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A satirical novel on the death of God. For inexplicable reasons he dies and falls into the sea, and the Vatican hires a supertanker to secretly tow his two-mile-long body to the Arctic for preservation. But the secret leaks out and everyone gets in on the act, exploiting God's death to their own end.
The award-winning, irreverent, and darkly funny trilogy from “the most provocative satiric voice in science fiction” (The Washington Post). The complete Godhead Trilogy from James Morrow, including Towing Jehovah, Blameless in Abaddon, and The Eternal Footman. In the World Fantasy Award–winning Towing Jehovah, God has died, and Anthony Van Horne must tow the corpse to the Arctic (to preserve Him from sharks and decomposition). En route Van Horne must also contend with ecological guilt, a militant girlfriend, sabotage both natural and spiritual, and greedy hucksters of oil, condoms, and doubtful ideas. Blameless in Abaddon, a New York Times Notable Book of the Year, is a “funny, ferocious fantasy” (Philadelphia Inquirer). God is a comatose, two-mile-long tourist attraction at a Florida theme park—until a conniving judge decides to put Him on trial in The Hague for crimes against humanity. The Eternal Footman completes Morrow’s darkly comic trilogy about God’s untimely demise. With God’s skull in orbit, competing with the moon, a plague of “death awareness” spreads across the Western hemisphere. As the United States sinks into apocalypse, two people fight to preserve life and sanity. A few highlights: a bloody battle on a New Jersey golf course between Jews and anti-Semites; a theater troupe’s stirring dramatization of the Gilgamesh epic; and a debate between Martin Luther and Erasmus. Morrow also gives us his most chilling villain ever: Dr. Adrian Lucido, founder of a new pagan church in Mexico and inventor of a cure worse than any disease.
In Towing Jehovah, the discovery of the two-mile-long corpse of God in the mid-Atlantic proved a serious menace to both navigation and to faith. But was God truly dead, as the nihilists and the New York Times believed? In Blameless in Abaddon, His body - comatose yet far from inert - has been hauled from its temporary resting place in the Arctic to Florida, where it has become the Main Attraction at Orlando's Celestial City USA. And now one Martin Candle, a small-time and sore-afflicted judge practicing in Abaddon Township, Pennsylvania, proposes further travels for the Corpus Dei: to the World Court in The Hague, to answer for history's injustices large and small. In his quest to counter the world's great theodicies, Martin embarks on an astonishing odyssey through the mind of the Creator, where Lot's wife proves a most convenient way of adding salt to a margarita glass, early hominids vigorously debate Augustinian doctrine over jasmine tea, and Martin's alter ego, Job, keeps an eternal vigil atop his dung heap. Once the Trial of the Millennium has begun, Martin will understand why Abaddon is another name for Hell. God hunting simply is not a sport for amateurs.
News of the Black Feast and Other Random Reviews by Brian Stableford Pdf
This new collection gathers together 45 of Stableford's best critical reviews on works of science fiction, fantasy, horror, decadent literature, and nonfiction books about these topics. His comments are witty, intelligent, and full of insight. Complete with comprehensive index.
Short fiction of biblical proportions—and bent—from the science fiction satirist and author of The Godhead Trilogy. James Morrow, “the most provocative satiric voice in science fiction,” unabashedly delves into matters both sacred and secular in this collection of short stories buoyed by his deliciously irreverent wit (The Washington Post). Among the dozen selections is the Nebula Award–winning story, “The Deluge,” in which a woman of ill repute is rescued by the crew of the ark, who must deal with the consequences of their misguided act of mercy. Also included is a follow-up to the Tower of Babel fable, an unprecedented nativity, and an attempt to stand so-called creation science on its head. Nothing is spared in a collection that “deliciously skewer[s] not only Judeo-Christian mythology but other sacred cows of modern society, from capitalism to New Age spiritualism” (Booklist). “Morrow’s is a blend of parody and commentary which challenges readers to reflect upon the human spiritual condition.” —Midwest Book Review
Christianity and the Triumph of Humor by Bernard Schweizer Pdf
This book traces the development of religious comedy and leverages that history to justify today’s uses of religious humor in all of its manifestations, including irreverent jokes. It argues that regulating humor is futile and counterproductive, illustrating this point with a host of comedic examples. Humor is a powerful rhetorical tool for those who advocate and for those who satirize religious ideals. The book presents a compelling argument about the centrality of humor to the story of Western Christianity’s cultural and artistic development since the Middle Ages, taking a multi-disciplinary approach that combines literary criticism, religious studies, philosophy, theology, and social science. After laying out the conceptual framework in Part 1, Part 2 analyzes key works of religious comedy across the ages from Dante to the present, and it samples the breadth of contemporary religious humor from Brad Stine to Robin Williams, and from Monty Python to South Park. Using critical, historical, and conceptual lenses, the book exposes and overturns past attempts by church authorities, scholars, and commentators to limit and control laughter based on religious, ideological, or moral criteria. This is a unique look into the role of humor and comedy around religion. It will, therefore, appeal to readers interested in multiple fields of inquiry, including religious studies, humor studies, the history of ideas, and comparative literature.
