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Three Philosophical Poets: Lucretius, Dante, and Goethe by George Santayana Pdf
This is a literary criticism of the three poets named in the title. George Santayana, Spanish by birth lived for many years in America but never became an American citizen. He was a great critic and writer in his time, and this book shows his skills well as he describes the work of each poet in his own unique way.
“I am no specialist in the study of Lucretius; I am not a Dante scholar nor a Goethe scholar….My excuse for writing about them, notwithstanding, is merely the human excuse which every new poet has for writing about the spring. They have attracted me; they have moved me to reflection; they have revealed to me certain aspects of nature and of philosophy which I am prompted by mere sincerity to express, if anybody seems interested or willing to listen.” The modesty exhibited in the above disclaimer—from Santayana’s preface to Three Philosophical Poets—should be viewed in the context of the author’s extraordinary impact as a philosopher and teacher. The Sense of Beauty has claim to being the first major work on aesthetics written in the United States; the multivolume The Life of Reason is arguably the first extended analysis of pragmatism anywhere. Among Santayana’s many well-known Harvard students, Wallace Stevens has acknowledged a clear debt to his work. Based on a course Santayana taught at Harvard, Three Philosophical Poets was first delivered to the public as a series of lectures at Columbia University in 1910. Santayana’s lifelong, learned meditation on the relationship between philosophy and art is apparent. (Santayana’s own prose style has long been considered among the most eloquent in all of philosophy.) Here, he discusses the chief phases of European philosophy—naturalism, supernaturalism, and romanticism—as they are set forth and epitomized by the works of Lucretius, Dante, and Goethe, respectively. Praise for Three Philosophical Poets and its author “[A] brilliant and admirable little book.” —T. S. Eliot “The exquisite and memorable way in which he has always said things has given so much delight that we accept what he says as we accept our own civilization. His pages are part of the douceur de vivre.” —Wallace Stevens “Santayana was the real excitement for me at Harvard, especially Three PhilosophicalPoets….It really fixed my view of what poetry should ultimately be.” —Conrad Aiken
What is the best way to discuss the intersection of philosophy, poetry and art? For George Santayana it was to highlight the greatest qualities of each poet and explain how one compliments the other. This is Santayana's approach in Three Philosophical Poets: Lucretius, Dante, and Goethe. "The sole advantage in possessing great works of literature lies in what they can help us to become." So begins Santayana's analysis of the three heroes of the book. Three Philosophical Poets: Lucretius, Dante, and Goethe is a collection of six lectures "with a few additions" read in February, 1910, and they are based on one of Santayana's courses at Columbia University. He begins with an examination of Lucretius and his foundation in naturalism, materialism and in humanism in ethics. A thousand years later Dante arrived, bringing with him awareness of supernaturalism, or God. Still later came Goethe, whose Romanticism expanded on Lucretius and Dante. Santayana's love for the poets is infectious. Rather than painstakingly examining each line and then connecting it to dry philosophical tomes, Santayana quotes the best passages, explaining what makes them great. He seems to be delighted by each poem, almost as if it is a brand new discovery. Santayana's discourse on the various episodes of Faust is essential reading. He relates each one in an entertaining manner, making the reader feel as if he or she is in the midst of a good conversation. By connecting the three poets, Santayana helps readers gain insight into their poems but also into the nature of philosophy itself. Readers will find meaning in Three Philosophical Poets: Lucretius, Dante, and Goethe. This book will encourage readers to revisit the three poets with fresh eyes. It is a vital companion for rereading three great poets of the Western world. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
What is the best way to discuss the intersection of philosophy, poetry and art? For George Santayana it was to highlight the greatest qualities of each poet and explain how one compliments the other. This is Santayana's approach in Three Philosophical Poets: Lucretius, Dante, and Goethe. "The sole advantage in possessing great works of literature lies in what they can help us to become." So begins Santayana's analysis of the three heroes of the book. Three Philosophical Poets: Lucretius, Dante, and Goethe is a collection of six lectures "with a few additions" read in February, 1910, and they are based on one of Santayana's courses at Columbia University. He begins with an examination of Lucretius and his foundation in naturalism, materialism and in humanism in ethics. A thousand years later Dante arrived, bringing with him awareness of supernaturalism, or God. Still later came Goethe, whose Romanticism expanded on Lucretius and Dante. Santayana's love for the poets is infectious. Rather than painstakingly examining each line and then connecting it to dry philosophical tomes, Santayana quotes the best passages, explaining what makes them great. He seems to be delighted by each poem, almost as if it is a brand new discovery. Santayana's discourse on the various episodes of Faust is essential reading. He relates each one in an entertaining manner, making the reader feel as if he or she is in the midst of a good conversation. By connecting the three poets, Santayana helps readers gain insight into their poems but also into the nature of philosophy itself. Readers will find meaning in Three Philosophical Poets: Lucretius, Dante, and Goethe. This book will encourage readers to revisit the three poets with fresh eyes. It is a vital companion for rereading three great poets of the Western world. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Three Philosophical Poets: Lucretius, Dante, and Goethe, critical edition, Volume 8 by George Santayana Pdf
