Theatre Opera And Performance In Italy From The Fifteenth Century To The Present

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Theatre, Opera, and Performance in Italy from the Fifteenth Century to the Present

Brian Richardson,Simon A. Gilson,Catherine Keen
Theatre Opera and Performance in Italy from the Fifteenth Century to the Present Book PDF

Author : Brian Richardson,Simon A. Gilson,Catherine Keen
Publisher : Routledge
Page : 338 pages
File Size : 54,9 Mb
Release : 2004
Category : Art
ISBN : STANFORD:36105122969707

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Theatre, Opera, and Performance in Italy from the Fifteenth Century to the Present by Brian Richardson,Simon A. Gilson,Catherine Keen Pdf

The nineteen essays in this volume cover a wide chronological span from the 1470s to the 1990s. Their breadth of subject matter appropriately reflects the diversity of Dick Andrews's own research interests, including as they do considerations of the interactions between author/performer and public, between text and performance, and, more broadly still, between the written and the oral. Common to the essays, too, is an interest in crossing traditional disciplinary boundaries such as music and literature, architecture and theatre.

Gender, Writing, Spectatorships

Katharine Mitchell
Gender Writing Spectatorships Book PDF

Author : Katharine Mitchell
Publisher : Routledge
Page : 237 pages
File Size : 51,6 Mb
Release : 2021-11-29
Category : Literary Criticism
ISBN : 9781000457483

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Gender, Writing, Spectatorships by Katharine Mitchell Pdf

This original study makes a valuable contribution to Italian feminist/women’s history, spectatorship studies, and cultural history by examining women as protagonists, producers and consumers of literature, theatre, opera and film. Drawing on archival material – female correspondence, life-writings and journalism – as well as an impressive range of canonical texts, it brings together detailed engagement with female performance and with female spectators’ material responses to "women’s opera, theatre and film," placing these in the context of melodrama from the 1880s to the 1920s in Italy, France, the US, and elsewhere. It is unique in its interdisciplinary approach and in its consideration of female relationships based on admiration among performers and writers – the embodiment of a vibrant, mobile and successful Italian female culture industry during the first wave of feminism.

Women, Rhetoric, and Drama in Early Modern Italy

Alexandra Coller
Women Rhetoric and Drama in Early Modern Italy Book PDF

Author : Alexandra Coller
Publisher : Taylor & Francis
Page : 295 pages
File Size : 41,8 Mb
Release : 2017-07-06
Category : Literary Criticism
ISBN : 9781134780105

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Women, Rhetoric, and Drama in Early Modern Italy by Alexandra Coller Pdf

Cover -- Half Title -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction: Women, Rhetoric, and Drama in Early Modern Italy -- PART I: Women as Protagonists in Male-Authored Drama: Comedy and tragedy -- 1 Fathers, Daughters, Crossdressing, and Names: Women, Rhetoric, and Education in Commedia Erudita -- Coda: "Margherita Costa's Li buffoni (1641): The First (Extant) Female-Authored Scripted Comedy"--2 Fashioning a Genealogy: The Rhetoric of Friendship and Female Virtue in Italian Renaissance tragedy -- Coda: Valeria Miani's Celinda (1611) among Fin de Siècle Italian Tragedies -- PART II: Women as Authors/Women as Protagonists: Pastoral Tragicomedy -- 3 Women Writers and the Canon: Satyr Scenes and Female-Authored Pastoral Drama -- 4 Isabetta Coreglia's Dori (1634): Writing Pastoral Drama Against the Backdrop of the Male Canon and an Incipient Female-Authored Tradition -- 5 Isabetta Coreglia's Erindo il fido (1650) and Isabella Andreini's Mirtilla (1588): Using a Female-Authored Classic as Paradigm -- Appendix -- Bibliography -- Index

Drama, Poetry and Music in Late-Renaissance Italy

Virginia Cox,Lisa Sampson
Drama Poetry and Music in Late Renaissance Italy Book PDF

Author : Virginia Cox,Lisa Sampson
Publisher : UCL Press
Page : 554 pages
File Size : 40,7 Mb
Release : 2023-06-08
Category : Drama
ISBN : 9781800084308

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Drama, Poetry and Music in Late-Renaissance Italy by Virginia Cox,Lisa Sampson Pdf

