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Debates at world Communism’s 1921 congress reveal Lenin’s International at a moment of crisis. A policy of confrontational initiatives by a resolute minority contends with the perspective of winning majority working-class support on the road to the revolutionary conquest of power. A frank debate among many currents concludes with a classic formulation of Communist strategy and tactics. Thirty-two appendices, many never before published in any language, portray delegates’ behind-the-scenes exchanges. This newly translated treasure of 1,000 pages of source material, available for the first time in English, is supplemented by an analytic introduction, detailed footnotes, a glossary with 430 biographical entries, a chronology, and an index. The final instalment of a 4,500-page series on Communist congresses in Lenin’s time.
WINNER OF THE ARCHIBALD LAMPMAN AWARD 2022 WINNER OF THE OTTAWA BOOK AWARD 2022 Words like radio waves, bouncing off the spectres of mortality, middle age, and the mundane. Arriving at middle age was a decisive experience for David O’Meara, standing equidistant to the past and future with its accompanying doubts and anticipations, inviting re-evaluation of past goals, confronting personal loss, and the death of his father and friends. These are the masses on radar, indistinct but detectable existential presences encroaching, and in the center of the radar is the lyric 'I' sweeping its adjacent experience. Poems like "I Carry a Mouse to the Park Beside the Highway," "I Keep One Eye Open and One Eye Closed," and "I Sleep as the Volcano Ash Falls like Snow,” usher the reader through thematic corridors of memory, fracture, and recovery. Embracing uncertainty and incorporating seasonal forecasts, humour, trivia, satire, politics, the environment, loss, and the mundane, these poems are a detection system signaling a paradox of meanings.' "Masses on Radar exhibits a stunning mastery of poetic craft. O’Meara has the talent and technique to turn almost anything into riveting poetry, but these poems do not coast: they dig deep, bringing to vivid life a remarkable array of subjects, experiences, emotions, and interior worlds. These poems summon quotidian encounters, sometimes conferring them with unexpected beauty, sometimes breathing new and sudden problems into them. O’Meara’s sparse language lifts the veil on our human failings, the limits of our vision, and in so doing satisfies." – Archibald Lampman Award Judges
Lenoe traces the origins of Stalinist mass culture to newspaper journalism in the late 1920s. In examining the transformation of Soviet newspapers during the New Economic Policy and the First Five Year Plan, Lenoe tells a dramatic story of purges, political intrigues, and social upheaval.
Toward the United Front by Communistische Internationale Pdf
This book offers, for the first time in English, the proceedings and decisions of the last congress of the Communist International held in Lenin’s lifetime. With an analytic introduction, detailed footnotes, 500 biographic notes, glossary, chronology, and index.
When Harvard alumnus Ennis Daly suddenly finds himself incarcerated serving a life sentence without parole, what does he do in an attempt to reclaim the promising life he once knew?
"In Science for the Masses, James T. Andrews presents a comprehensive history of the early Bolshevik popularization of science in Russia and the former Soviet Union."--Jacket.
Bringing Culture to the Masses by Esther von Richthofen Pdf
This text explores how cultural life in the former German Democratic Republic (GDR) was strictly controlled by the ruling party, the SED, through attempts to dictate the way people spent their free time. It shows how people's cultural life in the GDR developed a dynamic of its own.
The Masses Are Revolting reconstructs a pivotal era in the history of affect and emotion, delving into an archive of nineteenth-century disgust to show how this negative emotional response came to play an outsized, volatile part in the emergence of modern British society. Attending to the emotion's socially productive role, Zachary Samalin highlights concrete scenes of Victorian disgust, from sewer tunnels and courtrooms to operating tables and alleyways. Samalin focuses on a diverse set of nineteenth-century writers and thinkers—including Charles Darwin, Charles Dickens, Karl Marx, Friedrich Engels, Thomas Hardy, George Gissing, and Charlotte Brontë—whose works reflect on the shifting, unstable meaning of disgust across the period. Samalin elaborates this cultural history of Victorian disgust in specific domains of British society, ranging from the construction of London's sewer system, the birth of modern obscenity law, and the development of the conventions of literary realism to the emergence of urban sociology, the rise of new scientific theories of instinct, and the techniques of colonial administration developed during the Indian Rebellion of 1857. By bringing to light disgust's role as a public passion, The Masses Are Revolting reveals significant new connections among these apparently disconnected forms of social control, knowledge production, and infrastructural development.
