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Arkansas-born educator and scholar Cyrus Adler had the opportunity to spend a significant amount of time in and around Constantinople in the late nineteenth century. During his time there, he became fascinated by the rich tradition of storytelling that was carried on in the region's coffeehouses. This collection brings together a treasure trove of Turkish stories, fables, legends, and parables.
Told in the Coffee House: Turkish Tales by Cyrus Adler,Allan Ramsay Pdf
Not far from the famous Mosque Bayezid an old Hodja kept a school, and very skilfully he taught the rising generation the everlasting lesson from the Book of Books. Such knowledge had he of human nature that by a glance at his pupil he could at once tell how long it would take him to learn a quarter of the Koran. He was known over the whole Empire as the best reciter and imparter of the Sacred Writings of the Prophet. For many years this Hodja, famed far and wide as the Hodja of Hodjas, had taught in this little school. The number of times he had recited the Book with his pupils is beyond counting; and should we attempt to consider how often he must have corrected them for some misplaced word, our beards would grow gray in the endeavor. Swaying to and fro one day as fast as his old age would let him, and reciting to his pupils the latter part of one of the chapters, Bakara, divine inspiration opened his inward eye and led him to pause at the following sentence: "And he that spends his money in the ways of Allah is likened unto a grain of wheat that brings forth seven sheaves, and in each sheaf an hundred grains; and Allah giveth twofold unto whom He pleaseth." As his pupils, one after the other, recited this verse to him, he wondered why he had overlooked its meaning for so many years. Fully convinced that anything either given to Allah, or in the way that He proposes, was an investment that brought a percentage undreamed of in known commerce, he dismissed his pupils, and putting his hand into his bosom drew forth from the many folds of his dress a bag, and proceeded to count his worldly possessions. Carefully and attentively he counted and then recounted his money, and found that if invested in the ways of Allah it would bring a return of no less than one thousand piasters. "Think of it," said the Hodja to himself, "one thousand piasters! One thousand piasters! Mashallah! a fortune." So, having dismissed his school, he sallied forth, his bag of money in his hand, and began distributing its contents to the needy that he met in the highways. Ere many hours had passed the whole of his savings was gone. The Hodja was very happy; for now he was the creditor in Allah's books for one thousand piasters.
Told in the Coffee House: Turkish Tales by Allan Ramsay,Cyrus Adler Pdf
"Told in the Coffee House: Turkish Tales" by Allan Ramsay, Cyrus Adler. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Hardcover reprint of the original 1898 edition - beautifully bound in brown cloth covers featuring titles stamped in gold, 8vo - 6x9. No adjustments have been made to the original text, giving readers the full antiquarian experience. For quality purposes, all text and images are printed as black and white. This item is printed on demand. Book Information: Adler, Cyrus. Told In The Coffee House: Turkish Tales. Indiana: Repressed Publishing LLC, 2012. Original Publishing: Adler, Cyrus. Told In The Coffee House: Turkish Tales, . New York: Macmillan Co.: London: Macmillan & Co, 1898. Subject: Tales, Turkey
The Drucker Lectures: Essential Lessons on Management, Society and Economy by Peter F. Drucker,Rick Wartzman Pdf
Previously unpublished talks from the Father of Modern Management Throughout his professional life, Peter F. Drucker inspired millions of business leaders not only through his famous writings but also through his lectures and keynotes. These speeches contained some of his most valuable insights, but had never been published in book form—until now. The Drucker Lectures features more than 30 talks from one of management's most important figures. Drawn from the Drucker Archives at the Drucker Institute at Claremont Graduate University, the lectures showcase Drucker's wisdom, wit, profundity, and prescience on such topics as: Politics and economics of the environment Knowledge workers and the Knowledge Society Computer and information literacy Managing nonprofit organizations Globalization During his life, Drucker well understood that over the last 150 years the world had become a society of large institutions—and that they would only become larger and more powerful. He contended that unless these institutions were effectively managed and ethically led, the good health of society as a whole would be in peril. His prediction is unfolding before our eyes. The Drucker Lectures is a timely, instructive book proving that responsible behavior and good business can, in fact, exist hand in hand.
These eleven short fictions evoke the microcosmic worlds every human relationship contains. A woman is captivated by the stories her boyfriend tells about his exes. A faltering artist goes on a date with a married couple. Twin brothers work out their rivalry via the girl next door. In every one of these tales, we meet indelibly real and unforgettable people, a cast of rebels and dreamers trying to transform themselves, forge new destinies, or simply make the moment last.
