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To the Barricades moves back and forth between historical and contemporary scenes of revolt, from nineteenth-century Parisian street barricades to twenty-first-century occupations and street marches, shifting along the active seam between poetry and revolution. Avant-garde technique is donated to lyric ends, forming an anti-archive of the revolutionary record where words are bricks hurriedly thrown up as linguistic "barricades." Stephen Collis is the author of five books of poetry, including the Dorothy Livesay Poetry Prize-winning On the Material and three titles in the ongoing "Barricades Project." An activist and social critic, his writing on the Occupy movement is collected in Dispatches from the Occupation (Talonbooks, 2012).
Surmounting the Barricades by Carolyn J. Eichner Pdf
This book vividly evokes radical women's integral roles within France's revolutionary civil war known as the Paris Commune. It demonstrates the breadth, depth, and impact of communard feminist socialisms far beyond the 1871 insurrection. Examining the period from the early 1860s through that century's end, Carolyn J. Eichner investigates how radical women developed critiques of gender, class, and religious hierarchies in the immediate pre-Commune era, how these ideologies emerged as a plurality of feminist socialisms within the revolution, and how these varied politics subsequently affected fin-de-sià ̈cle gender and class relations. She focuses on three distinctly dissimilar revolutionary women leaders who exemplify multiple competing and complementary feminist socialisms: Andre Leo, Elisabeth Dmitrieff, and Paule Mink. Leo theorized and educated through journalism and fiction, Dmitrieff organized institutional power for working-class women, and Mink agitated crowds to create an egalitarian socialist world. Each woman forged her own path to gender equality and social justice.
“A respectful and relevant biography of the fiery crusader” from the feminist activist and author of Memoirs of an Ex-Prom Queen (The New York Times Book Review). Writer, anarchist, revolutionary, feminist—Emma Goldman was all these things and more. She was a fiery advocate, taking bold stands on a wide range of issues including women’s rights, homosexuality, capitalism, and the military draft. Her tumultuous childhood in Tsarist Russia fostered her rebelliousness and emboldened her opposition to violent authority. Upon arriving in New York in 1885, Goldman found a home in the anarchist movement in the United States. She traveled the country to deliver lectures on anarchism, and was jailed for urging unemployed workers to demand the food they needed. Goldman also aggressively supported Margaret Sanger’s effort to educate women about birth control. Goldman was deported to Russia as fears of an anarchist revolution in the US grew. But back in her homeland, she didn’t find the socialist paradise of worker equality and empowerment she had hoped would take root after the Bolshevik Revolution. Disillusioned, she left the Soviet Union and traveled the world to write and agitate on behalf of her causes. Goldman’s radical legacy endures, revived during the Women’s Liberation Movement of the 1970s. Her story provides inspiration for any woman who ever wanted to make a difference in the world.
Kevin and Sadie just want to be together, but it's not that simple. Things are bad in Belfast. Soldiers walk the streets and the city is divided. No Catholic boy and Protestant girl can go out together - not without dangerous consequences . . . The second of Joan Lingard's ground-breaking Kevin and Sadie books
Best known as General Counsel of the Canadian Civil Liberties Association, a position he held for over 40 years, A. Alan Borovoy was at the centre of many of the most profound and difficult public debates of last half century. In At the Barricades, Borovoy reflects on the events that have shaped the Canadian political legal landscape from the Cold War of the 1950s and 60s to the "war on terrorism" in the 21st century. Along the way he provides a first-hand account of Québec's FLQ crisis of 1970, the protests regarding the abortion controversy, the battles over free speech, hate speech, and pornography, and the struggles to protect the rights of Aboriginal peoples, the economically disadvantaged, and victims of police misconduct. This book recounts the life of an activist; always principled and compassionate, usually controversial, often very funny, and never dull. It should be read by anyone who is interested in how we got to where we are today and concerned about where we are going.
What does it mean to live against a wall? Travel to the world’s most disputed edges to meet the people who live alongside the razor wire, concrete, and steel and how the structure of the walls has influenced their lives. In this ambitious first person narrative, Marcello Di Cintio shares tea with Saharan refugees on the wrong side of Morocco’s desert wall. He meets with illegal Punjabi migrants who have circumvented the fencing around the Spanish enclave of Ceuta. He visits fenced-in villages in northeast India, walks Arizona’s migrant trails, and travels to Palestinian villages to witness the protests against Israel’s security barrier. From Native American reservations on the U.S.-Mexico border and the “Great Wall of Montreal” to Cyprus’s divided capital and the Peace Lines of Belfast, Di Cintio seeks to understand what these structures say about those who build them and how they influence the cultures that they pen in. He learns that while every wall fails to accomplish what it was erected to achieve – the walls are never solutions – each wall succeeds at something else. Some walls define Us from Them with Medieval clarity. Some walls encourage fear or feed hate. Some walls steal. Others kill. And every wall inspires its own subversion, either by the infiltrators who dare to go over, under, or around them, or by the artists who transform them.
