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How to Kill a Country by Linda M. Weiss,Elizabeth Thurbon,John Alwyn Mathews Pdf
Three of Australia's top policy analysts have investigated the fine print in the Australia-US Free Trade Agreement and reveal how the Agreement is anything but Free. With new information from inside sources, they tell of the behind-the-scenes negotiations, and how Australia's long-term prosperity has been dangerously undermined.
My Government Means to Kill Me by Rasheed Newson Pdf
A NEW YORK TIMES NOTABLE BOOK · A NEW YORK TIMES BOOK REVIEW EDITOR'S CHOICE · 2022 LAMBDA LITERARY PRIZE FOR GAY FICTION FINALIST The debut novel from television WRITER/PRODUCER OF THE CHI, NARCOS, and BEL-AIR tells a fierce and riveting queer coming-of-age story following the personal and political awakening of a young, gay, Black man in 1980s New York City. "Consistently engrossing." —New York Times Book Review “Full of joy and righteous anger, sex and straight talk, brilliant storytelling and humor... A spectacularly researched Dickensian tale with vibrant characters and dozens of famous cameos, it is precisely the book we’ve needed for a long time.” —Andrew Sean Greer, Pulitzer Prize-winning author of Less Earl "Trey" Singleton III arrives in New York City with only a few dollars in his pocket. Born into a wealthy Black Indianapolis family, at 17, he is ready to leave his overbearing parents and their expectations behind. In the city, Trey meets up with a cast of characters that changes his life forever. He volunteers at a renegade home hospice for AIDS patients, and after being put to the test by gay rights activists, becomes a member of the AIDS Coalition to Unleash Power (ACT UP). Along the way Trey attempts to navigate past traumas and searches for ways to maintain familial relationships—all while seeking the meaning of life amid so much death. Vibrant, humorous, and fraught with entanglements, Rasheed Newson’s My Government Means to Kill Me is an exhilarating, fast-paced coming-of-age story that lends itself to a larger discussion about what it means for a young gay Black man in the mid-1980s to come to terms with his role in the midst of a political and social reckoning.
Interview with History by Pamela J. Ray,James E. Files Pdf
looks behind the scenes at some of the most shocking and horrific things going on here inAmericastarting with the daytime assassination of President John F. Kennedy and the implications it serves up to the citizens of a free country.The author, Pamela Ray, along with James Files, former CIA/Mob hit man, the infamous grassy knoll shooter explore the truths behind some basic questions still lingering decades after the JFK assassination: Why was President Kennedy killed? Who benefited? Who had the power to cover it up? And more specifically Did Lee Harvey Oswald spend time with James Files the week beforeNovember 22, 1963?Why? Did Files and Oswald have the same CIA controller, David A. Phillips? Was there a military and CIA presence inDealeyPlazawhen the fatal shots were fired? What is the Military-Industrial-Complex and why were American citizens warned about it by President Eisenhower in his farewell address to the nation? Are some of the same players from 1963 involved in todays headlines? What does all this indicate? These questions and more will be looked at as Ray and Files discuss the events surrounding the fateful day inDallaswhen a whole new form of government took over.During the course ofInterview with History, the authors delve into other related shadowy underworld subjects where it is hard to tell where Organized Crime stops and the CIA (and otherU.S.government agencies) begin.
Author : Richard A. Koenigsberg Publisher : Library of Social Science Page : 137 pages File Size : 50,6 Mb Release : 2009 Category : History ISBN : 9780915042241
Nations Have the Right to Kill by Richard A. Koenigsberg Pdf
Koenigsberg shows how Hitler's thoughts about war generated the Holocaust. While some view Hitler as an anomaly, Koenigsberg shows how both the Holocaust and two World Wars grew out of an ideology located at the heart of Western civilization: that of nationalism. Based on belief in the absolute reality and profound significance of their nations, political leaders feel that they have a right to kill and to ask their people to die.
The first free elections in South Africa's history were held in 1994. Within a year legislation was drafted to create a Truth and Reconcilliation Commission to establish a picture of the gross human rights violations committed between 1960 and 1993. It was to seek the truth and make it known to the public and to prevent these brutal events ever happening again. From 1996 and over the following two years South Africans were exposed almost daily to revelations about their traumatic past. Antije Krog's full account of the Commission's work using the testimonies of the oppressed and oppressors alike is a harrowing and haunting book in which the voices of ordinary people shape the course of history. WINNER OF SOUTH AFRICA'S SUNDAY TIMES ALAN PATON AWARD
Why did the United States Government find it necessary to sequester pertinent information about the assassination of President Kennedy all these years (fifty-four years)? Did the U.S. Government leadership fear some catastrophic reaction, by the American people, in the immediate aftermath of the assassination; if the realities of the Kennedy assassination were different from the official findings of the Warren Commission Report? Moreover, if the assassination scenario was exactly as depicted by the Warren Commission findings: i.e., a straightforward account of Oswald (alone) shot Kennedy, Ruby (alone) shot Oswald, and there was no conspiracy, why was it necessary to "stash away" the " JFK files" for more than half a century?
