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The most famous actor on Broadway in the 1920s gets mugged, beaten up and left for dead. He loses his looks, his acting job, his money, his apartment, his girl - everything. But it's what he does next that gets interesting. The results are quite theatrical.
A Source Book in Theatrical History by A. M. Nagler Pdf
An annotated collection of more than 300 unusually interesting and detailed passages includes views by observers from ancient Greece to modern times on acting, directing, make-up, costuming, props, much more.
Collection - Laboratory - Theater by Helmar Schramm,Ludger Schwarte,Jan Lazardzig Pdf
This volume launches a new, eight-volume series entitled Theatrum Scientiarum on the history of science and the media which has arisen from the work of the Berlin special research project on "Performative Cultures" under the aegis of the Theatre Studies Department of the Free University. The volume examines the role of space in the constitution of knowledge in the early modern age. "Kunstkammern" (art and curiosities cabinets), laboratories and stages arose in the 17th century as instruments of research and representation. There is, however, still a lack of precise descriptions of the epistemic contribution made by material and immaterial space in the performance of knowledge. Therefore, the authors present a novel view of the conditions surrounding the creation of these spatial forms. Account is taken both of the institutional framework of these spaces and their placement within the history of ideas, the architectural models and the modular differentiations, and the scientific consequences of particular design decisions. Manifold paths are followed between the location of the observer in the representational space of science and the organization in time and space of sight, speech and action in the canon of European theatrical forms. Not only is an account given of the mutual architectural and intellectual influence of the spaces of knowledge and the performance spaces of art; they are also analyzed to ascertain what was possible in them and through them. This volume is the English translation of Kunstkammer, Laboratorium, Bühne (de Gruyter, Berlin, 2003).
Shortlist, 2021 Waterloo Centre for German Studies Book Prize In a city struggling to determine just how neoliberal it can afford to be, what kinds of performing arts practices and institutions are necessary—and why? Since the fall of the Berlin Wall, political and economic agendas in the reunified German capital have worked to dismantle long-standing traditions of state‐subsidized theater even as the city has redefined itself as a global arts epicenter. Institutional Theatrics charts the ways theater artists have responded to these shifts and crises both on- and offstage, offering a method for rethinking the theater as a vital public institution. What is the future of the German theater, grounded historically in large ensembles, extensive repertoires, and auteur directors? Examining the restructuring of Berlin’s theatrical landscape and most prominent performance venues, Brandon Woolf argues that cultural policy is not simply the delegation and distribution of funds. Instead, policy should be thought of as an artistic practice of institutional imagination. Woolf demonstrates how performance can critique its patron institutions in order to transform the relations between the stage and the state, between the theater and the infrastructures of its support. Bold, nuanced, and rigorously documented, Institutional Theatrics offers new insights about art, its administration, and the forces that influence cultural production.
Battle Maps of the Civil War by American Battlefield Trust Pdf
From the American Battlefield Trust comes the collection of their popular maps of the Eastern Theater of the American Civil War. “I just love those maps that you guys send to me.” It is a phrase that the staff of the American Battlefield Trust hears on a weekly basis. The expression refers to one of the cornerstone initiatives of the organization—mapping the battlefields of the Revolutionary War, War of 1812, and the American Civil War. The American Battlefield Trust is the premier battlefield preservation organization in the United States. Over the last thirty years, the American Battlefield Trust and its members have preserved more than 52,000 acres of battlefield land across 143 battlefields in twenty-four states—at sites such as Antietam, Vicksburg, Chancellorsville, Shiloh, and Gettysburg. Outside of physically walking across the hallowed battle grounds that the American Battlefield Trust preserves, the best way to illustrate the importance of the parcels of land that they preserve is through their battle maps. Through the decades, the American Battlefield Trust has created dozens of maps detailing the action of hundreds of battles. Now, for the first time in book form, they have collected the maps of some of the most iconic battles of the Eastern Theater of the Civil War into one volume. From First Bull Run to the Surrender at Appomattox Court House, you can follow the major actions of the Eastern Theater from start to finish utilizing this unparalleled collection.
