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Theodore de Bry. America by Michiel Groesen,Larry Tise Pdf
When the New World was really new, Theodore de Bry drew inspiration from some of history's greatest explorers to record its wonders. From Virginia and Florida to Brazil, his work captivated the European imagination with visions of freshly discovered landscapes, customs, and peoples. This reproduction brings together his finest engravings of...
A Briefe and True Report of the New Found Land of Virginia by Thomas Harriot Pdf
Great classic of Americana, fascinating for European image of America. 1590 edition with 28 engravings by de Bry (from John White) of Indian villages, activities, dress, more.
In 1585, the British painter and explorer John White created images of Carolina Algonquian Indians. These images were collected and engraved in 1590 by the Flemish publisher and printmaker Theodor de Bry and were reproduced widely, establishing the visual prototype of North American Indians for European and Euro-American readers. In this innovative analysis, Michael Gaudio explains how popular engravings of Native American Indians defined the nature of Western civilization by producing an image of its “savage other.” Going beyond the notion of the “savage” as an intellectual and ideological construct, Gaudio examines how the tools, materials, and techniques of copperplate engraving shaped Western responses to indigenous peoples. Engraving the Savage demonstrates that the early visual critics of the engravings attempted-without complete success-to open a comfortable space between their own “civil” image-making practices and the “savage” practices of Native Americans-such as tattooing, bodily ornamentation, picture-writing, and idol worship. The real significance of these ethnographic engravings, he contends, lies in the traces they leave of a struggle to create meaning from the image of the American Indian. The visual culture of engraving and what it shows, Gaudio reasons, is critical to grasping how America was first understood in the European imagination. His interpretations of de Bry’s engravings describe a deeply ambivalent pictorial space in between civil and savage-a space in which these two organizing concepts of Western culture are revealed in their making. Michael Gaudio is assistant professor of art history at the University of Minnesota.
Author : Bartolomé de las Casas Publisher : Open Road Media Page : 96 pages File Size : 47,5 Mb Release : 2022-11-01 Category : History ISBN : 9781504078580
A Short Account of the Destruction of the Indies by Bartolomé de las Casas Pdf
A Spanish friar documents the brutal treatment of Caribbean natives at the hands of colonial authorities in the sixteenth century. After traveling to the New World, Dominican friar Bartolomé de Las Casas witnessed conquistadors wreak unimaginable horrors upon the Indigenous people of the Caribbean. He later dedicated his life to fighting for their protection. Following numerous failed attempts to reason with authorities in Spain, he chose to document everything he had seen over a span of fifty years and to give it to Spain’s Prince Philip II. In A Short Account of the Destruction of the Indies, Las Casas catalogues the atrocities he observed the Spanish colonial authorities inflict upon the native people. He discusses the brutal torture, mass genocide, and enslavement. He passionately pleas for an end to this treatment and for the native peoples to be given basic human rights.
The Representations of the Overseas World in the De Bry Collection of Voyages (1590-1634) by Michiel van Groesen Pdf
This volume deals with the De Bry collection of voyages, one of the most monumental publications of Early Modern Europe. It analyzes the textual and iconographic changes the De Bry publishing family made to travel accounts describing Asia, Africa and America.
Author : Thomas Harriot Publisher : Manchester [England] : Photolithographed for the Holbein Society, by A. Brothers Page : 152 pages File Size : 45,8 Mb Release : 1888 Category : Discoveries in geography ISBN : OSU:32435068438415
A sweeping saga of the Spanish history and influence in North America over five centuries, from the acclaimed author of Empire’s Crossroads. Because of our shared English language, as well as the celebrated origin tales of the Mayflower and the rebellion of the British colonies, the United States has prized its Anglo heritage above all others. However, as Carrie Gibson explains with great depth and clarity in El Norte, the nation has much older Spanish roots?ones that have long been unacknowledged or marginalized. The Hispanic past of the United States predates the arrival of the Pilgrims by a century, and has been every bit as important in shaping the nation as it exists today. El Norte chronicles the dramatic history of Hispanic North America from the arrival of the Spanish in the early 16th century to the present?from Ponce de Leon’s initial landing in Florida in 1513 to Spanish control of the vast Louisiana territory in 1762 to the Mexican-American War in 1846 and up to the more recent tragedy of post-hurricane Puerto Rico and the ongoing border acrimony with Mexico. Interwoven in this narrative of events and people are cultural issues that have been there from the start but which are unresolved to this day: language, belonging, community, race, and nationality. Seeing them play out over centuries provides vital perspective at a time when it is urgently needed. In 1883, Walt Whitman meditated on his country’s Spanish past: “We Americans have yet to really learn our own antecedents, and sort them, to unify them,” predicting that “to that composite American identity of the future, Spanish character will supply some of the most needed parts.” That future is here, and El Norte, a stirring and eventful history in its own right, will make a powerful impact on our national understanding. “This history debunks the myth of American exceptionalism by revisiting a past that is not British and Protestant but Hispanic and Catholic. Gibson begins with the arrival of Spaniards in La Florida, in 1513, discusses Mexico’s ceding of territory to the U.S., in 1848, and concludes with Trump’s nativist fixations. Along the way, she explains how California came to be named after a fictional island in a book by a Castilian Renaissance writer and asks why we ignore a chapter of our history that began long before the Pilgrims arrived. At a time when the building of walls occupies so much attention, Gibson makes a case for the blurring of boundaries.” —New Yorker “A sweeping and accessible survey of the Hispanic history of the U.S. that illuminates the integral impact of the Spanish and their descendants on the U.S.’s social and cultural development. . . . This unusual and insightful work provides a welcome and thought-provoking angle on the country’s history, and should be widely appreciated.” —Publishers Weekly, starred review, PW Pick
Imagining the Americas in Print by Michiel van Groesen Pdf
In Imagining the Americas in Print, Michiel van Groesen reveals the variety of ways in which early modern Europe gathered information and manufactured knowledge about the Americas, and used it to further their colonial ambitions in the Atlantic world.