Leonora Bernardi (1559-1616), a gentlewoman of Lucca, was a highly regarded poet, dramatist and singer. She was active in the brilliant courts of Ferrara and Florence at a time when creative women enjoyed exceptional visibility in Italy. Like many such figures, she has since suffered historical neglect. Drama, Poetry and Music in Late-Renaissance Italy presents the first ever study of Bernardi’s life, and modern edition of her recently discovered literary corpus, which mostly exists in manuscript. Her writings appear in the original Italian with new English translations, scholarly notes, critical essays and contributions by Eric Nicholson, Eugenio Refini and Davide Daolmi. Based on new archival research, the substantial opening section reconstructs Bernardi’s unusually colourful life. Bernardi’s works reveal her connections with some of the most pioneering poets, dramatists and musicians of the day, including her mentor Angelo Grillo and the first opera librettist Ottavio Rinuccini. The second major section presents her pastoral tragicomedy Clorilli, one of the earliest secular dramatic works by a woman. It was apparently performed in the early 1590s at a Medici villa near Florence, before Grandduke Ferdinando I de’ Medici, and his consort Christine of Lorraine, but now exists in an enigmatic Venetian manuscript. The third section presents Bernardi’s secular and religious verse, which engaged with new trends in lyric and poetry for music, and was set by various key composers across Italy.

Gendering the Renaissance

Meredith K. Ray,Lynn Lara Westwater
Gendering the Renaissance Book PDF

Author : Meredith K. Ray,Lynn Lara Westwater
Publisher : Rutgers University Press
Page : 211 pages
File Size : 54,9 Mb
Release : 2023-04-14
Category : Literary Criticism
ISBN : 9781644533062

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Gendering the Renaissance by Meredith K. Ray,Lynn Lara Westwater Pdf

The essays in this volume revisit the Italian Renaissance to rethink spaces thought to be defined and certain: from the social spaces of convent, court, or home, to the literary spaces of established genres such as religious plays or epic poetry. Repopulating these spaces with the women who occupied them but have often been elided in the historical record, the essays also remind us to ask what might obscure our view of texts and archives, what has remained marginal in the texts and contexts of early modern Italy and why. The contributors, suggesting new ways of interrogating gendered discourses of genre, identities, and sanctity, offer a complex picture of gender in early modern Italian literature and culture. Read in dialogue with one another, their pieces provide a fascinating survey of currents in gender studies and early modern Italian studies and point to exciting future directions in these fields.

The Italian Academies 1525-1700

Jane E. Everson,Denis V Reidy,Lisa Sampson
The Italian Academies 1525 1700 Book PDF

Author : Jane E. Everson,Denis V Reidy,Lisa Sampson
Publisher : Routledge
Page : 348 pages
File Size : 49,7 Mb
Release : 2016-04-14
Category : Foreign Language Study
ISBN : 9781317196303

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The Italian Academies 1525-1700 by Jane E. Everson,Denis V Reidy,Lisa Sampson Pdf

The intellectual societies known as Academies played a vital role in the development of culture, and scholarly debate throughout Italy between 1525-1700. They were fundamental in establishing the intellectual networks later defined as the ‘République des Lettres’, and in the dissemination of ideas in early modern Europe, through print, manuscript, oral debate and performance. This volume surveys the social and cultural role of Academies, challenging received ideas and incorporating recent archival findings on individuals, networks and texts. Ranging over Academies in both major and smaller or peripheral centres, these collected studies explore the interrelationships of Academies with other cultural forums. Individual essays examine the fluid nature of academies and their changing relationships to the political authorities; their role in the promotion of literature, the visual arts and theatre; and the diverse membership recorded for many academies, which included scientists, writers, printers, artists, political and religious thinkers, and, unusually, a number of talented women. Contributions by established international scholars together with studies by younger scholars active in this developing field of research map out new perspectives on the dynamic place of the Academies in early modern Italy. The publication results from the research collaboration ‘The Italian Academies 1525-1700: the first intellectual networks of early modern Europe’ funded by the Arts and Humanities Research Council and is edited by the senior investigators.

Theatres of Immanence

Laura Cull Ó Maoilearca
Theatres of Immanence Book PDF

Author : Laura Cull Ó Maoilearca
Publisher : Springer
Page : 291 pages
File Size : 49,5 Mb
Release : 2012-10-10
Category : Performing Arts
ISBN : 9781137291912

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Theatres of Immanence by Laura Cull Ó Maoilearca Pdf

Theatres of Immanence: Deleuze and the Ethics of Performance is the first monograph to provide an in-depth study of the implications of Deleuze's philosophy for theatre and performance. Drawing from Goat Island, Butoh, Artaud and Kaprow, as well from Deleuze, Bergson and Laruelle, the book conceives performance as a way of thinking immanence.

