To Love A Palestinian Woman Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of To Love A Palestinian Woman book. This book definitely worth reading, it is an incredibly well-written.
Inspired by the rich poetic tradition of the author's native Arab culture, To Love a Palestinian Woman includes works written over eight years. Richly evocative and often passionate, these poems can be described as personal and romantic, as well as public and political. While the condition in Palestine is a dominant theme, so is love. Conciliatory in tone or passionately confrontational, these poems stem from a deep humanity that cannot fail to engage the reader.
Palestinian Women is the first book to examine and document the experiences and the historical narrative of ordinary Palestinian women who witnessed the events of 1948 and became involuntary citizens of the State of Israel. Told in their own words, the women's experiences serve as a window for examining the complex intersections of gender, nationalism and citizenship in a situation of ongoing violent political conflict. Known in Palestinian discourse as the 'Nakbeh', or the 'Catastrophe', these events of 60 years ago still have a powerful resonance in contemporary Palestinian-Jewish relations in the State of Israel and in the act of narrating these stories, the author argues that the realm of memory is a site of commemoration and resistance.
Palestinian Women of Gaza and the West Bank by Suha Sabbagh Pdf
Abdullah, Amal Kharisha Barghouthi, Rita Giacaman, May Mistakmel Nassar, Amal Wahdan / Sahar Khalifeh ; translation by Nagla El-Bassiouni -- Intifada year four: notes on the women's movement / Rita Giacaman and Penny Johnson -- Palestinian women's activism after Oslo / Amal Kawar -- The declaration of principles on Palestinian women's rights: an analysis / Suha Sabbagh.
Living under settler colonialism and patriarchal oppressions, Palestinian women in Israel are expected to operate even the most intimate aspects of their lives according to what some call "The Plan," which dictates everything from clothing, marriage, religion, and sex to how children are born and raised. In Defying "The Plan," Kim Jezabel Zinngrebe draws from a series of moving interviews to reveal that despite various forms of intertwined oppressions by both the Israeli state and Palestinian society, Palestinian women show defiance by the quotidian choices they make in their own intimate lives under occupation, which, Zinngrebe argues, cannot be perceived as a mere corollary but constitute a pivotal and contested terrain of the struggle between settler and colonized. Defying "The Plan" explores such issues as the segregation of sexual education in Palestine; the politics of dress, menstruation, and tattoos; and the roles of class, feminism, and race. Importantly, she highlights the intersectional experiences of women typically excluded from existing accounts, such as Black Palestinian women, women with disabilities, unmarried and divorced women, Bedouin women, and LGBTQI women. The stories gathered in Defying "The Plan" trace and unpack settler colonial power at the level of the intimate and native women's various practices of defiance.
Blossoms on the Olive Tree is an American woman's account of work that Israeli and Palestinian women are doing to educate themselves and their societies about militarization, human rights, women's rights, and the democratic process. The book highlights women on both sides of the political divide who reach out to each other, engage in bi-national dialogue, and challenge ongoing violence. Blossoms on the Olive Tree is an American woman's account of work that Israeli and Palestinian women are doing to educate themselves and their societies about militarization, human rights, women's rights, and the democratic process. The book highlights women on both sides of the political divide who reach out to each other, engage in bi-national dialogue, and challenge ongoing violence. Despite severe societal restraints in carving out political space for themselves, women in both societies have devised creative opportunities. Powers documents the women's working committees attached to Palestinian political parties and the creativity of Israeli women striving to civil-ize their society. Ironically, it is their marginalization that offers women space to engage in their peace-building efforts. The book ends with a clarion call for the implementation of UN Resolution 1325, which requires the presences of women at the highest levels of peace negotiations. Women, with their commitment to reconciliation and healing, bring a significant vision to the enterprise of peace-building, and Powers suggests that it's high time they be taken seriously. In the course of researching this book, Powers stayed in Jewish homes, Muslim homes, and Christian homes, observing women going about their daily tasks. She shared Shabbat dinners and Christmas dinners, Muslim family celebrations, herbal tea and Arab coffee, benefiting from extraordinary hospitality, and learning that Israeli and Palestinian are more alike than they are different. Like women everywhere, Jewish and Arab women care deeply for their children, put up with anger and abuse from their husbands, and try to negotiate a path between societal expectations and personal convictions. Virtually all of them yearn to live in peace, to raise their families without fear, and to enjoy the small pleasures of life without anxiety for the future. These are their stories, and they impart a measure of humanity to the occupation, the Separation Wall, and living with the fear of suicide bombings that is difficult to glean from nightly news reports. Most important, these remarkable women are succeeding in changing from within the way in which their own societies think about themselves.