Attempts to assess the impact of the exploration and conquest of America on early modern Europe and considers several different subjects, because the existence of America influenced the development of European civilisation in a variety of ways.
Discovering America's Southeast by Gloria-Gilda Deák Pdf
Much of what the Old World knew of the New World was conveyed through the engravings produced by Theodore de Bry. Appearing approximately one hundred years after the period of Columbus, these engravings provided vivid images of the mystery, adventure, & wealth which were readily available in the New World. With the advantage of several centuries of study, the fact that we now know many of the engravings were inaccurate, exaggerated, or just plain false in no way lessens the impact which these powerful images made on sixteenth century Europe. By the late 1580's numerous images of the New World had been produced, of which approximately 268 are extant. Seeing the need to preserve those images, & the business opportunity of selling them, de Bry embarked on the massive task. His work, GRANDS VOYAGES, would be published in fourteen parts. From the AMERICA series Gloria Deak has selected fifty prints which provided the first impressions of what is now the United States. Her study includes an explanation of the times in which the drawings were produced, as well as an examination of the individual plates & of the engraver who gave them life. To order contact: Birmingham Public Library Press, P.O. Box 370023, Birmingham, AL 35237-0023. Phone (205) 226-3611.
John White's watercolours of the flora, fauna and North Carolina Algonquians he encountered on the expedition sent by Walter Raleigh in 1585 are some of the greatest treasures of the British Museum; engraved by Theodor de Bry in 1590 to illustrate Thomas Harriot's A Briefe and True Report of the New Found Land of Virginia , they informed and shaped Europe's view of America and its people for the next two centuries. This volume publishes a very successful interdisciplinary conference held in connection with the exhibition centred on John White, 'A New World: England's first view of America', with speakers from Europe, the USA and Britain, all of them experts in their fields. The varied and wide-ranging papers provided contextual and detailed information not covered in the exhibition catalogue and provide us with new ways of seeing and understanding both the European and Native American perspectives.
A visionary new approach to the Americas during the age of colonization, made by engaging with the aural aspects of supposedly “silent” images Colonial depictions of the North and South American landscape and its indigenous inhabitants fundamentally transformed the European imagination—but how did those images reach Europe, and how did they make their impact? In Sound, Image, Silence, noted art historian Michael Gaudio provides a groundbreaking examination of the colonial Americas by exploring the special role that aural imagination played in visible representations of the New World. Considering a diverse body of images that cover four hundred years of Atlantic history, Sound, Image, Silence addresses an important need within art history: to give hearing its due as a sense that can inform our understanding of images. Gaudio locates the noise of the pagan dance, the discord of battle, the din of revivalist religion, and the sublime sounds of nature in the Americas, such as lightning, thunder, and the waterfall. He invites readers to listen to visual media that seem deceptively couched in silence, offering bold new ideas on how art historians can engage with sound in inherently “mute” media. Sound, Image, Silence includes readings of Brazilian landscapes by the Dutch painter Frans Post, a London portrait of Benjamin Franklin, Thomas Edison’s early Kinetoscope film Sioux Ghost Dance, and the work of Thomas Cole, founder of the Hudson River School of American landscape painting. It masterfully fuses a diversity of work across vast social, cultural, and spatial distances, giving us both a new way of understanding sound in art and a powerful new vision of the New World.