Teaching Other Voices

Margaret L. King,Albert Rabil Jr.
Teaching Other Voices Book PDF

Author : Margaret L. King,Albert Rabil Jr.
Publisher : University of Chicago Press
Page : 254 pages
File Size : 45,9 Mb
Release : 2008-09-15
Category : Social Science
ISBN : 9780226436333

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Teaching Other Voices by Margaret L. King,Albert Rabil Jr. Pdf

The books in The Other Voice in Early Modern Europe series chronicle the heretofore neglected stories of women between 1400 and 1700 with the aim of reviving scholarly interest in their thought as expressed in a full range of genres: treatises, orations, and history; lyric, epic, and dramatic poetry; novels and novellas; letters, biography, and autobiography; philosophy and science. Teaching Other Voices: Women and Religion in Early Modern Europe complements these rich volumes by identifying themes useful in literature, history, religion, women's studies, and introductory humanities courses. The volume's introduction, essays, and suggested course materials are intended as guides for teachers--but will serve the needs of students and scholars as well.

Pastoral Drama in Early Modern Italy

Lisa Sampson
Pastoral Drama in Early Modern Italy Book PDF

Author : Lisa Sampson
Publisher : Routledge
Page : 348 pages
File Size : 49,7 Mb
Release : 2017-12-02
Category : Literary Criticism
ISBN : 9781351195614

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Pastoral Drama in Early Modern Italy by Lisa Sampson Pdf

"Emerging in Italy in the mid-sixteenth century, pastoral drama is one of the most characteristic genres of its time. Sampson traces its uneven development into the following century by exploring masterpieces by Tasso and Guarini, and many lesser known works, some by women writers. She examines the treatment of key themes of love, the Golden Age, and Nature and Art against the background of the textual and stage production of the plays. An investigation of critical writings associated with the genre further reveals its significance to the contemporary literary scene, by stimulating 'modernizing' attitudes towards the canon, as well as new enquiries into the function and possibilities of art."

The Tradition of the Actor-author in Italian Theatre

Donatella Fischer
The Tradition of the Actor author in Italian Theatre Book PDF

Author : Donatella Fischer
Publisher : Routledge
Page : 397 pages
File Size : 48,9 Mb
Release : 2017-12-02
Category : Performing Arts
ISBN : 9781351191654

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The Tradition of the Actor-author in Italian Theatre by Donatella Fischer Pdf

"The central importance of the actor-author is a distinctive feature of Italian theatrical life, in all its eclectic range of regional cultures and artistic traditions. The fascination of the figure is that he or she stands on both sides of one of theatre's most important power relationships: between the exhilarating freedom of performance and the austere restriction of authorship and the written text. This broad-ranging volume brings together critical essays on the role of the actor-author, spanning the period from the Renaissance to the present. Starting with Castiglione, Ruzante and the commedia dell'arte, and surveying the works of Dario Fo, De Filippo and Bene, among others, the contributors cast light on a tradition which continues into Neapolitan and Sicilian theatre today, and in Italy's currently fashionable 'narrative theatre', where the actor-author is centre stage in a solo performance."

Annie Chartres Vivanti

Sharon Wood,Erica Moretti
Annie Chartres Vivanti Book PDF

Author : Sharon Wood,Erica Moretti
Publisher : Rowman & Littlefield
Page : 314 pages
File Size : 46,7 Mb
Release : 2016-10-12
Category : Literary Criticism
ISBN : 9781683930075

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Annie Chartres Vivanti by Sharon Wood,Erica Moretti Pdf

This book explores the work of a writer, Annie Chartres Vivanti (1866–1942), who brought a transnational dimension to the marked provincialism of the Italian novel by addressing issues of gender, ethnicity, and sexuality on personal and international levels, and by creating work that distanced itself from much of the female-penned literature of the day, scorning both decorum and social respectability. Chapters in this book examine Vivanti’s output from multiple perspectives, taking into account her politics and her career as a journalist, writer, and singer, as well as her literary work.

Singing Dante: The Literary Origins of Cinquecento Monody

Elena Abramov-van Rijk
Singing Dante The Literary Origins of Cinquecento Monody Book PDF

Author : Elena Abramov-van Rijk
Publisher : Taylor & Francis
Page : 152 pages
File Size : 52,6 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781317054887

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Singing Dante: The Literary Origins of Cinquecento Monody by Elena Abramov-van Rijk Pdf

This book takes its departure from an experiment presented by Vincenzo Galilei before his colleagues in the Florentine Camerata in about 1580. This event, namely the first demonstration of the stile recitativo, is known from a single later source, a letter written in 1634 by Pietro dei Bardi, son of the founder of the Camerata. In the complete absence of any further information, Bardi’s report has remained a curiosity in the history of music, and it has seemed impossible to determine the true nature and significance of Galilei's presentation. That, unfortunately, still remains true for the music, which is lost. Yet we know a crucial fact about this experiment, the poetic text chosen by Galilei: it was an excerpt from the Divine Comedy by Dante Alighieri, the Lament of Count Ugolino. Starting from this information the author examines the problem from another angle. Investigation of the perception of Dante’s poetry in the sixteenth century, as well as a deeper enquiry into cinquecento poetic theories (and especially phonetics) leads to a reconstruction of Galilei’s motives for choosing this text and sheds light on some of the features of his experiment.

