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Today we are endlessly connected: constantly tweeting, texting or e-mailing. This may seem unprecedented, yet it is not. Throughout history, information has been spread through social networks, with far-reaching social and political effects. Writing on the Wall reveals how an elaborate network of letter exchanges forewarned of power shifts in Cicero's Rome, while the torrent of tracts circulating in sixteenth-century Germany triggered the Reformation. Standage traces the story of the rise, fall and rebirth of social media over the past 2,000 years offering an illuminating perspective on the history of media, and revealing that social networks do not merely connect us today – they also link us to the past.
What ancient graffiti reveals about the everyday lives of Jews in the Greek and Roman world Few direct clues exist to the everyday lives and beliefs of ordinary Jews in antiquity. Prevailing perspectives on ancient Jewish life have been shaped largely by the voices of intellectual and social elites, preserved in the writings of Philo and Josephus and the rabbinic texts of the Mishnah and Talmud. Commissioned art, architecture, and formal inscriptions displayed on tombs and synagogues equally reflect the sensibilities of their influential patrons. The perspectives and sentiments of nonelite Jews, by contrast, have mostly disappeared from the historical record. Focusing on these forgotten Jews of antiquity, Writing on the Wall takes an unprecedented look at the vernacular inscriptions and drawings they left behind and sheds new light on the richness of their quotidian lives. Just like their neighbors throughout the eastern and southern Mediterranean, Mesopotamia, Arabia, and Egypt, ancient Jews scribbled and drew graffiti everyplace--in and around markets, hippodromes, theaters, pagan temples, open cliffs, sanctuaries, and even inside burial caves and synagogues. Karen Stern reveals what these markings tell us about the men and women who made them, people whose lives, beliefs, and behaviors eluded commemoration in grand literary and architectural works. Making compelling analogies with modern graffiti practices, she documents the overlooked connections between Jews and their neighbors, showing how popular Jewish practices of prayer, mortuary commemoration, commerce, and civic engagement regularly crossed ethnic and religious boundaries. Illustrated throughout with examples of ancient graffiti, Writing on the Wall provides a tantalizingly intimate glimpse into the cultural worlds of forgotten populations living at the crossroads of Judaism, Christianity, paganism, and earliest Islam.
'Fascinating ... not only a history of graffiti, but also a history of the 18th century through lost voices of the people who lived through it.' The Times What if walls could talk? For historian Madeleine Pelling, they can - if you know where to look. A brilliant new cultural history of the long eighteenth century, Writing on the Wall is told through the marks its citizens left behind, bringing into focus lost voices from the highest to the lowest in society. From the centre of London to the islands of the Caribbean, Pelling goes in search of graffiti, evidence of how ordinary people experienced the world-changing events that defined their lives - from political prisoners to sex workers, homesick sailors, Romantic poets and the artisans of the industrial revolution. Here are lives, loves, triumphs and failures, scratched into the walls of prisons and latrines, chalked up on doors and etched into windows. The names of their creators may be lost to history, but together they tell the real story of Britain's most rebellious and transformative century.
The Writing on the Wall by John Malcolm Russell Pdf
The walls of the Assyrian palaces, as well as throne bases, doors and thresholds, were adorned with inscriptions. These inscriptions were surrounded in mystery and esoteric knowledge of their creation and meaning, and deal with a number of different subjects concerned with Assyrian kings and their achievements and exploits.
How can people of faith connect their religious traditions with the rise of overtly fascist violence in the United States? That's the question this book takes up. With first-hand accounts from the largest white supremacist gathering in modern American history at Unite the Right in Charlottesville, Virginia, it shares how the clergy resisting Nazis and the KKK point a way forward for Christians in particular. But The Writing on the Wall expands outward to ask what churches can learn from antifascists, Black Lives Matter, and those working on the ground to combat the continuing coalition of far-right militias and gangs that promise to endure with or without Trump in office. In the wake of a deadly Capitol insurrection robed in Christian imagery, this book invites the faithful to imagine a counter-witness that does more than merely preach against hate. Using biblical exegesis, storytelling, interviews, thought experiments, art, and theology, The Writing on the Wall explores how we can rethink notions of civil disobedience, nonviolence, love, prayer, and liturgy to enflesh a worthy faith in the face of a fascist creep.
Decades of State and non-State violence in India’s landlocked North-east have taken a heavy toll on livelihoods, incomes, governance, growth and image, besides lives. Despite vast amounts of money being pumped into the region, basic needs and minimum services are yet to be met in terms of connectivity, health, education and power. What are the possible ways forward as the region stands at a crossroads? These fifteen personal essays provide an insider’s take on wide-ranging issues: from the Brahmaputra and the use of natural resources to peace talks in Nagaland; from the Centre’s failure to repeal the hated Armed Forces Special Powers Act, threats to the environment, corruption in government and extortion by armed groups to New Delhi’s Look East Policy and much more. Yet, as these essays make clear, hope, though distant, is not absent or lost. Restoring governance through people-driven development programmes, peace building through civil society initiatives, assuring the pre-eminence of local communities as evident in Hazarika’s conversations with the legendary Naga leader, Th. Muivah, and simple economic interventions through appropriate technologies — boats and health care, community mobilization and micro-credit — hold promise for solutions to the web of violence, poverty and marginalization. Writing on the Wall is a passionate call to all stakeholders in the North-east to embrace dialogue and use given platforms for peace, to go beyond the politics of tolerance to that of mutual respect. Only such multi-disciplinary, innovative approaches, rooted in realism, can bring stability and sustainable change to the region.
