Toscanini In Britain

Author : Christopher Dyment
Publisher : Boydell Press
Page : 401 pages
File Size : 55,6 Mb
Release : 2012
Category : Biography & Autobiography
ISBN : 9781843837893

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Toscanini in Britain by Christopher Dyment Pdf

This is the first book to describe Arturo Toscanini's activities - the life he led, his concerts and recording sessions - during his visits to London and elsewhere in Britain in the years 1900-1952. During the 1930s Arturo Toscanini conducted many concerts broadcast by the BBC from London's Queen's Hall, where he also made some unsurpassed recordings. Drawing on newly researched material in British and American archives, Christopher Dyment reveals how the most renowned and influential conductor of the twentieth century, notoriously microphone-shy though he was, came to conduct so frequently in London, a tale replete with unexpected twists, turns and ingenious stratagems. Toscanini's dominating influence on London critics and audiences in the period covered by the narrative, extending through to his final appearances at the Royal Festival Hall in 1952, is copiously documented from contemporary sources. Dyment also presents fresh evidence showing how the remarkable combination of passionate conviction and architectural mastery that characterised Toscanini's conducting was grounded not only in his obsessive study of the score but also in his awareness of performing traditions dating back to the mid-nineteenth century. This book will fascinate those with a particular interest in Toscanini's career and recorded legacy. It is also essential reading for anyone with an interest in the history of conducting and recording in the first half of the twentieth century, set against the vividly evoked backdrop of London's concert scene of the period. This comprehensive study includes both an annotated table of all Toscanini's London concerts and his EMI discography. CHRISTOPHER DYMENT has written extensively about historic conductors since the 1970s, particularly Felix Weingartner and Arturo Toscanini. His first book, on Weingartner, was published in 1976.

Author : Harvey Sachs
Publisher : Liveright Publishing
Page : 992 pages
File Size : 51,5 Mb
Release : 2017-06-27
Category : Music
ISBN : 9781631492723

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Toscanini: Musician of Conscience by Harvey Sachs Pdf

An “extraordinary” biography that “in its breadth . . . reminds me of nothing so much as Robert A. Caro’s The Power Broker” (New York Review of Books). Harvey Sachs’s “monumental” (Alex Ross) biography recounts the sixty-eight-year career of conductor Arturo Toscanini (1867–1957), an artist celebrated for his fierce dedication, photographic memory, explosive temper, impassioned performances, and uncompromising work ethic. Toscanini collaborated with Verdi, Puccini, Debussy, and Richard Strauss; undertook major reforms at La Scala and the Metropolitan Opera; and eventually pioneered the radio and television broadcasts of the NBC Symphony. His monumental achievements inspired generations, while his opposition to Nazism and fascism made him a model for artists of conscience. In this “persuasive and compelling” new biography, Sachs illuminates the “crucial—the central—role Toscanini played in our musical culture for well over 60 years” (New York Times Book Review). Set against the roiling currents of twentieth-century Europe and the Americas, Toscanini is a “necessary” portrait of this “complex, flawed, but noble human being and towering artist” (Wall Street Journal) whose peerless influence reverberates today.

Author : Kenneth A. Christensen
Publisher : Xlibris Corporation
Page : 682 pages
File Size : 54,6 Mb
Release : 2014-10-31
Category : Biography & Autobiography
ISBN : 9781493190683

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The Toscanini Mystique by Kenneth A. Christensen Pdf