It is the early summer of 1945, and war reigns in the Pacific Rim with no end in sight. Back in the States, Hollywood B-movie star Syms Thorley lives in a very different world, starring as the Frankenstein-esque Corpuscula, and Kha-Ton-Ra, the living Mummy. But the U.S. Navy has a new role waiting for Thorley, the role of a lifetime. The top secret Knickerbocker Project is putting the finishing touches on the ultimate biological weapon: a breed of gigantic, fire-breathing, proto-Godzillas engineered to stomp and burn cities on the Japanese mainland. The Navy calls upon Thorley to don a rubber suit and become the merciless Gorgantis, starring in a film that simulates the destruction of a miniature Japanese metropolis. If the demonstration succeeds, the Japanese will surrender and many thousands of lives will be spared; if it fails, the horrible mutant lizards must be unleashed. One thing is certain: Syms Thorley must now give the most terrifyingly convincing performance of his life.
Can civilization survive the untimely demise of God? “A buoyant romp . . . superlatively intelligent and entertaining” (The Baltimore Sun). Completing the World Fantasy Award–winning author’s darkly comic trilogy, The Eternal Footman brings us into a future world in which God’s skull is in orbit, competing with the moon, and a plague of “death awareness” spreads across the Western hemisphere. As the United States sinks into apocalypse, two people fight to preserve life and sanity. One is Nora Burkhart, a schoolteacher who will stop at nothing to save her only son, Kevin. The other is the genius sculptor Gerard Korty, who struggles to create a masterwork that will heal the metaphysical wounds of the age. A few highlights: a bloody battle on a New Jersey golf course between Jews and anti-Semites; a theater troupe’s stirring dramatization of the Gilgamesh epic; and a debate between Martin Luther and Erasmus. And a chilling villain in the person of Dr. Adrian Lucido—founder of a new pagan church in Mexico, and inventor of a cure worse than any disease . . . “Morrow hilariously joins the ranks of the great satirists.” —The Denver Post “[An] insanely ingenious plot, reminiscent, variously, of B-science-fiction movies in the 1950s, Evelyn Waugh’s The Loved One, and Terry Southern at his most charmingly deranged.” —Kirkus Reviews “Any novel that springs from a sparkling intellect rather than a dreary neurosis is cause for celebration, and The Eternal Footman, with its load of truth and laughter, justifies a considerable quantity of champagne.” —Tom Robbins, New York Times–bestselling author of Even Cowgirls Get the Blues
Imagining the End provides students and general readers with contextualized examples of how the apocalypse has been imagined across all mediums of American popular culture. Detailed entries analyze the development, influence, and enjoyment of end-times narratives. Imagining the End provides a contextual overview and individual description and analysis of the wide range of depictions of the end of the world that have appeared in American popular culture. American writers, filmmakers, television producers, and game developers inundated the culture with hundreds of imagined apocalyptic scenarios, influenced by the Biblical Book of Revelation, the advent of the end of the second millennium (2000 CE), or predictions of catastrophic events such as nuclear war, climate change, and the spread of AIDS. From being "raptured" to surviving the zombie apocalypse, readers and viewers have been left with an almost endless sequence of disasters to experience. Imagining the End examines this phenomenon and provides a context for understanding, and perhaps appreciating, the end of the world. This title is composed of alphabetized entries covering all topics related to the end times, covering popular culture mediums such as comic books, literature, films, and music.
