Tracing War In British Enlightenment And Romantic Culture
Tracing War In British Enlightenment And Romantic Culture Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Tracing War In British Enlightenment And Romantic Culture book. This book definitely worth reading, it is an incredibly well-written.
Tracing War in British Enlightenment and Romantic Culture by Gillian Russell,Neil Ramsey Pdf
This volume argues for the enduring and pervasive significance of war in the formation of British Enlightenment and Romantic culture. Showing how war throws into question conventional disciplinary parameters and periodization, essays in the collection consider how war shapes culture through its multiple, divergent, and productive traces.
Tracing War in British Enlightenment and Romantic Culture by Gillian Russell,Neil Ramsey Pdf
This volume argues for the enduring and pervasive significance of war in the formation of British Enlightenment and Romantic culture. Showing how war throws into question conventional disciplinary parameters and periodization, essays in the collection consider how war shapes culture through its multiple, divergent, and productive traces.
Tracing War in British Enlightenment and Romantic Culture by Gillian Russell,Neil Ramsey Pdf
This volume argues for the enduring and pervasive significance of war in the formation of British Enlightenment and Romantic culture. Showing how war throws into question conventional disciplinary parameters and periodization, essays in the collection consider how war shapes culture through its multiple, divergent, and productive traces.
Objects of Liberty explores the prevalence of souvenirs in British women’s writing during the French Revolution and Napoleonic era. It argues that women writers employed the material and memorial object of the souvenir to circulate revolutionary ideas and engage in the masculine realm of political debate. While souvenir collecting was a standard practice of privileged men on the eighteenth-century Grand Tour, women began to partake in this endeavor as political events in France heightened interest in travel to the Continent. Looking at travel accounts by Helen Maria Williams, Mary Wollstonecraft, Catherine and Martha Wilmot, Charlotte Eaton, and Mary Shelley, this study reveals how they used souvenirs to affect political thought in Britain and contribute to conversations about individual and national identity. At a time when gendered beliefs precluded women from full citizenship, they used souvenirs to redefine themselves as legitimate political actors. Objects of Liberty is a story about the ways that women established political power and agency through material culture.
Romanticism and the Biopolitics of Modern War Writing by Neil Ramsey Pdf
Military literature was one of the most prevalent forms of writing to appear during the Romantic era, yet its genesis in this period is often overlooked. Ranging from histories to military policy, manuals, and a new kind of imaginative war literature in military memoirs and novels, modern war writing became a highly influential body of professional writing. Drawing on recent research into the entanglements of Romanticism with its wartime trauma and revisiting Michel Foucault's ground-breaking work on military discipline and the biopolitics of modern war, this book argues that military literature was deeply reliant upon Romantic cultural and literary thought and the era's preoccupations with the body, life, and writing. Simultaneously, it shows how military literature runs parallel to other strands of Romantic writing, forming a sombre shadow against which Romanticism took shape and offering its own exhortations for how to manage the life and vitality of the nation.
Imagining War and Peace in Eighteenth-Century Britain, 1690–1820 by Andrew Lincoln Pdf
Is war the opposite of peace, or its necessary accomplice? Exploring this question in relation to eighteenth-century Britain, Andrew Lincoln opens up complex, paradoxical and enduring issues and shows how ideas and methods were developed to provide the British public with moral insulation from violence both overseas and at home.
Romantic Wars is a collection of eight specially commissioned essays focusing on the relations between British Romantic culture (poetry, fiction, painting, and non-fictional prose) and the Revolutionary and Napoleonic wars. Whilst in recent years much attention has been paid to the influence of the French Revolution on British Romanticism, comparatively little has been written about the effects of war. This book takes, as its central thesis, the idea that Romanticism is facilitated and conditioned by a culture of hostility. Whether this is manifested in Blakean visions of 'mental warfare', or in socio-historical reflections on the links between conflict and nationhood, the essays in this volume seek to correct a prevailing assumption that the culture of this period is unaffected by discourses of violence. Through a combination of individual case studies - detailed readings of warfare in Coleridge, Byron, Charlotte Smith and Austen - and wider-ranging survey discussions, including essays on the representation of the British sailor and war poetry by women, the book provides a timely reflection on the texts and contexts of the first 'Great War'. The book is aimed at literary specialists and historians working in the areas of Romanticism and European history. It will also appeal to general readers with an interest in early nineteenth-century writing and British culture.