NEW YORK TIMES BESTSELLER • The first definitive history of the Mossad, Shin Bet, and the IDF’s targeted killing programs, hailed by The New York Times as “an exceptional work, a humane book about an incendiary subject.” WINNER OF THE NATIONAL JEWISH BOOK AWARD IN HISTORY NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY JENNIFER SZALAI, THE NEW YORK TIMES NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The Economist • The New York Times Book Review • BBC History Magazine • Mother Jones • Kirkus Reviews The Talmud says: “If someone comes to kill you, rise up and kill him first.” This instinct to take every measure, even the most aggressive, to defend the Jewish people is hardwired into Israel’s DNA. From the very beginning of its statehood in 1948, protecting the nation from harm has been the responsibility of its intelligence community and armed services, and there is one weapon in their vast arsenal that they have relied upon to thwart the most serious threats: Targeted assassinations have been used countless times, on enemies large and small, sometimes in response to attacks against the Israeli people and sometimes preemptively. In this page-turning, eye-opening book, journalist and military analyst Ronen Bergman—praised by David Remnick as “arguably [Israel’s] best investigative reporter”—offers a riveting inside account of the targeted killing programs: their successes, their failures, and the moral and political price exacted on the men and women who approved and carried out the missions. Bergman has gained the exceedingly rare cooperation of many current and former members of the Israeli government, including Prime Ministers Shimon Peres, Ehud Barak, Ariel Sharon, and Benjamin Netanyahu, as well as high-level figures in the country’s military and intelligence services: the IDF (Israel Defense Forces), the Mossad (the world’s most feared intelligence agency), Caesarea (a “Mossad within the Mossad” that carries out attacks on the highest-value targets), and the Shin Bet (an internal security service that implemented the largest targeted assassination campaign ever, in order to stop what had once appeared to be unstoppable: suicide terrorism). Including never-before-reported, behind-the-curtain accounts of key operations, and based on hundreds of on-the-record interviews and thousands of files to which Bergman has gotten exclusive access over his decades of reporting, Rise and Kill First brings us deep into the heart of Israel’s most secret activities. Bergman traces, from statehood to the present, the gripping events and thorny ethical questions underlying Israel’s targeted killing campaign, which has shaped the Israeli nation, the Middle East, and the entire world. “A remarkable feat of fearless and responsible reporting . . . important, timely, and informative.”—John le Carré
A controversial psychological examination of how soldiers’ willingness to kill has been encouraged and exploited to the detriment of contemporary civilian society. Psychologist and US Army Ranger Dave Grossman writes that the vast majority of soldiers are loath to pull the trigger in battle. Unfortunately, modern armies, using Pavlovian and operant conditioning, have developed sophisticated ways of overcoming this instinctive aversion. The mental cost for members of the military, as witnessed by the increase in post-traumatic stress, is devastating. The sociological cost for the rest of us is even worse: Contemporary civilian society, particularly the media, replicates the army’s conditioning techniques and, Grossman argues, is responsible for the rising rate of murder and violence, especially among the young. Drawing from interviews, personal accounts, and academic studies, On Killing is an important look at the techniques the military uses to overcome the powerful reluctance to kill, of how killing affects the soldier, and of the societal implications of escalating violence.
NEW YORK TIMES BESTSELLER • “For all those who have lived with Vonnegut in their imaginations . . . this is what he is like in person.”–USA Today In a volume that is penetrating, introspective, incisive, and laugh-out-loud funny, one of the great men of letters of this age–or any age–holds forth on life, art, sex, politics, and the state of America’s soul. From his coming of age in America, to his formative war experiences, to his life as an artist, this is Vonnegut doing what he does best: Being himself. Whimsically illustrated by the author, A Man Without a Country is intimate, tender, and brimming with the scope of Kurt Vonnegut’s passions. Praise for A Man Without a Country “[This] may be as close as Vonnegut ever comes to a memoir.”–Los Angeles Times “Like [that of] his literary ancestor Mark Twain, [Kurt Vonnegut’s] crankiness is good-humored and sharp-witted. . . . [Reading A Man Without a Country is] like sitting down on the couch for a long chat with an old friend.”–The New York Times Book Review “Filled with [Vonnegut’s] usual contradictory mix of joy and sorrow, hope and despair, humor and gravity.”–Chicago Tribune “Fans will linger on every word . . . as once again [Vonnegut] captures the complexity of the human condition with stunning calligraphic simplicity.”–The Australian “Thank God, Kurt Vonnegut has broken his promise that he will never write another book. In this wondrous assemblage of mini-memoirs, we discover his family’s legacy and his obstinate, unfashionable humanism.”–Studs Terkel
From the bestselling author of The Passenger and the Pulitzer Prize–winning novel The Road comes a "profoundly disturbing and gorgeously rendered" novel (The Washington Post) that returns to the Texas-Mexico border, setting of the famed Border Trilogy. The time is our own, when rustlers have given way to drug-runners and small towns have become free-fire zones. One day, a good old boy named Llewellyn Moss finds a pickup truck surrounded by a bodyguard of dead men. A load of heroin and two million dollars in cash are still in the back. When Moss takes the money, he sets off a chain reaction of catastrophic violence that not even the law—in the person of aging, disillusioned Sheriff Bell—can contain. As Moss tries to evade his pursuers—in particular a mysterious mastermind who flips coins for human lives—McCarthy simultaneously strips down the American crime novel and broadens its concerns to encompass themes as ancient as the Bible and as bloodily contemporary as this morning’s headlines. No Country for Old Men is a triumph. Look for Cormac McCarthy's latest bestselling novels, The Passenger and Stella Maris.