The Psychology of the Masses is about how and why people are so groupish. Nearly all of us seem to believe that our ideas and habits are freely chosen, not the result of the accidents of our environment; however, most of us tend to believe and do what the people around us believe and do. We fall easily under the spell of what has authority or prestige. These facts are so well-established that propagandists like Edward Bernays could use them to sell everything from wars to consumer goods. We barely feel the pressures of our groups so long as we don''t depart from them, but when we do, the coercive nature of social life immediately reveals itself to us. But nevertheless, if we weren''t like this social life would be impossible. As social animals, we feel distraught when separated from our herds; this is why rejection is so painful. I view crowd psychology as the central science of the social sciences the way chemistry is the central science of the natural sciences. It can be used in combination with neighboring fields to explain almost everything about social life. It can explain everything from stock bubbles to religious cults to individual beliefs and habits. It provides the best explanation I know of for how memes--bits and combinations of cultural information--spread. My theoretical assumptions are different from meme theory''s assumptions and I avoid using the term "meme" in order not to confuse people, but anyone with an interest in the subject will probably want to read this book. Edward Bernays co-founded the public relations profession with his knowledge of crowd psychology. He and the influential journalist Walter Lippmann used it when they and the others on the Creel Committee got the United States into World War I. So this isn''t hot air but has been practically applied to good effect.This book is broad in scope, but a few simple ideas serve as unifying themes throughout it, so I don''t think it''s too ambitious; it''s cohesive. In addition to the things mentioned above, I also talk about elite theory--or why we''ll never be entirely equal, or independent of authority--along with evolutionary theory, media studies, economics, management theory, military strategy, political philosophy, creativity, mental illness, and the arts, and about the formation of ideas and habits, and about what crowd psychology has to say about modern technologies like social media and search engines. I''m attempting to construct a complete theory of human nature, and I dedicate my last chapter entirely to my plan for that. I am aware of modern research in the behavioral and social sciences, and talk a bit about it, but many of the authors I discuss wrote their books a century or longer ago. What is newer is not always better; no one, as far as I know, has treated the subjects I talk about as thoroughly and with as much rigor as the classic authors. Among the older authors I cite, along with the two mentioned above, are crowd psychologists Gustave Le Bon, Wilfred Trotter, and Gabriel Tarde, along with the founder of American psychology, William James, and the Italian elitist school of sociology, which includes Robert Michels, Gaetano Mosca, and Vilfredo Pareto. I do talk about modern controversies, like the one between supporters of kin selection (like Richard Dawkins) and group selection (like E.O. Wilson) in evolutionary biology. Wilfred Trotter has a unique theory which may provide a solution to the problems of altruism; more specifically, he uses the herd instinct--the tendency of the members of a group to believe and behave in the same ways--instead of altruism to explain most social behavior. Modern theorists assume that group behavior must be facilitated by altruism somehow, even if it''s only so that an organism can spread its genes. Trotter argues that altruism is a byproduct of the herd instinct, and when the two conflict herd instinct has precedence; or in other words, nonconforming altruists are punished along with selfish "cheaters."
Taking Punk to the Masses: From Nowhere to Nevermind visually documents the explosion of Grunge, the Seattle Sound, within the context of the underground punk subculture that was developing throughout the u.S. in the late 1970s and 1980s. The book serves as a companion and contextual backdrop to the Nirvana: Taking Punk to the Masses exhibition, which opens at Seattle’s Experience Music Project in 2011. This decade-and-a-half musical journey will be represented entirely through the lens of EMP’s oral history and permanent object collection, an invaluable and rich cultural archive of over 800 interviews and 140,000 objects ― instruments, costumes, posters, records and other ephemera dedicated to the pursuit of rock ’n’ roll. Taking Punk to the Masses focuses on 100 key objects from EMP’s permanent collection that illustrate the evolution of punk rock from underground subculture to the mainstream embrace (and subsequent underground rejection) of Grunge. These objects are put into context by the stories of those who lived it, culling from EMP’s vast archive of oral histories with such Northwest icons as Mudhoney’s Mark Arm, cartoonist Peter Bagge, design legend Art Chantry, Beat Happening’s Calvin Johnson, Sub Pop founders Bruce Pavitt and Jonathan Poneman, the Screaming Trees’ Mark Lanegan, Nirvana’s krist Novoselic, photographer Charles Petersen, Soundgarden’s kim Thayil, and dozens of others. From the Northwest’s earliest punk bands like The Wipers, to proto-grunge bands of the 1980s like Green River, Melvins and Malfunkshun, through the heady 1990s when bands such as Nirvana, Soundgarden, Pearl Jam, Alice in Chains and Mudhoney rose to the national stage and popularized alternative music, Taking Punk to the Masses is the first definitive history of one of America’s most vibrant music scenes, as told by the participants who helped make it so, and through the artifacts that survive.
