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The 25th Anniversary ebook, now with more than 50 images. 'Touching the Void' is the tale of two mountaineer’s harrowing ordeal in the Peruvian Andes. In the summer of 1985, two young, headstrong mountaineers set off to conquer an unclimbed route. They had triumphantly reached the summit, when a horrific accident mid-descent forced one friend to leave another for dead. Ambition, morality, fear and camaraderie are explored in this electronic edition of the mountaineering classic, with never before seen colour photographs taken during the trip itself.
Joe Simpson and his climbing partner, Simon Yates, had just reached the top of a 21,000-foot peak in the Andes when disaster struck. Simpson plunged off the vertical face of an ice ledge, breaking his leg. In the hours that followed, darkness fell and a blizzard raged as Yates tried to lower his friend to safety. Finally, Yates was forced to cut the rope, moments before he would have been pulled to his own death. The next three days were an impossibly grueling ordeal for both men. Yates, certain that Simpson was dead, returned to base camp consumed with grief and guilt over abandoning him. Miraculously, Simpson had survived the fall, but crippled, starving, and severely frostbitten was trapped in a deep crevasse. Summoning vast reserves of physical and spiritual strength, Simpson crawled over the cliffs and canyons of the Andes, reaching base camp hours before Yates had planned to leave. How both men overcame the torments of those harrowing days is an epic tale of fear, suffering, and survival, and a poignant testament to unshakable courage and friendship.
In 1928 a journalist asked George Mallory why he wanted to climb Everest. Mallory said, 'Because it's there.' Joe Simpson's memoir Touching the Void, international bestseller and BAFTA-winning film, charts his struggle for survival on the perilous Siula Grande mountain in the Peruvian Andes aged twenty-five. Adapted for the stage by David Greig, Joe's story explodes into a bold theatrical fantasia. We discover the counter-cultural world of Alpine climbing and the sensual joy of the mountains; we bear witness to the appalling moment when Joe's climbing partner Simon Yates, battered by freezing winds and tethered to the injured Simpson, makes the critical decision to cut the rope. Tense, funny and inquisitive, Touching the Void explores the mind's extraordinarily rich reservoirs of strength and imagination when teetering on the edge of death. David Greig's Touching the Void premiered at Bristol Old Vic, Bristol in September 2018.
A Globe and Mail Best Book A finalist for the Rakuten Kobo Emerging Writer Prize A love letter to a sport that's losing itself, from one of our best sports writers. Hockey is approaching a state of crisis in Canada. It's become more expensive, more exclusive, and effectively off-limits to huge swaths of the potential sports-loving population. Youth registration numbers are stagnant; efforts to appeal to new Canadians are often grim at best; the game, increasingly, does not resemble the country of which it's for so long been an integral part. As a lifelong hockey fan and father of a young mixed-race son falling headlong in love with the game, Sean Fitz-Gerald wanted to get to the roots of these issues. His entry point: a season with the Peterborough Petes, a storied OHL team far from its former glory in a once-emblematic Canadian city that is finding itself on the wrong side of the country's changing demographics. Fitz-Gerald profiles the players, coaches and front office staff, a mix of world-class talents with NHL aspirations and Peterborough natives happy with more modest dreams. Through their experiences, their widely varied motivations and expectations, we get a rich, colourful understanding of who ends up playing hockey in Canada and why. Fitz-Gerald interweaves the action of the season with portraits of public figures who've shaped and been shaped by the game: authors who captured its spirit, politicians who exploited it, and broadcasters who try to embody and sell it. He finds his way into community meetings full of angry season ticket holders, as well as into sterile boardrooms full of the sport's institutional brain trust, unable to break away from the inertia of tradition and hopelessly at war with itself. Before the Lights Go Out is a moving, funny, yet unsettling picture of a sport at a crossroads. Fitz-Gerald's warm but rigorous journalistic approach reads, in the end, like a letter to a troubled friend: it's not too late to save hockey in this country, but who has the will to do it?
