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Author : Anna Laura Lepschy
Publisher : Unknown
Page : 306 pages
File Size : 43,9 Mb
Release : 1983
Category : Art criticism
ISBN : UOM:39015034700040
Author : Kamini Vellodi
Publisher : Bloomsbury Publishing
Page : 240 pages
File Size : 53,6 Mb
Release : 2019-02-27
Category : Philosophy
ISBN : 9781350083066
A provocative account of the philosophical problem of 'difference' in art history, Tintoretto's Difference offers a new reading of this pioneering 16th century painter, drawing upon the work of the 20th century philosopher Gilles Deleuze. Bringing together philosophical, art historical, art theoretical and art historiographical analysis, it is the first book-length study in English of Tintoretto for nearly two decades and the first in-depth exploration of the implications of Gilles Deleuze's philosophy for the understanding of early modern art and for the discipline of art history. With a focus on Deleuze's important concept of the diagram, Tintoretto's Difference positions the artist's work within a critical study of both art history's methods, concepts and modes of thought, and some of the fundamental dimensions of its scholarly practice: context, tradition, influence, and fact. Indicating potentials of the diagrammatic for art historical thinking across the registers of semiotics, aesthetics, and time, Tintoretto's Difference offers at once an innovative study of this seminal artist, an elaboration of Deleuze's philosophy of the diagram, and a new avenue for a philosophical art history.
Author : Tom Nichols
Publisher : Reaktion Books
Page : 400 pages
File Size : 43,6 Mb
Release : 2015-10-01
Category : Art
ISBN : 9781780234816
Jacopo Tintoretto (1518–94) is an ambiguous figure in the history of art. His radically unorthodox paintings are not readily classifiable, and although he was a Venetian by birth, his standing as a member of the Venetian school is constantly contested. But he was also a formidable maverick, abandoning the humanist narratives and sensuous color palette typical of the great Venetian master, Titian, in favor of a renewed concentration on core Christian subjects painted in a rough and abbreviated chiaroscuro style. This generously illustrated book offers an extensive analysis of Tintoretto’s greatest paintings, charting his life and work in the context of Venetian art and the culture of the Cinquecento. Tom Nichols shows that Tintoretto was an extraordinarily innovative artist who created a new manner of painting, which, for all of its originality and sophistication, was still able to appeal to the shared emotions of the widest possible audience. This compact, pocket edition features sixteen additional illustrations and a new afterword by the author, and it will continue to be one of the definitive treatments of this once grossly overlooked master.
Author : AA. VV.,Marie-Louise Lillywhite,Tom Nichols,Giorgio Tagliaferro
Publisher : Viella Libreria Editrice
Page : 349 pages
File Size : 44,7 Mb
Release : 2022-04-04T17:35:00+02:00
Category : History
ISBN : 9791254690338
Over the past twenty years or so it has finally been understood that Jacopo Tintoretto (1518/19-1594) is an old master of the very highest calibre, whose sharp visual intelligence and brilliant oil technique provides a match for any painter of any time. Based on papers given at a conference held at Keble College, Oxford, to mark the quincentenary of Tintoretto’s birth, this volume comprises ten new essays written by an international range of scholars that open many fresh perspectives on this remarkable Venetian painter. Reflecting current ‘hot spots’ in Tintoretto studies, and suggesting fruitful avenues for future research, chapters explore aspects of the artist’s professional and social identity; his graphic oeuvre and workshop practice; his secular and sacred works in their cultural context; and the emergent artistic personality of his painter-son Domenico. Building upon the opening-up of the Tintoretto phenomenon to less fixed or partial viewpoints in recent years, this volume reveals the great master’s painting practice as excitingly experimental, dynamic, open-ended, and original.
Author : Robert Echols,Frederick Ilchman
Publisher : Yale University Press
Page : 313 pages
File Size : 46,6 Mb
Release : 2018-01-01
Category : Painters
ISBN : 9780300230406
"Considered one of the three greatest painters of sixteenth-century Venice, along with Titian and Veronese, Tintoretto was a bold innovator. His free, expressive brushwork made his work look unfinished to contemporaries but is now recognized as a key step in the development of oil-on-canvas painting. Even today's audiences are astonished by the superhuman scale, painterly dynamism, and visionary qualities of his work. On the 500th anniversary of Tintoretto's birth, this volume provides a comprehensive overview of his career and achievement, with fifteen essays and reproductions of more than 140 paintings--many newly conserved--as well as a selection of his finest drawings. One special contribution is a focus on the artist's portraiture" -- Library of Congress.
