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Theory and Composition of Percussion Music by Geary Larrick Pdf
Larrick shares his knowledge of the theory and composition of percussion music. In the first section, more than a dozen brief entries address such topics as music education's treatment of drummers and the notation of Western music. In the second section, Larrick presents an annotated bibliography of music theory books found in the University Library at the U. of Wisconsin-Stevens Point. The third section contains bibliographical references for a wide range of materials relating to percussion. A life-long performer, Larrick is the author of a number of scholarly books on percussion. Annotation : 2004 Book News, Inc., Portland, OR (booknews.com).
How to Write for Percussion by Samuel Z. Solomon Pdf
Introduction. How this book is organized ; Instruments covered ; Working with percussionists ; Location specifics ; The value of not reading this book.
Author : Bruce Pearson Publisher : Neil a Kjos Music Company Page : 48 pages File Size : 42,7 Mb Release : 1996-08-01 Category : Music ISBN : 0849759781
A Funky Primer for the Rock Drummer by Charles Dowd Pdf
This best-selling, progressive encyclopedia of rock/funk patterns for all tempos utilizes a new contemporary teaching style for independence, rudiments, styles and more.
Hand Drumming Ensembles is the companion to the method book Hand Drumming Essentials: The Instruments, Techniques and Compositions for Ensemble Performance. This supplemental volume contains 12 complete performance scores of compositions for hand drumming ensemble. These compositions (Rhythm Chants) are written at a variety of levels and can be learned by young musicians and students with no previous musical training. All of the Rhythm Chants can be studied and performed by more proficient musicians.
Author : Joanne Haroutounian,Neil A. Kjos Music Company Publisher : Unknown Page : 72 pages File Size : 43,5 Mb Release : 1993-04-01 Category : Music theory ISBN : 0849795346
Explorations in Music by Joanne Haroutounian,Neil A. Kjos Music Company Pdf
Third in a series designed to expand the idea of music theory to points beyond the written page, to have students realize that the music they are performing, listening to, and composing evolves from the realm of music theory. Book 4 covers key signatures, rhythm, time signatures, major scales, fifths, intervals, and triads.
Composers in the Classroom by James Michael Floyd Pdf
Composers in the Classroom is a bio-bibliographical dictionary, chronicling the careers and work of over 120 composers associated with conservatories, colleges, and universities in the United States and Puerto Rico. Scholars and students of music seeking critical information about composers who have taken on the mantle of instruction will find a wealth of detail on their subjects. Painstakingly obtained through direct correspondence with the composers themselves, Floyd includes within each entry a short biography of the composer's life and education, lists of previous positions, most prominent commissions, awards and honors, and notable performers of the subject's work. Each entry also contains a discography of the recordings and a bibliography of writings by the composer. Researchers will find especially useful the organization of each subject's compositions by a variety of types. These include vocal, choral/assembly, dramatic, keyboard, solo instrument, handbells, chamber music, jazz ensemble, band and wind ensemble, band and wind ensemble with solo instruments, orchestra, orchestra with solo instruments, film/television/commercial, electro-acoustic and multimedia, arrangements, transcriptions, and editions and reconstructions. Music scholars will find under each work not only the title and date of composition but also the date of revision, commission, and dedication information, as well as other pertinent details ranging from the names of collaborators to alternate titles under which works may circulate. Composers in the Classroom is an indispensable tool to scholars of modern music seeking to research the current state of musical composition and the compositional trends of the 21st century.
The Life and Works of Andrzej Panufnik (1914-1991) by Beata Boles?awska Pdf
Sir Andrzej Panufnik was born in Warsaw and studied in the newly independent Poland in the 1930s, as well as in Vienna and Paris just before the outbreak of the Second World War. During the German occupation he formed a piano duo with his friend and fellow composer Witold Lutoslawski, and they performed in cafaround Warsaw. After the war, Panufnik quickly established himself as a leading Polish composer, and as a conductor he played a significant role in the re-establishment of first the Kraknd then the Warsaw Philharmonic. Although he was considered Polands leading composer for some years after the war, Panufnik was subsequently put under intolerable pressure both musically and politically. Frustrated by the continuing rejection of his compositions and the unending political demands inflicted on him by the countrys post-war Communist regime, he made a daring escape to England in 1954. He briefly became Principal Conductor of the City of Birmingham Symphony Orchestra, a post he relinquished after two years to devote all his time to composition. His works were in demand by major figures such as Leopold Stokowski who conducted the first performances of Sinfonia Elegiaca, Katyn Epitaph and Universal Prayer, Yehudi Menuhin who commissioned the Violin Concerto, Seiji Ozawa in Boston and Sir Georg Solti in Chicago who both commissioned symphonies for the centenaries of their famous orchestras; also Mstislav Rostropovich with the London Symphony Orchestra, who together commissioned the Cello Concerto. Beata Boleslawska has written the first book on the life and artistic output of Panufnik, setting his significance alongside the political and cultural scene of twentieth-century Europe. The account of the composers life is based on numerous archival documents, as well as the personal accounts contributed by his family and friends. Panufniks compositional style and techniques are also analysed. This book will be of interest not only to those devoted
A Contemporary Study of Musical Arts: Theory and practice of modern African classical drum music by Meki Nzewi,Odyke Nzewi Pdf
The 1st three volumes present material in a modular approach. Each volume presents progressively more advanced concepts in the categories: musical structure and form, factors of music appreciation, music instruments, music and society, research project, musical arts theatre, school songs technique, and performance. The 4th volume is a collection of essays. The 5th volume contains printed music.
