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Tragedy and Philosophy. A Parallel History by Agnes Heller† Pdf
Completed shortly before her death in 2019, Tragedy and Philosophy. A Parallel History is the sum of Agnes Heller’s reflections on European history and culture, seen through the prism of Europe’s two unique literary creations: tragedy and philosophy.
Reframes philosophical understanding of, and engagement with, tragedy. In The Tragedy of Philosophy Andrew Cooper challenges the prevailing idea of the death of tragedy, arguing that this assumption reflects a problematic view of both tragedy and philosophyone that stifles the profound contribution that tragedy could provide to philosophy today. To build this case, Cooper presents a novel reading of Immanuel Kants Critique of Judgment. Although this text is normally understood as the final attempt to seal philosophy from the threat of tragedy, Cooper argues that Kants project is rather a creative engagement with a tragedy that is specific to philosophy, namely, the inevitable failure of attempts to master nature through knowledge. Kants encounter with the tragedy of philosophy turns philosophys gaze from an exclusive focus on knowledge to matters of living well in a world that does not bend itself to our desires. Tracing the impact of Kants Critique of Judgment on some of the most famous theories of tragedy, including those of G. W. F. Hegel, Friedrich Nietzsche, Martin Heidegger, and Cornelius Castoriadis, Cooper demonstrates how these philosophers extend the project found in both Kant and the Greek tragedies: the attempt to grasp nature as a domain hospitable to human life.
Philosophy and The Hitchhiker's Guide to the Galaxy by N. Joll Pdf
The Hitchhiker's Guide to the Galaxy provides an excellent way of looking at some intriguing issues in philosophy, from vegetarianism and Artificial Intelligence to God, space and time. This is an entertaining yet thought provoking volume for students, philosophers and fans of The Hitchhiker's series.
In our current age of cynicism, John McGowan suggests that the time is right to take a fresh look at pragmatism, the philosophy of American democracy. As McGowan shows, pragmatism can be an inspiring alternative to the despair that seems to dominate contemporary American politics. Pragmatist Politics is passionate and convincing, both heartfelt and clear-eyed. It offers an expansive vision of what the United States could be and should be. From John Dewey and William James, McGowan derives a history of democracy as a way of life, characterized by a distinctive ethos and based on an understanding of politics as potentially effective collective agency. That democratic ideal is wedded to a liberalism that focuses on extending the benefits of democracy and of material prosperity to all. Beyond the intellectual case for liberal democracy, McGowan turns to how James, especially, was attuned to the ways that emotional appeals often trump persuasion through arguments, and he examines the work of Kenneth Burke, among others, to investigate the link between liberal democracy and a comic view of human life. Comedy, McGowan notes, allows consideration of themes of love, forgiveness, and generosity that figure far too infrequently in philosophical accounts of politics. In McGowan's work, the combination of pragmatism and comedy takes us on a wide-ranging exploration of what American politics--and by extension American life--could actually be like if it truly reflected American values.
Poetry is philosophically interesting, writes Gerald L. Bruns, "when it is innovative not just in its practices, but, before everything else, in its poetics (that is, in its concepts or theories of itself)." In The Material of Poetry, Bruns considers the possibility that anything, under certain conditions, may be made to count as a poem. By spelling out such enabling conditions he gives us an engaging overview of some of the kinds of contemporary poetry that challenge our notions of what language is: sound poetry, visual or concrete poetry, and "found" poetry. Poetry's sense and meaning can hide in the spaces in which it is written and read, says Bruns, and so he urges us to become anthropologists, to go afield in poetry's social, historical, and cultural settings. From that perspective, Bruns draws on works by such varied poets as Gertrude Stein, Ezra Pound, Steve McCaffery, and Francis Ponge to argue for three seemingly competing points. First, poetry is made of language but is not a use of it. That is, poetry is made of words but not of what we use words to produce: concepts, narratives, expressions of feeling, and so on. Second, as the nine sound poems on the CD included with the book demonstrate, poetry is not necessarily made of words but is rooted in, and in fact already fully formed by, sounds the human body can produce. Finally, poetry belongs to the world alongside ordinary things; it cannot be confined to some aesthetic, neutral, or disengaged dimension of human culture. Poetry without frontiers, unmoored from expectations, and sometimes even written in imaginary languages: Bruns shows us why, for the sake of all poetry, we should embrace its anarchic, vitalizing ways.
A critical re-examination of the views of Plato, Aristotle, Hegel and Nietzsche on tragedy. Ancient Greek tragedy is revealed as surprisingly modern and experimental, while such concepts as mimesis, catharsis, hubris and the tragic collision are discussed from different perspectives.
Three narratives intertwine to tell a tale of escalating madness and heroism: A lone renegade in the future, living as an exile on a starship that comes under attack. A miserable 21st C. philosopher sinking into madness as he tries to solve the problems of humanity. A girl unbound by time, who fleets through epochs as a mystical wanderer.