Author : Jonathan Goldberg
Publisher : Fordham Univ Press
Page : 240 pages
File Size : 49,8 Mb
Release : 2018-12-04
Category : Art
ISBN : 9780823282098
Saint Marks invokes and pluralizes the figure of Mark in order to explore relations between painting and writing. Emphasizing that the saint is not a singular biographical individual in the various biblical and hagiographic texts that involve someone so named, the book takes as its ultimate concern the kinds of material life that outlive the human subject. From the incommensurate, anachronic instances in which Saint Mark can be located—among them, as Evangelist or as patron saint of Venice—the book traces Mark’s afterlives within art, sacred texts, and literature in conversation with such art historians and philosophers as Aby Warburg, Giorgio Agamben, Georges Didi-Huberman, T. J. Clark, Adrian Stokes, and Jean-Luc Nancy. Goldberg begins in sixteenth-century Venice, with a series of paintings by Gentile and Giovanni Bellini, Tintoretto, and others, that have virtually nothing to do with biblical texts. He turns then to the legacy of John Ruskin’s Stones of Venice and through it to questions about what painting does as painting. A final chapter turns to ancient texts, considering the Gospel of St. Mark together with its double, the so-called Secret Gospel that has occasioned controversy for its homoerotic implications. The posthumous persistence of a life is what the gospel named Mark calls the Kingdom of God. Saints have posthumous lives; but so too do paintings and texts. This major interdisciplinary study by one of our most astute cultural critics extends what might have been a purely theological subject to embrace questions central to cultural practice from the ancient world to the present.
Author : Mary McCarthy
Publisher : Open Road Media
Page : 162 pages
File Size : 54,5 Mb
Release : 2013-10-15
Category : History
ISBN : 9781480441231
The #1 New York Times–bestselling author of The Group takes readers on a captivating journey to one of the world’s most celebrated cities. Mary McCarthy brings her novelist’s unerring eye to a book that blends art, politics, religion, music, and history to create a living portrait of “the world’s loveliest city.” Like a painter capturing the city’s essence on canvas, McCarthy uses words to create stunning visuals that bring both the old and new Venice to enchanting life. From her apartment overlooking the garden of a palazzo, McCarthy takes us into the museums and monasteries of this city of canals and gondolas, Machiavelli and Tintoretto. And she reveals some little-known facts: Venetians love pets, but prefer cats to dogs; during World War II, the Allies captured the city with a fleet of gondolas; and without Napoleon, Venice wouldn’t be what it is today. From the ancient roots of The Merchant of Venice’s pound of flesh to the quotidian details of daily life, it’s all here—the magnificent frescoes, the sublime music of Mozart, the virgins, and the saints. At once a comprehensive travelogue and a powerful piece of reportage, Venice Observed is a testimony of McCarthy’s love affair with the City of Canals. This ebook features superb color reproductions of the works of Giorgione, Veronese, Titian, Canaletto, Guardo, Bellini, and Tiepolo, and an illustrated biography of Mary McCarthy including rare images from the author’s estate.
