Thinking Through Place On The Early Modern English Stage

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Thinking Through Place on the Early Modern English Stage

Author : Andrew Bozio
Publisher : Oxford University Press, USA
Page : 226 pages
File Size : 52,6 Mb
Release : 2020-02-06
Category : Literary Collections
ISBN : 9780198846567

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Thinking Through Place on the Early Modern English Stage by Andrew Bozio Pdf

The way that characters in early modern theatrical performance think through their surroundings is important in our understanding of perception, memory, and other forms of embodied affective thought. Thinking Through Place on the Early Modern English Stage traces how characters orientthemselves within unfamiliar or otherwise strange locations, and how their locations function as scaffolding for these moments of "ecological thinking".Thinking through Place on the Early Modern English Stage shows how performance brings places into being, revealing a process that both resembles and parallels the cognitive work that early modern playgoers undertook in reimagining the stage as the settings of the dramatic fiction. It traces thevexed relationship between these two registers in works by Marlowe, Shakespeare, Beaumont, and Jonson, thereby countering a critical tradition that figures drama as a form of spatial abstraction. Instead it demonstrates that theatrical performance functioned as a means of thinking through and aboutplace in the early modern period.

Thinking Through Place on the Early Modern English Stage

Author : Andrew Bozio
Publisher : Oxford University Press
Page : 224 pages
File Size : 52,9 Mb
Release : 2020-02-06
Category : Literary Criticism
ISBN : 9780192585714

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Thinking Through Place on the Early Modern English Stage by Andrew Bozio Pdf

Thinking Through Place on the Early Modern English Stage argues that environment and embodied thought continually shaped one another in the performance of early modern English drama. It demonstrates this, first, by establishing how characters think through their surroundings — not only how they orient themselves within unfamiliar or otherwise strange locations, but also how their environs function as the scaffolding for perception, memory, and other forms of embodied thought. It then contends that these moments of thinking through place theorise and thematise the work that playgoers undertook in reimagining the stage as the setting of the dramatic fiction. By tracing the relationship between these two registers of thought in such plays as The Malcontent, Dido Queen of Carthage, Tamburlaine, King Lear, The Knight of the Burning Pestle, and Bartholomew Fair, this book shows that drama makes visible the often invisible means by which embodied subjects acquire a sense of their surroundings. It also reveals how, in doing so, theatre altered the way that playgoers perceived, experienced, and imagined place in early modern England.

The Shakespearean International Yearbook

Author : Tom Bishop,Alexa Alice Joubin,Deanne Williams
Publisher : Taylor & Francis
Page : 237 pages
File Size : 49,5 Mb
Release : 2023-12-14
Category : Literary Criticism
ISBN : 9781000985405

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The Shakespearean International Yearbook by Tom Bishop,Alexa Alice Joubin,Deanne Williams Pdf

This year publishing its twentieth volume, The Shakespearean International Yearbook surveys the present state of Shakespeare studies, addressing issues that are fundamental to our interpretive encounter with Shakespeare’s work and his time, across the whole spectrum of his literary output. Contributions are solicited from scholars across the field, from both hemispheres of the globe. New trends are evaluated from the point of view of established scholarship, and emerging work in the field is encouraged. Each issue includes a special section under the guidance of a specialist Guest Editor, along with coverage of the current state of the field in other aspects. An essential reference tool for scholars of early modern literature and culture, this annual publication captures, from year to year, current and developing thought in Shakespeare scholarship and theater practice worldwide. There is a particular emphasis on Shakespeare studies in global contexts.

New Directions in Early Modern English Drama

Author : Aidan Norrie,Mark Houlahan
Publisher : Walter de Gruyter GmbH & Co KG
Page : 283 pages
File Size : 54,9 Mb
Release : 2020-07-06
Category : Drama
ISBN : 9781501513749

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New Directions in Early Modern English Drama by Aidan Norrie,Mark Houlahan Pdf

This collection examines some of the people, places, and plays at the edge of early modern English drama. Recent scholarship has begun to think more critically about the edge, particularly in relation to the canon and canonicity. This book demonstrates that the people and concepts long seen as on the edge of early modern English drama made vital contributions both within the fictive worlds of early modern plays, and without, in the real worlds of playmakers, theaters, and audiences. The book engages with topics such as child actors, alterity, sexuality, foreignness, and locality to acknowledge and extend the rich sense of playmaking and all its ancillary activities that have emerged over the last decade. The essays by a global team of scholars bring to life people and practices that flourished on the edge, manifesting their importance to both early modern audiences, and to current readers and performers.