Since the birth of our nation and the election of the first president, groups of organized plotters or individuals have been determined to assassinate the chief executive. From the Founding Fathers to the Great Depression, three presidents have been assassinated: Abraham Lincoln, James Garfield, and William McKinley. However, unknown to the general public, almost all presidents have been threatened, put in danger, or survived "near lethal approaches" during their terms. Plotting to Kill the President reveals the numerous, previously untold incidents when assassins, plotters, and individuals have threatened the lives of American presidents, from George Washington to Herbert Hoover. Mel Ayton has uncovered these episodes, including an attempt to assassinate President Hayes during his inauguration ceremony, an attempt to shoot Benjamin Harrison on the streets of Washington, an assassination attempt on President Roosevelt at the White House, and many other incidents that have never been reported or have been covered up. Ayton also recounts the stories of Secret Service agents and bodyguards from each administration who put their lives in danger to protect the commander in chief. Plotting to Kill the President demonstrates the unsettling truth that even while the nation sleeps, those who would kill the president are often hard at work devising new schemes.
Robert Young Pelton first became aware of the phenomenon of hired guns in the War on Terror when he met a covert team of contractors on the Afghanistan/Pakistan border in the fall of 2003. Pelton soon embarked on a globe-spanning odyssey to penetrate and understand this shadowy world, ultimately delivering stunning insights into the way private soldiers are used. Enter a blood-soaked world of South African mercenaries and tribal fighters backed by ruthless financiers. Drop into Baghdad’s Green Zone, strap on body armor, and take a daily high-speed ride with a doomed crew of security contractors who dodge car bombs and snipers just to get their charges to the airport. Share a drink in a chic hotel bar with wealthy owners of private armies who debate the best way to stay alive in war zones. Licensed to Kill spans four continents and three years, taking us inside the CIA’s dirty wars; the brutal contractor murders in Fallujah and the Alamo-like sieges in Najaf and Al Kut; the Deep South contractor training camps where ex–Special Operations soldiers and even small town cops learn the ropes; the contractor conventions where macho attendees swap bullet-punctuated tales and discuss upcoming gigs; and the grim Central African prison where contractors turned failed mercenaries pay a steep price. The United States has encouraged the use of the private sector in all facets of the War on Terror, placing contractors outside the bounds of functional legal constraints. With the shocking clarity that can come only from firsthand observation, Licensed to Kill painstakingly deconstructs the most controversial events and introduces the pivotal players. Most disturbingly, it shows that there are indeed thousands of contractors—with hundreds more being produced every month—who’ve been given a license to kill, their services available to the highest bidder.
From the American Revolution to the end of World War II, the United States spent nineteen years at war against other nations. But since1950, the total is twenty-two years and counting. On four occasions, U.S. presidents elected as "peace candidates" have gone on to lead the nation into ferocious armed conflicts. Repeatedly, wars deemed necessary when they began have been seen in retrospect as avoidable, Äîandill-advised. Americans profess to be a peace-loving people and one wary of "foreign entanglements." Yet we have been drawn into wars in distant lands from Vietnam to Afghanistan. We cherish our middle-class comforts and our children. Yet we send our troops to Fallujah and Mogadishu. How is it that ordinary Americans with the most to lose are so easily convinced to follow hawkish leaders-of both parties-into war? In Reasons to Kill noted scholar Richard E. Rubenstein explores both the rhetoric that sells war to the public and the underlying cultural and social factors that make it so effective. With unmatched historical perspective and insightful commentary, Rubenstein offers citizens new ways to think for themselves about crucial issues of war and peace.
For Good of Country: The Plot to Kill an American President by Thomas Sawyer Pdf
Why did the United States Government find it necessary to sequester pertinent information about the assassination of President Kennedy all these years (fifty-four years)? Did the U.S. Government leadership fear some catastrophic reaction, by the American people, in the immediate aftermath of the assassination; if the realities of the Kennedy assassination were different from the official findings of the Warren Commission Report? Moreover, if the assassination scenario was exactly as depicted by the Warren Commission findings: i.e., a straightforward account of Oswald (alone) shot Kennedy, Ruby (alone) shot Oswald, and there was no conspiracy, why was it necessary to ?stash away? the ? JFK files? for more than half a century?