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"This book is a work of medieval history and the history of gender and sexuality. It looks at the biblical King David, who has multiple paradigmatic identities in the Middle Ages: king, military leader, adulterous lover, sinner. It views David primarily from the perspective of medieval European Christian society but also from the medieval European Jewish viewpoint"--
"Thou Art the Man" is a short story by Edgar Allan Poe, first published in 1844. It is an early experiment in detective fiction, like "The Murders in the Rue Morgue," though it is generally considered an inferior story. The plot involves a man wrongfully accused of murdering his uncle Barnabas Shuttleworthy, whose corpse is missing. An unnamed narrator finds the body, suspects the victim's good friend Charles Goodfellow, and sets up an elaborate plot to expose him. The corpse appears to come back to life and points to the best friend, exclaiming "Thou art the man!" The title and the climactic line refer to the second Book of Samuel and also echo a line from the "Great Moon Hoax."
Poe is the master of unreliable narration and deceptive oratory. So, should we believe him when he professes to exonerate the innocent and illuminate the guilty? "Thou Art the Man" (1844) is an early detective story by the man who is often accredited with inventing the detective fiction genre. Alarm spreads when Barnabas Shuttleworthy’s horse returns home without him. A search is commenced and soon follows an accusation. The tribulations of the accused man and his road to redemption are depicted in a macabre way inviting a good dose of gallows humour into the narrative mix. This macabre Poe concoction has received little attention and less praise. "Thou Art the Man" clearly shows that artful rhetoric ultimately – and always – leads to truth. Edgar Allan Poe (1809-1849) was an American poet, author, and literary critic. Most famous for his poetry, short stories, and tales of the supernatural, mysterious, and macabre, he is also regarded as the inventor of the detective genre and a contributor to the emergence of science fiction, dark romanticism, and weird fiction. His most famous works include "The Raven" (1945), "The Black Cat" (1943), and "The Gold-Bug" (1843).
Thou Art That is a compilation of previously uncollected essays and lectures by Joseph Campbell that focus on the Judeo-Christian tradition. Campbell explores common religious symbols, reexamining and reinterpreting them in the context of his remarkable knowledge of world mythology.Campbell believed that society often confuses the literal and metaphorical interpretations of religious stories and symbols. In this collection, he eloquently reestablishes these symbols as a means to enhance spiritual understanding and mystical revelation. With characteristic verve, he ranges from rich storytelling to insightful comparative scholarship. Included is editor Eugene Kennedy's classic interview with Campbell in the New York Times Magazine, which originally brought the scholar to the attention of the public.
"How do we approach the study of masculinity in the past?" Ruth Mazo Karras asks. Medieval documents that have come down to us tell a great deal about the things that men did, but not enough about what they did specifically as men, or what these practices meant to them in terms of masculinity. Yet no less than in our own time, masculinity was a complicated construct in the Middle Ages. In Thou Art the Man, Karras focuses on one figure, King David, who was important in both Christian and Jewish medieval cultures, to show how he epitomized many and sometimes contradictory aspects of masculine identity. For late medieval Christians, he was one of the Nine Worthies, held up as a model of valor and virtue; for medieval Jews, he was the paradigmatic king, not just a remnant of the past, but part of a living heritage. In both traditions he was warrior, lover, and friend, founder of a dynasty and a sacred poet. But how could an exemplar of virtue also be a murderer and adulterer? How could a physical weakling be a great warrior? How could someone whose claim to the throne was not dynastic be a key symbol of the importance of dynasty? And how could someone who dances with slaves be noble? Exploring the different configurations of David in biblical and Talmudic commentaries, in Latin, Hebrew, and vernacular literatures across Europe, in liturgy, and in the visual arts, Thou Art the Man offers a rich case study of how ideas and ideals of masculinity could bend to support a variety of purposes within and across medieval cultures.
The final book of the Bible, Revelation prophesies the ultimate judgement of mankind in a series of allegorical visions, grisly images and numerological predictions. According to these, empires will fall, the "Beast" will be destroyed and Christ will rule a new Jerusalem. With an introduction by Will Self.
While the social identity of women in medieval society hinged largely on the ritual of marriage, identity for men was derived from belonging to a particular group. Knights, monks, apprentices, guildsmen all underwent a process of initiation into their unique subcultures. As From Boys to Men shows, the process of this socialization reveals a great deal about medieval ideas of what it meant to be a man—as distinguished from a boy, from a woman, and even from a beast. In an exploration of the creation of adult masculine identities in the fourteenth and fifteenth centuries, From Boys to Men takes a close look at the roles of men through the lens of three distinct institutions: the university, the aristocratic household and court, and the craft workshop. Ruth Mazo Karras demonstrates that, while men in the later Middle Ages were defined as the opposite of women, this was never the only factor in determining their role in society. A knight proved himself against other men by the successful use of violence as well as by successful control of women. University scholars proved themselves against each other through a violence that was metaphorical and against other men by their Latinity and their use of the tools of logic and rationality. Craft workers proved their manhood by achieving independent householder status. Drawing on sources throughout Northern Europe, including court records and other administrative documents, prescriptive texts such as instructions for dubbing to knighthood, biographies, and imaginative literature, From Boys to Men sheds new light on how young men were trained to take their place in medieval society and the implications of that training for the construction of gender in the Middle Ages. Rescuing maleness from its classification as an ungendered category, From Boys to Men unravels what it meant to be men in a womanless context, revealing the common threads that emerge from the study of young manhood in various disparate institutional settings.
Thou Art the Man, Vol. 3 of 3 by M. E. Braddon Pdf
Excerpt from Thou Art the Man, Vol. 3 of 3: A Novel Coralie looked at him sharply with her bright, grey eyes. She was beginning to entertain very unpleasant suspicions about Mr. Cover dale. No, she hasn't come home from her solitary drive, she said, answering his look. My aunt is getting quite dissipated, ain't she? These ponies are spoiling her orderly habits. She ought not to be out after five o'clock on such an afternoon as this, remarked Lady Selina. I don't understand this passion for long drives. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from Thou Art the Man: A Novel The man came running on, giving chase to the carriage, and waving an arm in a ragged fustian sleeve. Stop, cried Lady Penrith, and the coachman pulled up his horses, in the midst of the bleak, bare moor, and the footman alighted from the box and came to the carriage door, touching his hat with gloved fingers, mute image Of obedience and subserviency. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Thou Art the Man, Vol. 1 of 3 by M. E. Braddon Pdf
Excerpt from Thou Art the Man, Vol. 1 of 3: A Novel The man came running on, giving chase to the carriage, and waving an arm in a ragged fustian sleeve. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
The Jungle Book (illustrated) by Rudyard Kipling Pdf
Famous stories of The Jungle Book Rudyard Kipling: Mowgli's Brothers, Kaa's Hunting, Tiger! Tiger!, The White Seal, Rikki-Tikki-Tavi, Toomai of the Elephants, Her Majesty’s Servants. Illustrated by Valeriia Gogina.