Early Modern Actors and Shakespeare's Theatre

Author : Evelyn Tribble
Publisher : Bloomsbury Publishing
Page : 240 pages
File Size : 54,6 Mb
Release : 2017-02-23
Category : Drama
ISBN : 9781472576057

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Early Modern Actors and Shakespeare's Theatre by Evelyn Tribble Pdf

What skills did Shakespeare's actors bring to their craft? How do these skills differ from those of contemporary actors? Early Modern Actors and Shakespeare's Theatre: Thinking with the Body examines the 'toolkit' of the early modern player and suggests new readings of the plays of Shakespeare and his contemporaries through the lens of their many skills. Theatre is an ephemeral medium. Little remains to us of the plays of Shakespeare and his contemporaries: some printed texts, scattered documents and records, and a few scraps of description, praise, and detraction. Because most of what survives are printed playbooks, students of English theatre find it easy to forget that much of what happened on the early modern stage took place within the gaps of written language: the implicit or explicit calls for fights, dances, military formations, feats of physical skill, song, and clowning. Theatre historians and textual editors have often ignored or denigrated such moments, seeing them merely as extraneous amusements or signs that the text has been 'corrupted' by actors. This book argues that recapturing a positive account of the skills and expertise of the early modern players will result in a more capacious understanding of the nature of theatricality in the period.

Both from the Ears and Mind

Author : Linda Phyllis Austern
Publisher : University of Chicago Press
Page : 393 pages
File Size : 47,6 Mb
Release : 2020-07-15
Category : Music
ISBN : 9780226704678

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Both from the Ears and Mind by Linda Phyllis Austern Pdf

Both from the Ears and Mind offers a bold new understanding of the intellectual and cultural position of music in Tudor and Stuart England. Linda Phyllis Austern brings to life the kinds of educated writings and debates that surrounded musical performance, and the remarkable ways in which English people understood music to inform other endeavors, from astrology and self-care to divinity and poetics. Music was considered both art and science, and discussions of music and musical terminology provided points of contact between otherwise discrete fields of human learning. This book demonstrates how knowledge of music permitted individuals to both reveal and conceal membership in specific social, intellectual, and ideological communities. Attending to materials that go beyond music’s conventional limits, these chapters probe the role of music in commonplace books, health-maintenance and marriage manuals, rhetorical and theological treatises, and mathematical dictionaries. Ultimately, Austern illustrates how music was an indispensable frame of reference that became central to the fabric of life during a time of tremendous intellectual, social, and technological change.

The Absence of America

Author : Gavin Hollis
Publisher : Oxford University Press
Page : 288 pages
File Size : 41,5 Mb
Release : 2015-09-17
Category : Literary Criticism
ISBN : 9780191053733

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The Absence of America by Gavin Hollis Pdf

The Absence of America: the London Stage 1576â1642 examines why early modern drama's response to English settlement in the New World was muted, even though the so-called golden age of Shakespeare coincided with the so-called golden age of exploration: no play is set in the Americas; few plays treat colonization as central to the plot; a handful features Native American characters (most of whom are Europeans in disguise). However, advocates of colonialism in the seventeenth century denounced playing companies as enemies on a par with the Pope and the Devil. Instead of writing off these accusers as paranoid cranks, this book takes as its starting point the possibility that they were astute playgoers. By so doing we can begin to see the emergence of a "picture of America," and of the Virginia colony in particular, across a number of plays performed for London audiences: Jonson's Bartholomew Fair, The Staple of News, and his collaboration with Marston and Chapman, Eastward Ho!; Robert Greene's Orlando Furioso; Massinger's The City Madam; Massinger and Fletcher's The Sea Voyage; Middleton and Dekker's The Roaring Girl; Shakespeare's The Tempest, and Fletcher and Shakespeare's Henry VIII. We can glean the significance of this picture, not only for the troubled Virginia Company, but also for London theater audiences. And we can see that the picture that was beginning to form was, as the anti-theatricalists surmised, often slanderous, condemnatory, and, as it were, anti-American.

