Thomas Durfey And Restoration Drama

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Thomas Durfey and Restoration Drama

Author : John McVeagh
Publisher : Routledge
Page : 232 pages
File Size : 53,8 Mb
Release : 2017-03-02
Category : Literary Criticism
ISBN : 9781351879408

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Thomas Durfey and Restoration Drama by John McVeagh Pdf

Though once a favourite of no fewer than four English monarchs, Restoration playwright Thomas Durfey has long been neglected by scholars. In his own day he had a lowly reputation in the world of polite letters - before his death his plays had more or less ceased to be produced; his 'serious' poems had died long before that, and even his songs were soon thought of as common property or 'folk' songs. In this new study, author John McVeagh re-examines Durfey's literary output, finding merit and interest where it has long been presumed that none existed, and restoring Durfey to his proper place in late 17th- and early 18th-century literature. Durfey's creative lifetime spanned the entire Restoration period and continued into and beyond the reign of Queen Anne. McVeagh's book studies his continuing ability to adapt to shifts in taste, fashion and personnel in the world of the theatre. It examines in detail his numerous experiments in new kinds of dramatic writing, both responding to and influencing the conditions of theatrical and artistic production. Among the topics covered are Durfey's attempts to feminize Restoration comedy, his political satires in drama in the late Stuart years, his anticipations of sentimental comedy, his search for a new language for lower class tragedy, and his musical-dramatic experimentations in the 1680s and 1690s, focusing particularly on his collaborative work with Matthew Locke, Samuel Ackroyde, John Eccles, Daniel and Henry Purcell and other composers. In addition, the author discusses Durfey's numerous satiric, narrative and other poems, and relates his writings to their social, political and cultural contexts. The book includes a performance record, listing the plays by performance date. The record includes such information, if known, as: where it was performed; by what company; cast list; to whom it was dedicated; a brief description of the prologue and epilogue; when it was published; what music it contained; and details of any revivals.

Marriage-Hater Matched, The. A comedy by Thomas Durfey

Author : Manuel J. Gómez-Lara,María José Mora,Paula de Pando
Publisher : Edicions Universitat Barcelona
Page : 233 pages
File Size : 44,9 Mb
Release : 2014-09-23
Category : Juvenile Nonfiction
ISBN : 9788447538294

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Marriage-Hater Matched, The. A comedy by Thomas Durfey by Manuel J. Gómez-Lara,María José Mora,Paula de Pando Pdf

When young Phoebe asks Sir Philip Freewit, the man who has got her with child, to fulfil his promise and marry her, he replies with shock: “My wife! Then I should never love thee more”. Thomas Durfey’s The Marriage-Hater Matched (1692) pokes fun at the figure of the libertine rake, which had become a favourite dramatic type with Restoration theatregoers, and forces him in the end to make up for his past recklessness. Besides the marriage-hater and the two women that vie for his affections, a remarkable gallery of secondary characters people this amusing comedy: a Frenchified lady fawning on her lap-dog, a fat clownish Dutchman laughing at his own jokes, a impertinent match-making widow obsessed with food, a peevish old-fashioned courtier, a pert lisping ingénue and two rude boobies bearing the names of Greek philosophers. This first modern critical edition offers a fully annotated text in addition to an introduction that situates the comedy in its literary and theatrical contexts. ;The editors discuss at length how Durfey drew upon successful comic modes while at the same complying with the moral values advocated by the new monarchs, William and Mary (1688-1702).

Shakespeare Adaptations from the Restoration

Author : Barbara A. Murray
Publisher : Fairleigh Dickinson Univ Press
Page : 658 pages
File Size : 50,8 Mb
Release : 2005
Category : Drama
ISBN : 0838640567

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Shakespeare Adaptations from the Restoration by Barbara A. Murray Pdf

Between 1660 and 1682 seventeen of Shakespeare's plays were altered for the new Restoration stages and times. Shakespeare Adaptations from the Restoration: Five Plays now publishes five of these plays for the first time in a critical edition.

The Cambridge Companion to English Restoration Theatre

Author : Deborah Payne Fisk
Publisher : Cambridge University Press
Page : 326 pages
File Size : 49,9 Mb
Release : 2000-05-11
Category : Drama
ISBN : 052158812X

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The Cambridge Companion to English Restoration Theatre by Deborah Payne Fisk Pdf

Fourteen specially commissioned essays provide essential information about staging, playwrights, themes and genres in the drama of the Restoration.