Written After a Massacre in the Year 2018 by Daniel Borzutzky Pdf
National Book Award winner Daniel Borzutzky pens an incandescent indictment of capitalism's moral decay. In Written After a Massacre in the Year 2018, Daniel Borzutzky rages against the military industrial complex that profits from violence, against the unjust policing of certain bodies, against xenophobia passing for immigration policy, against hate spreading like a virus. He grieves for children in cages and those slain in the Tree of Life synagogue shooting in Pittsburgh. But pulsing amid Borzutzky's outrage over our era's tragedies is a longing for something better: for generosity to triumph over stinginess and for peace to transform injustice. Borzutzky's strident language juxtaposes the horror of consumer-culture violence with its absurdity, and he masterfully shifts between shock and heartbreak over the course of the collection. Bleak but not hopeless, Written After a Massacre in the Year 2018 is an unflinching poetic reckoning with the twenty-first century.
"Part treatise, part memoir, part call to action, Tell Me How It Ends inspires not through a stiff stance of authority, but with the curiosity and humility Luiselli has long since established." —Annalia Luna, Brazos Bookstore "Valeria Luiselli's extended essay on her volunteer work translating for child immigrants confronts with compassion and honesty the problem of the North American refugee crisis. It's a rare thing: a book everyone should read." —Stephen Sparks, Point Reyes Books "Tell Me How It Ends evokes empathy as it educates. It is a vital contribution to the body of post-Trump work being published in early 2017." —Katharine Solheim, Unabridged Books "While this essay is brilliant for exactly what it depicts, it helps open larger questions, which we're ever more on the precipice of now, of where all of this will go, how all of this might end. Is this a story, or is this beyond a story? Valeria Luiselli is one of those brave and eloquent enough to help us see." —Rick Simonson, Elliott Bay Book Company "Appealing to the language of the United States' fraught immigration policy, Luiselli exposes the cracks in this foundation. Herself an immigrant, she highlights the human cost of its brokenness, as well as the hope that it (rather than walls) might be rebuilt." —Brad Johnson, Diesel Bookstore "The bureaucratic labyrinth of immigration, the dangers of searching for a better life, all of this and more is contained in this brief and profound work. Tell Me How It Ends is not just relevant, it's essential." —Mark Haber, Brazos Bookstore "Humane yet often horrifying, Tell Me How It Ends offers a compelling, intimate look at a continuing crisis—and its ongoing cost in an age of increasing urgency." —Jeremy Garber, Powell's Books
On a slab that's all Katrina left of her Mississippi home, Tiger tells her story, and it is as American as Horatio Alger, Schwab's Pharmacy, and a tent revival. She was a stripper, but is she now a performance artist and best-selling author, and it is really Barbara Walters she's narrating this tale to? We're too dazzled to know more than that this is about how a girl ends up in the backwash of decadence and sin and how out of the flotsam and jetsam she might construct a story of herself and the South to carry her to salvation. Serial killers, preachers, and prison flower-arranging classes. Bikers, bad boyfriends, and a stripper who performed as a Trans Am. Tiger has seen it all and as she sits on her slab, identifying anecdotes as they go by, we witness Selah Saterstrom at her greatest—funny, bawdy, and steeped in the landscape and all the devastation it has created and absorbed. Selah Saterstrom is the author of the novels The Pink Institution, The Meat and Spirit Plan, and Slab, all published by Coffee House Press. She is also the author of Tiger Goes to the Dogs, a limited edition letterpress project published by Nor By Press. Her prose, poetry, and interviews can be found in publications such as The Black Warrior Review, Postroad, Tarpaulin Sky, Fourteen Hills, and other places. She is the director of the PhD program in creative writing at the University of Denver and teaches and lectures throughout the United States.
The Palaces of Memories is a journey into India through the Indian Coffee Houses, a national network of worker-owned cafs which can be found in cities throughout the sub-continent. The Coffee Houses simultaneously speak of a Post-Independence optimism and a now-faded grandeur. Stuart Freedman has visited more than thirty of the most significant and beautiful Coffee Houses throughout India. Away from the stereotypes of poverty and exotica they have allowed him to enter an 'ordinary' India, an environment which echoes the greasy-spoon cafes of a long-forgotten London.
In Temporary, a young woman’s workplace is the size of the world. She fills increasingly bizarre placements in search of steadiness, connection, and something, at last, to call her own. Whether it’s shining an endless closet of shoes, swabbing the deck of a pirate ship, assisting an assassin, or filling in for the Chairman of the Board, for the mythical Temporary, “there is nothing more personal than doing your job.” This riveting quest, at once hilarious and profound, will resonate with anyone who has ever done their best at work, even when the work is only temporary.