Author : Giles Knox
Publisher : Routledge
Page : 303 pages
File Size : 47,6 Mb
Release : 2017-07-05
Category : Art
ISBN : 9781351543095
The startling conclusion of The Late Paintings of Vel?uez is that Diego Vel?uez painted two of his most famous works, The Spinners and Las Meninas, as theoretically informed manifestos of painterly brushwork. As a pair, Giles Knox argues, the two paintings form a learned retort to the prevailing critical disdain for the painterly. Knox presents a Vel?uez who was much more aware of the art theory of his era than previously acknowledged, leading him to reinterpret Las Meninas and The Spinners as representing together a polemically charged celebration of the "handedness" of painting. Knox removes Vel?uez from his Iberian isolation and seeks to recover his highly self-conscious attempt to carve out a place for himself within the history of European painting as a whole. The Late Paintings of Vel?uez presents an artist who, like Annibale Carracci, Poussin, Rembrandt, and Vermeer was not only aware of contemporary theoretical writings on art, but also able to translate that knowledge and understanding into a distinctive and personal theory of painting. In Las Meninas and The Spinners, Vel?uez propounded this theory with paint, not words. Knox's rethinking of the dynamic relationship between text and image presents a case, not of writing influencing painting, or vice versa, but of the two realms being inextricably bound together. Painterly brushwork presented a challenge to writers on art not just because it was connected too intimately with the base actions of the hand; it was also devilishly hard to describe. By reading Vel?uez's painterly performance as text, Knox deciphers how Vel?uez was able to craft theoretical arguments more compelling and more vivid than any written counterparts.
Author : Richard MacKenney
Publisher : University of Toronto Press
Page : 493 pages
File Size : 44,8 Mb
Release : 2018-12-21
Category : History
ISBN : 9781442621220
This study re-examines Venice’s political economy from the viewpoint of its ordinary people or popolani who, despite the commonly held view that they were excluded from political life by the nobility or nobili, actually organized and ran for themselves hundreds of corporations within the city-state. Mercy was central to this popolani’s Christian values and those who offered mercy to their fellow men and women in temporary hardship were investing in the expectation of reciprocity in their own time of need. Beginning by tracing a formative linking of religion, economy, and polity from the thirteenth to the fifteenth centuries, Venice as the Polity of Mercy then chronicles the collapse of this triad during the struggles between church and state in the mid-sixteenth and seventeenth centuries, followed by a revitalizing reconnection of economy and polity within a different religious climate after the plague of 1630. As such, Richard Mackenney’s book offers up a revitalized image of Renaissance Venetian society as dynamic rather than static, as well as a new understanding of the city’s significance through a reconfiguration of its history and artwork.
Author : Marco Faini,Paola Ugolini
Publisher : BRILL
Page : 622 pages
File Size : 42,5 Mb
Release : 2021-08-16
Category : Literary Criticism
ISBN : 9789004465190
An interdisciplinary exploration of one of the most prolific and controversial figures of early modern Europe. This volume is comprised of seven sections, each devoted to a specific aspect Aretino’s life and works.
Author : Allison Sherman (1979-2017)
Publisher : Independent Publishing Network
Page : 484 pages
File Size : 50,6 Mb
Release : 2020-10-20
Category : Art
ISBN : 9781838538897
Version: 1.1.2 DOI: 10.5281/zenodo.4284460 Original Repository (Zenodo): https://doi.org/10.5281/zenodo.4094821 This book investigates the history and decoration of one of the most important churches of Venice in the 16th century: Santa Maria Assunta dei Crociferi. Painters and sculptors of the stature of Titian, Tintoretto, Veronese, Palma il Giovane, Vittoria and Campagna all contributed major works of art, many of which survive in the present-day church of the Gesuiti. But as a result of the suppression of the order of the Crociferi (Crosiers, or Crutched Friars) in 1656, and of the subsequent demolition of their church, the art-historical significance of this ensemble had become largely overlooked. Serious study of the church was further impeded by the loss of the church’s archive. Nevertheless, readers are here presented with a surprisingly wide range of alternative archival and early printed sources that document the history of the church, and integrate it with the surviving works of art. We are taken on a journey of discovery of leading members of the order, of lay patrons who supported the church's renovation, and of the productive relationships that led to important artistic commissions. Originally submitted by the late Allison Sherman to the University of St Andrews in 2010, the present doctoral thesis was edited for publication by Carlo Corsato and provided with a full set of illustrations. Two further additional essays by Allison Sherman are also included: ‘Titian’s Martyrdom of St. Lawrence and its Original Location in the Lost Venetian Church of Santa Maria Assunta dei Crociferi’. This was the opening chapter of the volume La Notte di san Lorenzo (2013), edited by Letizia Lonzi and the late Lionello Puppi. Presented here is the unpublished original English version, which summarises many of the discoveries included in the doctoral dissertation. ‘Murder and Martyrdom: Titian’s Gesuiti St. Lawrence as a Family Peace Offering’. This appeared in Artibus et Historiae (2015), and offers the most significant investigation of the patronage of a masterpiece by Titian: The Martyrdom of St Lawrence (Church of the Gesuiti, Venice).