Kenneth A. Christensen’s THE TOSCANINI MYSTIQUE, is the first full length biography about the legendary Italian conductor’s life and career in almost thirty-five years. Maestro Toscanini had a frigid and extremely unhappy childhood, along with a severe musical education at the Parma Conservatory. This unglamorized account of a gifted teenager’s professional conducting debut at Rio de Janerio’s Teatro Imperial, is told as it really happened. Toscanini was married to a ballerina, Carla De Martini, who bore him four children, but also had an illegitimate son with a gifted soprano, who was born retarded. Toscanini’s vulgar mistreatment of nearly all the singers and musicians who performed under his direction was legendary, and is examined with unusual insight about his uncanny memory and talent for musical recreation. The recollection of many famous artists including Caruso, Debussy, Kreisler, Puccini, Stravinsky, Verdi, and Wagner’s descendants are quoted alongside his confrontations with Hitler, Mussolini and the Sicilian mafia. But the Maestro also was the most generous of all musicians, donating both his time and talents to many worthwhile charities, for which he received no financial compensation. The life of this great conductor is presented as the struggles of a musical and theatrical reformer, who was a major historical figure that just happened to be one of the greatest musicians who ever lived. Mr. Christensen has painstakingly wrote his narrative, using all the previous biographies and magazine articles on his life, the scripts of two video documentaries and the liner notes for the most widely available re-releases of his recordings. He rewrote and clarified the awkward original Italian translations for non-specialist readers and has supplied new English translations for the numerous operatic titles and other musical works as well as all the foreign language newspapers, magazines and theatres mentioned in the text. In addition, he has provided professional critiques on the most widely available Toscanini recordings from RCA Victor’s ‘Arturo Toscanini Collection’, and historic reissues of Toscanini’s NBC radio broadcast concerts. Here was a man, who had the nerve to stand up to world dictators and fought hard to prevent the Western world’s supreme musical masterpieces from being abused and mistreated, but without taking any credit for laboriously recreating all these composers’ inspiration. He enjoyed to play practical jokes on his family and friends, but this humorous side is known only through letters, because Toscanini never published any autobiography or memoirs about his art. Toscanini gave the world premieres of 14 operas, including Leoncavallo’s Pagliacci, and three by Puccini, including La Boheme, La Fanciulla del West and Turandot. Toscanini served as musical director: the Teatro Regio in Turino (1895-98), La Scala in Milano (1898-1908), New York’s Metropolitan Opera (1908-1915), barely missed dying upon the Lusitania, becoming musical director of La Scala again (1920-1929), the New York Philharmonic (1926-1936), and the NBC Symphony Orchestra (1937-1954). In between, he also guest conducted at the Bayreuth, Salzburg and Lucerne Festivals and conducted the inaugural concerts of the Palestine Symphony. Toscanini then recorded his most important repertory with the BBC Symphony and the Philadelphia Orchestra, the New York Philharmonic and NBC Symphony Orchestras, alongside the Robert Shaw Chorale and such esteemed soloists as Jascha Heifetz, Rudolf Serkin, plus, his own son-in-law Vladimir Horowitz. His seven operatic recordings featured Jan Peerce, Helen Traubel, Richard Tucker, Giuseppe di Stefano, Rose Bampton, Cesare Siepi, Herva Nelli, Licia Albanese, Robert Merrill, Jussi Bjoerling, Lauritz Melchior, and many other gifted singers and musicians of the past, whose names alone are too much to mention.

Author : Roberta Montemorra Marvin
Publisher : Routledge
Page : 204 pages
File Size : 45,6 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351541459

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The Politics of Verdi's Cantica by Roberta Montemorra Marvin Pdf

The Politics of Verdi's Cantica treats a singular case study of the use of music to resist oppression, combat evil, and fight injustice. Cantica, better known as Inno delle nazioni / Hymn of the Nations, commissioned from Italy's foremost composer to represent the newly independent nation at the 1862 London International Exhibition, served as a national voice of pride and of protest for Italy across two centuries and in two very different political situations. The book unpacks, for the first time, the full history of Verdi's composition from its creation, performance, and publication in the 1860s through its appropriation as purposeful social and political commentary and its perception by American broadcast media as a 'weapon of art' in the mid twentieth century. Based on largely untapped primary archival and other documentary sources, journalistic writings, and radio and film scripts, the project discusses the changing meanings of the composition over time. It not only unravels the complex history of the work in the nineteenth century, of greater significance it offers the first fully documented study of the performances, radio broadcast, and filming of the work by the renowned Italian conductor Arturo Toscanini during World War II. In presenting new evidence about ways in which Verdi's music was appropriated by expatriate Italians and the US government for cross-cultural propaganda in America and Italy, it addresses the intertwining of Italian and American culture with regard to art, politics, and history; and investigates the ways in which the press and broadcast media helped construct a musical weapon that traversed ethnic, aesthetic, and temporal boundaries to make a strong political statement.

