Timurid Art And Culture

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Timurid Art and Culture

Author : Lisa Golombek,Maria Subtelny
Publisher : Unknown
Page : 224 pages
File Size : 45,6 Mb
Release : 1992
Category : Art
ISBN : UOM:39015028447129

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Timurid Art and Culture by Lisa Golombek,Maria Subtelny Pdf

Timurid Art and Culture

Author : Lisa Golombek,Maria Subtelny
Publisher : Unknown
Page : 208 pages
File Size : 42,9 Mb
Release : 1992
Category : Electronic
ISBN : OCLC:1025629201

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Timurid Art and Culture by Lisa Golombek,Maria Subtelny Pdf

Timurid Art and Culture

Author : Lisa Golombek,Maria Subtelny
Publisher : BRILL
Page : 216 pages
File Size : 45,7 Mb
Release : 2023-12-28
Category : Art
ISBN : 9789004662551

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Timurid Art and Culture by Lisa Golombek,Maria Subtelny Pdf

The nineteen papers collected in this volume were delivered at a symposium held in Toronto, November 1989 in order to discuss the art and culture of Timurid times. The papers cover the last decades of the fourteenth century and the whole of the fifteenth, in an area of western Asia extending roughly from the Euphrates to the Hindu Kush and to the Altai. Among the subjects covered were: 'Discourses of an Imaginary Arts Council in Fifteenth-Century Iran'; 'The Persian Court between Palace and Tent: From Timur to ‘Abbas I'; 'Turkmen Princes and Religious Dignitaries: A Sketch in Group Profiles'; 'Craftsmen and Guild Life in Samarkand'; 'The Baburnama and the Tarikh-i Rashidi: Their Mutual Relationship'; 'Geometric Design in Timurid/Turkmen Architectural Practice: Thoughts on a Recently Discovered Scroll and Its Late Gothic Parallels' and 'Repetition of Compositions in Manuscripts: The Khamsa of Nizami in Leningrad.

Making of the Artist in Late Timurid Painting

Author : Balafrej Lamia Balafrej
Publisher : Edinburgh University Press
Page : 304 pages
File Size : 41,6 Mb
Release : 2019-04-01
Category : Art
ISBN : 9781474437462

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Making of the Artist in Late Timurid Painting by Balafrej Lamia Balafrej Pdf

In the absence of a tradition of self-portraiture, how could artists signal their presence within a painting? Centred on late Timurid manuscript painting (ca. 1470-1500), this book reveals that pictures could function as the painter's delegate, charged with the task of centring and defining artistic work, even as they did not represent the artist's likeness. Influenced by the culture of the majlis, an institutional gathering devoted to intricate literary performances and debates, late Timurid painters used a number of strategies to shift manuscript painting from an illustrative device to a self-reflective object, designed to highlight the artist's imagination and manual dexterity. These strategies include visual abundance, linear precision, the incorporation of inscriptions addressing aspects of the painting and the artist's signature. Focusing on one of the most iconic manuscripts of the Persianate tradition, the Cairo Bustan made in late Timurid Herat and bearing the signatures of the painter Bihzad, this book explores Persian manuscript painting as a medium for artistic performance and self-representation, a process by which artistic authority was shaped and discussed.

TIMUR & PRINCELY VISION

Author : Thomas W. Lentz,Glenn D. Lowry
Publisher : Unknown
Page : 396 pages
File Size : 49,9 Mb
Release : 1989-05-17
Category : Art
ISBN : MINN:31951D00171144D

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TIMUR & PRINCELY VISION by Thomas W. Lentz,Glenn D. Lowry Pdf

A Companion to Islamic Art and Architecture

Author : Finbarr Barry Flood,Gulru Necipoglu
Publisher : John Wiley & Sons
Page : 1448 pages
File Size : 46,8 Mb
Release : 2017-06-16
Category : Art
ISBN : 9781119068570

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A Companion to Islamic Art and Architecture by Finbarr Barry Flood,Gulru Necipoglu Pdf