Performance and Religion in Early Modern England

Author : Matthew J. Smith
Publisher : University of Notre Dame Pess
Page : 501 pages
File Size : 45,7 Mb
Release : 2018-12-15
Category : Drama
ISBN : 9780268104689

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Performance and Religion in Early Modern England by Matthew J. Smith Pdf

In Performance and Religion in Early Modern England, Matthew J. Smith seeks to expand our view of “the theatrical.” By revealing the creative and phenomenal ways that performances reshaped religious material in early modern England, he offers a more inclusive and integrative view of performance culture. Smith argues that early modern theatrical and religious practices are better understood through a comparative study of multiple performance types: not only commercial plays but also ballads, jigs, sermons, pageants, ceremonies, and festivals. Our definition of performance culture is augmented by the ways these events looked, sounded, felt, and even tasted to their audiences. This expanded view illustrates how the post-Reformation period utilized new capabilities brought about by religious change and continuity alike. Smith posits that theatrical practice at this time was acutely aware of its power not just to imitate but to work performatively, and to create spaces where audiences could both imaginatively comprehend and immediately enact their social, festive, ethical, and religious overtures. Each chapter in the book builds on the previous ones to form a cumulative overview of early modern performance culture. This book is unique in bringing this variety of performance types, their archives, venues, and audiences together at the crossroads of religion and theater in early modern England. Scholars, graduate and undergraduate students, and those generally interested in the Renaissance will enjoy this book.

Dramatic Geography

Author : Laurence Publicover
Publisher : Oxford University Press
Page : 219 pages
File Size : 50,7 Mb
Release : 2017
Category : Drama
ISBN : 9780198806813

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Dramatic Geography by Laurence Publicover Pdf

Focusing on early modern plays which stage encounters between peoples of different cultures, the volume explores the ways in which early modern plays stage dramatic geography and how this has shaped literary and theatrical heritage.

Listening for Theatrical Form in Early Modern England

Author : Deutermann Allison Deutermann
Publisher : Edinburgh University Press
Page : 208 pages
File Size : 46,7 Mb
Release : 2016-05-31
Category : Drama
ISBN : 9781474411271

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Listening for Theatrical Form in Early Modern England by Deutermann Allison Deutermann Pdf

Examines the impact of hearing on the formal and generic development of early modern theatreEarly modern drama was in fundamental ways an aural art form. How plays should sound, and how they should be heard, were vital questions to the formal development of early modern drama. Ultimately, they shaped the two of its most popular genres: revenge tragedy and city comedy. Simply put, theatregoers were taught to hear these plays differently. Revenge tragedies by Shakespeare and Kyd imagine sound stabbing, piercing, and slicing into listeners' bodies on and off the stage; while comedies by Jonson and Marston imagine it being sampled selectively, according to taste. Listening for Theatrical Form in Early Modern England traces the dialectical development of these two genres and auditory modes over six decades of commercial theatre history, combining surveys of the theatrical marketplace with focused attention to specific plays and to the non-dramatic literature that gives this interest in audition texture: anatomy texts, sermons, music treatises, and manuals on rhetoric and poetics.Key Features Invites new attention to the theatre as something heard, rather than as something seen, in performanceProvides a model for understanding aesthetic forms as developing in competitive response to one another in particular historical circumstancesEnriches our sense of early modern playgoers' auditory experience, and of dramatists' attempt to shape it

Ovid and Adaptation in Early Modern English Theatre

Author : Lisa Starks
Publisher : Edinburgh University Press
Page : 296 pages
File Size : 45,7 Mb
Release : 2019-08-28
Category : Drama
ISBN : 9781474430081

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Ovid and Adaptation in Early Modern English Theatre by Lisa Starks Pdf

Uses adaptation and appropriation studies to explore early modern textual and theatrical metamorphoses of OvidApplies contemporary theoretical approaches, such as gender/queer/trans studies, feminist ecostudies, hauntology, rhizomatic adaptation, transmedialityUses adaptation studies in analyzing early modern transformations of OvidFocuses on the appropriations of "e;Ovid"e; (as an umbrella term for "e;all things Ovidian"e;) on the early modern English stageIncludes chapters on Shakespeare and Marlowe as well as other early modern dramatistsDid you know that Ovid was a multifaceted icon of lovesickness, endless change, libertinism, emotional torment and violence in early modern England? This is the first collection to use adaptation studies in connection with other contemporary theoretical approaches in analysing early modern transformations of Ovid. It provides innovative perspectives on the 'Ovids' that haunted the early modern stage, while exploring intersections between adaptation theory and gender/queer/trans studies, ecofeminism, hauntology, transmediality, rhizomatics and more. This book examines the multidimensional, ubiquitous role that Ovid and Ovidian adaptations played in English Renaissance drama and theatrical performance.