During the Peninsular War, Wellington's army stormed and sacked three French-held Spanish towns: Ciudad Rodrigo (1812), Badajoz (1812) and San Sebastian (1813). Storm and Sack is the first major study of British soldiers' violence and restraint towards enemy combatants and civilians in the siege warfare of the Napoleonic era. Using soldiers' letters, diaries and memoirs, Gavin Daly compares and contrasts military practices and attitudes across British sieges spanning three continents, from the Peninsular War in Spain to India and South America. He focuses on siege rituals and laws of war, and uncovering the cultural and emotional history of the storm and sack of towns. This book challenges conventional understandings of the place and nature of sieges in the Napoleonic Wars. It encourages a rethinking of the notorious reputations of the British sacks of this period and their place within the long-term history of customary laws of war and siege violence. Daly reveals a multifaceted story not only of rage, enmity, plunder and atrocity but also of mercy, honour, humanity and moral outrage.
Writing War in Britain and France, 1370-1854 by Stephanie Downes,Andrew Lynch,Katrina O’Loughlin Pdf
Writing War in Britain and France, 1370-1854: A History of Emotions brings together leading scholars in medieval, early modern, eighteenth-century, and Romantic studies. The assembled essays trace continuities and changes in the emotional register of war, as it has been mediated by the written record over six centuries. Through its wide selection of sites of utterance, genres of writing and contexts of publication and reception, Writing War in Britain and France, 1370-1854 analyses the emotional history of war in relation to both the changing nature of conflicts and the changing creative modes in which they have been arrayed and experienced. Each chapter explores how different forms of writing defines war – whether as political violence, civilian suffering, or a theatre of heroism or barbarism – giving war shape and meaning, often retrospectively. The volume is especially interested in how the written production of war as emotional experience occurs within a wider historical range of cultural and social practices. Writing War in Britain and France, 1370-1854: A History of Emotions will be of interest to students of the history of emotions, the history of pre-modern war and war literature.
Romanticism by Carmen Casaliggi,Porscha Fermanis Pdf
The Romantic period coincided with revolutionary transformations of traditional political and human rights discourses, as well as witnessing rapid advances in technology and a primitivist return to nature. As a broad global movement, Romanticism strongly impacted on the literature and arts of the late eighteenth and early nineteenth centuries in ways that are still being debated and negotiated today. Examining the poetry, fiction, non-fiction, drama, and the arts of the period, this book considers: Important propositions and landmark ideas in the Romantic period; Key debates and critical approaches to Romantic studies; New and revisionary approaches to Romantic literature and art; The ways in which Romantic writing interacts with broader trends in history, politics, and aesthetics; European and Global Romanticism; The legacies of Romanticism in the twentieth and twenty-first centuries. Containing useful, reader-friendly features such as explanatory case studies, chapter summaries, and suggestions for further reading, this clear and engaging book is an invaluable resource for anyone who intends to study and research the complexity and diversity of the Romantic period, as well as the historical conditions which produced it.
After the Battle of Waterloo, Britain actively incorporated the victory into their national identity. 'Who Owned Waterloo?' demonstrates that Waterloo's significance to Britain's national psyche resulted in a different battle: one in which civilian and military groups fought to establish claims on different aspects of the battle and its remembrance.--
Politics and Emotions in Romantic Periodicals by Jock Macleod,William Christie,Peter Denney Pdf
This book comprises eleven essays by leading scholars of early nineteenth-century British literature and periodical culture. The collection addresses the many and varied links between politics and the emotions in Romantic periodicals, from the revolutionary decade of the 1790s, to the 1832 Reform Bill. In so doing, it deepens our understanding of the often conflicted relations between politics and feelings, and raises questions relevant to contemporary debates on affect studies and their relation to political criticism. The respective chapters explore both the politics of emotion and the emotional register of political discussion in radical, reformist and conservative periodicals. They are arranged chronologically, covering periodicals from Pigs’ Meat to Blackwood’s Edinburgh Magazine and the Spectator. Recurring themes include the contested place of emotion in radical political discourse; the role of the periodical in mediating action and performance; the changing affective frameworks of cultural politics (especially concerning gender and nation), and the shifting terrain of what constitutes appropriate emotion in public political discourse.