Santayana's argument for the unity of philosophy and poetry. This concise and compelling volume—described by Santayana as a “piece of literary criticism, together with a first broad lesson in the history of philosophy”—introduces Santayana's thought in the rich context of a European poetic tradition that demonstrates his broad conception of philosophy. Rejecting both the Platonic opposition of philosophy and poetry and more recent attempts to reduce philosophy to science, Santayana argues that philosophy and poetry at their best are united in articulating a comprehensive vision of the world that permits honest contemplation of the universe. He considers the ideal visions of three artists: Lucretius's naturalism provides a total perspective on the physical world but renders experience monotonous; Dante's supernaturalism provides a total perspective on experience but subordinates nature to morality; Goethe's romanticism provides a dramatic perspective on nature and experience but lacks totality. Santayana sees each as the best in his own way, though none is best in all ways; and he speculates that the ideal poet would integrate the gifts and insights of all three, resulting in “rational art,” of which philosophical poetry is a prime example. This critical edition, volume VIII of The Works of George Santayana, includes notes, textual commentary, lists of variants and emendations, an index, and other tools useful to Santayana scholars.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
In this insightful book, Santayana provides a deep analysis of the works of three great poets - Lucretius, Dante, and Goethe - examining their philosophical ideas and their influence on Western thought. It is a must-read for lovers of literature, philosophy, and history. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Book Excerpt: hile life as a whole, history, character, and destiny are objects unfit for imagination to dwell on, and repellent to poetic art? I cannot think so. If it be a fact, as it often is, that we find little things pleasing and great things arid and formless, and if we are better poets in a line than in an epic, that is simply due to lack of faculty on our part, lack of imagination and memory, and above all to lack of discipline. This might be shown, I think, by psychological analysis, if we cared to rely on something so abstract and so debatable. For in what does the short-winded poet himself excel the common unimaginative person who talks or who stares? Is it that he thinks even less? Rather, I suppose, in that he feels more; in that his moment of intuition, though fleeting, has a vision, a scope, a symbolic something about it that renders it deep and expressive. Intensity, even momentary intensity, if it can be expressed at all, comports fullness and suggestion compressed into that intense moment. Yes, ev Read More
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
"[...]song, suffusing all with poetic beauty, ... if haply by such means I might keep thy mind intent upon my verses, until thine eye fathoms the whole structure of nature, and the fixed form that makes it beautiful."[2] Here, I think, we have the solution to our doubt. The reasonings and investigations of philosophy are arduous, and if poetry is to be linked with them, it can be artificially only, and with a bad grace. But the vision of philosophy is sublime. The order it reveals in the world is something beautiful, tragic, sympathetic to the mind, [...]."
Jorge Agustín Nicolás Ruiz de Santayana y Borrás, known as George Santayana, was a Spanish and American philosopher, essayist, poet, and novelist. He was the author who created many popular aphorisms, such as "Those who cannot remember the past are condemned to repeat it," "Only the dead have seen the end of war," and the definition of beauty as "pleasure objectified". His book of poetry is a source of clever and witty thoughts, where the earthly wisdom takes a harmonious aesthetic shape.
The Ancient Quarrel Between Philosophy and Poetry by Raymond Barfield Pdf
From its beginnings, philosophy's language, concepts and imaginative growth have been heavily influenced by poetry and poets. Drawing on the work of a wide range of thinkers throughout the history of Western philosophy, Raymond Barfield explores the pervasiveness of poetry's impact on philosophy and, conversely, how philosophy has sometimes resisted or denied poetry's influence. Although some thinkers, like Giambatista Vico and Nietzsche, praised the wisdom of poets, and saw poetry and philosophy as mutually beneficial pursuits, others resented, diminished or eliminated the importance of poetry in philosophy. Beginning with the famous passage in Plato's Republic in which Socrates exiles the poets from the city, this book traces the history of the ancient quarrel between philosophy and poetry through the works of thinkers in the Western tradition ranging from Plato to the work of the contemporary thinker Mikhail Bakhtin.
The Poet as Philosopher, a Study of Three Philosophical Poems, Nosce Teipsum the Essay on Man by Mabel Dodge Holmes Pdf
Excerpt from The Poet as Philosopher, a Study of Three Philosophical Poems, Nosce Teipsum the Essay on Man: In Memoriam It is probable, too, that to his contemporaries the philosophical discoveries of Davies had all the charm of novelty. It is to our print-satiated age that they seem trite. The men and women who read his work knew Plato and Aristotle, to be sure; but here were Plato and Aristotle popularized and made English. And these readers were not constructive thinkers, each in possession of a well-formulated system of metaphysics. Among the men of learning of his time, Davies was one of the few conscious philos Ophers. While he was no more really the philosopher than was Spenser, and while his work no more truly contains a knowledge of the deep things of the thought of the ages past than does the Faerie Queen, nevertheless Spenser's philosophical reflections are so intermingled with the thread of his allegory and with vivid images of sensuous beauty that the philosopher seems all poet. For the writer of Nosoe Teipsum, on the contrary, poetry was merely the medium of expression of an abstract philosophical theme - the ship which carried the adventurer through the deeps of thought, into a country to him as undiscovered as was the Eldorado Which lured Sir Walter Raleigh to his death. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