Nominated for the 2019 Toronto Heritage Book Award We may never see a playoff series like it again. Before Gary Bettman, and the lockouts. Before all the NHL's old barns were torn down to make way for bigger, glitzier rinks. Before expansion and parity across the league, just about anything could happen on the ice. And it often did. It was an era when huge personalities dominated the sport; and willpower was often enough to win games. And in the spring of 1993, some of the biggest talents and biggest personalities were on a collision course. The Cinderella Maple Leafs had somehow beaten the mighty Red Wings and then, just as improbably, the St. Louis Blues. Wayne Gretzky's Kings had just torn through the Flames and the Canucks. When they faced each other in the conference final, the result would be a series that fans still talk about passionately 25 years later. Taking us back to that feverish spring, The Last Good Year gives an intimate account not just of an era-defining seven games, but of what the series meant to the men who were changed by it: Marty McSorley, the tough guy who took his whole team on his shoulders; Doug Gilmour, the emerging superstar; celebrity owner Bruce McNall; Bill Berg, who went from unknown to famous when the Leafs claimed him on waivers; Kelly Hrudey, the Kings' goalie who would go on to become a Hockey Night in Canada broadcaster; Kerry Fraser, who would become the game's most infamous referee; and two very different captains, Toronto's bull in a china shop, Wendel Clark, and the immortal Wayne Gretzky. Fast-paced, authoritative, and galvanized by the same love of the game that made the series so unforgettable, The Last Good Year is a glorious testament to a moment hockey fans will never forget.
Simon Yates, author of Against the Wall, takes us back to his early years as a climber - the escapades and excitement of a young life lived on the edge and for the moment, when experience was all-important and dramatic achievements and failures came as naturally as the hair-raising risks themselves. A mountaineering travelogue of dazzling variety, The Flame of Adventure moves from the camaraderie of deprived Russian climbers in the little-known peaks in the Tien Shan to the awesome experience of the North Face of the Eiger, from a rumbustious motorbike ride across Australia with a psychotic lorry driver. We meet a remarkable gallery of climbers, from Doug Scott to Joe Simpson, and, when not exploring high mountains, we enter the bizarre world of rope access workers: mavericks balancing high above building sites on the London skyline.
Joe Simpson recounts his experiences as a mountain climber in the Himalayas, offering his insights into the perplexing nature of aggression and violence -- in himself, others, and society.
Simon Yates is 'the one who cut the rope' in Joe Simpson's award-winning account of their epic struggle for survival in Touching the Void. Afterwards, Yates continued mountaineering on the hardest routes. Perhaps the most testing of all was one of the world's largest vertical rockfaces, the 4, 000-ft East Face of the Central Tower of Paine in Chile. Battered by ferocious storms and almost crippled with fear just below the summit, Yates and his three companions are forced into a nightmare retreat. After resting in a nearby town, they return to complete the climb, but Yates knows he still has to face one of life's greatest challenges...
A sequel to the award-winning Touching the Void, in which Simpson described a fall in the Himalayas which crippled and almost broke him. This is a memoir of the signposts that have directed him since childhood to measure fear and embrace the unknow
Touching Void… Surviving a Car Accident is the courageous real-life story of the author who had miraculously survived a horrific car accident as a child, and has lived to tell the tale of a debilitating head injury. A must read for all those who have gone through any type of traumatic experience. A very heart-warming read!
* Concise, objective account of the 1996 Everest debacle * One of Simpson's most controversial and challenging books * Short listed for the 1997 Boardman Tasker Award In 1992, an Indian climber was left to die alone high on the South Col of Mount Everest by other climbers who watched his feebly waving hand from the security of their tent thirty yards away. Some film footage of his corpse was later shown on television. Why did these onlookers not hold the dying man's hand and comfort him? The answer appalls Joe Simpson, who was himself left for dead in a crevasse at the foot of Siula Grande in Peru in 1985. It is an uncomfortable ethical question that he is forced to confront as he attempts a difficult new route on Pumori, with a clear view of the whole South Col from close to the vantage point where Eric Shipton first spotted the way up the south side of Everest taken by Hillary and Tenzing in 1953. Now that Everest has become the playground of the rich, where commercial operators offer guided tours to the top up fixed ropes, camping amidst the detritus and unburied corpses of previous less fortunate climbers, Simpson wonders if the noble, caring instincts that once characterized mountaineering have been irrevocably displaced as in other facets of today's society. On investigation, he finds it a less black and white issue that at first it seemed. "I shall never forget the horror of dying alone, the awful empty loneliness of it," he says. Yet his empathy for the victims of storms, altitude sickness, or misjudgments, is tested time and again as he explores anecdotally and in conversations with his companions on Pumori, the moral climate of mountaineering in the 1990s.