Twisted Dark by Neil Gibson,Atula Siriwardane,Caspar Wijngaard Pdf
Continue your journey to humanity's dark side, as Neil Gibson returns with a fourth volume of best-selling series Twisted Dark to chill and shock. Included in this volume is Gibson's most twisted story to date: "Little Piggies".
Theatrical Worlds (Beta Version) by Charles Mitchell Pdf
"From the University of Florida College of Fine Arts, Charlie Mitchell and distinguished colleagues form across America present an introductory text for theatre and theoretical production. This book seeks to give insight into the people and processes that create theater. It does not strip away the feeling of magic but to add wonder for the artistry that make a production work well." -- Open Textbook Library.
The Broadview Anthology of Drama, Volume 2: The Nineteenth and Twentieth Centuries by Craig S. Walker,Jennifer Wise Pdf
The Broadview Anthology of Drama: Plays from the Western Theatre is a chronological presentation of 43 plays in two volumes, ranging from the ancient theatre world to the present day. Each chapter focuses on a specific period and begins with an insightful introduction sketching the historical and theatrical landscape of that period. Contextualization for each play is provided through a thorough account of the literary and dramatic background of the play along with clear and comprehensive annotation. In addition, the editors have provided a glossary of terms used in the anthology to better equip students with a vocabulary for discussing the world of the stage.
Lives of Shakespearian Actors, Part III, Volume 1 by Gail Marshall,Tetsuo Kishi,Richard Foulkes,Julia Swindells,Robert Sawyer,David Francis Taylor Pdf
Features actors who were significant in their development of new and innovative ways of performing Shakespeare. This title contains extracts from diaries, memoirs, private letters, and obituaries that present a contemporary account of their acting achievements and personal lives.
Bram Stoker and the Stage, Volume 1 by Catherine Wynne Pdf
Though best known as the author of Dracula (1897) Bram Stoker had a successful career in the theatre. This collection brings together all Stoker's theatrical reviews from Dublin's Evening Mail, his published essays and interviews on the theatre, selections from Reminiscences of Henry Irving (1906) and a fictional work on the theatre.
The most famous actor on Broadway in the 1920s gets mugged, beaten up and left for dead. He loses his looks, his acting job, his money, his apartment, his girl - everything. But it's what he does next that gets interesting. The results are quite theatrical.
The apocalypse will be televised! Welcome to the first book in the wildly popular and addictive Dungeon Crawler Carl series by Matt Dinniman—now with bonus material exclusive to this print edition. You know what’s worse than breaking up with your girlfriend? Being stuck with her prize-winning show cat. And you know what’s worse than that? An alien invasion, the destruction of all man-made structures on Earth, and the systematic exploitation of all the survivors for a sadistic intergalactic game show. That’s what. Join Coast Guard vet Carl and his ex-girlfriend’s cat, Princess Donut, as they try to survive the end of the world—or just get to the next level—in a video game–like, trap-filled fantasy dungeon. A dungeon that’s actually the set of a reality television show with countless viewers across the galaxy. Exploding goblins. Magical potions. Deadly, drug-dealing llamas. This ain’t your ordinary game show. Welcome, Crawler. Welcome to the Dungeon. Survival is optional. Keeping the viewers entertained is not. Includes part one of the exclusive bonus story “Backstage at the Pineapple Cabaret.”
Theatrical Events. Borders, Dynamics and Frames is written to develop the concept of ‘Eventness’ in Theatre Studies. The book as a whole stresses the importance of understanding theatre performances as aesthetic-communicative encounters of a wide range of agents and aspects. The Theatrical Event concept means not only that performers and spectators meet, but also that the specific mental sets, backgrounds and cultural contexts they bring in, strongly contribute to the character of a particular event. Moreover, this concept gives space to the study of the role societal developments – such as technological, political, economical or educational ones – play in theatrical events.