"Sexualities, Textualities, Art and Music in Early Modern Italy "

LindaL. Carroll
Sexualities Textualities Art and Music in Early Modern Italy Book PDF

Author : LindaL. Carroll
Publisher : Routledge
Page : 258 pages
File Size : 54,7 Mb
Release : 2017-07-05
Category : Art
ISBN : 9781351548984

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"Sexualities, Textualities, Art and Music in Early Modern Italy " by LindaL. Carroll Pdf

Taking as axiomatic the concept that artistic output does not simply reflect culture but also shapes it, the essays in this interdisciplinary collection take a holistic approach to the cultural fashioning of sexualities, drawing on visual art, theatre, music, and literature, in sacred and secular contexts. Although there is diversity in disciplinary approach, the interpretations and readings offered in each essay have a historical basis. Approaching the topic from the point of view of both visual and auditory media, this volume paints a comprehensive picture of artists? challenges to erotic boundaries, and contributes to new historicizing thinking on sexualities. Collectively, the essays demonstrate the role played by artistic production-visual arts, literature, theatre and music-in fashioning, policing, and challenging early modern sexual boundaries, and thus help to identify the ways in which the arts contributed to both the disciplining and the exploration of a range of sexualities.

Interactions between Orality and Writing in Early Modern Italian Culture

Luca Degl’Innocenti,Brian Richardson,Chiara Sbordoni
Interactions between Orality and Writing in Early Modern Italian Culture Book PDF

Author : Luca Degl’Innocenti,Brian Richardson,Chiara Sbordoni
Publisher : Routledge
Page : 256 pages
File Size : 42,6 Mb
Release : 2016-03-02
Category : Literary Criticism
ISBN : 9781317114758

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Interactions between Orality and Writing in Early Modern Italian Culture by Luca Degl’Innocenti,Brian Richardson,Chiara Sbordoni Pdf

Investigating the interrelationships between orality and writing in elite and popular textual culture in early modern Italy, this volume shows how the spoken or sung word on the one hand, and manuscript or print on the other hand, could have interdependent or complementary roles to play in the creation and circulation of texts. The first part of the book centres on performances, ranging from realizations of written texts to improvisations or semi-improvisations that might draw on written sources and might later be committed to paper. Case studies examine the poems sung in the piazza that narrated contemporary warfare, commedia dell'arte scenarios, and the performative representation of the diverse spoken languages of Italy. The second group of essays studies the influence of speech on the written word and reveals that, as fourteenth-century Tuscan became accepted as a literary standard, contemporary non-standard spoken languages were seen to possess an immediacy that made them an effective resource within certain kinds of written communication. The third part considers the roles of orality in the worlds of the learned and of learning. The book as a whole demonstrates that the borderline between orality and writing was highly permeable and that the culture of the period, with its continued reliance on orality alongside writing, was often hybrid in nature.

Women's Writing in Italy, 1400–1650

Virginia Cox
Women s Writing in Italy 1400 1650 Book PDF

Author : Virginia Cox
Publisher : JHU Press
Page : 495 pages
File Size : 42,8 Mb
Release : 2008-06-16
Category : Literary Criticism
ISBN : 9780801895432

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Women's Writing in Italy, 1400–1650 by Virginia Cox Pdf

Winner, 2009 Best Book Award, Society for the Study of Early Modern WomenWinner, 2008 PROSE Award for Best Book in Language, Literature, and Linguistics. Professional and Scholarly Publishing Division of the Association of American Publishers This is the first comprehensive study of the remarkably rich tradition of women’s writing that flourished in Italy between the fifteenth and early seventeenth centuries. Virginia Cox documents this tradition and both explains its character and scope and offers a new hypothesis on the reasons for its emergence and decline. Cox combines fresh scholarship with a revisionist argument that overturns existing historical paradigms for the chronology of early modern Italian women’s writing and questions the historiographical commonplace that the tradition was brought to an end by the Counter Reformation. Using a comparative analysis of women's activities as artists, musicians, composers, and actresses, Cox locates women's writing in its broader contexts and considers how gender reflects and reinvents conventional narratives of literary change.