Author : Joseph Horowitz
Publisher : Univ of California Press
Page : 532 pages
File Size : 55,6 Mb
Release : 1994-01-01
Category : Biography & Autobiography
ISBN : 0520085426

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Understanding Toscanini by Joseph Horowitz Pdf

As America's symbol of Great Music, Arturo Toscanini and the "masterpieces" he served were regarded with religious awe. As a celebrity personality, he was heralded for everything from his unwavering stance against Hitler and Mussolini and his cataclysmic tantrums, to his "democratic" penchants for television wrestling and soup for dinner. During his years with the Metropolitan Opera (1908-15) and the New York Philharmonic (1926-36) he was regularly proclaimed the "world's greatest conductor ." And with the NBC Symphony (1937-54), created for him by RCA's David Sarnoff, he became the beneficiary of a voracious multimedia promotional apparatus that spread Toscanini madness nationwide. According to Life, he was as well-known as Joe Dimaggio; Time twice put him on its cover; and the New York Herald Tribune attributed Toscanini's fame to simple recognition of his unique "greatness." In this boldly conceived and superbly realized study, Joseph Horowitz reveals how and why Toscanini became the object of unparalleled veneration in the United States. Combining biography, cultural history, and music criticism, Horowitz explores the cultural and commercial mechanisms that created America's Toscanini cult and fostered, in turn, a Eurocentric, anachronistic new audience for old music.

Author : Bryan Proksch
Publisher : Boydell & Brewer
Page : 302 pages
File Size : 53,9 Mb
Release : 2015
Category : Music
ISBN : 9781580465120

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Reviving Haydn by Bryan Proksch Pdf

By the 1840s Joseph Haydn, who died in 1809 as the most celebrated composer of his generation, had degenerated into the bewigged Papa Haydn, a shallow placeholder in music history who merely invented the forms used by Beethoven.In a remarkable reversal, Haydn swiftly regained his former stature within the opening decades of the twentieth century. Reviving Haydn: New Appreciations in the Twentieth Century examines both the decline and the subsequent resurgence of Haydn's reputation in an effort to better understand the forces that shape critical reception on a broad scale. No single person or event marked the turning point for Haydn's reputation. Instead a broad resurgence reshaped opinion in Europe and the United States in short order. The Haydn revival engaged many of the music world's leading figures -- composers (Vincent d'Indy and Arnold Schoenberg), conductors (Arturo Toscanini), performers (Wanda Landowska), critics (Lawrence Gilman), and scholars (Heinrich Schenker and Donald Tovey) -- each of whom valued Haydn's music for specific reasons and used it to advance particular goals. Yet each advocated for a rehearing and rereading of the composer's works, calling for a new appreciation of Haydn's music. Bryan Proksch is Assistant Professor of Music History at Lamar University.

Author : Jeanice Brooks,Kimberly Francis,Kimberly A. Francis
Publisher : Boydell & Brewer
Page : 509 pages
File Size : 44,9 Mb
Release : 2020
Category : Biography & Autobiography
ISBN : 9781580469678

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Nadia Boulanger by Jeanice Brooks,Kimberly Francis,Kimberly A. Francis Pdf

The first collection ever of essays and reviews by the renowned pedagogue, composer, and conductor, providing fresh perspectives on her musical influence and impact. The impact of Nadia Boulanger (1887-1979) on twentieth-century music was vast: as composer, keyboard performer, conductor, impresario, and pedagogue. Her extensive musical networks included figures such as Fauré, Stravinsky, and Poulenc, and her advocacy helped establish the compositions of her sister Lili Boulanger. Few today realize, though, that Boulanger wrote numerous essays and reviews at various times in her career. These offer unparalleled insight into her thinking and illuminate aspects of musical culture in Europe and America from the rare point of view of an internationally prominent female artist. Nadia Boulanger: Thoughts on Music provides a translation and critical edition of selected writings chosen for their quality and interest. The previously published articles and essays have never been reissued since their original appearance; the remaining materials are presented to readers here for the first time. The volume renders all these materials widely available, providing an important new resource for teaching and scholarship on twentieth-century music as well as an engaging collection of musical essays for the general reader.