Nietzsche and Freud saw Christianity as metaphysical escapism, with Nietzsche calling the religion a "Platonism for the masses" and faulting Paul the apostle for negating more immanent, material modes of thought and political solidarity. Integrating this debate with the philosophies of difference espoused by Gilles Deleuze, Michel Foucault, Jacques Derrida, Jacques Lacan, and Pier Paolo Pasolini, Ward Blanton argues that genealogical interventions into the political economies of Western cultural memory do not go far enough in relation to the imagined founder of Christianity. Blanton challenges the idea of Paulinism as a pop Platonic worldview or form of social control. He unearths in Pauline legacies otherwise repressed resources for new materialist spiritualities and new forms of radical political solidarity, liberating "religion" from inherited interpretive assumptions so philosophical thought can manifest in risky, radical freedom.
The development of public transit is an integral part of both business and urban history in late nineteenth-century America. The author begins this study in 1880, when public transportation in large American cities was provided by numerous, competing horse-car companies with little or no public control of operation. By 1912, when the study concludes, a monopoly in each city operated a coordinated network of electric-powered streetcars and, in the largest cities, subways, which were regulated by city and state agencies. The history of transit development reflects two dominant themes: the constant pressure of rapid growth in city population and area and the requirements of the technology developed to service that growth. The case studies here include three of the four cites that had rapid transit during this period. Each case study examines, first, the mechanization of surface lines and, second, the implementation of rapid transit. New York requires an additional chapter on steam-powered, elevated railroads, for early population growth there required rapid transit before the invention of electric technology. Urban transit enterprise is viewed within a clear and familiar pattern of evolution--the pattern of the last half of the nineteenth century, when industries with expanding markets and complex, costly processes of production and distribution adopted new strategy and structure, administered by a new class of professional managers.
A Biblical Walk Through The Mass by Edward Sri Pdf
As Catholics, the Mass is the center of our Faith. We celebrate it every day. We know all the responses. We know all the gestures. But do we know what it all means? In A Biblical Walk Through the Mass, Dr. Edward Sri takes us on a unique tour of the Liturgy. Based on the revised translation of the Mass, this book explores the biblical roots of the words and gestures we experience in the Liturgy and explains their profound significance. This intriguing look at the Mass is sure to renew your faith and deepen your devotion to the Eucharist. This book is used as the text for A Biblical Walk Through the Mass Study Program, but it may also be purchased separately at steep bulk discounts. For those not able to attend a study, this is a perfect resource for catechesis on the deep riches of the Mass.
With a lively and engaging style, Myths for the Massesprovides a critical, interdisciplinary, and historically informedstatement about communication in contemporary life. Written by Hanno Hardt, one of the world’s leadingauthorities on the subject. Offers a comprehensive appraisal of mass communication. Provides a critical perspective on media and communication insociety. Contains critical insights into the state of masscommunication, democracy, and the construction of the self insociety.
Realism for the Masses is an exploration of how the concept of realism entered mass culture, and from there, how it tried to remake “America.” The literary and artistic creations of American realism are generally associated with the late nineteenth century. But this book argues that the aesthetic actually saturated American culture in the 1930s and 1940s and that the Left social movements of the period were in no small part responsible. The book examines the prose of Carlos Bulosan and H. T. Tsiang; the photo essays of Margaret Bourke-White in Life magazine; the bestsellers of Erskine Caldwell and Margaret Mitchell; the boxing narratives of Clifford Odets, Richard Wright, Nelson Algren; and the Hollywood boxing film, radio soap operas, and the domestic dramas of Lillian Hellman and Shirley Graham, and more. These writers and artists infused realist aesthetics into American mass culture to an unprecedented degree and also built on a tradition of realism in order to inject influential definitions of “the people” into American popular entertainment. Central to this book is the relationship between these mass cultural realisms and emergent notions of pluralism. Significantly, Vials identifies three nascent pluralisms of the 1930s and 1940s: the New Deal pluralism of “We're the People” in The Grapes of Wrath; the racially inclusive pluralism of Vice President Henry Wallace's “The People's Century”; and the proto-Cold War pluralism of Henry Luce's “The American Century.”