Author : Sjoerd van Tuinen ,Stephen Zepke
Publisher : Leuven University Press
Page : 281 pages
File Size : 53,7 Mb
Release : 2017-11-14
Category : Art
ISBN : 9789462701151
At the crossroads of philosophy, artistic practice, and art history Though Gilles Deleuze and Felix Guattari were not strictly art historians, they reinvigorated ontological and formal approaches to art, and simultaneously borrowed art historical concepts for their own philosophical work. They were dedicated modernists, inspired by the German school of expressionist art historians such as Riegl, Wölfflin, and Worringer and the great modernist art critics such as Rosenberg, Steinberg, Greenberg, and Fried. The work of Deleuze and Guattari on mannerism and Baroque art has led to new approaches to these artistic periods, and their radical transdisciplinarity has influenced contemporary art like no other philosophy before it. Their work therefore raises important methodological questions on the differences and relations among philosophy, artistic practice, and art history. In Art History after Deleuze and Guattari international scholars from all three fields explore what a ‘Deleuzo-Guattarian art history’ could be today. ContributorsÉric Alliez (Kingston University, Université Paris VIII), Claudia Blümle (Humboldt Universität zu Berlin), Jean-Claude Bonne (École des Hautes Études en Sciences Sociales), Ann-Cathrin Drews (Humboldt Universität zu Berlin), James Elkins (School of the Art Institute of Chicago), Sascha Freyberg (Max Planck Institute for the History of Science), Antoine l’Heureux (independent researcher), Vlad Ionescu (Hasselt University), Juan Fernando Mejía Mosquera (Pontificia Universidad Javeriana), Gustavo Chirolla Ospina (Pontificia Universidad Javeriana), Bertrand Prévost (Université Bordeaux Montaigne), Elisabeth von Samsonow (Akademie für bildende Künste Wien), Sjoerd van Tuinen (Erasmus University Rotterdam), Kamini Vellodi (Edinburgh College of Art), Stephen Zepke (independent researcher)
Author : David Wayne Thomas
Publisher : University of Pennsylvania Press
Page : 245 pages
File Size : 40,7 Mb
Release : 2004-01-21
Category : Literary Criticism
ISBN : 9780812237542
"This volume makes a bold and highly sophisticated contribution to Victorian cultural studies as it explores the historical interrelations between Victorian aestheticism and liberalism. . . . Extremely ambitious."--
Author : Henry James
Publisher : Pushkin Press
Page : 224 pages
File Size : 54,6 Mb
Release : 2013-01-29
Category : Literary Collections
ISBN : 9781908968630
The novelist Henry James arrived in Venice as a tourist, and instantly fell in love with the city – particularly with the splendid Palazzo Barbaro, home of the expatriate American Curtis family. This selection of letters covers the period 1869-1907 and provides a unique record of the life and work of this great writer. Includes historical photographs and a foreword by Leon Edel, Henry James’s biographer.
Author : KimberlyA. Smith
Publisher : Routledge
Page : 485 pages
File Size : 47,7 Mb
Release : 2017-07-05
Category : Art
ISBN : 9781351544719
During the period in which Expressionist artists were active in central Europe, art historians were producing texts which also began to be characterized evocatively as ?expressionist?, yet the notion of an expressionist art history has yet to be fully explored in historiographic studies of the discipline. This anthology offers a cross-section of noteworthy art history texts that have been described as expressionist, along with critical commentaries by an international group of scholars. Written between 1912 and 1933, the primary sources have been selected from the published scholarship of both recognized and less-familiar figures in the field's Germanic tradition: Wilhelm Worringer, Fritz Burger, Ernst Heidrich, Max Dvor? Heinrich W?lfflin, and Carl Einstein. Translated here for the first time, these examples of an expressionist turn in art history, along with their secondary analyses and the book's introduction, offer a productive lens through which to re-examine the practice and theory of art history in the early twentieth century.