Author : Christopher Dyment
Publisher : Boydell & Brewer
Page : 270 pages
File Size : 40,7 Mb
Release : 2016
Category : Music
ISBN : 9781783271009

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Conducting the Brahms Symphonies by Christopher Dyment Pdf

How did Brahms conduct his four symphonies? What did he want from other conductors when they performed these works, and to which among them did he give his approval? And crucially, are there any stylistic pointers to these performances in early recordings of the symphonies made in the first half of the twentieth century? For the first time, Christopher Dyment provides a comprehensive and in-depth answer to these important issues. Drawing together thestrands of existing research with extensive new material from a wide range of sources - the views of musicians, contemporary journals, memoirs, biographies and other critical literature - Dyment presents a vivid picture of historic performance practice in Brahms's era and the half-century that followed. Here is a remarkable panorama showcasing Brahms himself conducting, together with those conductors whom he heard, among them Levi, Richter, Nikisch, Weingartner and Fritz Steinbach, and their disciples, such as Toscanini, Stokowski, Boult and Fritz Busch. Here, too, are other famed Brahms conductors of the early twentieth century, including Furtwängler and Abendroth, whose connections with the Brahms tradition are closely examined. Dyment then analyses recordings of the symphonies by these conductors and highlights aspects which the composer might well have commended. Finally, Dyment suggests the importanceof his conclusions for those contemporary conductors who are currently attempting to rediscover genuine performance traditions in their own re-creations of the symphonies. This major study is complemented with forty photographs and a frontispiece. It is sure to fascinate musicians, Brahms enthusiasts and those interested in the history of recorded music. CHRISTOPHER DYMENT is author of Felix Weingartner: Recollections and Recordings(Triad Press 1976) and Toscanini in Britain (The Boydell Press 2012). He has published many articles about historic conductors over the last forty years.

Author : Nathaniel G. Lew
Publisher : Routledge
Page : 260 pages
File Size : 51,9 Mb
Release : 2016-07-01
Category : Music
ISBN : 9781317009870

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Tonic to the Nation: Making English Music in the Festival of Britain by Nathaniel G. Lew Pdf

Long remembered chiefly for its modernist exhibitions on the South Bank in London, the 1951 Festival of Britain also showcased British artistic creativity in all its forms. In Tonic to the Nation, Nathaniel G. Lew tells the story of the English classical music and opera composed and revived for the Festival, and explores how these long-overlooked components of the Festival helped define English music in the post-war period. Drawing on a wealth of archival material, Lew looks closely at the work of the newly chartered Arts Council of Great Britain, for whom the Festival of Britain provided the first chance to assert its authority over British culture. The Arts Council devised many musical programs for the Festival, including commissions of new concert works, a vast London Season of almost 200 concerts highlighting seven centuries of English musical creativity, and several schemes to commission and perform new operas. These projects were not merely directed at bringing audiences to hear new and old national music, but to share broader goals of framing the national repertory, negotiating between the conflicting demands of conservative and progressive tastes, and using music to forge new national definitions in a changed post-war world.

Author : Arturo Toscanini
Publisher : University of Chicago Press
Page : 494 pages
File Size : 40,9 Mb
Release : 2006-12
Category : Biography & Autobiography
ISBN : 9780226733401

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The Letters of Arturo Toscanini by Arturo Toscanini Pdf

Fifty years after his death, Arturo Toscanini is still considered one of the greatest conductors in history, and probably the most influential. His letters, expertly collected, translated, and edited here by Harvey Sachs, will give readers a new depth of insight into his life and work. As Sachs puts it, they “reveal above all else a man whose psychological perceptions in general and self-knowledge in particular were much more acute than most people have thought likely.” They are sure to enthrall anyone interested in learning more about one of the great lives of the twentieth century. “This is a major contribution to our understanding of Toscanini and of several entire eras of late nineteenth- and twentieth-century musical life, especially the almost improvisatory looseness of opera in Italy, the glamour of European festivals, and the concert life of the United States. It’s also a wonderful, sometimes downright salacious read.”—New York Times “Toscanini’s large, cranky humanity comes alive throughout his letters, as it does in his best recordings.”—New York Review of Books “Edited with scrupulous care and wide-ranging erudition.”—Wall Street Journal “Sachs has served the conductor well . . . by editing this generously annotated and unprecedentedly revealing collection of letters that were written, usually in haste and often in fury, over the course of seventy years.”—Washington Post