This work provides a case study of the deleterious effects of patriarchy among Palestinians living in rural villages and refugee camps of the West Bank: its negative consequences for men as well as women, for democratization and for progress toward the creation of a more just society.
A controversial, award-winning story about the passionate but untenable affair between an Israeli woman and a Palestinian man, from one of Israel’s most acclaimed novelists When Liat meets Hilmi on a blustery autumn afternoon in Greenwich Village, she finds herself unwillingly drawn to him. Charismatic and handsome, Hilmi is a talented young artist from Palestine. Liat, an aspiring translation student, plans to return to Israel the following summer. Despite knowing that their love can be only temporary, that it can exist only away from their conflicted homeland, Liat lets herself be enraptured by Hilmi: by his lively imagination, by his beautiful hands and wise eyes, by his sweetness and devotion. Together they explore the city, sharing laughs and fantasies and pangs of homesickness. But the unfettered joy they awaken in each other cannot overcome the guilt Liat feels for hiding him from her family in Israel and her Jewish friends in New York. As her departure date looms and her love for Hilmi deepens, Liat must decide whether she is willing to risk alienating her family, her community, and her sense of self for the love of one man. Banned from classrooms by Israel’s Ministry of Education, Dorit Rabinyan’s remarkable novel contains multitudes. A bold portrayal of the strains—and delights—of a forbidden relationship, All the Rivers (published in Israel as Borderlife) is a love story and a war story, a New York story and a Middle East story, an unflinching foray into the forces that bind us and divide us. “The land is the same land,” Hilmi reminds Liat. “In the end all the rivers flow into the same sea.” Praise for All the Rivers “Rabinyan’s book is a sort of Romeo and Juliet, a forbidden love affair between a Jewish girl from Tel Aviv and a Palestinian boy from Hebron. . . . [A] beautiful novel.”—The Guardian “A fine, subtle, and disturbing study of the ways in which public events encroach upon the private lives of those who attempt to live and love in peace with each other, and, impossibly, with a riven and irreconcilable world.”—John Banville, Man Booker Prize–winning author of The Sea “I’m with Dorit Rabinyan. Love, not hate, will save us. Hatred sows hatred, but love can break down barriers.”—Svetlana Alexievich, winner of the Nobel Prize for Literature “Astonishing . . . [a] precise and elegant love story, drawn with the finest of lines.”—Amos Oz “Rabinyan’s writing reflects the honesty and modesty of a true artisan.”—Haaretz “Because the novel strikes the right balance between the personal and the political, and because of her ability to tell a suspenseful and satisfying story, we decided to award Dorit Rabinyan’s [All the Rivers] the 2015 Bernstein Prize.”—From the 2015 Bernstein Prize judges’ decision “[All the Rivers] ought to be read like J. M. Coetzee or Toni Morrison—from a distance in order to get close.”—Walla! “Beautiful and sensitive . . . a human tale of rapprochement and separation . . . a noteworthy human and literary achievement.”—Makor Rishon “A captivating (and heartbreaking) gem, written in a spectacular style, with a rich, flowing, colorful and addictive language.”—Motke “A great novel of love and peace.”—La Stampa “A novel that truly speaks to the heart.”—Corriere della Sera
These fascinating and diverse stories reflect the everyday concerns of Palestinians living under occupation. Writers who were children during the first intifada appear alongside those who remember the outbreak of the Lebanese civil war. They offer compassionate, often critical, insight into their society in times of hardship and turmoil, drawing upon the warmth of human relations and the hope that better times will come. Qissat is a rare showcase of Palestinian women writers across generations and places, including Gaza, Ramallah, the United States and the Gulf. 'Raw and honest ... lyrical and beautifully written' -- Sunday Times 'Layered, haunting, sensuously rich' -- The Times 'In turn lyrical, sensuous, comic and ironic ... it is the quality of subtle, evocative writing here that makes Qissat remarkable.' -- Independent
The Palestinian author, an anthropologist, based this book upon her field work under Palestinian women in Galilee, Israel in which the Palestinian-Israeli conflict is vividly alive. The content of this book corresponds roughly to five interrelated fields of meaning and power in which reproduction is caught up and constructed: nation, economy, difference, body and gender.