The two-volume Companion to Islamic Art and Architecture bridges the gap between monograph and survey text by providing a new level of access and interpretation to Islamic art. The more than 50 newly commissioned essays revisit canonical topics, and include original approaches and scholarship on neglected aspects of the field. This two-volume Companion showcases more than 50 specially commissioned essays and an introduction that survey Islamic art and architecture in all its traditional grandeur Essays are organized according to a new chronological-geographical paradigm that remaps the unprecedented expansion of the field and reflects the nuances of major artistic and political developments during the 1400-year span The Companion represents recent developments in the field, and encourages future horizons by commissioning innovative essays that provide fresh perspectives on canonical subjects, such as early Islamic art, sacred spaces, palaces, urbanism, ornament, arts of the book, and the portable arts while introducing others that have been previously neglected, including unexplored geographies and periods, transregional connectivities, talismans and magic, consumption and networks of portability, museums and collecting, and contemporary art worlds; the essays entail strong comparative and historiographic dimensions The volumes are accompanied by a map, and each subsection is preceded by a brief outline of the main cultural and historical developments during the period in question The volumes include periods and regions typically excluded from survey books including modern and contemporary art-architecture; China, Indonesia, Sub-Saharan Africa, Sicily, the New World (Americas)

Messianic Hopes and Mystical Visions

Author : Shahzad Bashir
Publisher : Univ of South Carolina Press
Page : 372 pages
File Size : 40,8 Mb
Release : 2003
Category : Religion
ISBN : 1570034958

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Messianic Hopes and Mystical Visions by Shahzad Bashir Pdf

Messianic Hopes and Mystical Visions tells the story of the Nurbakhshiya, an Islamic messianic movement that originated in fifteenth-century central Asia and Iran and survives to the present in Pakistan and India. In the first full-length study of the sect, Shahzad Bashir illumines the significance of messianism as an Islamic religious paradigm and illustrates its centrality to any discussion of Islamic sectarianism. By tracing Nurbakhshi activity in the Middle East and central and southern Asia through more than five centuries, Bashir brings to view the continuities and disruptions within Islamic civilization across regions and over time. Bashir effectively captures the way Nurbakhshis have understood and debated the meaning of their tradition in various geographical and temporal contexts. Bashir provides a detailed biography of the movement's founder, Muhammad Nurbakhsh (d. 1464). Born to a Twelver Shi'i family, Nurbakhsh declared himself the mahdi, or the Muslim messiah, as an adept of the Kubravi Sufi order under the influence of the teachings of the great Sufi master Ibn al-'Arabi (d. 1240). Nurbakhsh's religious worldview, which Bashir treats in depth in this volume, offers a

The Persian Album, 1400-1600

Author : David J. Roxburgh
Publisher : Yale University Press
Page : 404 pages
File Size : 49,8 Mb
Release : 2005-01-01
Category : Art
ISBN : 0300103255

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The Persian Album, 1400-1600 by David J. Roxburgh Pdf

This groundbreaking book examines portable art collections assembled in the courts of Greater Iran in the fifteenth and sixteenth centuries. Made for members of the royal families or ruling elites, albums were created to preserve and display art, yet they were conceptualized in different ways. David Roxburgh, a leading expert on Persian albums and the art of the book, discusses this diversity and demonstrates convincingly that to look at the practice of album making is to open a vista to a culture of thought about the Persian art tradition. The book considers the album’s formal and physical properties, assembly, and content, as well as the viewer’s experience. Focusing on seven albums created during the Timurid and Safavid dynasties, Roxburgh reconstructs the history and development of this codex form and uses the works of art to explore notions of how art and aesthetics were conceived in Persian court culture. Generously illustrated with over 175 images, many rare and previously unpublished, the book offers a range of new insights into Persian visual culture as well as Islamic art history.