Author : Lyndon LaRouche
Publisher : Executive Intelligence Review
Page : 320 pages
File Size : 44,6 Mb
Release : 101-01-01
Category : Political Science
ISBN : 8210379456XXX

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The Toynbee Factor in British Grand Strategy by Lyndon LaRouche Pdf

Author : Annegret Fauser
Publisher : Oxford University Press
Page : 384 pages
File Size : 49,7 Mb
Release : 2013-05-03
Category : Music
ISBN : 9780199323760

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Sounds of War by Annegret Fauser Pdf

What role did music play in the United States during World War II? How did composers reconcile the demands of their country and their art as America mobilized both militarily and culturally for war? Annegret Fauser explores these and many other questions in the first in-depth study of American concert music during World War II. While Dinah Shore, Duke Ellington, and the Andrew Sisters entertained civilians at home and G.I.s abroad with swing and boogie-woogie, Fauser shows it was classical music that truly distinguished musical life in the wartime United States. Classical music in 1940s America had a ubiquitous cultural presence--whether as an instrument of propaganda or a means of entertainment, recuperation, and uplift--that is hard to imagine today, and Fauser suggests that no other war enlisted culture in general and music in particular so consciously and unequivocally as World War II. Indeed, the day after the attack on Pearl Harbor, Group Theatre director Harold Clurman wrote to his cousin, Aaron Copland: "So you're back in N.Y. . . ready to defend your country in her hour of need with lectures, books, symphonies!" Copland was in fact involved in propaganda missions of the Office of War Information, as were Marc Blitzstein, Elliott Carter, Henry Cowell, Roy Harris, and Colin McPhee. It is the works of these musical greats--as well as many other American and exiled European composers who put their talents to patriotic purposes--that form the core of Fauser's enlightening account. Drawing on music history, aesthetics, reception history, and cultural history, Sounds of War recreates the remarkable sonic landscape of the World War II era and offers fresh insight to the role of music during wartime.

Author : Samuel Antek,Lucy Antek Johnson
Publisher : BrownBooks.ORM
Page : 243 pages
File Size : 55,5 Mb
Release : 2021-09-28
Category : Biography & Autobiography
ISBN : 9781612545417

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This Was Toscanini by Samuel Antek,Lucy Antek Johnson Pdf

“This unique, doubly moving memoir unites an outstanding musician with his invaluable impressions of the world-famous maestro.” —Sybil Steinberg, Contributing Editor and Former Book Review Editor for Publishers Weekly Arturo Toscanini is widely considered the greatest conductor of the modern age and remains a towering figure in the world of classical music. His explosive passions, dynamic music making, and legendary leadership continue to inspire and influence today’s musicians while still captivating new generations of enthusiastic fans as well. This Was Toscanini is an intimate, firsthand, behind-the-scenes musical portrait of the Maestro, told from the unique perspective of first violinist Samuel Antek, who was fortunate to play under Toscanini’s baton for seventeen years in the famed NBC Symphony Orchestra. In this expanded second edition of This Was Toscanini: The Maestro, My Father, and Me, Samuel Antek’s reflections on playing with the Maestro gain sparkling new facets of insight from his daughter, Lucy Antek Johnson, as she enlightens readers with vivid recollections about her father and his most memorable musical partnership. With a foreword from acclaimed author and music historian Harvey Sachs and featuring Robert Hupka’s iconic photographs throughout, this shining new edition will bring back the wonder of Toscanini’s powerful style and his singular pursuit to make beautiful music. “After the recordings, this book will probably remain the most enduring and endearing monument to the art of Arturo Toscanini.” —The New York Times “This book will fascinate everyone interested not only in Toscanini but in symphonic music and music making in general.” —Harvey Sachs, author and music historian

Author : Spike Hughes
Publisher : Unknown
Page : 426 pages
File Size : 48,9 Mb
Release : 1969
Category : Biography & Autobiography
ISBN : UOM:39076006083526

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The Toscanini Legacy by Spike Hughes Pdf

Author : Harvey Sachs
Publisher : Robson Books Limited
Page : 216 pages
File Size : 44,5 Mb
Release : 1992
Category : Biography & Autobiography
ISBN : STANFORD:36105042716410

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Reflections on Toscanini by Harvey Sachs Pdf

Leven en werk van de Italiaanse dirigent (1867-1957).