 1882
Category : Electronic
ISBN : OXFORD:555064045
Author : Anonim
Publisher : Unknown
Page : 426 pages
File Size : 49,8 Mb
Release : 1882
Category : Actors
ISBN : CUB:U183021647964
Vol. for 1888 includes dramatic directory for Feb.-Dec.; vol. for 1889 includes dramatic directory for Jan.-May.
Author : David Staples
Publisher : Routledge
Page : 926 pages
File Size : 54,6 Mb
Release : 2021-04-28
Category : Architecture
ISBN : 9781351052160
Modern Theatres 1950–2020 is an investigation of theatres, concert halls and opera houses in Asia, Europe, the Middle East and North and South America. The book explores in detail 30 of the most significant theatres, concert halls, opera houses and dance spaces that opened between 1950 and 2010. Each theatre is reviewed and assessed by experts in theatre buildings, such as architects, acousticians, consultants and theatre practitioners, and illustrated with full-colour photographs and comparative plans and sections. A further 20 theatres that opened from 2009 to 2020 are concisely reviewed and illustrated. An excellent resource for students of theatre planning, theatre architecture and architectural design, Modern Theatres 1950 – 2020 discusses the role of performing arts buildings in cities, explores their public and performances spaces and examines the acoustics and technologies needed in a great building. This beautifully illustrated book is also a must-read for architects, theater designers, theatre historians, and theatre practitioners.
Author : Keith Gregor
Publisher : Bloomsbury Publishing
Page : 197 pages
File Size : 41,9 Mb
Release : 2009-12-10
Category : Literary Criticism
ISBN : 9781441143983
Shakespeare in the Spanish Theatre offers an account of Shakespeare's presence on the Spanish stage, from a production of the first Spanish rendering of Jean-François Ducis's Hamlet in 1772 to the creative and controversial work of directors like Calixto Bieito and Alex Rigola in the early 21st century. Despite a largely indirect entrance into the culture, Shakespeare has gone on to become the best and known and most widely performed of all foreign playwrights. What is more, by the end of the 20th and beginning of the 21st century there have been more productions of Shakespeare than of all of Spain's major Golden Age dramatists put together. This book explores and explains this spectacular rise to prominence and offers a timely overview of Shakespeare's place in Spain's complex and vibrant culture.
Author : Nandita Dinesh
Publisher : Vernon Press
Page : 155 pages
File Size : 49,9 Mb
Release : 2018-03-15
Category : Performing Arts
ISBN : 9781622734269
Drawing from Dinesh’s findings in Memos from a Theatre Lab: Exploring What Immersive Theatre “Does”, this practice-based-research project – second in an envisioned series of Immersive Theatre experiments in Dinesh’s theatre laboratory -- considers the potential impact of pre-existing relationships between actors, spectators, and performance spaces when using immersive theatrical aesthetics toward educational and/or socio-political objectives. Memos from a Theatre Lab: Spaces, Relationships and Immersive Theatre explores the following questions: When audience members do not know the actors outside the milieu of a theatrical performance, does an immersive form hold different implications than if performers and spectators know each other in ‘real life’? When actors and spectators are strangers to each other, are performers more or less likely to judge the responses that are given to them within an immersive scenario? What kinds of immersive situations, especially in Applied Theatre interventions, might benefit from the presence or absence of a pre-existing relationship between performers, audience members, and the spaces in which these experiences occur? In describing the processes involved in: designing such an experiment, crafting the relevant immersive performances, and gathering/ analysing data from actors and spectators, this book puts forward strategies for students, researchers, and practitioners who seek to better understand the form of Immersive Theatre.
Author : Helen E. M. Brooks,Michael Hammond
Publisher : Cambridge University Press
Page : 299 pages
File Size : 48,9 Mb
Release : 2023-09-30
Category : Drama
ISBN : 9781108481502
The first comprehensive guide to British theatre's engagement with the First World War over the last century, providing accessible and lively coverage of theatre's role in the representation and remembrance of events, focusing on topics including regionality, politics, popular performance, Shakespeare, class, race and gender.