A rediscovered mountaineering classic and the extraordinary true story of a daring escape up Mount Kenya by three prisoners of war. When the clouds covering Mount Kenya part one morning to reveal its towering peaks for the first time, prisoner of war Felice Benuzzi is transfixed. The tedium of camp life is broken by the beginnings of a sudden idea - an outrageous, dangerous, brilliant idea. There are not many people who would break out of a P.O.W. camp, trek for days across perilous terrain before climbing the north face of Mount Kenya with improvised equipment, meagre rations, and with a picture of the mountain on a tin of beef among their more accurate guides. There are probably fewer still who would break back in to the camp on their return. But this is the remarkable story of three such men. No Picnic on Mount Kenya is a powerful testament to the human spirit of revolt and adventure in even the darkest of places. "The history of mountaineering can hardly present a parallel to this mad but thrilling escapade" - Saturday Review "A most extraordinary prisoner-of-war and escape story" - New Yorker "A mad venture and a gallant tribute to man's deep yearning for freedom" - Kirkus Reviews "The book crackles with the same dry humour as its title. It contains the prison-yard bartering and candlelight stitching that mark a classic jailbreak yarn; the encounters with wild beasts in Mount Kenya's forest belt are as gripping, and the descriptions of sparkling glaciers as awe-inspiring, as any passage in the great exploration diaries of the early 20th century" - The Economist
Draws on extensive research and exclusive interviews to share previously undisclosed aspects of the enigmatic writer's life, from his private relationships and service in World War II to his legal concerns and innermost secrets.
It seemed like any other season on Mount Everest. Ten expeditions from around the world were preparing for their summit push, gathered together to try for mountaineering's ultimate prize. Twenty-four hours later, eight of those climbers were dead, victims of the most devastating storm ever to hit Everest. On the North face of the mountain, a British expedition found itself in the thick of the drama. Against all odds, film-maker Matt Dickinson and professional climber Alan Hinkes managed to battle through hurricane-force winds to reach the summit. In Death Zone, Matt Dickinson describes the extraordinary event that put the disaster on the front cover of Time and Newsweek. The desperate attempts of teams on the southern side of the mountain, fatal errors that led to the deaths of three Indian climbers on the North Ridge and the moving story of Rob Hall, the New Zealand guide who stayed with his stricken client, and paid with his life. Based on interviews with the surviving climbers and the first-hand experience of having lived through the killer storm, this gripping non-fiction book tackles issues at the very heart of mountaineering. Death Zone is an extraordinary story of human triumph, folly and disaster.
All mountaineers develop differently. Some go higher, some try ever-steeper faces and others specialise in a particular range or region. I am increasingly drawn to remoteness - to places where few others have trod.' The Wild Within is the third book from Simon Yates, one of Britain's most accomplished and daring mountaineers. With his insatiable appetite for adventure and exploratory mountaineering, Yates leads unique expeditions to unclimbed peaks in the Cordillera Darwin in Tierra del Fuego, the Wrangell St-Elias ranges on the Alaskan-kon border, and Eastern Greenland. Laced with dry humour, he relates his own experience of the rapid commercialisation of mountain wilderness, while grappling with his new-found commitments as a family man. At the same time he must endure his role in the film adaptation of Joe Simpson's Touching The Void, having to relive the events of that trip to Peru for an award winning director. Yates' subsequent escape to the some of the world's most remote mountains isn't quite the experience it once was, as he witnesses first hand the advance of modern communications into the wilderness, signalled by the ubiquitous mobile phone masts appearing in once deserted mountain valleys. He is left to dwell on the remaining significance of mountain wilderness and begins a journey to rediscover his own notion of 'wild'.