We Are Not Here to Be Bystanders by Linda Sarsour Pdf
Linda Sarsour, co-organizer of the Women’s March, shares an “unforgettable memoir” (Booklist) about how growing up Palestinian Muslim American, feminist, and empowered moved her to become a globally recognized activist on behalf of marginalized communities across the country. On a chilly spring morning in Brooklyn, nineteen-year-old Linda Sarsour stared at her reflection, dressed in a hijab for the first time. She saw in the mirror the woman she was growing to be—a young Muslim American woman unapologetic in her faith and her activism, who would discover her innate sense of justice in the aftermath of 9/11. Now heralded for her award-winning leadership of the Women’s March on Washington, Sarsour offers a “moving memoir [that] is a testament to the power of love in action” (Michelle Alexander, author of The New Jim Crow). From the Brooklyn bodega her father owned, where Linda learned the real meaning of intersectionality, to protests in the streets of Washington, DC, Linda’s experience as a daughter of Palestinian immigrants is a moving portrayal of what it means to find one’s voice and use it for the good of others. We follow Linda as she learns the tenets of successful community organizing, and through decades of fighting for racial, economic, gender, and social justice, as she becomes one of the most recognized activists in the nation. We also see her honoring her grandmother’s dying wish, protecting her children, building resilient friendships, and mentoring others even as she loses her first mentor in a tragic accident. Throughout, she inspires you to take action as she reaffirms that we are not here to be bystanders. In this “book that speaks to our times” (The Washington Post), Harry Belafonte writes of Linda in the foreword, “While we may not have made it to the Promised Land, my peers and I, my brothers and sisters in liberation can rest easy that the future is in the hands of leaders like Linda Sarsour. I have often said to Linda that she embodies the principle and purpose of another great Muslim leader, brother Malcolm X.” This is her story.
Winner 'Best Arab Cuisine Book' - Gourmand World Cookbook Awards 2016. Palestinian food is not just found on the streets with the ka'ak (sesame bread) sellers and stalls selling za'atar chicken and mana'eesh (za'atar sesame bread), but in the home too; in the kitchens all across the country, where families cook and eat together every day, in a way that generations before them have always done. Palestine on a Plate is a tribute to family, cooking and home, made with the ingredients that Joudie's mother and grandmother use, and their grandmothers used before them. - old recipes created with love that bring people together in appreciation of the beauty of this rich heritage. Immerse yourself in the stories and culture and experience the wonderful flavours of Palestine through the food in this book.
The INTIFADA has profoundly affected the lives of Palestinian women. The writings in this lively collection examine the changes it has brought to women and girls of all ages and backgrounds in the West Bank and Gaza. The stories reveal how women are responding to the growing conflict between the demands of tradition and honour on the one hand, and the economic and political realities of life under occupation on the other. Terry Atwan's story is of just such a fight; against the barriers of tradition and oppression by the occupiers. Yusra Berberi, born in 1923 in Gaza, gives a personal account of women's political participation over the many years of conflict. Rita Giacaman writes of the effects on women's health of discrimination against girls, while Amni Rimawi describes her role as vice-president of a trade union. A short story by Hannan Ashrawi of Bir Zeit University (and a leading figure in the peace process) follows 18-year old Iman Jardallah's moving account of life under siege, and Rana Salibi's testimony of women's roles in the popular committees. Ebba Augustin's introductions weave the writings together into a vivid picture of contemporary Palestinian life. What emerges throughout the book is the intensity of the pressure on Palestinian society. For many people, a way of coping with this has been to advocate a return to tradition - what Najah Manasra calls 'going back to the roots'. The victims of this trend are Palestinian women, and what is in danger now is not just the future position of women, but the very ability, without women's active involvement, to sustain the Intifada itself.