Early Modern Tragicomedy

Author : Subha Mukherji,Raphael Lyne
Publisher : DS Brewer
Page : 252 pages
File Size : 40,8 Mb
Release : 2007
Category : Literary Criticism
ISBN : 1843841304

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Early Modern Tragicomedy by Subha Mukherji,Raphael Lyne Pdf

Fresh explorations of the tragicomic drama, setting the familiar plays of Shakespeare and his contemporaries alongside Irish and European drama. Tragicomedy is one of the most important dramatic genres in Renaissance literature, and the essays collected here offer stimulating new perspectives and insights, as well as providing broad introductions to arguably lesser-known European texts. Alongside the chapters on Classical, Italian, Spanish, and French material, there are striking and fresh approaches to Shakespeare and his contemporaries -- to the origins of mixed genre in English, to the development of Shakespearean and Fletcherian drama, to periodization in Shakespeare's career, to the language of tragicomedy, and to the theological structure of genre. The collection concludes with two essays on Irish theatre and its interactions with the London stage, further evidence of the persistent and changing energy of tragicomedy in the period. Contributors: SARAH DEWAR-WATSON, MATTHEW TREHERNE, ROBERT HENKE, GERAINT EVANS, NICHOLAS HAMMOND, ROSKING, SUZANNE GOSSETT, GORDAN MCMULLAN, MICHAEL WINMORE, JONATHAN HOPE, MICHAEL NEILL, LUCY MUNRO, DEANA RANKIN

Early Modern English Literature

Author : Jason Scott-Warren
Publisher : Polity
Page : 335 pages
File Size : 50,8 Mb
Release : 2005-10-07
Category : Language Arts & Disciplines
ISBN : 9780745627519

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Early Modern English Literature by Jason Scott-Warren Pdf

Providing comprehensive background material on the contexts in which early modern literary texts were produced and consumed, this work unlocks the distinctive social practices, economic structures and modes of behaviour that give these texts their meaning.

Embodied Cognition and Shakespeare's Theatre

Author : Laurie Johnson,John Sutton,Evelyn Tribble
Publisher : Routledge
Page : 281 pages
File Size : 41,9 Mb
Release : 2014-03-26
Category : Literary Criticism
ISBN : 9781134449217

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Embodied Cognition and Shakespeare's Theatre by Laurie Johnson,John Sutton,Evelyn Tribble Pdf

This collection considers issues that have emerged in Early Modern Studies in the past fifteen years relating to understandings of mind and body in Shakespeare’s world. Informed by The Body in Parts, the essays in this book respond also to the notion of an early modern ‘body-mind’ in which Shakespeare and his contemporaries are understood in terms of bodily parts and cognitive processes. What might the impact of such understandings be on our picture of Shakespeare’s theatre or on our histories of the early modern period, broadly speaking? This book provides a wide range of approaches to this challenge, covering histories of cognition, studies of early modern stage practices, textual studies, and historical phenomenology, as well as new cultural histories by some of the key proponents of this approach at the present time. Because of the breadth of material covered, full weight is given to issues that are hotly debated at the present time within Shakespeare Studies: presentist scholarship is presented alongside more historically-focused studies, for example, and phenomenological studies of material culture are included along with close readings of texts. What the contributors have in common is a refusal to read the work of Shakespeare and his contemporaries either psychologically or materially; instead, these essays address a willingness to study early modern phenomena (like the Elizabethan stage) as manifesting an early modern belief in the embodiment of cognition.

Loss and the Literary Culture of Shakespeare’s Time

Author : Roslyn L. Knutson,David McInnis,Matthew Steggle
Publisher : Springer Nature
Page : 271 pages
File Size : 55,8 Mb
Release : 2020-03-26
Category : Literary Criticism
ISBN : 9783030368678

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Loss and the Literary Culture of Shakespeare’s Time by Roslyn L. Knutson,David McInnis,Matthew Steggle Pdf

As early modernists with an interest in the literary culture of Shakespeare’s time, we work in a field that contains many significant losses: of texts, of contextual information, of other forms of cultural activity. No account of early modern literary culture is complete without acknowledgment of these lacunae, and although lost drama has become a topic of increasing interest in Shakespeare studies, it is important to recognize that loss is not restricted to play-texts alone. Loss and the Literary Culture of Shakespeare’s Time broadens the scope of the scholarly conversation about loss beyond drama and beyond London. It aims to develop further models and techniques for thinking about lost plays, but also of other kinds of lost early modern works, and even lost persons associated with literary and theatrical circles. Chapters examine textual corruption, oral preservation, quantitative analysis, translation, and experiments in “verbatim theater”, plus much more.