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Elizabethan Seneca by James Ker,Jessica Winston Pdf
In the early Elizabethan period, nine of the ten tragedies attributed to the ancient Roman statesman, philosopher, and playwright Seneca (c. 1 BCE-65 CE) were translated for the first time into English, and these translations shaped Seneca's dramatic legacy as it would be known to later authors and playwrights. This edition enables readers to appreciate the distinct style and aims of three milestone translations: Jasper Heywood's 'Troas' (1559) and 'Thyestes' (1560), and John Studley's 'Agamemnon' (1566). The plays are presented in modern spelling and accompanied by critical notes clarifying the translators' approaches to rendering Seneca in English. The introduction provides important context, including a survey of the transmission and reception of Seneca from the first through to the sixteenth century and an analysis and comparison of the style of the three translations. James Ker is Associate Professor of Classical Studies at the University of Pennsylvania. He is the author of The Deaths of Seneca (2009), A Seneca Reader (2011), and articles on Greek and Roman literature. Jessica Winston is Professor of English at Idaho State University. She is the author of numerous articles on early Elizabethan literature and the Elizabethan reception of Seneca.
Three Tragedies of Seneca by Lucius Annaeus Seneca Pdf
Excerpt from Three Tragedies of Seneca: Hercules Furens, Troades, Medea The last decade has seen a revival of interest in the Latin Tragedy, which had long been neglected. In many colleges and universities the plays are studied now either in independent courses or as supplementary to work in the Comedy. The neglect, no doubt, was due in part to the want of available editions with English notes. On the Continent of Europe, especially in Germany, much labor has been devoted to the constitution of the text, and many monographs on various phases of the subject have been published. In England and America, on the other hand, little has been done for many years. It has been the fashion to dismiss the Senecan tragedies airily as unworthy of serious attention; but such criticism seems to have been based in most cases on slight firsthand acquaintance with them. Undeniably they have their faults, yet have withal a real interest and value, first as the sole remains of an important branch of Roman literature, second for their own content and style, and third for their direct and powerful influence upon the English drama of the Elizabethan age. Most of them, furthermore, may be compared directly with their Greek originals, an advantage we do not enjoy in studying the Latin Comedy. In this edition no attempt at a critical treatment of the text has been made, but the aim throughout has been to give such aid as will enable an intelligent student of average preparation to understand and appreciate the plays themselves. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Three Tragedies of Seneca by Lucius Annaeus Seneca Pdf
Excerpt from Three Tragedies of Seneca: Hercules Furens, Troades, Medea The last decade has seen a revival of interest in the Latin Tragedy, which had long been neglected. In many colleges and universities the plays are studied now either in independent courses or as supplementary to work in the Comedy. The neglect, no doubt, was due in part to the want of available editions with English notes. On the Continent of Europe, especially in Germany, much labor has been de voted to the constitution of the text, and'many monographs on various phases of the subject have been published. In England and America, on the other hand, little has been done for many years. It has been the fashion to dismiss the Senecan tragedies airily as unworthy of serious attention; but such criticism seems to have been based in most cases on slight first hand acquaintance with them. Undeniably they have their faults, yet have withal a real interest and value, first as the sole remains of an important branch of Roman literature, second for their Own content and style, and third for their direct and powerful influence upon the English drama of the Elizabethan age. Most of them, furthermore, may be compared directly with their Greek originals, an advantage we do not enjoy in studying the Latin Comedy. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
In these lively renditions David Slavitt calls attention to the extraordinary work of the great Latin poet Seneca, and makes them appealing to modern readers. Seneca's honest artistry confronts the cruelty and irrationality of his world--the Rome of Caligula, Claudius and Nero. The surprise is that Seneca's world is so like our own. This volume includes five of Seneca's tragedies--"Trojan Women, Thyestes, Phaedra, Medea" and "Agamemnon". (Drama)
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Plays and translators: Octavia, Kelly Cherry * Hercules Oetaeus, Stephen Sandy * Oedipus, Rachel Hadas * The Phoenician Women, David Slavitt * Hercules Furens, Dana Gioia. Are there no limits to human cruelty? Is there any divine justice? Do the gods even matter if they do not occupy themselves with rewarding virtue and punishing wickedness? Seneca's plays might be dismissed as bombastic and extravagant answers to such questions—if so much of human history were not "Senecan" in its absurdity, melodrama, and terror. Here is an honest artist confronting the irrationality and cruelty of his world—the Rome of Caligula, Claudius, and Nero—and his art reflects the stress of the encounter. The surprise, perhaps, is that Seneca's world is so like our own.
The Tragedies of Seneca by Lucius Annaeus Seneca,Ella Isabel Harris Pdf
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