How the French invented the barricade, and its symbolic impact on popular protests throughout history In the history of European revolutions, the barricade stands as a glorious emblem. Its symbolic importance arises principally from the barricades of Eric Hazan’s native Paris, where they were instrumental in the revolts of the nineteenth century, helping to shape the political life of a continent. The barricade was always a makeshift construction (the word derives from barrique or barrel), and in working-class districts these ersatz fortifications could spread like wildfire. They doubled as a stage, from which insurgents could harangue soldiers and subvert their allegiance. Their symbolic power persisted into May 1968 and, more recently, the Occupy movements. Hazan traces the many stages in the barricade’s evolution, from the Wars of Religion through to the Paris Commune, drawing on the work of thinkers throughout the periods examined to illustrate and bring to life the violent practicalities of revolutionary uprising.
Catholics on the Barricades by Piotr H. Kosicki Pdf
In Poland in the 1940s and '50s, a new kind of Catholic intended to remake European social and political life—not with guns, but French philosophy This collective intellectual biography examines generations of deeply religious thinkers whose faith drove them into public life, including Karol Wojtyla, future Pope John Paul II, and Tadeusz Mazowiecki, the future prime minister who would dismantle Poland’s Communist regime. Seeking to change the way we understand the Catholic Church, World War II, the Cold War, and communism, this study centers on the idea of “revolution.” It examines two crucial countries, France and Poland, while challenging conventional wisdom among historians and introducing innovations in periodization, geography, and methodology. Why has much of Eastern Europe gone back down the road of exclusionary nationalism and religious prejudice since the end of the Cold War? Piotr H. Kosicki helps to understand the crises of contemporary Europe by examining the intellectual world of Roman Catholicism in Poland and France between the Church's declaration of war on socialism in 1891 and the demise of Stalinism in 1956.
A top-class grandmaster takes more than 50 real-life positions, breaks each one down into its key elements and explains the right strategy for conducting a successful attack. The examples are selected to illustrate a wide variety of attacking themes and to provide an instructive and accurate picture of how modern players attack and defend. This book tackles the vital phases of deciding how and where to attack in the first place, and build up the offensive without giving the opponent any real counter-chances.
Author : Stephen Eric Bronner Publisher : Columbia University Press Page : 214 pages File Size : 52,8 Mb Release : 2012 Category : Art ISBN : 9780231158220
Modernism at the Barricades by Stephen Eric Bronner Pdf
Stephen Eric Bronner reads the artistic and intellectual achievements of the modernist project's leading figures against larger social, political, and cultural trends and follows the rise of a flawed yet salient effort at liberation and its clash with modernity. Exploring both the political responsibility of the artist and the manipulation of authorial intention, Bronner reconfigures the modernist movement for contemporary progressive purposes and offers insight into the problems still complicating cultural politics. He ultimately reasserts the political dimension of developments often understood in purely aesthetic terms and confronts the self-indulgence and political irresponsibility of certain so-called modernists today.
"To the barricades!" The cry conjures images of angry citizens, turmoil in the streets, and skirmishes fought behind hastily improvised cover. This definitive history of the barricade charts the origins, development, and diffusion of a uniquely European revolutionary tradition. Mark Traugott traces the barricade from its beginnings in the sixteenth century, to its refinement in the insurrectionary struggles of the long nineteenth century, on through its emergence as an icon of an international culture of revolution. Exploring the most compelling moments of its history, Traugott finds that the barricade is more than a physical structure; it is part of a continuous insurrectionary lineage that features spontaneous collaboration even as it relies on recurrent patterns of self-conscious collective action. A case study in how techniques of protest originate and evolve, The Insurgent Barricade tells how the French perfected a repertoire of revolution over three centuries, and how students, exiles, and itinerant workers helped it spread across Europe.
Beyond the Barricades by Iris Tillman Hill,Alex Harris Pdf
"The pictures convey more powerfully than words ever could the grief & yet the determination of [the oppressed people of South Africa]."-Reverend Frank Chikane, General Secretary, South African Council of Churches
Meet Me on the Barricades by Charles Yale Harrison Pdf
Meet Me on the Barricades is Harrison’s most experimental work. The novel includes a series of fantasy sequences that culminate in a scene heavily indebted to the Nighttown episode in James Joyce’s Ulysses (the novel was published a year before James Thurber’s better-known short story, “The Secret Life of Walter Mitty”). The novel is also Harrison’s only foray into satire—an especially unexpected turn given that the Spanish Civil War literary canon, and particularly works of literature written in the midst of the war, tend towards earnestness rather than irony. Harrison’s novel is thus a unique book, significant for its self-consciousness as a modernist novel and as a political document. Out of print since its single publication run in 1938, this critical edition recovers Harrison’s important commentary on the heated “culture wars” of the 1930s and the Spanish Civil War. With an original critical introduction and extensive textual and editorial notes, this edition draws on original archival research to situate the novel within the modernist and leftist North American canons. Meet Me on the Barricades is a densely allusive text that layers global politics, revolutionary theory, classical music, literary theory, world history, and anti-Stalinism, as well as emergent biological discourses about sex. It recounts a few days in the life of P. Herbert Simpson, a middle-aged, weak-hearted oboist with the New York Symphony Orchestra and leftist fellow traveller. Simpson is subject to wild hallucinations that are sometimes daydreams, sometimes drunken delirium, and on occasion intricate dreams while asleep. He imagines escaping his unrewarding marriage with a prudish, domineering wife through a passionate fantasy of a Russian girlfriend, and escaping his day job in the symphony to fight on the front lines of the Spanish Civil War.