Four Restoration Libertine Plays

Author : Deborah Payne Fisk
Publisher : OUP Oxford
Page : 468 pages
File Size : 50,7 Mb
Release : 2005-04-14
Category : Drama
ISBN : 0191517828

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Four Restoration Libertine Plays by Deborah Payne Fisk Pdf

Thomas Shadwell, The Libertine * George Etherege, The Man of Mode * Thomas Durfey, A Fond Husband * Thomas Otway, Friendship in Fashion These four plays in the Oxford English Drama series capture the range of responses to the fashionable and daring libertine movement in the second half of the seventeenth century. A Fond Husband and Friendship in Fashion are lesser-known comic gems of the Restoration stage; The Man of Mode is Etherege's masterpiece, and The Libertine is Shadwell's experimental and dark version of the Don Juan story. The texts are freshly edited using modern spelling. There is a critical introduction, wide-ranging annotation, and an informative bibliography which together illuminate the plays' cultural context and theatrical potential for reader and performer alike. 'The series should shape the canon in a number of significant areas. A splendid and imaginative project.' Professor Anne Barton, Cambridge University

Historical Dictionary of British Theatre

Author : Darryll Grantley
Publisher : Scarecrow Press
Page : 549 pages
File Size : 51,8 Mb
Release : 2013-10-10
Category : Performing Arts
ISBN : 9780810880283

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Historical Dictionary of British Theatre by Darryll Grantley Pdf

British theatre has a greater tradition than any other, having started all the way back in 1311 and still going strong today. But that is too much for one book to cover, so this volume deals with early theatre and has a cut-off date in 1899. Still, this is almost six centuries, centuries during which British theatre not only developed but produced some of the greatest playwrights of all time and anywhere, including obviously Shakespeare but also Marlowe and Shaw. And they wrote some of the finest plays ever, which are known around the world. So there is plenty for this book to cover, just with the playwrights, plays and actors, but it also has information on stagecraft and theatres, as well as the historical and political background. This book has over 1,183 entries in the dictionary section, these being mainly on playwrights and plays, but others as well including managers and critics, and also on specific theatres, legislative acts and some technical jargon. Then there are entries on the different genres, from comedy to tragedy and everything in between. Inevitably, the chronology is quite long as it has a long period to cover and the introduction provides the necessary overview. The Historical Dictionary of Early British Theatre concludes with a pretty massive bibliography. That will be of use to particularly assiduous researchers, but this book itself is a good place to start any research since it covers periods that are far less well-known and documented, and ordinary theatre-goers will also find useful information.

Cardenio between Cervantes and Shakespeare

Author : Roger Chartier
Publisher : John Wiley & Sons
Page : 256 pages
File Size : 54,8 Mb
Release : 2016-03-21
Category : Literary Criticism
ISBN : 9780745683300

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Cardenio between Cervantes and Shakespeare by Roger Chartier Pdf

How should we read a text that does not exist, or present a playthe manuscript of which is lost and the identity of whose authorcannot be established for certain? Such is the enigma posed by Cardenio – a playperformed in England for the first time in 1612 or 1613 andattributed forty years later to Shakespeare (and Fletcher). Itsplot is that of a ‘novella’ inserted into Don Quixote,a work that circulated throughout the major countries of Europe,where it was translated and adapted for the theatre. In England,Cervantes’ novel was known and cited even before it wastranslated in 1612 and had inspired Cardenio. But there is more at stake in this enigma. This was a time when,thanks mainly to the invention of the printing press, there was aproliferation of discourses. There was often a reaction when it wasfeared that this proliferation would become excessive, and manywritings were weeded out. Not all were destined to survive, inparticular plays for the theatre, which, in many cases, were neverpublished. This genre, situated at the bottom of the literaryhierarchy, was well suited to the existence of ephemeral works.However, if an author became famous, the desire for an archive ofhis works prompted the invention of textual relics, the restorationof remainders ruined by the passing of time or, in order to fill inthe gaps, in some cases, even the fabrication of forgeries. Suchwas the fate of Cardenio in the eighteenth century. Retracing the history of this play therefore leads one to wonderabout the status, in the past, of works today judged to becanonical. In this book the reader will rediscover the malleabilityof texts, transformed as they were by translations and adaptations,their migrations from one genre to another, and their changingmeanings constructed by their various publics. Thanks to RogerChartier’s forensic skills, fresh light is cast upon themystery of a play lacking a text but not an author.