Art, Trade and Culture in the Islamic World and Beyond

Author : Alison Ohta,J. M. Rogers,Rosalind Wade Haddon
Publisher : Unknown
Page : 281 pages
File Size : 47,6 Mb
Release : 2016
Category : Art
ISBN : 1909942901

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Art, Trade and Culture in the Islamic World and Beyond by Alison Ohta,J. M. Rogers,Rosalind Wade Haddon Pdf

The essays in this volume bring to light the artistic exchanges that occurred between successive Islamicdynasties and those further afield in China, Armenia, India and Europe from the 12th to the 19th centuries. All the articles present original research, many of them taking advantage of innovative scientific means allowing us to look at already familiar objects in a new light. Subjects include tile production during the reign of Qaytbay, book bindings associated with Qansuh al-Ghuri, depictions of fish on Mamluk textiles, the relationship between Mamluk metalwork and Rasulid Yemen and Italy respectively. A number of the articles are concerned with epigraphic inscriptions found on the buildings of the Fatimid, Mamluk and Ottoman periods, examining the inscriptions on the Mausoleum of Yahya al-Shibihi in Cairo, others trace the revival of building inscriptions in 19th century Egypt, and how a Mamluk inscription from the Madrasa Qartawiya in Tripoli is replicated in Istanbul during the Ottomanperiod. The relationship between ceilings of the Cappella Palatina in Palermo and the MoukhroutasPalace in Constantinople is also explored, as is the unacknowledged debt that European lacquer worksowes to Persian craftsmen. Other topics covered include the architecture of the Nusretiye Mosque in Istanbul, the role played by Armenian architects in the reshaping of Ottoman cities in the 19th century, the role of the hammam in Ottoman culture and representations of beauty on Iznik pottery. Arictles on Port St. Symeon ceramics, the Armenian patrons of Chinese export wares of the 18th century, the history of the art of khatam khari in Iran, the artistic, architectural and literary influences in India between the 15th and 17th centuries, the influence of Timurid architecture in 15th century Bidar and the influence of a 16th century Hindavi Sufi Romance are also included. "

Timurids in Transition

Author : Maria Subtelny
Publisher : BRILL
Page : 438 pages
File Size : 54,5 Mb
Release : 2007-08-30
Category : History
ISBN : 9789047421603

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Timurids in Transition by Maria Subtelny Pdf

Journal of Asian and African Studies is continued as African and Asian Studies. See https://brill.com/view/journals/aas/aas-overview.xml for more information.

The Zoomorphic Imagination in Chinese Art and Culture

Author : Jerome Silbergeld,Eugene Y. Wang
Publisher : University of Hawaii Press
Page : 474 pages
File Size : 49,6 Mb
Release : 2016-10-31
Category : Art
ISBN : 9780824872564

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The Zoomorphic Imagination in Chinese Art and Culture by Jerome Silbergeld,Eugene Y. Wang Pdf

China has an age-old zoomorphic tradition. The First Emperor was famously said to have had the heart of a tiger and a wolf. The names of foreign tribes were traditionally written with characters that included animal radicals. In modern times, the communist government frequently referred to Nationalists as “running dogs,” and President Xi Jinping, vowing to quell corruption at all levels, pledged to capture both “the tigers” and “the flies.” Splendidly illustrated with works ranging from Bronze Age vessels to twentieth-century conceptual pieces, this volume is a wide-ranging look at zoomorphic and anthropomorphic imagery in Chinese art. The contributors, leading scholars in Chinese art history and related fields, consider depictions of animals not as simple, one-for-one symbolic equivalents: they pursue in depth, in complexity, and in multiple dimensions the ways that Chinese have used animals from earliest times to the present day to represent and rhetorically stage complex ideas about the world around them, examining what this means about China, past and present. In each chapter, a specific example or theme based on real or mythic creatures is derived from religious, political, or other sources, providing the detailed and learned examination needed to understand the means by which such imagery was embedded in Chinese cultural life. Bronze Age taotie motifs, calendrical animals, zoomorphic modes in Tantric Buddhist art, Song dragons and their painters, animal rebuses, Heaven-sent auspicious horses and foreign-sent tribute giraffes, the fantastic specimens depicted in the Qing Manual of Sea Oddities, the weirdly indeterminate creatures found in the contemporary art of Huang Yong Ping—these and other notable examples reveal Chinese attitudes over time toward the animal realm, explore Chinese psychology and patterns of imagination, and explain some of the critical means and motives of Chinese visual culture. The Zoomorphic Imagination in Chinese Art and Culture will find a ready audience among East Asian art and visual culture specialists and those with an interest in literary or visual rhetoric. Contributors: Sarah Allan, Qianshen Bai, Susan Bush, Daniel Greenberg, Carmelita (Carma) Hinton, Judy Chungwa Ho, Kristina Kleutghen, Kathlyn Liscomb, Jennifer Purtle, Jerome Silbergeld, Henrik Sørensen, and Eugene Y. Wang.

