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Traces of the Great War is a remarkable, original collection of 18 thought provoking graphic short stories bridging the past and present. Internationally-acclaimed comic book artists, graphic novelists and writers, all of them explore the continued relevance and resonance of the First World War and its legacy in our lives today, creating emotion and reflexions.
At the end of the First World War, the landscape of the Western Front in Flanders had been transformed into a wasteland. After the war, the population returned, faced with the enormous challenge of rebuilding the region and making it inhabitable again. All traces of the war were wiped out, leaving only what was left in the ground - what is now the archaeological soil archive. Throughout the Westhoek, 30 centimetres beneath the ground and invisible to the naked eye, the archaeological remains of the war lie dormant. This book, the first of its kind, is a compendium of the findings of ten years of First World War archaeology in Belgium. Clearly written, it looks at many spectacular finds resulting from excavations at more than 150 sites in the front-line region, and also delves into the unexpected role of the landscape as the last witness of the war. These material remains from military camps, hospitals and trenches illustrate day-to-day life at the front, while also looking at the personal fates of several of the fallen soldiers - and many horses. The text is supported by a wealth of visual data, including photographs of excavated artefacts, maps, aerial photographs and other archive material.
Historian and Bram Stoker Award nominee W. Scott Poole traces the confluence of military history, technology, and art that gave us modern horror films and literature. From Nosferatu to Frankenstein’s monster, from Fritz Lang to James Whale, the touchstones of horror can all trace their roots to the bloodshed of the First World War. Bram Stoker Award nominee W. Scott Poole traces the confluence of military history, technology, and art in the wake of World War I to show how overwhelming carnage gave birth to a wholly new art form: modern horror films and literature. "Thoroughly engrossing cultural study . . . Poole persuasively argues that the birth of horror as a genre is rooted in the unprecedented destruction and carnage of WWI." —Publishers Weekly (starred review)
Correlli Barnett traces the history of World War I, from its origins in a Europe wracked with political tensions, through the years of appalling losses and destruction, to its bitter end in the fatally-flawed armistice of 1918.
Vanda Wilcox’s edited volume Italy in the Era of the Great War analyses the political, military, social, economic and cultural history of war in Italy between 1911 and 1922.
Scenes and Traces of the English Civil War by Stephen Bann Pdf
The English Civil War has become a frequent point of reference in contemporary British political debate. A bitter and bloody series of conflicts, it shook the very foundations of seventeenth-century Britain. This book is the first attempt to portray the visual legacy of this period, as passed down, revisited, and periodically reworked over two and a half centuries of subsequent English history. Highly regarded art historian Stephen Bann deftly interprets the mass of visual evidence accessible today, from ornate tombs and statues to surviving sites of vandalism and iconoclasm, public signage, and historical paintings of human subjects, events, and places. Through these important scenes and sometimes barely perceptible traces, Bann shows how the British view of the War has been influenced and transformed by visual imagery.
Winnie's Great War by Lindsay Mattick,Josh Greenhut Pdf
From the creative team behind the bestselling Finding Winnie, winner of the Caldecott Medal, comes an extraordinary wartime adventure seen through the eyes of the world’s most beloved bear Here is a heartwarming reimagining of the real journey undertaken by the extraordinary bear who inspired Winnie-the-Pooh. Follow Winnie’s war adventure—from her early days with her mother in the Canadian forest, to her remarkable travels with the Veterinary Corps across the country and overseas, and all the way to the London Zoo, where she met Christopher Robin Milne and inspired the creation of the world’s most famous bear. This beautifully told story is a triumphant blending of deep research and magnificent imagination. Infused with Sophie Blackall’s irresistible renderings of an endearing bear, the book is also woven through with entries from Captain Harry Colebourn’s real wartime diaries and contains a selection of artifacts from the Colebourn family archives. The result is a one-of-a-kind exploration into the realities of war, the meaning of courage and the indelible power of friendship, all told through the historic adventures of one extraordinary bear.
14-18, Understanding the Great War by Stéphane Audoin-Rouzeau,Annette Becker Pdf
An analysis of the Great War looks deeply into the swirling quagmire of violence, racism, and grief stirred up by the war and traces the influence of these strong emotions on the course of European history.
Great War, Total War by Roger Chickering,Stig Förster Pdf
World War I was the first large-scale industrialized military conflict, and it led to the concept of total war. The essays in this volume analyze the experience of the war in light of this concept's implications, in particular the erosion of distinctions between the military and civilian spheres.
Virginia played an important role during World War I, supplying the Allied forces with food, horses and steel in 1915 and 1916. After America entered the war in 1917, Virginians served in numerous military and civilian roles--Red Cross nurses, sailors, shipbuilders, pilots, stenographers and domestic gardeners. More than 100,000 were drafted--more than 3600 lost their lives. Almost every city and county lost men and women to the war. The author details the state's manifold contributions to the war effort and presents a study of monuments erected after the war.
Conflict Landscapes by Nicholas J. Saunders,Paul Cornish Pdf
Conflict Landscapes explores the long under-acknowledged and under-investigated aspects of where and how modern conflict landscapes interact and conjoin with pre-twentieth-century places, activities, and beliefs, as well as with individuals and groups. Investigating and understanding the often unpredictable power and legacies of landscapes that have seen (and often still viscerally embody) the consequences of mass death and destruction, the book shows, through these landscapes, the power of destruction to preserve, refocus, and often reconfigure the past. Responding to the complexity of modern conflict, the book offers a coherent, integrated, and sensitized hybrid approach, which calls on different disciplines where they overlap in a shared common terrain. Dealing with issues such as memory, identity, emotion, and wellbeing, the chapters tease out the human experience of modern conflict and its relationship to landscape. Conflict Landscapes will appeal to a wide range of disciplines involved in studying conflict, such as archaeology, anthropology, material culture studies, art history, cultural history, cultural geography, military history, and heritage and museum studies.
The Sunset of Tradition and the Origin of the Great War by Alexander Wolfheze Pdf
From a Traditionalist perspective, the cultural history of the Modern Era amounts to the genesis of the Dark Age. The Traditionalist meta-historical narrative deconstructs the modernist myth of “historic progress” as an anti-intellectual superstition. It exposes the quintessential features of Modernity – namely, secular nihilism, historical materialism, socio-political egalitarianism, and collective narcissism – as structural inversions of Traditional values. The historic accumulation of these inversions set the stage for a final showdown between Tradition and Modernity. In terms of ancient prophecy and Traditionalist philosophy, the Great War represents the apocalyptic sunset of the world of Tradition. This work follows the forgotten path of the philosophia perennis to trace the historic onset of the Dark Age. It clears away a century-deep deposit of “progressive” illusions and “politically-correct” axioms. The restored road of Traditional thought will lead a new generation of scholars to their rightful inheritance: an intellectual tabula rasa on which history can be written anew.