The Lively Arts of the London Stage, 1675–1725

Author : Kathryn Lowerre
Publisher : Routledge
Page : 306 pages
File Size : 45,9 Mb
Release : 2016-12-05
Category : Performing Arts
ISBN : 9781351886512

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The Lively Arts of the London Stage, 1675–1725 by Kathryn Lowerre Pdf

Unlike collections of essays which focus on a single century or whose authors are drawn from a single discipline, this collection reflects the myriad performance options available to London audiences, offering readers a composite portrait of the music, drama, and dance productions that characterized this rich period. Just as the performing arts were deeply interrelated, the essays presented here, by scholars from a range of fields, engage in dialogue with others in the volume. The opening section examines a famous series of 1701 performances based on the competition between composers to set William Congreve's masque The Judgment of Paris to music. The essays in the central section (the 'mainpiece') showcase performers and productions on the London stage from a variety of perspectives, including English 'tastes' in art and music, the use of dance, the depiction of madness and masculinity in both spoken and musical performances, and genres and modes in the context of contemporary criticism and theatrical practice. A brief afterpiece looks at comic pieces in relation to satire, parody and homage. By bringing together work by scholars of music, dance, and drama, this cross-disciplinary collection illuminates the interconnecting strands that shaped a vibrant theatrical world.

Theatre and Culture in Early Modern England, 1650-1737

Author : Catie Gill
Publisher : Routledge
Page : 189 pages
File Size : 54,6 Mb
Release : 2017-03-02
Category : Literary Criticism
ISBN : 9781351880121

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Theatre and Culture in Early Modern England, 1650-1737 by Catie Gill Pdf

Framed by the publication of Leviathan and the 1713 Licensing Act, this collection provides analysis of both canonical and non-canonical texts within the scope of an eighty-year period of theatre history, allowing for definition and assessment that uncouples Restoration drama from eighteenth-century drama. Individual essays demonstrate the significant contrasts between the theatre of different decades and the context of performance, paying special attention to the literary innovation and socio-political changes that contributed to the evolution of drama. Exploring the developments in both tragedy and comedy, and in literary production, specific topics include the playwright's relationship to the monarch, women writers' connection to the audience, the changing market for plays, and the rise of the bourgeoisie. This collection also examines aspects of gender and class through the exploration of women's impact on performance and production, masculinity and libertinism, master/servant relationships, and dramatic representations of the coffee house. Accompanied by a list of Spanish-English plays and a chronology of monarch's reigns and significant changes in theatre history, From Leviathan to Licensing Act is a valuable tool for scholars of Restoration and eighteenth-century performance, providing groundwork for future research and investigation.

Ballad Collection, Lyric, and the Canon

Author : Steve Newman
Publisher : University of Pennsylvania Press
Page : 306 pages
File Size : 51,7 Mb
Release : 2013-04-23
Category : Literary Criticism
ISBN : 9780812202939

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Ballad Collection, Lyric, and the Canon by Steve Newman Pdf

The humble ballad, defined in 1728 as "a song commonly sung up and down the streets," was widely used in elite literature in the eighteenth century and beyond. Authors ranging from John Gay to William Blake to Felicia Hemans incorporated the seemingly incongruous genre of the ballad into their work. Ballads were central to the Scottish Enlightenment's theorization of culture and nationality, to Shakespeare's canonization in the eighteenth century, and to the New Criticism's most influential work, Understanding Poetry. Just how and why did the ballad appeal to so many authors from the Restoration period to the end of the Romantic era and into the twentieth century? Exploring the widespread breach of the wall that separated "high" and "low," Steve Newman challenges our current understanding of lyric poetry. He shows how the lesser lyric of the ballad changed lyric poetry as a whole and, in so doing, helped to transform literature from polite writing in general into the body of imaginative writing that became known as the English literary canon. For Newman, the ballad's early lack of prestige actually increased its value for elite authors after 1660. Easily circulated and understood, ballads moved literature away from the exclusive domain of the courtly, while keeping it rooted in English history and culture. Indeed, elite authors felt freer to rewrite and reshape the common speech of the ballad. Newman also shows how the ballad allowed authors to access the "common" speech of the public sphere, while avoiding what they perceived as the unpalatable qualities of that same public's increasingly avaricious commercial society.