Timurid Architecture in Khurasan

Author : Bernard O'Kane
Publisher : Mazda Publishers, Incorporated
Page : 662 pages
File Size : 40,9 Mb
Release : 1987
Category : Architecture
ISBN : UOM:39015064903191

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Timurid Architecture in Khurasan by Bernard O'Kane Pdf

Making of the Artist in Late Timurid Painting

Author : Lamia Balafrej
Publisher : Edinburgh University Press
Page : 280 pages
File Size : 52,7 Mb
Release : 2019-04-01
Category : Art
ISBN : 9781474437455

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Making of the Artist in Late Timurid Painting by Lamia Balafrej Pdf

In the absence of a tradition of self-portraiture, how could artists signal their presence within a painting? Centred on late Timurid manuscript painting (ca. 1470-1500), this book reveals that pictures could function as the painter's delegate, charged with the task of centring and defining artistic work, even as they did not represent the artist's likeness. Influenced by the culture of the majlis, an institutional gathering devoted to intricate literary performances and debates, late Timurid painters used a number of strategies to shift manuscript painting from an illustrative device to a self-reflective object, designed to highlight the artist's imagination and manual dexterity. These strategies include visual abundance, linear precision, the incorporation of inscriptions addressing aspects of the painting and the artist's signature. Focusing on one of the most iconic manuscripts of the Persianate tradition, the Cairo Bustan made in late Timurid Herat and bearing the signatures of the painter Bihzad, this book explores Persian manuscript painting as a medium for artistic performance and self-representation, a process by which artistic authority was shaped and discussed.

Iran and the Deccan

Author : Keelan Overton
Publisher : Indiana University Press
Page : 466 pages
File Size : 49,8 Mb
Release : 2020-06-02
Category : Art
ISBN : 9780253048943

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Iran and the Deccan by Keelan Overton Pdf

In the early 1400s, Iranian elites began migrating to the Deccan plateau of southern India. Lured to the region for many reasons, these poets, traders, statesmen, and artists of all kinds left an indelible mark on the Islamic sultanates that ruled the Deccan until the late seventeenth century. The result was the creation of a robust transregional Persianate network linking such distant cities as Bidar and Shiraz, Bijapur and Isfahan, and Golconda and Mashhad. Iran and the Deccan explores the circulation of art, culture, and talent between Iran and the Deccan over a three-hundred-year period. Its interdisciplinary contributions consider the factors that prompted migration, the physical and intellectual poles of connectivity between the two regions, and processes of adaptation and response. Placing the Deccan at the center of Indo-Persian and early modern global history, Iran and the Deccan reveals how mobility, liminality, and cultural translation nuance the traditional methods and boundaries of the humanities.

Bibliography of Art and Architecture in the Islamic World (2 vols.)

Author : Susan Sinclair
Publisher : BRILL
Page : 1508 pages
File Size : 51,6 Mb
Release : 2012-04-03
Category : Social Science
ISBN : 9789047412076

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Bibliography of Art and Architecture in the Islamic World (2 vols.) by Susan Sinclair Pdf

Following the tradition and style of the acclaimed Index Islamicus, the editors have created this new Bibliography of Art and Architecture in the Islamic World. The editors have surveyed and annotated a wide range of books and articles from collected volumes and journals published in all European languages (except Turkish) between 1906 and 2011. This comprehensive bibliography is an indispensable tool for everyone involved in the study of material culture in Muslim societies.