FRIEDRICH NIETZSCHE: 10 Quintessential Philosophy Books by Friedrich Nietzsche Pdf
"In individuals, insanity is rare; but in groups, parties, nations and epochs, it is the rule." Friedrich Nietzsche (1844–1900) was a German philosopher, poet and Latin and Greek scholar whose work has exerted a profound influence on Western philosophy and modern intellectual history. Because of Nietzsche's evocative style and provocative ideas, his philosophy generates passionate reactions. His works remain controversial, due to varying interpretations and misinterpretations of his work. In the Western philosophy tradition, Nietzsche's writings have been described as the unique case of free revolutionary thought, that is, revolutionary in its structure and problems, although not tied to any revolutionary project. Some prominent elements of his philosophy include his genealogical critique of religion and Christian morality; the related theory of master–slave morality; the characterization of the human subject as the expression of competing wills, collectively understood as the will to power; and influential concepts such as the Übermensch and the doctrine of eternal return. Content: Beyond Good and Evil The Genealogy of Morals The Birth of Tragedy or, Hellenism And Pessimism The Antichrist Thus Spake Zarathustra: A Book for All and None The Case of Wagner The Twilight of the Idols The Will to Power (Vol. 1&2) The Gay Science or, The Joyful Wisdom We Philologists Ecce Homo: How One Becomes What One Is The Greek State The Greek Woman On Music and Words Homer's Contest The Relation of Schopenhauer's Philosophy to a German Culture Philosophy During the Tragic Age of the Greeks On Truth and Falsity in Their Ultramoral Sense Selected Personal Letters
At stake in this book is a struggle with language in a time when our old faith in the redeeming of the word-and the word's power to redeem-has almost been destroyed. Drawing on Benjamin's political theology, his interpretation of the German Baroque mourning play, and Adorno's critical aesthetic theory, but also on the thought of poets and many other philosophers, especially Hegel's phenomenology of spirit, Nietzsche's analysis of nihilism, and Derrida's writings on language, Kleinberg-Levin shows how, because of its communicative and revelatory powers, language bears the utopian "promise of happiness," the idea of a secular redemption of humanity, at the very heart of which must be the achievement of universal justice. In an original reading of Beckett's plays, novels and short stories, Kleinberg-Levin shows how, despite inheriting a language damaged, corrupted and commodified, Beckett redeems dead or dying words and wrests from this language new possibilities for the expression of meaning. Without denying Beckett's nihilism, his picture of a radically disenchanted world, Kleinberg-Levin calls attention to moments when his words suddenly ignite and break free of their despair and pain, taking shape in the beauty of an austere yet joyous lyricism, suggesting that, after all, meaning is still possible.
Philosophy and Tragedy by Simon Sparks,Miguel de Beistegui Pdf
From Plato's Republic and Aristotle's Poetics to Nietzsche's The Birth of Tragedy, the theme of tragedy has been subject to radically conflicting philosophical interpretations. Despite being at the heart of philosophical debate from Ancient Greece to the Nineteenth Century, however, tragedy has yet to receive proper treatment as a philosophical tradition in its own right. Philosophy and Tragedy is a compelling contribution to that oversight and the first book to address the topic in a major way. Eleven new essays by internationally renowned philosophers clearly show how time and again, major thinkers have returned to tragedy in many of their key works. Philosophy and Tragedy aks why it is that thinkers as far apart as Hegel and Benjamin should make tragedy such an important theme in their work, and why, after Kant, an important strand of philosophy should present itself tragically. From Heidegger's reading of Sophocles' Antigone to Nietzsche and Benjamin's book-length studies of tragedy, Philosophy and Tragedy presents an outstanding and original study of this preoccupation. The five sections are organised clearly around five major philosophers: Hegel, Holderlin, Nietzsche, Heidegger, and Benjamin
Philosopher Kings and Tragic Heroes by Heather Reid,Davide Tanasi Pdf
On at least one of Plato's visits to the sparkling city of Syracuse, he must have visited its famed theater and taken in a tragedy or two. He may also have reflected, as he sat there on the marble seats and looked up occasionally to glimpse the Ionian Sea, that his own adventure resembled that of a tragic hero. It had shining ideals, noble goals, great risk, a bit of hubris, and would end in death, nearly for the philosopher himself, and senselessly for his protégé, Dion. This connection between philosophy and drama goes back farther than Plato, though. It has roots in the plays of Syracuse's Epicharmus and can be seen in the earliest intellectual history of Magna Graecia, where such thinkers as Pythagoras, Xenophanes, and Empedocles blended philosophy, poetry, and performance. Sicily and Southern Italy, in particular, seem to have inspired the kind of original ideas that defy disciplinary designation. This collection of essays from a variety of disciplinary perspectives including archaeology, classics, philosophy, and art history, offers a refreshing new outlook on the heritage of Western Greece.
The trajectory of Friedrich Nietzsche’s thought has long presented a difficulty for the study of his philosophy. How did the young Nietzsche—classicist and ardent advocate of Wagner’s cultural renewal—become the philosopher of Will to Power and the Eternal Return? With this book, Laurence Lampert answers that question. He does so through his trademark technique of close readings of key works in Nietzsche’s journey to philosophy: The Birth of Tragedy, Schopenhauer as Educator, Richard Wagner in Bayreuth, Human All Too Human, and “Sanctus Januarius,” the final book of the 1882 Gay Science. Relying partly on how Nietzsche himself characterized his books in his many autobiographical guides to the trajectory of his thought, Lampert sets each in the context of Nietzsche’s writings as a whole, and looks at how they individually treat the question of what a philosopher is. Indispensable to his conclusions are the workbooks in which Nietzsche first recorded his advances, especially the 1881 workbook which shows him gradually gaining insights into the two foundations of his mature thinking. The result is the most complete picture we’ve had yet of the philosopher’s development, one that gives us a Promethean Nietzsche, gaining knowledge even as he was expanding his thought to create new worlds.
Tragedy and the Tragic in German Literature, Art, and Thought by Stephen D. Dowden,Thomas P. Quinn Pdf
Essays in this volume seek to clarify the meaning of tragedy and the tragic in its many German contexts, art forms, and disciplines, from literature and philosophy to music, painting, and history.