The move from the old Royal Adelaide Hospital to the new Royal Adelaide Hospital in early September 2017 was a huge and complex undertaking involving thousands of staff, volunteers, patients, members of the SA Ambulance Service, and others. Not only was it logistically massive, it was an emotional experience for all concerned. The old RAH had played a significant role in South Australian history, and been a major part of many people's lives. Its closure brought forth memories and stories of the decades spent there, some of which are shared in this book. All of those who answered the call for stories and poems, and who wrote goodbye notes in the hospital's last days, hope you enjoy what is not only a remembrance of their experiences within the much-loved old RAH, but also a record of their excitement for the future at the new RAH, where the stories begin again.
Author : David S. Martins,Brooke R. Schreiber,Xiaoye You Publisher : University Press of Colorado Page : 241 pages File Size : 55,7 Mb Release : 2023-04-01 Category : Language Arts & Disciplines ISBN : 9781646423248
Writing on the Wall by David S. Martins,Brooke R. Schreiber,Xiaoye You Pdf
The first concerted effort of writing studies scholars to interrogate isolationism in the United States, Writing on the Wall reveals how writing teachers—often working directly with students who are immigrants, undocumented, first-generation, international, and students of color—embody ideas that counter isolationism. The collection extends existing scholarship and research about the ways racist and colonial rhetorics impact writing education; the impact of translingual, transnational, and cosmopolitan ideologies on student learning and student writing; and the role international educational partnerships play in pushing back against isolationist ideologies. Established and early-career scholars who work in a broad range of institutional contexts highlight the historical connections among monolingualism, racism, and white nationalism and introduce community- and classroom-based practices that writing teachers use to resist isolationist beliefs and tendencies. “Writing on the wall” serves as a metaphor for the creative, direct action writing education can provide and invokes border spaces as sites of identity expression, belonging, and resistance. The book connects transnational writing education with the fight for racial justice in the US and around the world and will be of significance to secondary and postsecondary writing teachers and graduate students in English, linguistics, composition, and literacy studies. Contributors: Olga Aksakalova, Sara P. Alvarez, Brody Bluemel, Tuli Chatterji, Keith Gilyard, Joleen Hanson, Florianne Jimenez Perzan, Rebecca Lorimer Leonard, Layli Maria Miron, Tony D. Scott, Kate Vieira, Amy J. Wan
Presents a controversial argument for America's assistance in helping China to become an economic superpower in order to safeguard peace and the financial success of both nations, explaining how American interests can be best served if China is supported with economy-supporting agendas rather than protectionist and Cold-War policies. By the author of A Declaration of Independence. 50,000 first printing.
These are the meditations of a messy spirituality, the life-affirming ramblings of ordinary people who never intended their thoughts to be published and widely read. These anonymous prayers come from the meek, the poor in spirit, those who hunger and thirst for righteousness. Some of the authors might not even call themselves Christians, but they still believe in prayer and have dared to post their heart cries on the Internet, on university walls, on church walls and, even, on the walls of a brewery. Readers will appreciate these raw, honest non-religious psalms and lamentations. Full of life, the big and the small things, they address such issues as AIDS, a slice of pizza and rainbows. Or a teenager crying out for help with her compulsion to self abuse, an ex-con meditating on the meaning of freedom and a person contemplating the deep spiritual significance of a cereal package.
From the bestselling author of A History of the World in 6 Glasses, the story of social media from ancient Rome to the Arab Spring and beyond. Social media is anything but a new phenomenon. From the papyrus letters that Cicero and other Roman statesmen used to exchange news, to the hand-printed tracts of the Reformation and the pamphlets that spread propaganda during the American and French revolutions, the ways people shared information with their peers in the past are echoed in the present. Standage reminds us how historical social networks have much in common with modern social media. The Catholic Church's dilemmas in responding to Martin Luther's attacks are similar to those of today's large institutions in responding to criticism on the Internet, for example, and seventeenth-century complaints about the distractions of coffeehouses mirror modern concerns about social media. Invoking figures from Thomas Paine to Vinton Cerf, co-inventor of the Internet, Standage explores themes that have long been debated, from the tension between freedom of expression and censorship to social media's role in spurring innovation and fomenting revolution. Writing on the Wall draws on history to cast provocative new light on today's social media and encourages debate and discussion about how we'll communicate in the future.