The Life of God (as Told by Himself) by Franco Ferrucci Pdf
“Blessed are the readers, for this tale of God’s long insomnia will keep them happily awake . . . An extraordinary story.” —Umberto Eco, international bestselling, award-winning author At the center of Franco Ferrucci’s inspired novel is a tender, troubled God. In the beginning is God’s solitude, and because God is lonely he creates the world. He falls in love with earth, plunges into the oceans, lives as plant and reptile and bird. His every thought and mood serve to populate the planet, with consequences that run away from him—sometimes delightfully, sometimes unfortunately. When a new arrival emerges from the apes, God believes he has finally found the companion he needs to help him make sense of his unruly creation. Yet, as the centuries pass, God feels more and more out of place in the world he has created; by the close of his memoir, he is packing his bags. Highly praised and widely reviewed, The Life of God is a playful, wondrous, and irresistible book, recounting thousands of years of religious and philosophical thought. “‘God’s only excuse is that he does not exist,’ wrote Stendhal, but now Franco Ferrucci has provided the Supreme Being with another sort of alibi.” —James Morrow, The Washington Post Book World “The Life of God is, in truth, the synthesis of a charming writer’s . . . expression of his boundless hopes for, and poignant disappointments in, his own human kind.” —Jack Miles, The New York Times Book Review “Rather endearing . . . This exceedingly amusing novel . . . is a continuous provocation and delight; there isn’t a dull page in it.” —Kirkus Reviews
Decoding Gender in Science Fiction by Brian Attebery Pdf
From Frankenstein to futuristic feminist utopias, Decoding Gender in Science Fiction examines the ways science fiction writers have incorporated, explored, and revised conventional notions of sexual difference. Attebery traces a fascinating history of men's and women's writing that covertly or overtly investigates conceptions of gender, suggesting new perspectives on the genre.
Culture, Entertainment, and the Bible by George Aichele Pdf
This topical volume deals with the adoption of biblical language and narrative and the presentation of 'biblical' images and themes in popular literature, art and mass media. The chapters, all written by experts in cultural studies of the Bible, explore how ideologies are produced, in various ways, when biblical texts are brought into play with each other, with other texts, and with the inevitable and continual demands for cultural and historical "translation"-or "recycling"-of the scriptures. The volume contains some theoretical reflections, but focuses on specific examples of cultural translation, and is directed primarily at advanced (graduate) students and scholars in biblical studies, popular studies, media studies, literature, and the arts, although some articles will also be of value and interest to introductory students and the general public. The contributors to this volume are Fiona Black, Susan Lochrie Graham, Chris Heard, Helen Leneman, Phyllis Silverman Kramer, Tina Pippin, Caroline Vader Stichele, Lori Rowlett, Erin Runions, Jan William Tarlin and Richard Walsh.
A New York Times Notable Book: The People vs. God in “a funny, ferocious fantasy” from the two-time Nebula Award–winning author (The Philadelphia Inquirer). Hallelujah! God is not dead. He’s just been a deep-freeze coma in the Arctic. Strapped for cash, the Vatican has sold the body (a bargain at $1.3 billion!) to Baptists in Florida. Enterprising souls that they are, they’ve turned the Corpus Dei into a popular, two-mile long theme-park attraction at Orlando’s Celestial City USA—hooked up to the largest life-support system on earth. Then things get weird. Martin Candle, a justice of the peace who’s suffered a series of devastating setbacks, decides to put Him on trial in The Hague for crimes against humanity. Now, to accumulate evidence for the prosecution, Candle enters God’s brain on a steamer to find out what in the world the Almighty could possibly have been thinking all these years. What ensues in this sequel to James Morrow’s World Fantasy Award–winning Towing Jehovah is a “square off for the greatest moral debate of all time . . . [and it’s] not to be missed” (Booklist). “Surreal . . . dark and powerful.” —Publishers Weekly “A wildly imaginative novel . . . as barbed with high and low comedy as an Aristophanes play—and just as fundamentally serious.” —The Bloomsbury Review “Hilarious . . . [Morrow] demonstrates a sharp mind, [and] a sharper tongue . . . Salman Rushdie, eat your heart out.” —The San Diego Union-Tribune