Culture and Politics at the Court of Charles II, 1660-1685

Author : Matthew Jenkinson
Publisher : Boydell & Brewer
Page : 310 pages
File Size : 53,5 Mb
Release : 2010
Category : Biography & Autobiography
ISBN : 9781843835905

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Culture and Politics at the Court of Charles II, 1660-1685 by Matthew Jenkinson Pdf

The reconstitution of the royal court in 1660 brought with it the restoration of fears that had been associated with earlier Stuart courts: disorder, sexual liberty, popery and arbitrary government. This volume illustrates the ways in which court culture was informed by the heady politics of Britain between 1660 and 1685.

The Alexander Pope Encyclopedia

Author : Pat Rogers
Publisher : Bloomsbury Publishing USA
Page : 400 pages
File Size : 47,5 Mb
Release : 2004-03-30
Category : Literary Criticism
ISBN : 9780313061530

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The Alexander Pope Encyclopedia by Pat Rogers Pdf

Alexander Pope (1688-1744) was the most important English poet of the 18th century, as well as an essayist, satirist, and critic. Many of his sayings are still quoted today. His Essay on Criticism shaped the aesthetic views of English Neoclassicism, while his Essay on Man reflected the moral views of the Enlightenment. He participated fully in the critical debates of his time and was one of the few poets who supported himself through his writing. This reference conveniently summarizes his life and works. Included are several-hundred alphabetically arranged entries on Pope's works, subjects that interested him, historical events that impacted Pope's life and work, cultural terms and categories, Pope's family members and acquaintances, major scholars and critics, and various other topics related to his writings. The entries reflect current scholarship and cite works for further reading. The encyclopedia also provides a chronology and concludes with a selected, general bibliography. Because of Pope's central importance to the Enlightenment, this book is also a useful companion to 18th-century literary and intellectual culture.

The Ashgate Research Companion to Henry Purcell

Author : Rebecca Herissone
Publisher : Routledge
Page : 438 pages
File Size : 46,8 Mb
Release : 2016-04-01
Category : Music
ISBN : 9781317043270

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The Ashgate Research Companion to Henry Purcell by Rebecca Herissone Pdf

The Ashgate Research Companion to Henry Purcell provides a comprehensive and authoritative review of current research into Purcell and the environment of Restoration music, with contributions from leading experts in the field. Seen from the perspective of modern, interdisciplinary approaches to scholarship, the companion allows the reader to develop a rounded view of the environment in which Purcell lived, the people with whom he worked, the social conditions that influenced his activities, and the ways in which the modern perception of him has been affected by reception of his music after his death. In this sense the contributions do not privilege the individual over the environment: rather, they use the modern reader's familiarity with Purcell's music as a gateway into the broader Restoration world. Topics include a reassessment of our understanding of Purcell's sources and the transmission of his music; new ways of approaching the study of his creative methods; performance practice; the multi-faceted theatre environment in which his work was focused in the last five years of his life; the importance of the political and social contexts of late seventeenth-century England; and the ways in which the performance history and reception of his music have influenced modern appreciation of the composer. The book will be essential reading for anyone studying the music and culture of the seventeenth century.

The Business of English Restoration Theatre, 1660–1700

Author : Deborah C. Payne
Publisher : Cambridge University Press
Page : 303 pages
File Size : 53,6 Mb
Release : 2024-05-31
Category : Drama
ISBN : 9781009398213

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The Business of English Restoration Theatre, 1660–1700 by Deborah C. Payne Pdf

Deborah C. Payne explores how the duopoly of 1660 impacted company practices, stagecraft, the box office, and actors and writers.

Women Prophets and Radical Protestantism in the British Atlantic World, 1640–1730

Author : Elizabeth Bouldin
Publisher : Cambridge University Press
Page : 128 pages
File Size : 53,9 Mb
Release : 2015-11-12
Category : Religion
ISBN : 9781316432327

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Women Prophets and Radical Protestantism in the British Atlantic World, 1640–1730 by Elizabeth Bouldin Pdf

This book examines the stories of radical Protestant women who prophesied between the British Civil Wars and the Great Awakening. It explores how women prophets shaped religious and civic communities in the British Atlantic world by invoking claims of chosenness. Elizabeth Bouldin interweaves detailed individual studies with analysis that summarizes trends and patterns among women prophets from a variety of backgrounds throughout the British Isles, colonial North America, and continental Europe. Highlighting the ecumenical goals of many early modern dissenters, Women Prophets and Radical Protestantism in the British Atlantic World, 1640–1730 places female prophecy in the context of major political, cultural, and religious transformations of the period. These include transatlantic migration, debates over toleration, the formation of Atlantic religious networks, and the rise of the public sphere. This wide-ranging volume will appeal to all those interested in European and British Atlantic history and the history of women and religion.